Feeds:
Posts
Comments

Archive for October, 2025

 .
 . 
[with 3 poems by Robin Greene]
 . 
Everyone is Someone Else
 . 
Everyone is someone else tonight.
Sitting on hallway stairs, bowl of packaged candies
on my lap, I rise to greet four princesses – facemasks
hard and identical, two Energizer bunnies,
an army soldier in fatigues, and three wise men –
brothers they tell me. Later, as my son peels off
his Ninja costume to sleep in the chaos of his take,
two new moons, discovered around Uranus,
appear on CNN. And strangely, Uranus
is one of his spelling words this week.
The world seems driven by repetitions:
the ant’s legs scrambling across the kitchen tile,
sheet rain blowing against window glass,
the perennial grass relentless beneath
our feet. Robert Creeley once removed
his glass eye in a poetry workshop and described life
as a dress rehearsal, but never said for what . . . .
And once there was a man I loved and married.
We made three babies, but one died inside me,
and I bled for a month. Sometimes I pretend
that shit like this just happens, and whatever
meaning I search for is like searching for the faces
of strangers on this Halloween: behind masks
are masks, behind motion is motion.
 . 
Robin Greene
from Lateral Drift, Windows on History Press, Durham NC; © 2002
 . 
❦ ❦ ❦
 . 
For now we see through a glass, darkly; but (even) then face to face.
I Corinthians 13:12 (KJV – adapted)
 . 
Is everyone someone else, or just me? Am I who I seem to be, and would I let you know if I weren’t? I was that kid in English class who read every story in the book even though only four were assigned. I was the guy mixing and measuring in the back of the lab while the chemistry teacher was up front confounding the class. In college they had to drag me out of the science building every night when it closed. I chose medicine as my profession from some hazy expectation that it would let me keep learning new stuff all my life.
 . 
Now in my closing decades I want to say, “Stop! I’ve learned enough!” I don’t need to know any more than I do right now about all the hard stuff. Parent, caregiver, worrier, fuckup – enough! There is only one way, however, that life will finally drag you out of the classroom. To paraphrase a caution about Nature: Life gives you the test first, then teaches you the lesson.
 . 
A mirror, like a person, ages. Over a century shiny metal applied to glass tarnishes and darkens. It reveals its pits and blemishes. Attrition, wearing down, is not far from contrition, wearing ashes. Paul writing his first letter to the Corinthians expects us to outgrow our foolishness and confusion, set aside childish ways and think like grownups. He dangles the promise that we may experience eternity with God face to face. I hope that’s true, that my self is more durable than my molecules, but I wonder about all this learning and knowing in the meantime. Life – has it been worth it? Even the person who passes with an “A” still answered 5% wrong. That adds up to a lot of foolishness and confusion I am carrying.
 . 
Even gazing into a dark mirror, I still see myself face to face. Who is that looking back? All the knowing I’ve tried so hard to accumulate and hold onto, all the elements I’ve combined into myself, in that mirror they become shadows fading away at the periphery. The person in that mirror – who is he really? Perhaps on my final day, when the blazing light of the universe is revealed and ultimate mysteries are mysterious no longer, I will also see, clear and defined, face to face, me.
 . 
 . 
❦ ❦ ❦
 . 
The Necklace
 . 
Under cool running water, my mother clutches
a knife, debones chicken breasts the color
 . 
