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Posts Tagged ‘nature’

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[with poems by the 2023 Tremont Poetry Cohort]
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Awaken
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You came because the river quiets your soul,
the sassafras soothes and sweetgum settles.
Have you gotten your breath? Do you remember who you are?
Leave us, now; it’s our time to sleep. You go, awake.
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Sarah Small / Alcoa, Tennessee
postcard – Mother bear & cubs
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The Little River is singing ‘October Blues’ and I can listen if I’ll just roll down my window. Leaving the Smokies on a Sunday morning, who would have imagined such a glut of traffic, but I can make the choice to gentle my right foot and blend with the flow. And here on the right comes another choice: I pull off at Chimneys and flush the press of schedule and itinerary from my mind.
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A ten minute climb into old growth hardwood cove and road noise no longer penetrates. Every few steps another chipmunk whistles its alarm. Fecund – whoever coined that word was smelling this place. The carpet is bright green hepatica saving up to flower in just a few months, the understory is summer seedhead bounty and autumn wood asters blooming like crazy, and the overstory is way up there, crooked and knobbed, reaching and mingling and only allowing an occasional glimpse of Balsam Point.
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I’ve been waiting since breakfast and now I pull out the small slip of lined paper Renée gave me, a personal parting note; she prepared one for each of us in the cohort. “Read it later,” she had said. I’m going to trust she won’t mind if I share one line: “I came to this conference with some heaviness and I’m leaving with light and a sense of belonging.” A mystery, a wonder, an inexplicable blessing that in just a few days eight strangers can so deeply connect.
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[untitled]
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You’re not a flightless bird,
+++++ your wings held tight
against your breast;
+++++ unfurl your plumage,
Go from here with boldness,
+++++ revel in your glory.
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Jeannine Jordan / Lima, Ohio
postcard – Wild Turkey
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Community
(the Park speaks)
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Inspire, breath in, be filled with spirit –
think I’d tip you like a funnel and pour
right in? Look around this circle and take
a lesson from the Queen of Connection.
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Bill Griffin / Elkin, North Carolina
postcard – entrance to GSMNP
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Frank fans the deck and asks us each to select one. They’re postcards, of Great Smoky Mountains National Park, face down so we can’t see what we’ve picked. “The card has picked you,” Frank suggests. “What is it telling you about why you are here and what you’ll take with you when you leave?”
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This is our last exercise during our last session of this inaugural Tremont Writers’ Conference. Can it be only three days ago that Frank X Walker introduced himself to us as an artist who speaks Poet? Besides the language of linebreak and word choice, what Frank so incisively speaks is creativity, challenge, connection, community. Oh yes, we learn to critique each other’s poems through his quiet observations. Yes, we engage in color studies and sound studies and we write to prompts. But Frank is not teaching us to be writers – he is teaching us to be human. His carefully considered comments touch our gifts and expose our needs, and even more than that he weaves us seven into a whole whose true commitment is to bring out the best in each other.
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After ten or fifteen minutes of writing – channeling the voice we are hearing in our card’s image – Frank stops us and presents his next to last prompt: now break that all down into four lines. We probably should have seen this coming. We really aren’t ready, though, for his final instruction. He has us each pass our card two people to the left, write our home address on the fresh card we’re holding, then pass it back right to its original owner. Each of us will write our four-line poem on our card and mail it, and in a few days we will each receive a poem from one other member of the cohort.
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We won’t be driving home from this gathering to resume our scribbling in isolation. We will be watching the mailbox (and text messages) with a tingle. We are now a creative family. We are connected.
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The Experience
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Like me, a yearling bear,
caged and carried away.
You came for the experience.
Imagine me gone. Write it.
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Kim Hayes / Weaverville, North Carolina
postcard – Ursus americanus, Black Bear
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Somewhere, Sometime
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Sunlight  in this open field
Safely wander, graze
Trust the treeline
Grow. (I am growing, too.)
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Suzanne Bell / Pisgah Forest, North Carolina
postcard – deer graze in Cades Cove
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Connecting People with Nature is the motto of Great Smoky Mountains Institute at Tremont. Amen! In completing the Southern Appalachian Naturalist Certification Program at Tremont, I have felt the web of connections forged there welling up in me and changing me. One begins with the name of a thing, then comes to recognize how it makes its living and gets along with its neighbors, until at last there dawns an appreciation of the deep interdependence and kinship of all life, place, and planet. One living community.
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But if ecology is the study of living communities, poetry also has its ecology. How does the poem bring together all these living bits that make it come alive? Its images, its allusions, its music? How does the poem make its world equally real to or perhaps even more real than the world speeding by outside my window?
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It seems to me that the technique we learn at Tremont, the Naturalist Method, is entirely congruent with the Poetic Method – Pay Attention; Ask Questions; Make Connections; Share. All of this we try to do when we “speak Poet.” And Frank X Walker has certainly enabled every bit of this in us during our few days of communion with mountains, rivers, bears, each other. It is a language of laughter and surprise. It is a language of change and growth. It is a language of discovery, insight, and awe. We are leaving Tremont bubbling with its voice and overflowing with its joy. Poetry, and Nature, are how we connect.
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[untitled]
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Born on the top, nestled through the sides, tumbled to the bottom.
Again and again.
Those mountains captured and created.
Then they carried.

