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[with 3 poems from Tar River Poetry]
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Submersible
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+++ “Red Sky at Morning”
++++++ – for Peter Makuck
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All day and into the evening sullen rain has bucketed dow upon us,
and I think of Peter and the blue-black coastal squalls purpling seaward.
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Ignoring heavy weather is what natives do on Emerald Isle. Years ago
I failed to talk him and Phyllis into fleeing Hurricane Florence, a monster
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storm grinding on Wilmington. Likewise, I used to remind my rother
at Kitty Hawk, half-joking, that he lived in the middle of the god-damned
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Atlantic Ocean. He never listened either – even after his son refused
evacuation from Hurricane Isobel and almost drowned inside their cottage
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with his loyal dog and bobbing bamboo furniture. Tenaciously, Peter and
Phyllis have been anchored to their apartment for years, weathering cancer
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treatments and the Pandemic. Finally – like my father decades ago –
Peter had had enough of chemo, remission, drug cocktails and radiation,
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so six weeks back he stopped. Meanwhile the world obsesses over five men
trapped in the submersible Titan, its only hatch bolted from the outside and
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the seven ways it’s supposed to shed weight and resurface from its great drop
down to Titanic’s ghost spines. The one porthole is small. They’re out of air.
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Peter too has begun a long descent through the murky waters of memory,
morphine, and goodby to land finally (I hope) upon the soft silt of forever.
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Everyone’s half-waiting for the last storm to fade and for Peter – teacher, poet,
and sailor – to resurface and note with delight, again, a red sky at night.
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Don Ball
from Tar River Poetry, Volume 63 Number 1, Fall 2023, Greenville NC.
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❦ ❦ ❦
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As soon as he hops from the car he’s Tyrannosaurus, miniature dangling forelegs, ferocious jaw gaping as he swivels his head side to side, Linda and me his prey. While we wait for food Chameleon appears, thin compressed lips, deliberate robot-like ratcheting gait, front digits at right angles all asplay. Later we interrupt our walk for him to climb the big rock, Gila Monster, but then he elongates his body along a fissure and becomes Chuckwalla.
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Boys are animals. This boy, though, is the master of animals. Not only in transforming himself one into another but also in the thousand and one details he can tell us about their lives and characteristics. We imagine his kindergarten teacher’s eyebrows rising higher and higher at the revelations he pours forth. And what is the best place to really mix it up with animals? Besides, that is, the back yard – bird feeders, bunnies, snakes, hens – and walks along the greenway – deer, skinks, herons, eagles? Well, of course the North Carolina Zoological Park!
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This is the second straight year we’ve spent my birthday at the Zoo with Bert. And with about a thousand other boys and girls of every possible age, shape, size, and color. Come to the Zoo and see the wild children! What other place can keep kids walking for hours and miles with minimal meltdowns? (And what other place features Polar Bear pee and Gorilla poop, fascinating stuff.) Just pack plenty of snacks and you won’t hear the first whine. And while we adults are rewarded minute by minute with Bert’s company, it’s only fair to end the day with one final reward for him at the gift shop. Another addition to the home menagerie. Next time we’re together, I’ll be sure to keep my fingers to myself when Boy Snapping Turtle meets me at the door.
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❦ ❦ ❦
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The Dead
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We want to button them to us,
wear them like clothes. We want
to savor our morning café au lait
with them, hold yoga poses,
walk dogs, skateboard, eat sushi,
rake leaves, stream movies, tango
dribble basketballs with them.
We want them to ride beside us,
windows down, singing
along with our favorite playlists.
We want to tuck them in books
to mark our place, jingle them
in our pockets, lucky coins,
hook them over our arms
like umbrellas to keep us dry.
Coming home at night, we want
the porchlight’s yellow halo
to mean they’re waiting up.
As our key turns the lock,
we pray they’ll call out to us
from the empty rooms
of our dark house.
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Janis Harrington
from Tar River Poetry, Volume 63 Number 1, Fall 2023, Greenville NC.
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❦ ❦ ❦
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I first immersed myself in Peter Makuck’s poetry when I was poet-in-residence at the NC Zoo in 2012. I was working on the Poetry of Conservation project, selecting poems by North Carolina writers that might be displayed in the park, and I also published daily posts of my observations (spending all day every day in the Zoo – it doesn’t get better than that!). In my very first post I featured Peter’s poem, My Son Draws an Apple Tree, a beautifully simple poem that cuts to the truth of the bittersweet relationship between father and son. Peter’s collection in which the poem appears, Long Lens, is filled with generous, haunting, contemplative recollections and themes.