of a winter moon; I’ll never be a woman,
I think and rise from my half-lotus
 . 
on the countertop – eight years-old –
my flat, tight body still an ally.
 . 
My mother and I never speak of this
apprenticeship, field archeologist
 . 
I’ve become, unearthing the glyphs
and ruins of my gender
 . 
until my father and brother arrive,
noisy as blind men,
 . 
bumping their way across the linoleum tiles –
breaking our silence
 . 
as though it were neither real
nor holy.
 . 
Later, the smells of cologne, hairspray
filter through the house.
 . 
Steam from the iron sizzles
on its aluminum pad
 . 
as mother presses
my father’s slacks and shirt,
 . 
and sets up snacks for the babysitter –
fashioning each small part of our lives
 . 
as though they were hand-made beads
for a necklace some Inca woman
 . 
might make and pass down
to her only daughter.
 . 
Robin Greene
from Lateral Drift, Windows on History Press, Durham NC; © 2002
 . 
❦ ❦ ❦
 . 
Just as an earthquake or long drought may expose new strata to the paleontologist’s questing eye, so a pile of books tumbling off a desk. Robin Greene wrote these poems in Lateral Drift twenty-five years ago. When I open the book today for the first time, how powerfully the lines still reach out to me and into me. How truthfully they speak; how in the present they are; how they open themselves, and me. Who is the voice in these unsheathed knives of stories? Who was she then, and is she still? But why even ask such a thing? The poems are who they are made to be; they carry the light and the darkness they were created for.
 . 
Better to ask instead, Who am I as I read these poems? I am a man opening myself to receive the truth of a woman’s struggles and the marrow of her knowing. I am a person old enough to have grandchildren yet I become a child and a young parent and Lord knows what in the tangle and turbulence of these stories. I am someone who knows little, perhaps nothing at all, until I am willing to sit down for a moment in this silence filled with words.
 . 
After I’ve read the book, read it through a second time, spoken some poems, typed out a few favorites in order to learn them through my fingers as well as through my eyes and breath, then I turn back to the title page and test memory and find this: 11/17/01 To Bill, Best wishes, Robin Greene. Time is not metallic, unspooling keen enough to slice you if you try to hold it still or alter its shape; time is froth and broth and no telling what may next boil to the surface. There you discover the one advantage of having lived seventy years  – you have plenty to add to the stew.
 . 
 . 
Robin Greene has bubbled and boiled plenty since she signed my copy of Lateral Drift. She is cofounder of Longleaf Press and also cofounder of Sandhills Dharma Group. She retired as Professor of English and Writing, and Director of the Writing Center at Methodist University in Fayetteville, NC. She continues to write and publish poetry, fiction, and non-fiction from her home in Hendersonville, NC.
 . 
Robin Greene – Artist’s Statement
 . 
 . 
❦ ❦ ❦
 . 
What the Leaves Said
 . 
As I walked in the woods today,
early October, the leaves fell –
 . 
individually – through stark, shining air,
until one of them unfolded its
 . 
blood-red palm in my outstretched
hand and whispered a word
 . 
before joining its kin on the forest floor.
I had stopped for a moment, noticing
 . 
sunlight opening up shadows,
shifting its radiance in light wind
 . 
across the new landscape as leaves
shook from beech and oak,
 . 
and I listened: one word becoming
many, becoming one.
 . 
Robin Greene
from Lateral Drift, Windows on History Press, Durham NC; © 2002
 . 
❦ ❦ ❦
 . 
 . 
IMG_1783
 . 

