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Archive for the ‘Ecopoetry’ Category

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[with poems by the 2023 Tremont Poetry Cohort]
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Awaken
 .  . 
You came because the river quiets your soul,
the sassafras soothes and sweetgum settles.
Have you gotten your breath? Do you remember who you are?
Leave us, now; it’s our time to sleep. You go, awake.
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Sarah Small / Alcoa, Tennessee
postcard – Mother bear & cubs
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The Little River is singing ‘October Blues’ and I can listen if I’ll just roll down my window. Leaving the Smokies on a Sunday morning, who would have imagined such a glut of traffic, but I can make the choice to gentle my right foot and blend with the flow. And here on the right comes another choice: I pull off at Chimneys and flush the press of schedule and itinerary from my mind.
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A ten minute climb into old growth hardwood cove and road noise no longer penetrates. Every few steps another chipmunk whistles its alarm. Fecund – whoever coined that word was smelling this place. The carpet is bright green hepatica saving up to flower in just a few months, the understory is summer seedhead bounty and autumn wood asters blooming like crazy, and the overstory is way up there, crooked and knobbed, reaching and mingling and only allowing an occasional glimpse of Balsam Point.
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I’ve been waiting since breakfast and now I pull out the small slip of lined paper Renée gave me, a personal parting note; she prepared one for each of us in the cohort. “Read it later,” she had said. I’m going to trust she won’t mind if I share one line: “I came to this conference with some heaviness and I’m leaving with light and a sense of belonging.” A mystery, a wonder, an inexplicable blessing that in just a few days eight strangers can so deeply connect.
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[untitled]
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You’re not a flightless bird,
+++++ your wings held tight
against your breast;
+++++ unfurl your plumage,
Go from here with boldness,
+++++ revel in your glory.
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Jeannine Jordan / Lima, Ohio
postcard – Wild Turkey
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Community
(the Park speaks)
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Inspire, breath in, be filled with spirit –
think I’d tip you like a funnel and pour
right in? Look around this circle and take
a lesson from the Queen of Connection.
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Bill Griffin / Elkin, North Carolina
postcard – entrance to GSMNP
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Frank fans the deck and asks us each to select one. They’re postcards, of Great Smoky Mountains National Park, face down so we can’t see what we’ve picked. “The card has picked you,” Frank suggests. “What is it telling you about why you are here and what you’ll take with you when you leave?”
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This is our last exercise during our last session of this inaugural Tremont Writers’ Conference. Can it be only three days ago that Frank X Walker introduced himself to us as an artist who speaks Poet? Besides the language of linebreak and word choice, what Frank so incisively speaks is creativity, challenge, connection, community. Oh yes, we learn to critique each other’s poems through his quiet observations. Yes, we engage in color studies and sound studies and we write to prompts. But Frank is not teaching us to be writers – he is teaching us to be human. His carefully considered comments touch our gifts and expose our needs, and even more than that he weaves us seven into a whole whose true commitment is to bring out the best in each other.
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After ten or fifteen minutes of writing – channeling the voice we are hearing in our card’s image – Frank stops us and presents his next to last prompt: now break that all down into four lines. We probably should have seen this coming. We really aren’t ready, though, for his final instruction. He has us each pass our card two people to the left, write our home address on the fresh card we’re holding, then pass it back right to its original owner. Each of us will write our four-line poem on our card and mail it, and in a few days we will each receive a poem from one other member of the cohort.
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We won’t be driving home from this gathering to resume our scribbling in isolation. We will be watching the mailbox (and text messages) with a tingle. We are now a creative family. We are connected.
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❦ ❦ ❦
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The Experience
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Like me, a yearling bear,
caged and carried away.
You came for the experience.
Imagine me gone. Write it.
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Kim Hayes / Weaverville, North Carolina
postcard – Ursus americanus, Black Bear
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Somewhere, Sometime
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Sunlight  in this open field
Safely wander, graze
Trust the treeline
Grow. (I am growing, too.)
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Suzanne Bell / Pisgah Forest, North Carolina
postcard – deer graze in Cades Cove
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❦ ❦ ❦
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Connecting People with Nature is the motto of Great Smoky Mountains Institute at Tremont. Amen! In completing the Southern Appalachian Naturalist Certification Program at Tremont, I have felt the web of connections forged there welling up in me and changing me. One begins with the name of a thing, then comes to recognize how it makes its living and gets along with its neighbors, until at last there dawns an appreciation of the deep interdependence and kinship of all life, place, and planet. One living community.
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But if ecology is the study of living communities, poetry also has its ecology. How does the poem bring together all these living bits that make it come alive? Its images, its allusions, its music? How does the poem make its world equally real to or perhaps even more real than the world speeding by outside my window?
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It seems to me that the technique we learn at Tremont, the Naturalist Method, is entirely congruent with the Poetic Method – Pay Attention; Ask Questions; Make Connections; Share. All of this we try to do when we “speak Poet.” And Frank X Walker has certainly enabled every bit of this in us during our few days of communion with mountains, rivers, bears, each other. It is a language of laughter and surprise. It is a language of change and growth. It is a language of discovery, insight, and awe. We are leaving Tremont bubbling with its voice and overflowing with its joy. Poetry, and Nature, are how we connect.
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[untitled]
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Born on the top, nestled through the sides, tumbled to the bottom.
Again and again.
Those mountains captured and created.
Then they carried.

