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[with poems by Donald Hall and Charles Martin]

Have you ever imagined, while walking a well-worn woodland trail, simply stepping off into the forest? What if you moved just ten feet, twenty, into the trees? Would you be standing on a spot untouched by human feet for years? Decades? Forever?

I considered this years ago when I led, with my son Josh as co-leader, a little crew of Boy Scouts on a 10-day canoe trek in the Boundary Waters Wilderness of northern Minnesota. We camped each night on the shore of different lake. Some mornings (sunrise 0400) while they still slept I walked away from the water into the trackless forest. Did the last human rest on this lichen crusted boulder more than a hundred years ago, a French voyageur taking a break from trapping? A thousand years ago, a young Anishinaabe scout hunting meat for his village? Ten thousand years ago?

Now Josh spends every day it’s not raining trekking the Blue Ridge & foothills as a surveyor. When did a human foot last jump this creek or climb this unforgiving steepness? This corner marked by a chestnut ten feet in girth – today Josh must discover the remnant of its stump. How long must the earth rest from the tread of human feet before all sign of our passage is erased? How far is it from here to the middle of nowhere?

Last Saturday I joined a trail crew to maintain a little section of the Mountains-to-Sea trail near Elkin. The MST is a work in progress – departing Elkin hiking east, you follow Rte 268 most of the way to Pilot Mountain. Our day’s assignment was an orphan – 1 ½ miles of footpath leading away from the road and on through the woods with no trailhead or connectors. Probably no one had walked this way since it was last maintained in 2020.

Everywhere a little sun penetrates the undergrowth thrives: Goldenrod, Burnweed, Wingstem, Boneset, all manner of grasses native and exotic – summer asters up to eight feet tall, especially through the Duke Energy right-of-way beneath power lines. Add obstructions from grapevine, Smilax, fallen trees and in one single year the trail had become impenetrable, almost disappearing except for the white circular MST blazes on the trees.

In a few more years it might have lead to the middle of nowhere. Which is how you get to the middle of everywhere. Which is the trail I want to walk.

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Surface

The surveyor climbs a stonewall into woods
scribbled with ferns, saplings, and dead oaktrees

where weltering lines trope themselves into stacks
of vegetation. He sees an ash forced around a rock

with roots that clutch on granite like a fist
grasping a paperweight. He stares at hemlocks

rising among three-hundred-year-old sugarmaples
that hoist a green archive of crowns: kingdom

of fecund death and pitiless survival. He observes
how birch knocked down by wind and popple chewed

by beaver twist over and under each other, branches
abrasive when new-fallen, turning mossy and damp

as they erase themselves into humus, becoming
polyseeded earth that loosens with lively pokeholes

of creatures that watch him back: possum, otter,
fox. Here the surveyor tries making his mark:

He slashes a young oak; he constructs a stone
cairn at a conceptual right-angle; he stamps

his name and the day’s date onto metal tacked
to a stake. His text established, he departs

the life-and-death woods, where cellular life keeps
pressing upward from underground offices to read

sun and study slogans of dirt: “Never consider
a surface except as the extension of a volume.”

Donald Hall

from Poems for a Small Planet: Contemporary American Nature Poetry. Edited by Robert Pack & Jay Parini, A Bread Loaf Anthology, © 1993, Middlebury College Press.

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Both of today’s poems are from Poems for a Small Planet, edited by Robert Pack & Jay Parini. This next one by Charles Martin stuck to my soul like beggar lice – I’ve imagined myself stuck in a dry spell for the past several weeks. I can’t resist the epigraph by Randall Jarrell, one of North Carolina’s most luminous poets. While waiting for lightning to strike I’ll learn to endure the rain running off my chin.

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Reflections after a Dry Spell

++++ A good poet is someone who manages, in a
++++ lifetime of standing out in thunderstorms, to be
++++ struck by lightning five or six times.
++++ — Randall Jarrell

And the one that took this literally
Is the one that you still sometimes see
In the park, running from tree to tree

On likely days, out to stand under
The right one this time – until the thunder
Rebukes him for yet another blunder. . . .

But the one who knew it was nothing more
(That flash of lightning) than a metaphor,
And said as much, as he went out the door –

Of that one, if you’re lucky, you just may find
The unzapped verse or two he left behind
On the confusion between World and Mind.

Charles Martin

from Poems for a Small Planet: Contemporary American Nature Poetry. Edited by Robert Pack & Jay Parini, A Bread Loaf Anthology, © 1993, Middlebury College Press.