Read Full Post »

 . 
[with poems by Janis Harrington]
 . 
Suicidal Ideation
 . 
Think of dark starlings, each a ringleader,
invading your hanging backyard feeder.
Magnets for their kind, they muster, rout
more timid species from seed and suit.
Fast and fertile breeders, they multiply,
a flock of hundred swells to thousands.
Screeching and squawking rapacious hoodlums,
they give no quarter and sing no harmony,
waging war with incessant cacophony.
No calm, no détente; nonstop attack.
In waves, like bombers, they dive and peck.
Wing to wing, they block sun, moon, stars, finally
 . 
blot out all light, transforming noon to midnight.
No escape. a full eclipse of hope.
 . 
Janis Harrington
from How to Cut a Woman in Half, Able Muse Press, San Jose CA; © 2022
 . 
❦ ❦ ❦
 . 
Life is a dream. / You are the projector. You are the screen.
 . 
Dad is sitting at the new table beside the front window. The sun has settled; the ocean is pink and purple, at rest. Someone has helped Dad transfer into an upholstered chair and pushed his wheelchair into a corner. He is talking with his youngest grandchild while they work a puzzle. Everyone has arrived. Everyone surrounds him.
 . 
This is the image I create and cultivate after hanging up the phone. Bob has called to assure me that their eight-hour drive to the coast presented only surmountable obstacles. Now they’ll spend a week at the beach house celebrating Dad’s 99th birthday. Dad has been longing to be there for a year. He started asking me how soon he could go even before Mom’s memorial service last September.
 . 
Last night Linda and I argued about a related family wrangle. She was angry at the person sharpening their claws. I told her it was bedtime and I was determined to put conflict out of my mind for eight hours. Let dreams sort it. Of course, I then woke at 3:00 and ruminated for an hour or two. Isn’t this supposed to be the week of no worries, Dad safe in the arms of my brother and his family? After a year of all manner of arrangements, finagles, and complications, after each nurse’s phone call and the anticipation of the next one, aren’t I allowed to flip the ON switch for peace?
 . 
What the hell does that even mean, I am the screen and the projector? That I alone make my life what it is? Or that I imagine I do? In dreams the tangle of images and juxtapositions is supposedly the effort by my unconscious to shuffle into some semblance of meaning all my disparate and disconnected moments. Perhaps Dad won’t scuffle out of an unfamiliar bed after midnight and break his hip. Perhaps the worst is not always just about to happen. Scientists have discovered through meticulous testing and observation that there are indeed other species besides Homo sapiens that can imagine and anticipate the future. God help them.
 . 
 . 
❦ ❦ ❦
 . 
How to Cut a Woman in Half
 . 
Fate, a cruel magician, vanishes her husband,
leaving her table with half as many plates,
shower rack missing half its towels,
bed half empty. The trick: after the blade falls,
she shrinks herself into half of her former life.
But is he truly absent? She wills
each day’s crawling hours to end, certain
he waits in sleep’s tempting garden –
there’s no hope of persuading her
that dreams are merely pan’s sleight of hand.
Eventually, she will emerge on stage,
appearing unharmed, performance complete.
Does it matter what is real or illusion if,
when she steps from grief’s box, she feels whole?
 . 
Janis Harrington
from How to Cut a Woman in Half, Able Muse Press, San Jose CA; © 2022
 . 
❦ ❦ ❦
 . 
Solo
 . 
The Buddhist acupuncturist, gazing beyond
the veil, report that Nick at last, has shed
earth’s weight. His soul, presently in the astral state,
has embraced its destiny – like the wayward
gray whale, whose biological mandate
to migrate finally required
his recent swim from bay to open ocean.
 . 
Annie’s turn, now, to exit sorrow’s cul-de-sac,
navigate rocky channels to new seas,
resisting the sirens’ call of what used to be,
accepting she and Nick must make solo passages:
his voyage, to collective consciousness,
without form or visible home;
hers, to find a port in life’s physical realm.
 . 
Janis Harrington
from How to Cut a Woman in Half, Able Muse Press, San Jose CA; © 2022
 . 
 . 
❦ ❦ ❦
 . 
This sonnet sequence by Janis Harrington is mournful, painful, piercing. It reveals every face of suffering but also every facet needed for healing. How to cut a woman in half? Divide her from the person she loves most dearly. Dissect away with blunt shears half of her being, her essence. How to put her back together? That is a long and painful process and no certain sunrise on the horizon, although a sister is required and is present. I treasure the metaphor nearing the book’s final pages: Together, we flew close to grief’s center, / our wings sturdier than wax and feather.
 . 
How to Cut a Woman in Half was finalist for the 2020 Able Muse Book Award and is available HERE. Janis Harrington’s first book, Waiting for the Hurricane (St. Andrews University Press © 2017) won the Lena M. Shull Book Award of the North Carolina Poetry Society. Discover more about Janis HERE.
 . 
❦ ❦ ❦
 . 
Acroyoga
 . 
Flex your trust muscle, the instructor advises,
making us giggle. Annie and I alternate
as flyer or base, each of us able
to bear a sister’s weight. Now, my back on the mat,
our hands clasped, my feet supporting her thighs,
I straighten my legs to ninety degrees –
my turn to hold her aloft. Acrobat of strength
and grace, she soars, escaping sorrow’s labyrinth.
Her liberty has freed me. Being her spotter,
daily witness to her reckoning with loss,
released my heart’s stubborn resistance
to Pete’s fate, long mourning of his absence.
Together, we flew close to grief’s center,
our wings sturdier than wax and feather.
 . 
Janis Harrington
from How to Cut a Woman in Half, Able Muse Press, San Jose CA; © 2022
 . 
❦ ❦ ❦
 . 
 . 
2020-09-08b Doughton Park Tree
 . 