Renée Whitmore / Vass, North Carolina
postcard – sunrise through mountains in Cades Cove

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Clouds in my Skin

You are here
Not to burn through the mist
To roll around in the slick slopes
Of your soft hope—this knowing, this peace

Sophia Fortunato / Bozeman, Montana
postcard – mountain ridges fading into blue mist

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The Poetry Cohort of the First Tremont Writers’ Conference, October 15-29, 2023, is Jeannine Jordan, Bill Griffin, Sophia Fortunato, Sarah Small, Renée Whitmore, Kim Hayes, and Suzanne Bell. Our teacher, mentor, guide, and brother is Frank X Walker from Lexington, Kentucky, speaker of poetry, professor at University of Kentucky, and former state Poet Laureate.
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Other instructors at this inaugural conference are Janet McCue (Non-Fiction) and Annette Saunooke Clapsaddle (Fiction) and the featured speaker is Richard Powers, Pulitzer Prize-winning author of The Overstory. Jeremy Lloyd, Tremont Manager of Field and College Programs, has been the primary organizer, assisted by Tremont staff Elizabeth Davis, Erin Cantor, Lyndsey Kessler, education director John DiDiego, and many others.
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This conference was also made possible through the integral participation and partnership of Great Smoky Mountains Association and Creative Services Director Frances Figart. Thank you!
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[ with 3 poems by Jack Coulehan]
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Darwin’s Prayer
++++ He saw Darwin on his knees, and there
++++ was no difference between prayer and
++++ pulling a worm from the grass.
++++++++ Roger McDonald, Mr. Darwin’s Shooter
 . 
Bright bunches
of gardenias
bloom in November,
 . 
the loam at their feet
moistened by dew
and spongy with debris.
 . 
As I fill my container
with handfuls of earth
alive with these
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marvelous worms,
perfected in being
by the wisdom
 . 
of randomness,
I’m astonished
by gratitude.
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from The Talking Cure: New and Selected Poems. Plain View Press, Austin TX, © 2020
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❦ ❦ ❦
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Last night the storm whispered its secrets into my dreams. A long dryness, a vain hoping. This morning the drought has ended and flood warnings will as well in an hour or so. Linda and I head to the E&A rail trail beside Elkin Creek to laugh and point at the heights reached by frothy current. To breathe in the hot seethe and funk of saturated forest. To celebrate.
 . 
The sadness of the creek slams us, stops us, stills us. Its churning water is the color of pumpkin soup; Spike the Heron does not stalk here; the rattle of Kingfisher is silent, fled. Oh yes, we generally get muddy after a downpour, but never this bad. Miles from here, north of Carter Falls, the dry weeks have parched and cracked 500 acres of tobacco field. No riparian buffer, no catchment pond, not one single fuck does the tobacco farmer give for all of us downstream: when rain eventually returns it can’t slow itself, can’t soak the earth. It has no choice but to sluice foaming into the creek carrying inch-acres of red clay with it.
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The poems in Jack Coulehan’s The Talking Cure are expansive; they span the human experience and human influence. Many of his poems have arisen from his decades as teacher, physician, healer; the lines are populated by his patients and their struggles. So often these lines also reflect his own struggle, both to heal and be healed. Other poems explore his family through the generations. Others reflect his deep relationship with literary figures that formed him and with teachers who informed him.
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In all of these poems I sense a web of connection. As humans we must all struggle to discover our purpose in being. In this struggle each of us is touched by the people we allow to approach us, to close in, to climb over the wall. And each of us touches others and touches the earth: the human experience and the human influence.
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I selected these three poems in particular for their focused peering into that influence, and also for their universality. Jack Coulehan is a humanist, a person who believes that human beings have it within their power to improve the lives of other people whom they are willing to touch. So often, so easily and thoughtlessly, so many of us focus only on our power to dominate, to harm. We easily destroy the earth itself without even noticing. Let us stop and think. Let us feel. Let us touch and allow ourselves to be touched. Perhaps each of our individual lives can enlarge its span. The power of many begins with the power of one.
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We are all downstream from someone, and all upstream.
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The Cherry Orchard
++++ If a great many remedies
++++ are suggested for some disease,
++++ it means the disease is incurable.
++++++++ Chekhov, The Cherry Orchard
