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Archive for the ‘Ecopoetry’ Category

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April 15, 2024
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In the end we will conserve only what we love.  
+++ We love only what we understand. 
++++++ We will understand only what we are taught.
+++++++++ Baba Dioum, Senegalese environmentalist
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Everyone enjoys the smell of earth after rain. No one wants to cough every breath.
Everyone thirsts for a drink of cool water. No one wants to sicken from drinking it.
Everyone needs bread. No one wants to go hungry.
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On April 22, 2024 every human being will wake up on the only planet where humans can live (well, not counting a handful of folks waking up on the International Space Station). Seems like cause enough to celebrate! To be honest, though, the threat of what we have lost and are losing so often seems much greater than the joy of what we have saved and are preserving.
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How far have we come since the first Earth Day in 1970? It was just eight years earlier that Rachel Carson published Silent Spring, the wake up call to industrial pollution and the poisoning of the earth. In 1970 there was no Environmental Protection Agency, no Occupational Health and Safety Administration, no Clean Air Act or Clean Water Act. When we protested air and water pollution, we had little inkling of the even greater threat; we couldn’t imagine needing an Intergovernmental Panel on Climate Change.
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Twenty million Americans marched, demonstrated, and celebrated that first Earth Day. Ten percent of the nation’s population. I was a junior in high school photographing our events for the year book: carrying a coffin through the parking lot to signify the dying planet. Earth Day is now celebrated in 193 countries; one billion people are expected to commemorate Earth Day 2024. That still leaves some eight billion to get on board. Legislation and politics won’t take us there. In the end we will conserve only what we love.
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I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it. People think pleasing God is all God cares about. But any fool living in the world can see it always trying to please us back. . 
+++++++++ Alice Walker, The Color Purple
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❦ ❦ ❦
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The Field Index
Abandoned field, Orange County, North Carolina
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Asters: lesser stars in these constellations, for the native bees, late-summer smatterings of a color I might call blue, blue petals and fireworks along the margins of the track, and
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broomsedge, bluestems: stooped in the fall and shimmering, shivering in the wind, spinning out seed, bird fodder, tangled (insert here) into brambles, blackberries, this year’s, last year’s canes knotting and weaving, and
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crabgrass: crabby claw and crab leg of a herb: edges into the wilding mint and onion grass, the tall stands of raggedy, wing-stemmed (my favorite) crownbeard gone to seed, where I am with my small dog, and
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dogwood: not here yet, but it will come; also redbud (q.v.) and holly; the birds will bring it, in their guts, its white bracts and inconspicuous flowers, its small understory leaves will open and turn into the sunlight, before the canopy leafs out and shades
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exotics: migrants, stowaways and hitchhikers, too much at home; see invasives, stiff-stemmed privet with its small dark leaves, and the clustered graceful arcs of autumn olive, honeysuckle vines, dead stiltgrass flopped into heaps, good for nothing except time
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ferns: rise and unfurl like our letter f, old as fossils, here before letters and fiddles and bows and Michaux and his acrostics, first and last green under the trees, with
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ghost plants: the ancestors, clusters rising from damp, unsunned patches of leaves along the margins of wood;  also: smatterings of green-and-gold, the droop-headed goldenrod
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honeysuckle: announcing itself in scent on the wind and winding up and around the living and the dead: colors coral (see natives), creamy white curling to yellow (see exotics)
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invasives, see exotics; index of vexed and vicious cycles; see also, kill
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jaywalkers: I, alive, among others, on and off the old farm road, on pirate paths, seed-spreader, compacting soil, alarming insects and deer, stealing berries and sprigs and twigs and clumps of lichen or moss, colored leaves, I
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kill: by ice and drought, sapsuckers, larvae, blight, competition, succession (it happens, why do I grieve?), deer rub and browse, humans; see jaywalkers
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loblolly pine: its spiny cones and bundles of three long needles green, or fallen and draped in the shrubberies; aka oldfield pine, straight up, above all, old-meadow native homesteader in the lobby-lolly soil of this wide floodplain
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milkweed: var. swamp milkweed, its pink inflorescence and faint scent, drawing monarchs among butterflies and pollinators, queen of weeds, fecund, its large brittle-dry pods burst and spewing cloudy seed over the bewilding meadow
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natives: as in, before our time here, before this language and its metaphors and usages, before people, and which we watch with sorrow as they fall back and dwindle, are cut down; see exotics, see
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oaks, passim, and Osage orange, spiny along the branch bank, its large green nobble-skinned fruit fallen in the path and long grass, bitter, slow to blacken and rot, unscavenged by all but small seed-eaters
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persimmon (native), privet (not; see exotics): one, provender for all comers, all creatures, i.e., small bell-shaped flowers, small sweet ripe fruits; the other just minding its own business, i.e., to thrive
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Queen Anne’s lace: umbels and fine-cut leaves, branching stems, aka wild carrot and medicine, queen unknown and from elsewhere, and the lace medallions for her bodice and gown, for her headdress, her cuff, all scattered to the people (winged and crawling insects), self-seeding