Read Full Post »

 . 
[with 2 poems by Catherine Carter]
 . 
Crow cosmogony
 . 
The day we made the world, scattered
shattered sand across the deep
steeps and hollows of the sea,
we were playing with chance,
a stance few other gods admired.
We retired then from creation and let things
sing as they would, go
to whatever end luck called good.
We could, and did, breath in a platypus here,
a shearwater there – evolution
our solution to dogma and fate,
the weight of always being in charge
of stars, shoals, plague, all that –
but by and large, we let go, let
sweat and thought fall away,
stray like questing possums
or blossoms of blown snow.
So it was. We didn’t worry how
our sowing would grow. We went back
to hacking with our thick
black bills at death and waste, harrying
carrion, even as the dead
bled ever more numerous over the new
true-straight roads, here
where we shaped the bright turns
and returns of the world, invited
night in: do that, and you get
what you get. Despised
as flies, we pick through pale grass
for carcasses gone flat and dry;
we rise under your very wheels
from meals scant and cold, bring
strings of gut back to our young. But so
goes the world, when you let it go,
throw yourself in its rolling motion, chance
chance: we live on broken squirrels
in the world we made this way.
 . 
Catherine Carter
from By Stone and Needle, Louisiana State University Press, Baton Rouge LA; © 2025; winner of the L. E. Phillabaum Poetry Award for 2025
 . 
 . 
❦ ❦ ❦
 . 
The postmark is 03-09-97. Linda found the torn envelope, letter inside, at the bottom of a box of mementos she’s still sorting from her parents’ home after their deaths over a decade ago. Dear Dad . . . It’s me writing to my father-in-law, the nuclear physicist. I’ve got an idea for a new story and I need your help. Dad French and I would sometimes share first drafts with each other, his hard science fiction that could use a cool breath or two of metaphor, my airy prose in desperate need of some fact checking. So here’s my pitch:
 . 
Imagine a craft traveling to Proxima Centauri, 4.25 light-years away. It’s under a constant acceleration of 2G for the first half of the voyage, then 2G deceleration for the second half. What would be its peak velocity at the mid-point? And how much time will pass for the voyagers relative to earth time? 
 . 
Relative is the operative word. Dad French was an Einsteinian guru. His favorite Saturday afternoon pastime was to lean back on the couch with a big yellow legal pad and work through the equations of Special Relativity. He felt that he had identified a flaw and was determined to elucidate (from the Latin, “bring it into the light”). The most I could understand from his explanations of time dilation is that any object, whether charged particle or self-aware being, as it approaches the speed of light experiences a slowdown in the passage of time. To me on that spaceship there’s no difference in the ticking of my clock, but if my buddy back on earth could listen in he’d hear an expanding silence between each tick and the next.
 . 
But big deal. Who hasn’t felt time speed up or slow down in certain situations? Man, last week was so busy it just flew by.  – or – I feel like I’ve been sitting in this waiting room for a week. We human beings are just rubbish at time. If you asked that charged particle, it would know to the femtosecond how long since it got spat out of the cyclotron. My perception of time, though, is all tangled with context and saturated with subconscious. Don’t even ask me how long I’ve been sitting here at this keyboard, much less whether a certain something happened five years ago or ten.
 . 
Which is why, when I wake up in the dark, I avoid looking at the clock. If I should still happen to be lying there with my brain in fifth gear when light begins to seep around the shades, when any hope of re-entry into the land of Nod is laughable, then I don’t want to know how long it’s been. I don’t want to know that I’ve just spent two hours on this inventory of all my faults and failings. Surely no more than a handful of ticks. Grant me the bliss of imagining I’m half way to Proxima Centauri at nine-tenths the speed of light and I have all the time in the universe.
 . 
 . 
Oh, and here is what else I found in that old envelope along with the letter: a Post It stuck to the page with these lines in Dad French’s handwriting.
 . 