 . 
The end of the century
has come upon us
without a sign of release
or the beginning of justice.
We’re selling the orchard
to pay our debts
and reminiscing about
love’s excitements,
life’s mistakes. I suspect
a century ago the hearts
of the people sitting here
were just as generous,
intense, and cruel as ours.
 . 
A miniature flower
thrives in the moisture
and dust of a broken
pavement – this is the gist
of the matter. We want
so strongly to believe
the flower will spread
everywhere. How quickly
it dies! If the disease
had a cure, we would not need
so many remedies.
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Jack Coulehan
from The Talking Cure: New and Selected Poems. Plain View Press, Austin TX, © 2020
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Garden of Endurance
++++ Cassia grandis, Costa Rica
 . 
Cassia fruit covers the forest floor,
a blanket of black sausage stinking
in the heat as it decomposes,
a mote in the eye of permanence.
 . 
Built for grinding by gigantic teeth,
Cassia’s fibrous case condemns its seeds
to suffering, with neither mastodon
nor megatherium alive to free them
 . 
and distribute their undigested life
in mounds of shit. Its glory left behind
by climate, tooth, and claw, Cassia
endures by the grace of rodents
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that gnaw its weakest fibers
and let a few fertile seeds escape
before they rot. Anachronistic
fruit, your survival – sweet tickle
 . 
of a breeze, illusion of peace,
diminishment that overcomes
extinction – is an inheritance
for my kind, too. A hopeful omen.
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Jack Coulehan
from The Talking Cure: New and Selected Poems. Plain View Press, Austin TX, © 2020
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For additional poems by Jack Coulehan, see last week’s post, Plow Straight, from August 25, 2023.
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Join me in celebrating the release of my newest poetry collection, How We All Fly, from The Orchard Street Press.
 . 
Poet Patricia Hooper comments: “Through close observations of the physical world, these clear, direct poems yield insights into the corresponding life of the spirit.” And Rebecca Baggett says this: “Throughout these poems, but particularly toward the collection’s end, How We All Fly leads the reader up and onward, infusing even inevitable losses with tenderness, trust, and hope.”
You may sample the opening poem from the collection here:
Thank you for your support, both of the writing you discover here and of the literary arts!
 . 
You may purchase a copy of How We All Fly directly from me by mailing a check for $15 (postage included) to this address:
++++++ 131 Bon Aire Rd.
++++++ Elkin, NC 28621
Please make your check payable to Bill Griffin.
 . 
If you would prefer to pay via PayPal, please contact me for transaction details at:
++++++ comments@griffinpoetry.com
 . 
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[Patricia Hooper is author of Wild Persistence, University of Tampa Press. Rebecca Baggett’s most recent book is The Woman Who Lives Without Money, Regal House Publishing.]
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IMG_0880, tree
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[2023 chapbook by Bill Griffin]
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We Never Give Up Hoping
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Morning frozen hard. Pour
++++ boiling water
into the birdbath;
++++ they will come
to drink when I have gone.
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++++ God of holy ice, holy
++++ ++++ steam,
++++ give my children
++++ ++++ water
++++ that all my hoping
++++ ++++ can’t.
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Sound of wings, splash
++++ diminishing;
find the world again
++++ iced over.
Fill the kettle. Holy water.
 . 
Bill Griffin
from How We All Fly, The Orchard Street Press. Gates Mills, OH, © 2023
originally published in Quiet Diamonds
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❦ ❦ ❦
 . 
Join me in celebrating the release this month of my newest chapbook, How We All Fly, from The Orchard Street Press.
 . 
Poet Patricia Hooper describes the collection: “Through close observations of the physical world, these clear, direct poems yield insights into the corresponding life of the spirit.” And Rebecca Baggett says this: “Throughout these poems, but particularly toward the collection’s end, How We All Fly leads the reader up and onward, infusing even inevitable losses with tenderness, trust, and hope.”
 . 
Patricia Hooper is author of Wild Persistence, University of Tampa Press.
Rebecca Baggett’s most recent book is The Woman Who Lives Without Money, Regal House Publishing.
 . 
❦ ❦ ❦
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❦ ❦ ❦
 . 
Thank you for your support, both of the writing you discover here and of the literary arts!
 . 
You may purchase a copy of How We All Fly directly from me by mailing a check for $15 (postage included) to this address:
++++++ 131 Bon Aire Rd.
++++++ Elkin, NC 28621
Please make your check payable to Bill Griffin.
 . 
If you would prefer to pay via PayPal, please contact me for transaction details at: comments@griffinpoetry.com
 . 
❦ ❦ ❦
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