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red cedar: modest, upright, native, pioneer in this process of succession, spindle of evergreen and scent rolled between the fingers (here I am again, breaking the rule of no taking and leaving of souvenirs); and redbud: see understory, flights of pink-purple blossom in the spring woods, pleiades, announcing light and wings again, after all that
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stiltgrass: Japanese, Microstegium vimineum, in summer blithe, feathery and green under the trees over creeper and grass, but poor food, tick haven (see exotics; see also  jaywalkers); and sweetgum: all over this old field, native and opportunistic, prolific and prodigal, Liquidambar of the spiny round seedhead and star-shaped, lobed leaves, their margins calling to mind (my mind) calligraphy or the gestures of dance, delight of form that is mutable and has prickly edges, deliquescence, decadence, a nuisance, really
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tulip tree: tulipifera, the saplings standing here and there, innocuous, like any other small tree, but give them time, they’ll rise; the yellow-and-pale green petals of their flowers say in English “tulip,” the Tutelo-Saponi name lost, yellow-green the heartwood, yellow the leaves in fall, and early to fall
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azalea
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understory: native holly and redbud and dogwood, parsimonious and irregular in habit, sparse fruit, sparse flower; now also autumn olive, privet, and exotic forbs and grasses, the introduced and naturalized, myself and dog under the canopy
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vines: Virginia creeper, close-to-ground native; grape vine, gangly fox grape, looping and loping up branch and stem, dbh often equal to small trees; poison ivy, not the inconspicuous three-leaved forb of the northlands, but (learn this, human) rampant, thick-stemmed, hairy vine, stuck fast to the trunks of trees
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winged elm: small tree of delicate, dry stem, and long, corky flanges along its branches; old (to my eye) before it’s old, strange (to my eye); unknowable why those wings
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x: Xanthium through Xyris in Radford’s Manual, as in chicory and the yellow-eyed grass; also, a sign for canceling and for marking you are here, this is the place, this, my mark, my thumbprint
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yellow poplar: see tulip tree and weep
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zigzag: of silk in the web of the orb-weaving spider, homespun look-at-me and distraction, quirk among zoologies of abandoned gardens and meadows; zee, zed, the end of bee flights and alphabets
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Maura High
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Notes:
Acrostic: Med. Lat. acrostichis, from Gk. akrostikhis, from akros“at the end, outermost” (from PIE root *ak– “be sharp, rise (out) to a point, pierce”) + stikhos “line of verse,” literally “row, line,” from PIE root *steigh- “to stride, step, rise” [Online Etymological Dictionary]. The Christmas fern’s botanical name is Plystichum acrostichoides (Michaux) Schott.
André Michaux (1746 –1802), French botanist, author of Flora Boreali-Americana (1803; “The Flora of North America”), made at least five visits to North Carolina.
Loblolly: Pinus taeda, From Wikipedia: The word “loblolly” is a combination of “lob,” referring to the thick, heavy bubbling of cooking porridge, and “lolly,” an old British dialect word for broth, soup, or any other food boiled in a pot. In the southern United States, the word is used to mean “a mudhole; a mire,” a sense derived from an allusion to the consistency of porridge. The pine is generally found in lowlands and swampy areas.
Manual of the Vascular Flora of the Carolinas, by Albert E. Radford, Harry E. Ahles, and C. Ritchie Bell (Chapel Hill: University of North Carolina Press, 1968). Commonly known as Radford.
Pleiades, Gk., perhaps literally “constellation of doves” from a shortened form of peleiades, plural of peleias“dove” (from PIE root *pel-“dark-colored, gray”) [Online Etymological Dictionary].
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Shared by Paul Jones, Chapel Hill NC, who writes:
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Maura High knows her field from A to Z. She sings individual songs of the particularity of the place so clearly and precisely that we learn and love the place as she does. Field Index is an ideal field guide to place and the places of nature that compose this quilted lively patch of our earth.
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Every day as I walk my own favorite patch of the planet, Merritt’s Pasture and Morgan Creek, I keep Field Index in mind as a guide that shows how to attend to this world and to prepare for the next.
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+++++++ Paul
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On an Okra Flower
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A pollinating wasp sliding
from white lip to purple darkness,
the shadow-heart so deep inside,
the plant, itself, tall African
in the kitchen garden’s last row,
speaks of passage and endurance,
those far too common abstractions,
made real here in the summer heat.
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Let it lead us, serve as a guide,
tell how each struggle leads to bliss
and what to bless when we decide
to see the past and present blend
into what we need to know
– a mind aware or in a trance? –
what to keep close, what to shun
made real hear in the summer heat.
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What song can a wasp sing gliding
the flower’s dark throat? A long kiss
like winged tongues tangled deep inside –
a blind passion, an obsession.
I hear it as a prayer now,
music for the world’s whirling dance.
Sound, sight and scent. An orison
made real here in the summer heat
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Paul Jones
from Something Wonderful, Redhawk Publications, Hickory NC, © 2021
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❦ ❦ ❦
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A man’s feet must be planted in his country, but his eyes should survey the world.
++++++++ George Santayana
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To celebrate EARTH DAY 2024 we are featuring seven posts of poems submitted by readers – poems by William Blake to Walt Whitman, Robinson Jeffers to A.R.Ammons to Linda Pastan, and a number of contemporary poets. Check in every day or two – connect to the earth and to each other!
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Doughton Park Tree 4/30/2022