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Peter Makuck founded Tar River Poetry and served as its editor for decades during his tenure at East Carolina University. The current issue arrived this week [vol 63, nr 1, fall 2023] and is dedicated to him – he died last year at the age of 83. Peter inspired me through his writing but equally through his generosity and friendship. Somehow we struck up an email correspondence through the years, first about poetry, then about the NC coast, nature sightings, just stuff we discovered we had in common. Even when wearing his editor’s hat – and I have accumulated more rejections than acceptances from him and Luke Whisnant, the current editor – he was never anything but encouraging and giving of himself. He would have liked me to believe that I, even I, could write poetry as worthy as his own.
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Tar River Poetry is a journal of national stature and reputation, but the three poems I’ve featured today are all by North Carolina writers who appear in this current issue (the wonderful poem One Year Old by Rebecca Baggett is also in this issue but space constraints etc.). Check out TRP and join me in subscribing HERE
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Long Lens by Peter Makuck is available HERE. Learn more about Peter and his other books HERE
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❦ ❦ ❦
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Picking Up Trash with My Sister
on Crab Orchard Road
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She plunges a foot into the dry ditch,
tosses cans, plastic bottles, empty
cigarette packs onto the gravel road
so we can sort them into garbage
and recycling. As she works she asks,
Is this poison ivy? Is this?, trusting me
to protect her as I’ve trusted her since my beginning,
older sister in pictures at ages five and three,
reading to me as we sit on the sofa,
feet sticking straight out, book open in her lap,
pink cat’s eye classes she pushed with one finger
back up her nose.
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And later, at nine and eleven, trying
to sooth with the only stories that made sense:
we’re fleeing the potato famine in Ireland
or Nazis coming to take us away
that morning we heaped dolls into blankets,
shoved clothes into flowered suitcases, fearing
each floorboard creak might be our father
come home to carry out night’s drunken threat
to shoot our mother.
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My sister stomps a beer can flat,
drops it in her bag, slips a Styrofoam cup
into mine. Who would do this? she says,
shaking her head, pushing dark purple glasses
with one finger back up her nose. She twists the lid
from a water bottle, pours the last sip
over the roots of a wilted aster
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Pam Baggett
from Tar River Poetry, Volume 63 Number 1, Fall 2023, Greenville NC.
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❦ ❦ ❦
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[with 3 poems by Jenny Bates]
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Essential
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Trees are a gathering of circles.
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If I touch this tree
say your name,
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Light from the moon, the stars
will burn inside it.
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Frost kindles its leaves to flame,
Spills them on to yellowing grass.
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Unchanged.
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From prehistoric times the ages
are inconsolable, so they turn.
Mantle shadows by truly seeing them.
I tell you this as I touch the tree,
circle this tree, say your name.
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The tree and its golden mean listen
without an ear to hear.
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As you wear yourself out
with a single essential thought.
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Give.
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Jenny Bates
from Essential, Redhawk Publications, Hickory, NC; © 2023
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❦ ❦ ❦
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Ah, February – enter the season of Romance! Naturalists will mark its approach with sightings of large red heart-shaped boxes lining the entrance to Food Lion. Outdoors we notice that, yes indeed, that gray squirrel robbing the feeder looks nicely plump: she will deliver her puplets in a high leafy nest on Saint V’s Day. Wood frogs and peepers, surprise!, have already begun to sing their amorous invitations to amplexus. Owls have a jump on the festivities, already nesting, while there is a general restiveness and revving among the yard birds.
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For Linda and me, the end of winter and first blood flow of Spring are marked by a plaintive two note whistle issuing from the rhododendron. There it is again! A rising minor third, clear and bright, the introduction to a joyful motet, the Oh My! of Oh my Canada, Canada, Canada. The White-Throated Sparrow is tuning up.
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Why do birds sing? All winter the white-throat has minded his own business, hopping in the litter beneath the feeders or posing quite sage in the azalea. Now he sings his first couple of notes, but within a few weeks he will have flown far from here to breed in Maine or Michigan or the infinite boreal forests of Canada. Why sing now? Obviously his whistling can’t be to establish a territory in our back yard. And it defies imagination to think he’d hope to attract a mate here in North Carolina and keep her by his side all the way to Quebec. Today’s song, to judge from the snippets and fragments he’s practicing, sounds like he’s just warming up tor the big date.
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Here’s how I see him – my little White-Throated Sparrow is Jeremy Brett in My Fair Lady, walking down the street where she lives. He’s passed this way before, but today the pavement simply refuses to stay beneath his feet. Days lengthen and love fills his breast until it is impossible any longer to resist – it must overflow in song. And so although the street where she really lives is 1,000 miles from here, White Throat graces Linda and me here in the NC foothills with his opening aria of Romance. Ah, February!
