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Posts Tagged ‘Christmas’

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[excerpts and art from
The Donkey’s Dream, Barbara Helen Berger]
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Once there was a gray donkey. He was
walking along as usual, with a load on
his back. A man was leading him. And
as they walked on and on through the
starry night, the donkey began to dream.
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He dreamed he was carrying a city,
with gates and towers and temple domes.
He dreamed a child cried in the city.
And doves flew all around.
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He dreamed he was carrying a ship.
I rocked like a cradle. It shone like the moon.
And the sea danced all around.
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He dreamed he was carrying a fountain.
Its waters splashed and sang like a child’s laughter.
And a garden sprang from the desert sand all around.
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He dreamed he was carrying a rose, soft as a
mother’s touch and sweet as the sleep of a baby.
Angels stood all around.
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Then he dreamed he was carrying a lady full of heaven.
They had come to a town. But only the village dogs
ran to greet them.
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The donkey’s lot in life is to carry. He is bred to carry. All his days are carrying, and if he remarks upon a particular burden or complains, well, for the donkey tomorrow will still be carrying.
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As for us all. So much we carry. So many things, and heavy. My dreams, as the donkey’s, are mostly of things I have carried or will carry or am still carrying. Burdensome. Worrisome. Or have I misinterpreted my dreams? Beside our bed, Linda keeps a little handbook of Jungian dream symbology. But can dreams be constrained to pages and print?
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The world is heavy upon the donkey’s back. He is tired, he labors beneath the weight, and yet his dreams are of light and beauty entering the world. For the donkey, as for us, the longest night seems always to stretch before. And yet a star lights his trough. He sees his burden with new eyes and his weariness is no more.
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In this dark and heavy world, is it still possible to dream of light?
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And, dreaming of light, is it possible we will wake?
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But the donkey was left alone outside.
He had walked so long, his back was
aching and his legs were sore. One star
high above him shone in the watering
trough below. The tired donkey drank.
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Just then a cry rang out in the cave.
And its echo rang like a bell,
over the hills, all around. The night
was so still, even the stars heard it.
The man came out of the cave.
He whispered to the donkey, “Come.”
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Together they went inside the cave, where they lady lay
on a bed of hay. The donkey’s saddle was her pillow.
She smiled. “Come,” she said to the donkey.
“See what we have carried all this way, you and I.”
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And suddenly, the donkey was not
tired anymore, though he had carried
a city, a ship, a fountain, a rose,
and all the heavens on his back.
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The Donkey’s Dream, written and illustrated by Barbara Helen Berger; Philomel Books, New York NY; © 1885 by Barbara Helen Berger
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Merry Christmas, Maya! (Michael & Diane, too.)
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IMG_7952
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[with 3 poems by Stephen Dunn]
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Returning from an Artist’s Studio
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Late at night in my one life
I see fireflies scintillating a field
and a fullish moon up there working
on its reputation, which I thought
was secure. And though I’m not one
to stop my car for beauty
I stop, get out, begin to understand
how the first stories winked
of another world. It’s as if
I’m witness to some quiet carnival
of the gods, or the unrisen dead
speaking in code.
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Insects are eating each other. Stunned
beyond fear, mice are being given
their first and last flights,
talons holding them dear.
The fox has found a warren.
Everything I can’t see
is at least as real as what I can.
If I stand here long enough
I’ll hear a bark and a squeal.
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The artist had an eye for exaggerated sunsets
splashed with rain, odd collisions
of roots, animals, seeds.
I didn’t like a thing I saw,
so much effort to be strange.
The moon is hanging from a leafy branch.
The fireflies are libidinous
and will not be denied.
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Stephen Dunn
from Different Hours, W.W.Norton & Company, New York, NY. © 2000
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Its birthday is three days from now: Monday, December 25. It will be two years old. Call it, perhaps, a mote which from where we stand is invisible. Or better, call it an eye, one that sees into almost everything. Best of all, in this season of visionaries who seek truth and meaning as they follow stars, call this a new-born star. There it glints, locked in thrall of its own near infinitely larger star, to which it turns its back and pays no attention at all.
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The James Webb Space Telescope launched from Kourou, French Guiana, on December 25, 2021. Within a few weeks it maneuvered into its orbit around the Sun, 1.5 million km from Earth, and unfolded its mirror of bright hexagons, gold-plated beryllium, the ommatidia of its compound eye. It sees the light of galaxies emitted 13.1 billion years in the past (13.1 billion light-years distant). It is already shattering theories about the earliest times of our universe’s creation. Primordial black holes, early giant stars, galaxy clusters – is this inconceivable vastness really the Universe of which our own little planet is the center?
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We choose December 25 to celebrate the birthday of a human being who represents God’s tangible presence here on earth. Immanuel, God-with-us. Jesus, in halo orbit around the Lagrange point of God’s gravitational unity – in the phraseology of Process Theology, “perfectly synchronized to God at all moments of life”; “fully and in every way responsive to God’s call.” This is how I yearn to experience my God – fully present in the wild aster seeds I gathered and sowed yesterday, and equally present throughout a universe spanning some 10*30 cubic light years. If the JWST reveals more wonders and marvels than I could ever dream, do I deny the nature of reality or shall I enlarge my notion of God?