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[with 3 poems from The Ecopoetry Anthology]
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First Verse
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I admit the world remains almost beautiful.
The dung beetles snap on their iridescent jackets
despite the canine holiness of the Vatican
and, despite the great predatory surge of industry,
two human hands still mate like butterflies
when buttoning a shirt.
++++++++++++++++ Some mornings
I take myself away from the television
and go outside where the only news comes
as fresh air folding over the houses.
And I feel glad for an hour in which race
and power and all the momentum of history
add up to nothing
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As if from all the mad grinding
in my brain, a single blue lily had grown –
my skull open like a lake. I can hear
an insect sawing itself into what must be
a kind of speech.
++++++++++++ I know there is little
mercy to be found among us, that we have
already agreed to go down fighting, but
I should be more amazed: look
at the blood and guess who’s holding
the knives. Shouldn’t we be more
amazed? Doesn’t the view
just blister your eyes?
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To have come this long way, to stand
on two legs, to be ++ not tarantulas
or chimpanzees ++ but soldiers of our own
dim-witted enslavement. To utterly miss the door
to the enchanted palace. To see myself
coined into a stutter. To allow the money
to brand us ++ and the believers
to blindfold our lives.
+++++++++++++++ In the name
of what? If that old book was true
the first verse would say ++ Embrace
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the world. ++ Be friendly. ++ The forests
are glad you breathe.
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I see now
The Earth itself does have a face.
If it could say I ++ it would
plead with the universe, the way
dinosaurs once growled
at the stars.
++++++++ It’s like
the road behind us is stolen
completely ++ so the future can
never arrive. So, look at this: look
what we’ve done. With all
we knew.
With all we knew
that we knew.
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Tim Seibles
from The Ecopoetry Anthology, edited by Ann Fisher Wirth and Laura-Gray Street; Trinity University Press, San Antonio, TX; © 2020
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❦ ❦ ❦
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I bend to pinch off a few stems as I walk down the drive beside the school. What is this tiny blossom? Four petals no bigger than a sliver of fingernail, lavender, pointed and neat. Whorl of slender leaves. Poking up through asphalt where it hugs the brick wall. I finger the hand lens in my pocket.
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By the time I reach the ball field where the middle schoolers are at recess, I’ve gathered a mini-bouquet of the usual suspects: blue violets, henbit, deadnettle, bittercress. Their teacher turns them over to me and I lay out the plan, an hour and a half of Science Friday. Each takes their little paper cup and we spread out. The neglected. The overlooked. The beautiful in their own tiny tiny way – these are our quarry.
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Sure, most folks would say we’re gathering weeds, and in a minute we’ll discuss that word, “weed,” something growing where it isn’t wanted. For now we scour the waste places, along the storage shed and storm fence, within the winter-brown kudzu invading from the ditch. Their cups fill up with yellow, pink, lavender, blue. After half an hour we sit down at the picnic tables behind the school; I pass around magnifying glasses and ask them to draw a tiny tiny flower as large as they can make it. And they do!
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Are these kids listening while I talk about taxonomy and plant families, about native versus introduced, about flower anatomy of the little mints and asters we’ve discovered? Whether they are or not, I’m pretty confident that there will be days in the future when they look down at their feet and notice something they never paid attention to before.
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It becomes a habit, this paying attention. I can’t not see them now. These tiny tiny flowers are not in my lawn – they are my lawn. OK, sometimes I pull up the mock strawberry and the bittercress when they crowd my “flowers,” and I do dig dandelions out of the front walk, but I’ll not curse them for their tenacity. Instead, I’ll do my best not to make them feel unwanted. I’ll resist the impulse to call them weeds.
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Here’s what you’d discover in the mini-bouquet from our paper cups:
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Henbit +++++ Lamia amplexicaule
Deadnettle +++++ Lamia purpurea
Creeping Charlie +++++ Glechoma hederacea
Common Blue Violet +++++ Viola sororia
American Field Pansy +++++ Viola bicolor
Common Dandelion +++++ Taraxacum officinale
Common Groundsel +++++ Senecio vulgaris
Hairy Bittercress +++++ Cardamine hirsuta
Smallflower Fumewort +++++ Corydalis micantha
Yellow Fumewort +++++ Corydalis flavula
Cut-leaved Crane’s-bill +++++ Geranium dissectum
Early Buttercup +++++ Ranunculus fascicularis
Mock Strawberry +++++ Potentilla indica
Common Chickweed +++++ Stellaria media
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And my tiny tiny lavender blossom, the one you wouldn’t even notice for a flower within its handful of green if you hadn’t knelt before it?
Field Madder +++++ Sherardia arvensis
A member of the same family as my all time favorite plant genus, Coffea.
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Scilla
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Not I, you idiot, not self, but we, we – waves
of sky blue like
a critique of heaven: why
do you treasure your voice
when to be one thing
is to be next to nothing?
Why do you look up? To hear
an echo like the voice
of god? You are all the same to us,
solitary, standing above us, planning
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your silly lives: you go
where you ware sent, like all things,
where the wind plants you,
one or another of you forever
looking down and seeing some image
of water, and hearing what? Waves,
and over waves, birds singing.
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Louise Glück
from The Ecopoetry Anthology, edited by Ann Fisher Wirth and Laura-Gray Street; Trinity University Press, San Antonio, TX; © 2020
Scilla, in English also called Squill, is a genus of bulb-forming lily-like flowers that spread in a carpet of blossoms.
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The Lilies Break Open Over the Dark Water
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Inside
+ that mud-hive, that gas sponge,
+ + that reeking
+ + + leaf yard, that rippling
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dream-bowl, the leeches’
+ flecked and swirling
+ + broth of life, as rich
+ + + as Babylon,
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the fists crack
+ open and the wands
+ + of the lilies
+ + + quicken, they rise
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like pale poles
+ with their wrapped beaks of lace;
+ + one day
+ + + they tear the surface,
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the next they break open
+ over the dark water.
+ + And there you are,
+ + + on the shore,
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fitful and thoughtful, trying
+ to attach them to an idea –
+ + some news of your own life.
+ + + But the lilies
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are slippery and wild – they are
+ devoid of meaning, they are
+ + simply doing,
+ + + from the deepest
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spurs of their being,
+ what they are impelled to do
+ + every summer.
+ + + And so, dear sorrow, are you.
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Mary Oliver
from The Ecopoetry Anthology, edited by Ann Fisher Wirth and Laura-Gray Street; Trinity University Press, San Antonio, TX; © 2020
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Tim Seibles (b. 1955) has received fellowships from the National Endowment for the Arts; he teaches at Old Dominion University and in the Stonecoast MFA program, and leads workshops for the Cave Canem Foundation. First Verse appears in Buffalo Head Solos.
Louise Glück (1943-2023) received the Pulitzer Prize for The Wild Iris (1993), in which Scilla appears and won the 2020 Nobel Prize in Literature. She served as US Poet Laureate 2003-2004.
Mary Oliver (1935-2019) received the Pulitzer Prize for American Primitive (1984) and the National Book Award for New and Selected Poems (1992), in which The Lilies Break Open Over the Dark Water appears.
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More about Trinity University Press and The Ecopoetry Anthology HERE
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Doughton Park Tree -- 5/1/2021