Renée Whitmore / Vass, North Carolina
postcard – sunrise through mountains in Cades Cove

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Clouds in my Skin

You are here
Not to burn through the mist
To roll around in the slick slopes
Of your soft hope—this knowing, this peace

Sophia Fortunato / Bozeman, Montana
postcard – mountain ridges fading into blue mist

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❦ ❦ ❦
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The Poetry Cohort of the First Tremont Writers’ Conference, October 15-29, 2023, is Jeannine Jordan, Bill Griffin, Sophia Fortunato, Sarah Small, Renée Whitmore, Kim Hayes, and Suzanne Bell. Our teacher, mentor, guide, and brother is Frank X Walker from Lexington, Kentucky, speaker of poetry, professor at University of Kentucky, and former state Poet Laureate.
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Other instructors at this inaugural conference are Janet McCue (Non-Fiction) and Annette Saunooke Clapsaddle (Fiction) and the featured speaker is Richard Powers, Pulitzer Prize-winning author of The Overstory. Jeremy Lloyd, Tremont Manager of Field and College Programs, has been the primary organizer, assisted by Tremont staff Elizabeth Davis, Erin Cantor, Lyndsey Kessler, education director John DiDiego, and many others.
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This conference was also made possible through the integral participation and partnership of Great Smoky Mountains Association and Creative Services Director Frances Figart. Thank you!
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IMG_1783

