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Why shouldn’t offspring of a given moment / be kin, whatever it takes to link lives across the species?
Katherine Soniat, Furnishing the Frog Cosmos

It’s 1963 and my family is spending a few weeks at Nana’s house in Morehead City.  She lives on a high bluff overlooking Bogue Sound (Bogue Banks a mile across the waterway with nary a house visible).  All morning my little brother Bob and I pole an old flat-bottomed skiff through the shallows.  When the tide’s out we spend all afternoon stalking creatures through ankle-deep water and weed beds: silvery fish too swift and lean for our dip net; scallops that show a line of blue-green eyespots on their mantle and snap shut before we can grab them; squirts, knobbed and rubbery, that Bob and I have become brave enough to pick up and squeeze; strange holes in the sand, some that bubble, some that smoke with silt, some with a filmy slime-sac attached that waves in the ripples.  Crabs tiny and large, sea urchins, sand dollars, muscle-footed conches – there are so many strange and wonderful denizens that I, age 10, am very leery of wading through those same weed beds at high tide, never knowing what intends to snatch my toe.

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Bob lives in Montana now.  I don’t know if those creatures still haunt his memories, but I do know that when he brought his daughters to Pine Knoll Shores a few weeks ago they spent an entire day paddling about the sound in a canoe.  Josh, Allison, and Saul are at the beach right now.  We joined them for a couple of days, and I coaxed Saul to follow me out into that green-grey water.  Two feet deep and it catches him mid-chest.  He’s not bothered a bit that he can’t see where he’s placing his feet.  I feel something firm beneath my own and dip up a 3-inch blue crab.  Saul watches its claws pinch the netting, notices the paddle-shaped rear legs flip it through the water when I release it.  The net clinks something hard; I bring up a little whelk shell.  There’s an orange hermit crab hunkered in there.  We set it up on the pier and hold perfectly still until it inches forth, scuttles away, and plops back into the sound.

It’s time for lunch.  There are plenty more mysteries beneath that shining surface.  Next time we’re coming back at low tide.

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I love Katherine Soniat’s Furnishing the Frog Cosmos, from her book The Swing Girl.  I am fascinated by the idea Why shouldn’t offspring of a given moment be kin?  What if?  I was born in February when the hoots of Great Horned Owls haunt the forest and the female on the nest is covered with snow.  Her mate brings meat to her and the downy chicks while she keeps them from freezing.  The Black Bear gives birth to her cubs in February, still in her winter dormancy.  While they nurse she may not eat for weeks.  No doubt a thousand generations of insects by the trillions share the February moment of my birth.  Equatorial birds, warm-water polyps, the whole southern hemisphere in their mid-summer – we’re a strange and wonderful family.

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Furnishing the Frog Cosmos

Earth-jam of a mulched garden — foxglove and iris
beneath the statue that trickles water from her jug
into the pond.

Frogs by the lily pad couple, aloof, eggs adrift
in the green algae.
Why shouldn’t offspring of a given moment
be kin, whatever it takes to link lives across the species?

Think of these squiggly scribbles on water, the young translucent
ones preparing for the planet, for clumsy leaps through circles
of slime.
And not far from here in the woods, the discarded clothes
of childhood lay buried — softened shoes, patched woolens and denim.
An owl dives for the red-headed woman as she weeds a small plot.
Her fickle mane is something that bird wants, sweaters clumped
underground with the winged mittens.

In a flash, that woman rises, out of synch with the concrete maiden
who pours water endlessly for the frogs.
One by one, the stories
diminish, and outgrown body of clothing at home in the dirt.

Katherine Soniat

from The Swing Girl, Louisiana State University Press, 2011

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Katherine Soniat lives in Asheville, NC and teaches in the University of North Carolina at Asheville’s Great Smokies Writers Program.  The Swing Girl  was selected as Best Collection of 2011 by a North Carolina poet (Arnold Oscar Young Award) by the Poetry Council of North Carolina.

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It’s been a few years since I saw a patient with their fingers stiffened by black gum, so tarry and mean you just absolutely couldn’t get it off.  For years they were regulars, members of several local families, and by late August I’d usually treated two or three of them.  Oh, they didn’t consult me to take care of the black gum.  That was a fact of life.  They’d come in with a sprained back from first priming (bending over to pull the lowest leaves, the first ones to ripen).  Or one of their kids would be vomiting from green tobacco sickness when the morning dew permitted the nicotine to penetrate her clothing and permeate her skin.  (The older ones all smoked or dipped, and a little extra nicotine didn’t phase them.)