Park French

 . 
❦ ❦ ❦
 . 
Choptank bluegills take part
in the creation of the world
 . 
You couldn’t say bluegills create the stream.
Torn from the stream, they choke
on blazing air. And yet. Those nests,
those few dozen shallow divots together
pocking the creek bottom in dimples
rich with sunfish generations: changing
creekbed, reshaping foundation.
That steady fan-flow of air-
bearing water over eggs settled among
the pebbles, ever so slightly changing
the river’s braiding and unbraiding. That labor
of life: the work to work
with the current as it is and yet
to change it just enough, to manifest
a place a little better for bluegills, co-creating
the world in concert with oxygen exchange,
tectonic motion, that smashed and gash-
edged hubcap pinning down an immortal
plastic bag, the gravity of the moon, whirligig
beetles inscribing creek-skin with runes
written in water, whatever God you say. Flood
of protestors in the street’s torrent, choking
on blazing air. A woman stirring cut
onions over heat, changing them just enough
to turn their burning tears to something
a little more sweet. Fingers moving the pen, the keys,
the lever, and the air and ground
of our lives ever so slightly shifting
in response, recreated (ever so slightly) anew.
The fearful fact: it matters what you do.
 . 
Catherine Carter
from By Stone and Needle, Louisiana State University Press, Baton Rouge LA; © 2025; winner of the L. E. Phillabaum Poetry Award for 2025
 . 
 . 
❦ ❦ ❦
 . 
What is left for us to believe in? What even matters? When hate is the day’s currency, those who can’t bring themselves to live on hate are emptied and cast aside. As if! Whatever. It’s all just relative, anyway. But stone is still stone, underfoot, under earth, under all, and if you rub the lodestone along the needle and suspend it by a thread, it will still swing north.
 . 
And so these poems. Crows and bluegills continue to create the universe and stirring onions in a skillet continues to make the world just that much sweeter. There is still truth you can pin down, categorize, calculate, and right alongside that truth is the truth of breath, discovery, awe. I am not afraid to say it, Catherine: you make me believe that even I matter. How could any of us walk through a world that smells a little of skunk; feel sun on our face while the grass turns that sun into sugar; tremble one moment at the closeness of death and the next moment laugh as life surprises us; travel these lines of verse into strange realms and incantations that transform into our own familiar muscle and blood and mind; how could we do all this and not discover that we matter and that this planet we love matters?
 . 
I believe. That there is still hope for us all. And for all that surrounds us.
 . 
 . 
Catherine Carter’s By Stone and Needle is available from LSU PRESS.
If you read one book of poetry this year, make it By Stone and Needle. These poems are comforting and harrowing, enlivening and enlightening. They are true.
I featured two additional poems from the collection at last weeks posting (October 10, 2025).
 . 
 . 
❦ ❦ ❦
 . 
 . 

Read Full Post »

Older Posts »