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[with haiku by William Winslow]
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azalea in bloom
seems early this year –
what else have I missed?
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bent over and lean –
I have become the tree I
climbed in my childhood!
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Yesterday after church I carried the rocking chair out to the car. Scratches and scars from a thousand children in Mom French’s school library, this chair was just one of her oh so irresistible enticements to read – and she the most enticing of all as Mother Goose, Good Witch, Hobbit, Elementary Librarian. The rocker first retired to our church nursery and now is finally retiring home.
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As I fumbled for keys, Darlene called from across the lot, “Now Bill, you better do some rocking!”
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“Are you kidding?” I hollered as I popped the hatch. “I’ve been retired three years and I haven’t had a chance to rock yet!”
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an early morning
baptism: bluestem grasses
brush against my legs
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I’ve been here before
but these flowers are not like
those of my childhood
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I’m not rocking this morning but the feeder rocks after the chickadee scolds, then grabs a seed and pushes off. My rock-equivalent here on the porch is this: coffee and notebook at hand, a book of verse, feet up, fleece jacket and cap for 50 degrees & autumn. Two young guys down the street are hacking out busted flooring from the house that has squatted empty since last spring’s tornado. The yard crew just pulled their big trailer up next door and here come the weed-eaters & blowers & zero-turn-radius terrafirmanator. Around the corner someone is hammering. For a few minutes the breeze settles and the trees around me and all down the ridge just listen.
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music for the soul:
dog tags dancing on the rim
of a metal bowl
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forgotten clothesline
linens pop in the wind – a
restless night ahead!
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This morning the season rocks and tilts and won’t return to summer. It makes itself known even if I close eyes and plug ears – the keen edge of that scent, crisping leaves and browning forbs. When I open my eyes again I notice the beech tarnished copper, I discover an ornamentation of Virginia creeper indistinguishable green last week now stepping forward into red, and look there’s the one unfractured maple branch dressing up in its indescribable orange while new growth from the trunk still clings to some jade hope. I shove my pale fingers into my armpits between these phrases. The chickadees resume their scolding but the freshening breeze pays me no mind at all.
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not yellow brick but
wingstem and aster lead me
through this hillside field
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look, a child spattered
mustard along the roadside –
oh, yellow ironweed!
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Rocking at the tempo of breath, surrendering to the heartpulse rhythm – bustle can’t touch this. I turn another page in William Winslow’s haiku collection. Resistance is futile. My subconscious tries to push back – I don’t want to merge into your momentariness, Mr. Poet, I’ll make my own revelations, thank you! But reading haiku is like breathing. You can only hold out for so long before the pressure to inhale, before the desire to step into that cool shaded invitation. As William reminds us in his afterword, a haiku is written to be spoken in a single breath. As I stroll further down the page, pausing after each poem, often retracing my steps, my anxious breath slows and I enter the moment. Look, Darlene, I’m rocking!
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look, the centerpiece
of my garden is that tall
weed I did not plant!
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dead limb your tree no
longer needs you – it seems that
we could be brothers
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hiking stick my hands
have carved you but my legs may
send you on alone
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All selections are from 112 HAIKU by William Winslow, Palmetto Publishing, Charleston SC, © 2023. William lives in Mount Pleasant, South Carolina but spends many days in the Southern Appalachians in western North Carolina, as evident from the flavor and setting of his writing. He lived in Japan for two years and immersed himself in the culture. Of the art of haiku, he says, “Set aside some time, take a deep breath, and write yours!”
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Visit Palmetto Publishing HERE
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Next week I will attend the Tremont Writers’ Conference in Great Smoky Mountains National Park, led by poet Frank X Walker. Most likely you won’t find a post here on October 27, but take a moment that morning to silently wish my father, Wilson, a happy day on his 97th birthday. I’ll see you back here on November 3.   — B
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[with 3 poems by Jan LaPerle]
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Cupboard
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One day I decide I’ll do something
good for people,
but I forget, then I nap.
My daughter wants to make
lemon cake so we do that.
I stand on the stool
and begin this great hunt
for poppy seeds.
Hours pass, and I’m on my tiptoes.
I stop searching for a minute to listen
to the wind. The branches snapping.
My daughter ran off agin to her swing,
her swing tied to the branch
of the tree she climbs,
the tree run through with electric wires
in the yard she flies her kite in.
She flies it high as the cell tower.
Her dragon kite breathing fire.
Her dragon kite headed in a nosedive
straight into those electric lines.
I can’t do anything about anything.
I’m trapped in the cupboard
forgetting what I’m searching for.
I dust the spice tops; they go on forever.
My hair too tight in its bobby pins.
Here as good as any place to pray.
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Jan LaPerle
from Maybe the Land Sings Back, Galileo Press, Aiken, SC. © 2022
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❦ ❦ ❦
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The dark and the light are neck and neck again. When dark creeps in the light just doesn’t seem to have much of a chance. This is a close as we come to living dangerously – taking a walk in the woods on an afternoon that promises thunderstorms. Today Linda and I are at Friendship Trail, part of the Mountains-to-Sea Trail east of town. Such a lovely name – almost no one walks here but when we do cross paths the others always smile. Perhaps they’re filled with the same thoughts as the two of us: cool shade, gentle slopes, chuckling creek. Green welcome.
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Only a lumpy heap of black sky to the north, that’s all we could see from the parking lot. For the moment sun slants through the pines and tuliptrees. Cicadas sing. Into our third mile, though, shadows begin to deepen and the leaves get nervous. We can still see blinks of blue straight up through the branches but dark is moving in, shouldering it all aside. A stick drops from height to land at my feet. Will a widow-maker be next?
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What gives dark its edge? Why its power to blot out a cheery afternoon and replace it with foreboding? Dark needn’t even knock yet I open the door to it.
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Dark 4 AM’s are worst although understandable: the hour when the soul’s earthly tether / gently uncoils its smoky grasp / as tenuous as breath.* If I awaken at such an hour I immediately implore myself, “Don’t think, don’t think of . . . ,” but so swiftly the dark lines up its charges, some sharp as yesterday, some rank with decades, some uncertain ever to arrive at all but all too easily imagined. Dark loves the quiet unprotected moment.
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But why, then, into light and airy freedom of mind is dark also able to intrude? I discover myself on a rural highway, green tunnel and morning dew, but instead of anticipating certain joy around the next bend I am reliving random moments of my own stupidity or, worse, recreating injuries and insults in some delusion that this heaps coals upon the heads of my enemies. Not Buddha but someone apparently equally enlightened said that to hold a grudge is to drink poison while imagining it will kill your foes. Here I am fueling the dark with anti-matter I’ve brought to the bonfire myself. This negativity, what could be more precisely the opposite of experiencing life in the moment? I open dark’s door myself.
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Take a deep breath. Give my heart a good airing. No blame, no shame, just look straight up through the branches and accept what you see. Gray now, but not black. Threatening gusts have settled back to cooling breeze; just a few cold drops on my neck and no more. Here is the edge of the woods, the field, our car up ahead. Linda and I say, as we tend to, “Well, we carried our umbrellas and that’s what kept it from raining on us.” For a stretch it seemed neck and neck, but even so this hour has been full of green welcome. If at this moment we were instead dripping, shoes aslosh, about to shiver, we could still likely bring ourselves to say, even as we are about to now, “That was a wonderful walk.”
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The dark and the light are neck and neck again. So they seem to be in every poem by Jan LaPerle. Maybe the Land Sings Back is not a book of platitudes and happy endings. In fact, this is the anti-platitude book. But neither do these lines ever surrender to unremitting darkness. Despair dances with hope even if they are both stepping on each other’s feet. Gray sadness cracks and a thin bright line of joy refracts into color down the wall. These poems accept the small daily trials we might think inconsequential as well as the towering existential anxieties we have to admit if we are alive in this century. These poems offer us the chance to share all of these and in doing so they invite us to become more human.
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Many of these poems are constructed as a series of observations. No, not observations, not apart from the experience but within the experience: these poems are a series of lived moments. Our image of the writer – her age and circumstance, her partner and parent relationships, what she fears and what she loves – is not constructed from what we are told or shown but from sharing the experiences as she does. She struggles to find meaning. So do we. She is surprised that a small act can dispel loneliness or that a small memory can carry a huge weight of joy. We experience surprise at the very moment she does. I have been blown through this collection by a wind of anticipation and revelation and promise. At the end I am simply convinced that, even though neck and neck, the dark doesn’t have much of a chance.