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* The song of the White-Throated Sparrow (Zonotrichia albicollia) comprises a couplet of long clear ascending whistles followed by three more rapid triplets, and can also be recalled by the mnemonic, Old Sam Peabody, Peabody, Peabody.
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** On the Street Where You Live, 1956, Lerner & Lowe, from the musical My Fair Lady starring Audrey Hepburn & Rex Harrison, with Jeremy Brett as Freddy singing: “I have often walked down this street before / but the pavement always stayed beneath my feet before. / All at once am I several stories high, / knowing I’m on the street where you live . . . .”
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❦ ❦ ❦
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Red and Green
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where the surface of one thing meets the surface of another . . .
— William Bridges
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You were twisting and turning
leaping and swerving a flame
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on each foot, on a field so green
so green – so gorgeously
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green, the earth’s addiction.
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And you, warrior Fox as you fought
you fought off the mysterious foe, rattled like
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a shaman losing part of his soul.
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You danced between spirit and spirit and matter
danced all parts of your body a spontaneous me!
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When you finally stopped puffing
from chaos, from chaos and glee you flowed
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a rhythm of stillness – so still
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you stood as if in meditation
and mantra on what you created.
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Jenny Bates
from Essential, Redhawk Publications, Hickory, NC; © 2023
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❦ ❦ ❦
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I have never met Jenny Bates but I imagine a visit to her home in the woods. Afternoon sun through west-facing panes is captured by glass in the colors of earth, sky, pasture, summer asters. We don’t remain indoors but take our mugs of oswego tea with local honey out beneath the pines. Dusk creeps in and we allow it to fill us with its silence. Creatures creep closer as well, wild but curious. If we were to threaten them, they would flee or turn and slash, but we and they simply remark each other’s presence and respect our distance. They go about their crepuscular business and grant us leave to be part of their universe. Being part of. Communion. Creating wholeness. The highest call and at once the most confounding task of the rational being.
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This is also a visit to Jenny’s poetry in the woods. The universe Jenny Bates creates through words is one of deep acceptance and communion. Essential, from Redhawk Publications, continues her series of books which create a sort of natural theology. The You whom Jenny addresses in so many of her poems – is it God? A spirit familiar? A ghostly memory? Or is it the fox who stares cautiously from the edge of night? You might be a source of answers but more often is simply one with whom to share the questions. In this universe, there is no supernatural, only the fundamental reality that we are all one. One, that is, if we are able to open ourselves that much.
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Visit Redhawk Publications and purchase Essentials HERE
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❦ ❦ ❦
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Be Bold
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I said to the Woodpecker
as I lifted it off the ground
cradled it for a half an hour, this
second Woodpecker to break its neck.
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I’m no angel I said to him, though I’ve
been called it many times
a few drops of Be Bold I tell myself
when there is a need, but sometimes
those drops don’t soak in and I’m left
buckling to my knees.
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The body will be gone by morning
and sure enough it was, yet still I
struggle How can one keep up with
death stare it in the face? Or program our
unconscious to react in certain ways?
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Sweet smelling or dour unpleasant odors
are all we instinctively know, and here,
I’m not too Bold.
I placed the bird on one big leaf, hearing
another drum away
laid his head on dry curled grass
a pine bough for a wreath
both of us changed and changing
the pattern of our resonance.
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Jenny Bates
from Essential, Redhawk Publications, Hickory, NC; © 2023
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❦ ❦ ❦
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But soft! What light through yonder window breaks? This morning I discover Romeo Sparrow perched in the Silverbell. He turns to gaze fondly at Juliet, perched one branch higher. Perhaps they have booked adjoining seats for the flight to their Canada!!
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❦ ❦ ❦
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[ with 3 poems by Rae Spencer]
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Adaptation
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Some days I hardly remember
what it is to fly
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what loss is
When morning feels like betrayal
and shoulders ache
with the sudden load of gravity
pressed into cruel bones
too human for wings
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As if I never once awoke
hair smelling of clouds
wound in wild knots
and damp with tears
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or slept
curled in a crevice of wind
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Other days I recall myself
grace confined to memory
in which I have never flown
and it was only ever a tale
from childhood
I was never meant to believe
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Rae Spencer
from Watershed, Kelsay Books, American Fork, Utah; © 2023
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❦ ❦ ❦
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A shift in warmth of Pacific seas, a wet winter in the South: throughout January a storm a week, sometimes two, but this afternoon we are braving mud to hike our favorite trail from Carter Falls to Grassy Creek. The little farm pond is full and we see the channel where it overflows to carve a deeper path through last summer’s grasses and sedges. Both white pine groves have evidence of freshets, scoured hardpan courses with needles layered thick along each side. We cross Martin Byrd Road to enter the woods that curve alongside the big cornfield and wonder what we’ll find. Even though the acres are planted in winter rye, how much soil has rushed off those slopes and furrows into Grassy Creek?
