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Archive for the ‘Imagery’ Category

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[with 3 poems by Terri Kirby Erickson]
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Heaven
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You wake in a sun drenched room
with knotty pine walls and open windows,
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white curtains billowing. The warm,
salt-scented breeze carries
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the sound of waves, the laughter of children,
the cry of gulls. Somewhere
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inside the house, bacon sizzles in a pan,
coffee drips into a pot – and there are voices,
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familiar voices – your grandmother,
your brother, your best friend. It’s been
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so long since you have seen them.
So you sit up in bed, stretch your strong,
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supple limbs. There is no pain,
no stiff shoulders and creaky joints.
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There is no weight of sorrow or regret –
only a kind of soaring joy that lifts
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and circles inside you like a kit.
And when you move across the floor,
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it feels like floating, as if your body is made
of light and air – but solid when
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they reach for you, when their arms
open wide and you walk in.
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Terri Kirby Erickson
from In the Palms of Angels, Press 53, Winston-Salem NC; © 2011
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Spontaneous combustion – when a ten-year old reads about such a thing of course he’s going to think, Fire! Cool! My friends and I weren’t allowed to play with matches (although we could have swiped some from our Dads, all smokers, and we certainly smoldered plenty of stuff with our magnifying glasses during the Memphis summers). So fire blossoming up all on its own?! We scrounged an old t-shirt, sopped up some oil that had leaked from a lawn mower, and stashed the rags in a dark corner of Mike Slattery’s garage. And waited. I moved away from that neighborhood two years later and I have yet to hear that the garage burned down.
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I have a friend with a gift. She can wake up in the morning first thing and fire off to the rest of us in the writers group what has just flowed from her pen into her journal. “Can” as in willing and able and unrestrained. Ten lines or twenty, she shares something always fresh, light breaking, a window open to her soul. Meanwhile, I’ve re-written this paragraph three times in my head, twice on paper, and six times on the screen. I need the t-shirt my brother-in-law Skip wears: “Hold on a minute while I overthink this.”
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Now I’m stashing stuff in the car for this morning’s drive to Winston, errands to be accomplished for Dad: laptop, check; Power of Attorney docs, check. Wait, I was thinking of taking Dad some flowers from the front yard today. No, too tired. Next time.
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And when might that next time arrive? Snipping zinnias, marigolds, anise hyssop, coaxing their stems into an old bread bag with a wet paper towel in the bottom, fitting the fresh bouquet into my cup holder – oh, my! Flames of purple and scarlet and bright orange, scent of mint and musky asters – pulling out of the driveway, how spontaneously I combust!
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Sunflowers
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In our well-manicured yard
where a clover can’t show its face
or risk dire consequences, a row
of sunflowers sprang up by the bird
feeder, claiming the kitchen
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window for their own. Such thick
stalks and heavy flowers belong
in children’s stories, where
gardens bloom in shapes
and colors seldom imagined
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and mushroom grow as big
as houses. With great dark eyes
surrounded by yellow lashes,
they follow the sun on its daily
journey – a bevy of bold young
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girls in love with the same boy.
Dazzling beauties all, showing
up our prim blades of grass
and trimmed bushes like hula
dancers in a room full of pilgrims.
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Terri Kirby Erickson
from In the Palms of Angels, Press 53, Winston-Salem NC; © 2011
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clouds cast shadows across the ground like whales swimming through clear water
a bevy of bold young girls in love with the same boy [sunflowers]
the yellow-haired girl whose hands rested in her lap like fresh-picked lilies
her fingers dancing over tubes of lipstick as if they were piano keys, and she, learning a new song
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Terri Kirby Erickson’s poems delight in the perfect image, the lance of daylight that makes shadows radiant. She populates her lines with characters from every neighborhood and every family, her own included, and she reveals their secrets, unknown sometimes even to them, but she does it with language so airy and effortless that I imagine her raising her pen like a lightning rod and drawing to it from heaven a bright spark of inspiration. Spontaneous, emerging fully formed from the heart. The rest of us bail the bilge as we adhere to the adage, “Writing is re-writing,” while Terri is skipping stones across the water.