To say tobacco farming has changed is like saying calling to your neighbor has changed.  The wood-fired tobacco barn has gone the way of the rotary dial phone.  The government bought back all the allotments, but you can imagine plenty of other reasons why you see so many fewer acres of tobacco in Surry County now (and so many more acres of grapes).  On top of that, those big steel gas-fired curing barns just ain’t as picturesque.  And I guess the kids have all gone off to college, because I don’t see them with that black gold on their fingers during priming any more.

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I moved to Elkin over thirty years ago to join Jonesville Family Medical Center right where rural nirvana blooms, the juncture of Wilkes, Yadkin, and Surry Counties.  Some days over lunch, one of my nurses shared stories of her farming childhood.  When priming was finished and the barn was full the whole family would join in the curing – cousins, uncles, the tribe.  The men had to tend the fire all night long to keep the heat just right.  The women would bring baskets of supper; the kids would play until way after dark; someone would break out a fiddle or a guitar.  There was probably a Mason jar of something potent being passed around in the shadows beyond the firelight, but my nurse wouldn’t want to make any accusations.  She and the other youngsters would bed down in quilts and blankets around midnight, and when the sun came up across the fields, there Mama would be with cold milk and biscuits.

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Who’s going to keep these stories alive for us?  Thank goodness for Shelby Stephenson.  I wonder if Mrs. Stephenson, watching her little boy helping with the priming, could have imagined he would go off to college and come back home a professor.  Could she have imagined him turning the black gum into poetry?  As English Prof at UNC Pembroke, as editor of Pembroke magazine, as author of numerous volumes, and as picker of a mean guitar, Shelby has given the old stories new voice, new breath, new life.

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Tobacco Days

The rows almost ridge themselves, shaping the year again
towards seasons that let the dust of sandlugs
fall into yesterdays lost in failed crops, quick dreams.

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I lay on the warm ground of the Mayo barn at four in the morning
hoping Brother would oversleep.
The flatbed trailer bounded across the ditch,
the Farmall Cub droned.
“Morning, boys.”  I climbed the tierpoles.
Taking the top, I handed down four sticks at a time to Lee to
Paul who packed the trailer.  From my perch I
stirred the sun through airholes uner the eaves.
The barn emptied, we walked through dew to breakfast.
Dreams drifted awkwardly, Brother’s Big Man chew
rolling over in sand-dust.

*   *   *   *   *

The tobacco greens for the farmer who dives into the dirt,
renewed in the smell of warehouses,
golden leaves in the lightholes bringing the legged sunlight in.
Dew in dust, a musk in  mist,
the tobacco tips one more time on the prime,

a sea of blooms
bobbing in ninetyfive degree wisps of heat,
adhesive tape slipping over blisters.

My bare feet burn on the ground and I shuffle
toes into dirt for moisture, inching stalk by stalk
down endless rows in the ten-acre field where short rows
fade into plumbushes and shade.

The mules on the drags relax through the hot, climbing
July days, the frying dust, and you wonder if you’ll ever
get the gum off your hands.

Shelby Stephenson
from Finch’s Mash © 1990 by Shelby Stephenson

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I’m going to bet your family is a lot like mine.  Sometimes my parents come to stay a few days over a holiday, with Margaret and her Josh in from Raleigh, Mary Ellen down from Sylva (and all with dogs-squared), and finally Josh, Allison, and Saul all squeezed in.  Then it starts.  First hugs, then catching up and gossip, meanwhile eating, momentary pause in eating, start eating again.  Finally, if we’re all under the same roof for long enough, the stories begin.

Haven’t you heard them?  Stories that start out with, “Oh, I remember when you were six and you . . . .”  “Right, and remember that time we thought no one was looking and we . . . .”  “Sure, and can you remember what Nana would say when we . . . ?”  We’ve heard them all a thousand time, but we can’t help ourselves.  We have to re-tell them.  It’s the stories that bind us together and remind us we’re a family.  Those stories make us a family.