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The trail quickly turns downhill and we see the storms’ impact. Red field clay has silted full the first drainage swale and overtopped it to rush down the trail bed in a boiling soupy froth. Exposed roots and deep mud. Our trail crews clean out these erosion control features twice a year but one wet January has damaged the trail more than ten years of hikers’ boots. Too much water, too much incline, too much gravity.
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Neither will nor wisdom inform its seep, writes Rae Spencer of water. It must seek its level, it must flow, it must rush. Water and time alike, each of them relentless and not to be held back. Have I spent too much of my life rushing? Have I abandoned will and wisdom to be always doing, doing? Even now my dreams are filled with urgency, long hallways, behind each door a patient fretting to be seen, and I with no hope of catching up. Waking from such, who would want to get out of bed and get started?
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Better trail design can’t completely compensate for poor tillage and agricultural neglect, but the rest of today’s trail is actually in quite good shape. The outer berm has been mostly raked clear and there are several grade dips and rises that keep water from following the treadway. When we reach the more rustic forest bathing trail, it’s even better – consistent outsloping camber, plenty of runoff. Water’s gonna rush. Life too, I guess. How to prepare? How to respond? How to slow things down for a bit? A walk through quiet woods, a quiet hour with a book of poetry – maybe tonight my dreams will proceed more leisurely.
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❦ ❦ ❦
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Of Warbler and Quail
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Drab little she in the brush
Muttering her song to lure
Someone else
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But only I respond
Drawn across the dune
To listen closer
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As a child I spoke to quail
I whistled out their bobwhite name
To hear them shriek it back
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But this little warbler
outside my beachfront door
Her accent slips my ear
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Measures of water wisdom
Refrains of woven nest
Codas that fall silent
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Because I have come too near
To understanding
What is lovely on this shore
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Of daily tide
Of sandy soil and storms
Of quickening flocks
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That speak their sea-swept names
In secret tangled tongues
Of salty sail and oar
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And then they fly away
While I struggle, yearn to say
What I remember of briars
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Of dry summer streams
And winter dreams
Of silent quail
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Hungry among the thistle
Of home, my distant valley home
So many years from here
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Rae Spencer
from Watershed, Kelsay Books, American Fork, Utah; © 2023
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❦ ❦ ❦
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Memory – home – loss – the path forward: Rae Spencer’s poetry has a distinctly formal feel as she settles deeply into these themes. Formal in the sense of meticulous language, lush natural imagery and description, architectural lines, internal rhyme. These poems need to be read slowly as they linger in the moment before releasing one to ponder and discover the writer’s metaphors, and discovering one’s own.
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Watershed from Kelsay Books is an antidote to compulsion, to insistence, to the headlong rush into the next thing and the next. I am perfectly happy to pause and listen with warbler and bobwhite as the poet weaves from their stories one of longing for home (Of Warbler and Quail). I think I’m ready now for racoon to teach me how to live (Adaptable). At the close of Doppler Effect, I sit and listen long to the change in pitch of life I know I must expect, and prepare for, as my own parents age and travel their final days.
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Poetry, in its phrasing, its junctures, its juxtaposition, often moves at the pace of breath. Speak it aloud, pause when it needs you to. Stop and linger in the midst of these lines so that they may breathe into you.
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[hint: I re-type the poems for these posts (thank you to my freshman touch typing teacher), fingers slower than scanning eyes, speaking the words individually in my head, each syllable and carriage return (aka line break) – so often in the adagio the lines reveal secrets of how they mean.]
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Rae Spencer lives in Virginia, USA. As well as writing, she is a practicing veterinarian. Of Warbler and Quail first appeared in Bolts of Silk. Gravity first appeared in vox poetica.
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Watershed is available from Kelsay Books HERE. Learn more about Rae HERE.
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❦ ❦ ❦
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Gravity
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Water doesn’t want
It only weighs
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Neither will nor wisdom inform its seep
Downhill, settling to the lowest pool
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Rivers cascade and marshes ooze
Toward inlet and gulf
Where tides surge
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With the arid moon
Sere face lowered
In serene reflection
Over oblivious blue
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Depths that teem with tin and polyp
Oyster clades awash in brine
That neither murmurs nor sighs
Through a shell
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Held to the ear we hear
Blood’s heave
An eternal chorus
Singing sailors to sea
Dreamers to sleep
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Daughters to voice
Their bare feet anchored
In restless churn
On heavy, ancient shores
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Rae Spencer
from Watershed, Kelsay Books, American Fork, Utah; © 2023
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❦ ❦ ❦
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