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ECOPOETRY FOR EARTH DAY 2024

When we try to pick out anything by itself, we find it hitched to everything else in the Universe.
— John Muir

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Verse & Image is seeking poetry to celebrate Earth Day, April 22, throughout National Poetry Month. Do you have a favorite poem that speaks to universal interconnectedness, as in the above quotation? Send it to ecopoetry@griffinpoetry.com by April 10 and we may share it in one of several posts dedicated to living together on our living planet.

Please read these guidelines:

Θ . . Deadline April 10, 2024, midnight Eastern Daylight Time USA

Θ . . Send ONE poem by any author except yourself addressing the theme of connections.

Θ . . Include the poem in the body of an email or as a .DOC or .RTF attachment to ecopoetry@griffinpoetry.com. Please add info about where the poem is published.

Θ . . Also include a personal statement – how do you feel connected to this poem? What does it mean to you? How has it connected you to the earth? [suggest 100 words or less; may be edited for length]

Θ . . Visit GriffinPoetry.com between April 15 and April 30 to see if your poem has been selected for presentation.

Θ . . Optional: if you submit one poem by an author other than yourself, you may also submit one poem on the same theme that you have written. We prefer previously published – include acknowledgments.

Verse & Image is a weekly blog of poetry, nature photography, personal essay, and ecology. Visit HERE

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