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In the Palms of Angels by Terri Kirby Erickson is available at PRESS 53
More by Terri at Verse & Image HERE
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Grandmother’s Lamp
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In the quiet stillness of a snowy evening,
the earth is white as angel wings and the sky
purple as lilacs pressed against the window
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pane. The soft glow of Grandmother’s lamp,
with its yellowed shade and pattern
of porcelain roses, falls on the antique tabletop
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and the picture of my mother, the ballet
dancer, posing. From the street,
it’s just another lamp in a long row of lighted
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windows, but to me, it is the sweet comfort
of my grandmother’s face, bent earnestly
over her needle point, or patiently putting together
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another scrapbook of memories, pasted just so
on the page. It is her quiet certainty that this, too,
shall pass, that God hears our prayers,
 . 
and the heaven is not the stuff of fairy tales
woven to quiet our fears, but as real as the lamp
she left for me, to light my way there.
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Terri Kirby Erickson
from In the Palms of Angels, Press 53, Winston-Salem NC; © 2011
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Doughton Park Tree 2020-06-11a

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[with 3 poems by AE Hines]
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A foot of new snow
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and down the middle
+++++ of our icy street
a dawn congregation
+++++ of ravens, all blue-black
and wing, hunch
+++++ in their strange bureaucracy,
as if arrived to divide
+++++ the daily assignments. Even
at this age, I still see signs. Even
+++++ a gathering of black birds
on a snow-covered road,
+++++ a Rorschach test
that conjures a warning
+++++ in my anxious machinery:
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an assembly of plague doctors –
+++++ with folded feather arms, dark
nodding heads. I wonder what
+++++ they are here to tell me.
None of us is promised green lights
+++++ and straightaways, but sometimes
the bloodwork comes back
+++++ quietly, the tumor
benign. Sometimes, just up the road
+++++ from where you lie in bed,
brakes give way and barrel
+++++ a terrified trucker across four
frozen lanes into your
+++++ could-have-been path.
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AE Hines
from Adam in the Garden, Charlotte Lit Press, Charlotte NC; © 2024
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Imagine you really like to eat. No, I don’t mean you enjoy sitting down at the table, plate in front of you, bite by bite, chew & swallow, push away and say, “That was good!” What I’m talking about is when your eldest son calls and asks, “How’re you doin’?”, the first thing out of your mouth is, “For supper I had . . .”
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It’s a blessing that Dad likes to eat. My experience from forty years of geriatric practice is that once you lose your appetite you’re going to have a tough time ever finding it again. The first thing Dad usually brings up when we talk is what he needs me to pick up at the store. He’s thinking two meals ahead, tonight’s supper, tomorrow’s breakfast. He can’t walk as far as the kitchen any more, he can’t rummage through the cupboards or the fridge, in fact there may not be many things left in life for him to enjoy, but he can think about something good to eat.
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That’s why this morning I’m poking around in the freezer and shifting unidentifiables in the back of the refrigerator, holding a shopping list and a yellow pad. Besides chucking out the old and vaguely greenish, I’m making Dad a list. A “MENU” I’ll leave at his bedside. There’s a column for meals in the fridge, a column for freezer, and at the bottom is that most important header of all: TREATS. I found four kinds of cookies in the pantry. Four flavors of pudding we originally bought for Mom. Chocolate brownies with M&M’s his cousin June brought by. Some zucchini bread a neighbor dropped off (and it is good). Please don’t forget the Trader Joe’s Vanilla Ice Cream.
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From here, then, it’s off to Harris Teeter. I’m sure I’ll see some more things Dad would like as I cruise the aisles. They say the olfactory sense is tightly cross-linked to the hippocampus – a familiar smell instantly evokes vivid memories of old associations. I suspect for Dad the gustatory sense is equally evocative. Maybe he needs a little country ham with red eye gravy. Maybe spoon bread or hushpuppies. Maybe I can find the recipe for Mom’s famous German chocolate cake.
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In our final days, may we all treat ourselves to what brings us joy.
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Eden
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I recall placing ripe plantain on the lowest
branch of eucalyptus, and the tree
filling with small wings: toucans
and motmots, a flock of miniature finches
dusted with pale blue chalk. There are so few
days I would – if I could – set on repeat
and live over and over:
+++++++++++++++++ Here, the man
I love, sight of him a reviving breath,
carrying plates of chorizo and fried eggs.