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[My immense gratitude to the Elkin Valley Trails Association for imagining, creating, maintaining, and improving the Mountains-to-Sea Trail from Stone Mountain State Park to Elkin and onward east through Surry County, North Carolina. And for inviting this lunkhead with a shovel to join in.]

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2016-10-17a Doughton Park Tree

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[poems by Jeanne Julian]

The cosmos blossoms by the rotting stump.

“That’s not scary.” We’re hiking through the Haunted Forest with Amelia, age 5. Tree limbs drip with giant cobwebs and red-eyed spiders, bats dangle, skeleton hands reach up from pine needle cemeteries beside the path. The crew has outdone themselves decorating this stretch of the Mountains-to-Sea Trail that, except for the month of October, is nicknamed the Enchanted Forest. Now Amelia stops and calls, “What’s that?!” at the skull-faced ghost bound up in chains, but it’s more curiosity than apprehension.

Past the Halloweeny stretch, though, I see something well off the trail that causes me to stop and exclaim, “Look!!” An immense fairy ring coaxed forth by last week’s rain: chain of mushroom caps that loops and twists and branches through the pines before doubling back on itself. On and on, a new arc & angle appears every place we look. At the word fairy Amelia is instantly engaged. What sprite danced here before us? What might be hiding beneath the ghost-white caps?

I’m thinking, Dang, that is one big organism, mycelia threaded through at least a half acre.

Amelia is thinking, Wonder . . . wonder . . . wonder.

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The Reservoir

I’m looking for Wildcat Road.
There’s a “Free Manure” sign,
two blossoming magnolias, and a boy
who, up here, gives this passing car
an over-the-shoulder glance
as he walks. I’m going the wrong way.
But, here’s a turn for a road
sharing the reservoir’s name.
Clouds cover the sun and move on.
Light sweeps the hills, harried by gloom.
Birches whiten and fade again.

There’s the expanse of lusterless
water through leafless trees:
I’ve found it, rounding a bend.
Angle and clouds shift, and
the landscape remembers its colors
as if a lady’s fan had opened
revealing a scene in lapis, henna, and rhinestone.

We sat her, on this rock,
years ago – April then, too – learning
to touch, and in late summer embraced
there, on the dam where youngsters
scrawl their names indelibly.
In the silence, eddies of air sound “hush”
at my ear. Those antique fans were meant
to conceal, weren’t they, and
we in shadow to forget.

Jeanne Julian

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These three poems are from Blossom and Loss by Jeanne Julian (Longleaf Press, Methodist University, Fayetteville NC, © 2015). The delicate volume follows the seasons with all the imagery and metaphor that organic cycle can reveal. Sometimes the captured moments, the vignettes, the narratives are so personal they become cryptic, but as I read on I discover my own stories flowing forth to fill unspoken phrases. Thus does poetry enlighten and inspire. Thus does it become, in the words of Andrea Hollander, entertaining and useful.

The cosmos blossoms / by the rotting stump. from Jeanne’s poem Loss and Blossom

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Haunted

Each Halloween we hang
ghostlets in the tree,
by morning off they’ve blown.

My friends’ lost boy: how
had he been retrieved? By whom?
Alone? What varnish glossed his veins?

In the hospital they hung
on every beat and breath,
clung to any chance

until their changeling offspring
splintered, vanished, leaving a hollow
husk for them to burn

like autumn leaves or questions or endless
mourning muddled with routine,
travail of the telling and retelling,

dread burden of cereal in bowls
recalling a pajamaed imp held
in the lap, reading The Giving Tree aloud.

How unstoppably he must’ve lapped it up,
a lacquer lulling the limbic brain
until the one dose shoved him over

that last callow October. Still each Halloween
children clamber up the steps for sweets.
“See, I am a butterfly,” the smallest says.

Jeanne Julian

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Melting

The snow that attacked so frantically while we slept
has blistered into water on the branches.
We also melt ut not as completely as Baum’s witch,
who cannot suffer water. Remember the crooner
in the small-town lounge, that ersatz L.A. club,
who kissed you on the left eyelid
when you were twelve? Remember that first
swig of Colt 45 Malt Liquor? Remember the cocoon
of oblivion that sucked you under before
the scalpel splayed your belly flesh? Remember
how the pressure of one finger spirals
your inner hold into ripples of languid indifference
to all but feeling?
One day too soon you’ll let go for good.
Dripping from the eaves, the fresh liquidity
will patter on unheard while you dissolve –
easily, let us hope, easily, and neither up nor down, while
on the roof the newly fallen expanse, unsullied,,
luxuriates under the sun.