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Here’s my mission this Christmas season. First, to shift myself off center. As much as I’m able, to remember that the Universe does not really revolve around me; to open myself to the persuasive power of love pushing me to its Lagrange point. Second, to unfold my compound eye. To look out as far as it takes, and as deep within, to discover God in constant process of moving and becoming. And at the same time to discover what it is that I am called to become.
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Before the Sky Darkens
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Sunsets, incipient storms, the tableaus
of melancholy – maybe these are
the Saturday night-events
to take your best girl to. At least then
there might be moments of vanishing beauty
before the sky darkens,
and the expectation of happiness
would hardly exist
and therefore might be possible.
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More and more you learn to live
with the unacceptable.
You sense the ever-hidden God
retreating even farther,
terrified or embarrassed.
You might as well be a clown,
big silly clothes, no evidence of desire.
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That’s how you feel, say, on a Tuesday.
Then out of the daily wreckage
comes an invitation
with your name on it. Or more likely,
that best girl of yours offers you,
once again, a small local kindness.
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You open your windows to good air
blowing in from who knows where,
which you gulp and deeply inhale
as if you have a death sentence. You have.
All your life, it seems, you’ve been appealing it.
Night sweats and useless strategem. Reprieves.
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Stephen Dunn
from Different Hours, W.W.Norton & Company, New York, NY. © 2000
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So many bookcases. In this house are many mansions. A few days ago, on one of the less accessible shelves, I noticed a book I hadn’t opened in years. I couldn’t recall the specifics of the poems it contains but just looking at its cover recalled emotions from when I last read it: warmth, questioning, surprise, discovery, assurance that this process of living is valid, valuable, and even in its fearfulness to be cherished. Then I opened Stephen Dunn’s Different Hours and found this:
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Twenty-three Christmases ago. I wonder how my parents selected this particular book for me? It had just been published but I don’t imagine it greeting folks boisterously as they entered the door at Barnes & Noble. Did Mom and Dad realize the book would win the 2001 Pulitzer Prize for Poetry? As well as I can recall, the only other book of poetry they every bought me was Maya Angelou. And then there’s the inscription, from “Dad and Mom,” although this is certainly my mother’s handwriting, still elegant and strong at the beginning of the century.
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All these questions. In spite of them, I see that it was the perfect book for me then and that this is the perfect week to rediscover it. Stephen Dunn explores love, its foolishness and its bedrock. He explores death, of those people and things we love and our own racing toward us. And within the “different hours” of doubt and questioning, of emptiness and aimlessness, he hints at hope and wonder within this elusive reality we occupy.
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After Christmas, as new books heap themselves on my desk, I’ll return this one to its safe berth. Whenever I next happen to chance upon it, I know it will again be the perfect time.
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The Metaphysicians of South Jersey
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Because in large cities the famous truths
already had been plumbed and debated,
the metaphysicians of South Jersey lowered
their gaze, just tried to be themselves.
They’d gather at coffee shops in Vineland
and deserted shacks deep in the Pine Barrens.
Nothing they came up with mattered
so they were free to be eclectic, and as odd
as getting to the heart of things demanded.
They walked undisguised on the boardwalk.
At the Hamilton Mall they blended
with the bargain-hunters and the feckless.
Almost everything amazed them,
the last hour of a county fair,
blueberry fields covered with mist.
They sought the approximate weight of sadness,
its measure and coloration. But they liked
a good ball game too, well pitched, lots of zeroes
on the scoreboard. At night when they lay down,
exhausted and enthralled, their spouses knew
it was too soon to ask any hard questions.
Come breakfast, as always, the metaphysicians
would begin to list the many small things
they’d observed and thought, unable to stop talking
about this place and what a world it was.
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Stephen Dunn
from Different Hours, W.W.Norton & Company, New York, NY. © 2000
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The James Webb Space Telescope is located near (in a “halo orbit” that keeps it in the vicinity of) the Sun-Earth L2 Lagrange Point. A Lagrange Point is an area of gravitational equilibrium in relationship to two massive bodies: Sun-Earth, Earth-Moon, etc. Positioning JWST in this way requires less energy to maintain and allows a longer functional lifespan.
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More about the James Webb Space Telescope, and some literally awesome photographs, HERE
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More about Process Theology, which states that each instant of Being is ever in the process of Becoming, HERE
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Stephen Dunn (1939-2021) as described by The Poetry Foundation: Dunn’s poetry reflects the social, cultural, psychological, and philosophical territory of the American middle class; his intelligent, lyrical poems narrate the regular episodes of an everyman speaker’s growth, both as an individual and as part of a married—and later divorced—couple. His poetry is concerned with the anxieties, fears, joys, and problems of how to coexist in the world with all those who are part of our daily lives.
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MERRY CHRISTMAS!

 

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Let the Stable Still Astonish

Let the stable still astonish:
Straw-dirt floor, dull eyes,
Dusty flanks of donkeys, oxen;
Crumbling, crooked walls;
No bed to carry that pain,
And then, the child,
Rag-wrapped, laid to cry
In a trough.

Who would have chosen this?
Who would have said: “Yes,
Let the God of all the heavens and earth
be born here, in this place.” ?

Who but the same God
Who stands in the darker, fouler rooms of our hearts
and says, “Yes, let the God
of Heaven and Earth
be born here —-

in this place.”

Leslie Leyland Fields

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from
The 2022 Elkin Community Chorus
60th Anniversary Christmas Concert
Tonya Smith Directing
Lillie Sawyers – Alto Solo
Amy Johnson – Piano
Sylvia Grace Smith – Cello

 

Let the Stable Still Astonish
composed by Dan Forrest, lyrics Leslie Leyland Fields

[Digitally recorded on December 4, 2022,
First Baptist Church of Elkin, North Carolina
by John Rees, GodsChild Records, Mt. Airy, NC
Digitally mastered and distributed by John Williams,
Engineer, Douglasville, GA]

 

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MERRY CHRISTMAS!

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2016-10-17b Doughton Park Tree

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