Then the two of us reclined in dappled grass,
drinking hot chocolate from a single,
chipped cup beneath prehistoric ferns
that tower and sway just as they must have
with the world still new.
+++++++++++++++++ I like to pretend
then too – didn’t I? – that we were the first
and last of our kind, a multitude
of wings beating the air under a sun
that never set, our queer, middle-aged bodies
never a day older.
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AE Hines
from Adam in the Garden, Charlotte Lit Press, Charlotte NC; © 2024
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Some quiet evenings I go out / to sit with them, all the men / I’ve been . . .
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When has there ever been an evening that quiet? A space filled with invitation and empty of demands? When has my mind ever been that pliant, willing to contemplate such things much less able? Is there a garden somewhere waiting for each of us, waiting for our return?
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Adam in the Garden by AE Hines offers no simple answers but it certainly invites questions. These poems span many years and many situations; even more so they span the many conditions of one human person. Broken and reborn, dead and exalted – you nor I are not one immutable creature, none of us an unvarying beam transiting the years allotted to our individual existence. If we discover a quiet moment and stop to think, we may discover the many persons we have been and are being.
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Where could there be such a quiet space? Turn the page. Again. The poet invites us to join him here. He makes himself vulnerable to our gaze. He makes no other demand on us than to enter the quiet with him, to be with him and with our selves. And truthfully, I confess that I need this! I need the quieting of all those voices, external but really mainly internal, the quieting which is required to read a poem. Not to escape myself but to sit down with myself. Thank you for the invitation and for the welcome. Thank you for the sharing. It is, I assure you, a treat.
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 . 
Adam in the Garden by AE Hines is published by Charlotte Center for the Literary Arts, Inc., through Charlotte Lit Press.
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❦ ❦ ❦
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Green Satin
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++++++++++++++for Ginny
 . 
Perhaps, it’s not the drugs
when you tell me you plan
to come back as a tree, wearing
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green satin gowns and scarves
made of wind. No more ridiculous,
you say, than dying, or your wig
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teetering from the nightstand.
Last night, a cypress lifted its dark
roots from the earth, and lay down
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Like a great, leafy-maned beast
across your yard, making room
for more morning
 . 
to flood your window, dawn
a spotlight across a hospice bed
where you labor over breathing,
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a potter over clay, spinning
and kneading the mud of yourself
into finer and finer pieces.
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“It must be time,” you tell me,
with summer’s sun shining
and sparrows flinging
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shadows on your walls.
When even the cypress lies down
and points the way home.
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AE Hines
from Adam in the Garden, Charlotte Lit Press, Charlotte NC; © 2024
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[with 3 poems by Les Brown]
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Pause
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I placed my hand on the moon
++++ to keep it from its course,
to stop time in the comfort of night
++++ when sleep subdues sounds
of machines and urgent voices.
++++ Starlight and still moon
are enough to guide my stroll.
++++ I cross the meadow
among sparse trees,
++++ where snowy crickets cry fast
with time kept by heat
++++ of past day’s searing sun.
I lie down and listen
++++ for the whippoorwill
whose call is rare now,
++++ watch fireflies wink love calls.
I will hold the moon until
++++ the world stirs and wonders
why the night endures,
++++ with dreams of Earth
where fires do not rage,
++++ floods do not drown,
spiraling winds cease,
++++ oceans retreat from shores
and the cricket cries slow
++++ once again.
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Les M. Brown
from A Coming of Storms, Main Street Rag Publishing, Charlotte, NC; © 2024
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Light rain in the woods, droplets coalesce and cascade through the upper canopy, tuliptree, oak, & hickory, until they freefall onto our heads and shoulders. A fat drop flicks a browned leaf or blinks in the duff. We imagine small creatures leaping up from the earth and then they do! Angel-winged insects are bobbing up and down to touch the fresh damp with the tips of their abdomens, animated by moisture. Linda watches one female Cranefly, notices nearby a delicate floral spike with angel-winged florets, and says,  “Look, it’s planting orchids!”
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Cranefly Orchid and Cranefly, so like each other, elongated nectar tube of the flower resembling the long abdomen of the insect ending in its ovipositor, but so unlike! Except in our visual imagination they’re not related at all . . . or are they? Both favor moist woodlands with a nice layer of decomposing vegetation. Both reproduce in midsummer, by bloom and seed or egg and larvae. Both look a little creepy if you’re not fond of long spindly legs.