Jeanne Julian

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[poems from VISIONS INTERNATIONAL by Jack Coulehan and Stan Absher]

Mysterious hominid group left a big legacy in the Philippines . . .
+++++++++++++++++ SCIENCE NEWS, Vol. 200 No. 5, September 11, 2021

The black bear in last night’s dream was only mildly interested in the sunflower seeds I offered. It ate one mouthful to be polite. Dang that bear smelled funky, exactly like Pip, my ancient Cairn Terrier, times ten. And the bear was obviously itchy – I reached gingerly to scratch near the bare patch on its back. Telling myself, “This is a bear. Wild. Be gentle.”

The bear wandered away to sun itself in the hay. I’ll bet my cousins were happy whenever the sun came out. That cave in the Altai Mountains in Siberia looks pretty dank and funky. The locals named it Denisova after the old hermit who lived there, Dyonisiy, and when they found a girl’s finger bone fossil way back in the shadows in 2008 they named her Denisova, too. My cousin.

Well, not a close cousin. Completely different side of the family, actually, those funky Denisovans, though we have some grins at reunions. Lately it turns out some closer relatives used to hang out in that cave at times. Real close – Neanderthals. Kissing cousins. I’ll bet we all dream of scratching bears.

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Neanderthal

My three percent that came from you
is chopped and sprinkled like confetti
among my twenty thousand genes.
Just junk, os so the experts tell me.
A legacy as mute as the hundred

millennia that passed before we met,
though I sense echoes of your voice,
your lyric bird-like tongue, and glimpse
the clan, the tools, the hunt. I feel
your hunger, fear, and satisfaction.

Ancient cousin, what can you teach me
about becoming human? Brutality?
My species doesn’t need your help for that.
Reverence for the earth? We understand
but choose ambition and destruction.

When I visualize beyond the fog of time
your presence, receding ice appears,
a camp of ten or twelve around the fire.
You are sitting beside a peculiar
stranger, so different from the others.
You reach for her hand. She offers it.

Jack Coulehan, from Visions International #104, © 2021 Visions International Arts Synergy

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These poems by Jack Coulehan and Stan Absher are from the most recent edition of Visions International, a small but tenacious journal published continuously for over 40 years by Visions International Arts Synergy, reprinted by permission. I asked the founding editor, Bradley R. Strahan, for a little history:

“As to me and the journal, we’re inseparable. I started it in 1979 in D.C. at the Writers Center. I have done just about everything on it except printing and art work. For the first couple of dozen issues I had someone do the layout but after that I’ve done it myself on an old fashioned light table. It’s a 501(c)3 non-profit and it definitely is.

“As for just me, after retiring early, 1990, from the Feds I taught for 12 years at Georgetown University, then 2+ years in the Balkans as a Fulbrighter. After that I moved to Austin where I taught part time at U.T. for several years. During my travels I’ve kept the magazine going with 2 issues published in Macedonia and then 2 in Ireland and then one by the University of Liege in Belgium. [We have] a subscriber base that includes several major libraries like Yale, U. Cal., U. NY, U. Penn, etc.” ####### — Bradley Strahan

The journal is illustrated by Malaika Favorite. The poetry takes you around the world and deep into your own psyche. Contact and subscribe at:

http://www.visionsi.com/
Black Buzzard Press / 7742 Fairway Rd / Woodway, TX 76712 USA

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Every time I read a poem by Stan Absher I feel a pinch of my soul rolled between the fingers of God. Softened and warmed, ready to be restored and molded that much closer to the shape it was meant for.

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We Lay Our Burdens on Time

Head bent to earth it carries them off.
We hear it shuffle its leaden feet
and wheeze and cough.

Poor thing, we think, the swelling
ankles, the rheumy eyes
that look at us without seeing,

at each trembling step
it drops something we gave it –
a grief, a pang of regret,

a vow we thought would outlive it.
It even forgets its own cruelty,
what it filched from us, a bit

of stature or memory or cheer,
what it plentifully gave
of sickness and despair,

it forgets, and doesn’t care,
stands mumbling in the street,
staggers to the corner bar.

Stan Absher, from Visions International #104, © 2021 Visions International Arts Synergy

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