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Maybe the Land Sings Back, Jan LaPerle, Galileo Press, Aiken, SC. © 2022. Jan LaPerle lives in Kentucky with her husband and daughter, and is a master sergeant in the U.S. Army at Fort Knox. Galileo Press was founded in 1979 by Julia Wendell and Jack Stephens, now lives in Aiken, South Carolina, and also publishes the journal Free State Review.
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[* from Circadian (Welcome Morning) by Bill Griffin, published 2005 in Bay Leaves by the Poetry Council of North Carolina and collected in Crossing the River, Main Street Rag Publishing, Charlotte, NC. © 2017)]
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Dear Tuth Fary
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This is the beginning of my
daughter’s letter, and in it folds
a tiny tooth, small as the foot of the mouse
we caught this morning in a trap
that looks like a hallway to heaven.
The light at the end illuminating a dollop
of peanut butter, heaven enough
for the mouse who was still alive,
still zipping its stringy tail back and forth
across the hardwood. My daughter
and I went outside to set it free, left the tea
warm on the counter, the teabag
with one of those little paper sayings,
The earth laughs in flowers, but there’s no laughing here,
just ice creeping across everything, making us feel
even more zippered-in, my daughter
on the threshold right before the cry.
She could go either way, and this is always
up to me to maneuver. So I make up some life
for this mouse to get back to, some little car,
tiny house, little teacup tinier than a mouse tooth.
Isn’t it all so cute? Isn’t it great, how I can
hold the world in the light like this?
I cannot talk to her about why the mouse
went in there, the temptation, peanut butter
and loneliness, the pinhole of light in all the darkness,
like when she woke in the middle of the night
and came to my door to say, so sweetly, Hi mama,
which I snuffed out quickly with all my middle-aged
darkness. Midnight breath its own nightmare.
In the morning, I go to my coffee, my office
in the attic where I belong, and the squirrels
scrabble across the shingles and we laugh a little,
we being me and the comic part of me that
pops her head through the skylight to talk
to the critters above and below, and I can hear
it all from there. The inconsequential-ness
of my life is a cinch on my heart. The sweetness, too,
of my little girl growing in the most beautiful person
I have ever seen. That’s enough.
The dark and the light are neck and neck again.
I am freezing from my heart up.
I am right here, rooting from the window.
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Jan LaPerle
from Maybe the Land Sings Back, Galileo Press, Aiken, SC. © 2022
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❦ ❦ ❦
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Big Quiet Things
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Forever we remember her
on our way to the coast,
in the back seat, quiet
for a million miles,
watching movies with
headphones on and
then, as if a word were
a thing, as if quiet
were an ocean,
and out of it: CRAB!
And years now later,
my husband can say it
or I can say it,
and we are warmed together
even when all around us,
sinking us, pulling us under,
a riptide. And it feels
impossible. And there’s
nothing to hold onto.
Silence for a million miles.
Then out of it
a word, and then more where
that one came from,
all washing up, and the sun
warm, the sand
here with us,
waiting with us.
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Jan LaPerle
from Maybe the Land Sings Back, Galileo Press, Aiken, SC. © 2022
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2016-10-17a Doughton Park Tree

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