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Altogether unrelated, entirely different Kingdoms – Animalia and Plantae – and yet these two are related ecologically, if simply by the places in which they thrive and by the company they keep. They live in community. But mightn’t  the relationship go deeper? All living creatures on this planet are genetically related; we share many of the same genes for  basic functions like metabolism, DNA replication, and protein synthesis, share them with every bacteria, archaea, fungus, protist, and plant. Compare the genome of any plant – Cranefly Orchid – and any animal – Cranefly – and you’ll discover hundreds of identical genes. It’s one big family tree, this Kingdom Earth, with some pretty twisted and winding branches, and yet all connected to the same trunk.
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 . 
Alas, the Cranefly is not planting orchids. She’s laying eggs in the moist duff; they’ll hatch into larvae called leatherjackets. She doesn’t care a whit for her namesake orchid, which is pollinated by Owlet Moths (Noctuidae). The Cranefly Orchid’s tiny flowers twist either left or right as they progress up the stalk (raceme), so that as the moth’s long proboscis probes the nectar tube she gets a dusting of pollen on one or the other of her large compound eyes. And carries it with her to the next flower.
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Mayfly Swarm
 . 
Night on the Pearl River, steaming warm –
our small boat pierces the tunnel of blackness.
Beams of head-bound lights play
across the dark slow current.
 . 
We tease out an occasional moccasin,
quiescent in boughs of bald cypress.
Lock on bright-lit eyes of river frogs,
the hungry raccoon eating a mussel.
 . 
The motor pusher our johnboat upstream –
Suddenly, a blinding blizzard
of white-winged snow rises.
Shimmering mayflies fill the blackness.
 . 
They are in our eyes, nostrils, mouths, ears,
and hair, an erupting silent lace-winged storm.
Millions rise in singular ecstasy, then die.
Their gossamer bodies blanket the river.
 . 
Fertile eggs drift into black depths.
Frog, fish, and bird devour the dead,
a one-night feast, a gift, a magic cycle
of lovers, death, and satiated flesh.
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Les M. Brown
from A Coming of Storms, Main Street Rag Publishing, Charlotte, NC; © 2024
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Les Brown’s new book, A Coming of Storms, has plenty of vivid and hair-raising (literally) descriptions of black cumulonimbus monsters plowing down the mountainside to batter us with hail and impale us with jagged barbs of lightning. The storm he’s really warning us of, however, is metaphorical and of our own making: the devastation of Planet Earth by that most destructive invasive species, Us. Among these poems are Lamentations for the now diminished towns and farms where our lives were once so rich, Jeremiads proclaiming the dire future we’re creating for ourselves, and the Psalmist’s tender recollection of family homestead, tender sojourns in nature, and all the smells and tastes and feel of our fertile world at its best.
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Les has all the necessary credentials of a prophet. He grew up in the rural mountainscape of North Carolina; his poetry is most poignant when populated by his grandparents, uncles, neighbors. He earned a Ph.D. in Biology and taught ecology to college students all his working life. He himself feels most personally and pointedly our loss of unspoiled fields and forests, our disconnection from the earth that sustains us. I wish he were here beside me this afternoon so we could both get our knees dirty investigating Cranefly Orchids and Rattlesnake Plantain. I’ll be looking forward to his next observation, and holding my breath for a cooling breeze of hope.
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 . 
A Coming of Storms is available from Main Street Rag Publishing.
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Think seeds, not bullets
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++++ melons instead of bombs.
Drink wine, rest a while
++++ instead of scorching earth.
Rip off epaulets
++++ and but on bedroom shoes.
Call mothers. Tell them
++++ their children are safe
Revere the earth,
++++ cool it.
Grow chanterelles,
++++ not mushroom clouds.
Bend barrels
++++ and weld triggers
into metallic art.
++++ Read a different Good Book.
Let only birds tweet.
++++ Read only magazines
instead of loading them.
++++ What is beneath the skin
of an apple?
++++ It is a simple question.
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Les M. Brown
from A Coming of Storms, Main Street Rag Publishing, Charlotte, NC; © 2024
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Doughton Park Tree 2014-07-13

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