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I was at the Zoo about a year ago when Batir was smaller (though not by any means small).  She still kept pretty close to her mother, Tonga, and they would frequently caress each other with their trunks or even interlace, touching . . . touching.  Today they still spend much of the day near each other; is Batir leaning against her mother’s side?  They’re that close.

Yesterday at the aviary, besides watching the Yellow-rumped Cacique add fronds to a large unruly nest in the very top of a sapodilla, I saw a pair of White-headed Mousebirds that evidently also had nesting on their minds.  They nibbled at each other’s beaks, and then one would preen the neck feathers of the other . . . and they were perched pretty darn close together on that branch.

One morning this week I entered the Park early while the alligators were still bellowing at each other (there are two separate ‘gator enclosures so the males can’t get physical with each other).  As I passed one pool, a larger ‘gator was rubbing his jaw up and down the neck of the smaller, and then she (?) would return the gesture.  I’d have a hard time calling it “nuzzling” when your skin is smooth as an old shagbark hickory, but I can only assume they were making friends.

With such a large extended family of baboons, you can’t pass them by without noticing that there is always some grooming going on.  Sometimes it’s a female picking through the thick mane of a large male; sometimes two females; frequently a mother and child, and then they reciprocate.  The younger members of the troop sometimes stop chasing and wrestling to comb each other out with their claws.

Somehow each species communicates that they are a family.  It may be the complex subsonic telegraphy of elephants or the ritual stereotypic breeding displays of birds, but the message is received.  The bond is forged.  The family prevails.

We humans prevail through the stories we tell.  When that gets old, we tell stories about telling stories. As Zoo ambassador, here’s my challenge to you:  tell me a new story.

I am leaving the Zoo after this week-long residency with a headful of stories.  You’ve got some, too.  Discover them.   Tell them.  You don’t have to visit a zoo, or an aquarium, or a botanical garden, or a national park.  You have a backyard, a neighborhood, a schoolyard.  There is something about any one of those places that can remind you what family you belong to.  Do I have to come right out and say it?  It’s the Family of All Life on Earth.

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Maybe you’ll encounter a creature you’ve never paid much attention to before.  You might learn to recognize a bird’s call or look up the name of that big butterfly hanging around your bushes.  Perhaps you’ll gain some new understanding about how creature A depends on creature B, and vice versa.  Could be you’ll discover that something you’re used to doing every day actually harms creature C.  You know you’re going to feel invigorated after you get a big dose of Vitamin N (“Nature”).

And you’re going to have some stories. I can hear you now, each time you get together with your Family and spend some quality time under nature’s vast open roof – “Hey, do you remember when we . . . ?!”

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A Prayer for the Mountains

Let these peaks have happened

The hawk-haunted knobs and hollers,
The blind coves dense as meditation,
The white rock-face, the laurel hells,
The terraced pasture ridge
With its broom sedge combed back by wind:
Let these have taken place, let them be place.

And where Harmon Fork piles unrushing
Against its tabled stones, let the gray trout
Idle below, its dim plectrum a shadow
That marks the stone’s clear shadow.

In the slow glade where sunlight comes through
In circlets and moves from leaf to fallen leaf
Like a tribe of shining bees,
Let the milk-flecked fawn lie unseen, unseeing.

Let me lie there too
And share the sleep
Of the cool ground’s mildest children.

Fred Chappell
from Spring Garden, 8 1995 by Fred Chappell, Lousiana State University Press.

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You don’t have to visit the Zoo, but it couldn’t hurt.  It’s done me a world of good.  Next time you’re there, see if they’ve started displaying poetry around the Park.  (It won’t happen until after all three of us Poets-in-Residence have submitted our suggestions, but if you don’t see any yet it’ll just be the perfect reason to make another trip before too long.)

Meanwhile, I thank profoundly Ellen Greer, Sue Farlow, and Dr. David Jones as well as all those on the steering committee that developed the vision for this Poetry of Conservation project.  And to all the rest of you folks – design staff, animal handlers, Zoo Com, volunteers, interpreters, Sodexo, Schindler House folks – you welcomed me into your NC Zoological Park family, and I am humbled and grateful.  In sheer awesomeness you are equal to any of the other animals in the Park!

Love, BILL

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