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Archive for December, 2022

[with 3 poems by Brad Strahan]

Though faces fade as years fly past
I raise to you this parting glass.

What shall we keep when the house has shed its bustle and the clock makes known its ticking from the next room? Bright paper discarded, plates stacked, car doors slammed as farewells spiral out into the cold, biting, stark? What shall we keep when not presents but this present settles itself again into the chair beside us, all its remarks past uttering?

My hands in the suds, Linda passes me crockery and remarks, “I wonder what the next year will be like.” “Different from this one,” I say without thinking, but then I start the tally. What gloom do I hope will not be repeated and how shall I number the gathering portents that threaten? Whoa, there. Why does it slip in so easily, no effort at all, this brooding on past troubles and fretting about some foreboding future yet unseen?

Share in the closing refrain from the Irish folk song, “The Parting Glass”:

But since it has so ought to be
By a time to rise and a time to fall
Come fill to me the parting glass
Good night and joy be with you all!

I have no resolutions; so little of this past year seems resolved. I have responsibilities and unfulfilled tasks and hovering demons aplenty, but let us pause a moment in this rare quietude to let the little mice of joy creep in from the corners. A young girl’s laughter, a little boy’s raised eyebrows, an afternoon walk with a teenager grown suddenly voluble, a recollection shared with a beloved companion – there is time enough to fall, time enough to mourn, but time as well for a smile if we but make it so. What we keep and what we carry – may they rest light upon our shoulders tomorrow.

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What Shall We Keep?
(a moment in Ireland, where the world ends)

And the answer that comes back
is the wind off the Irish sea.
Not to be, not to see,
beyond understanding.

This damaged flesh we hold,
a fortress against nothing,
like the ruined Viking towers;
exclamations left
after the words are erased.

Should we care what wind blows
our dust into tomorrow?
Could we feel the rain
that washes clean the green face
of this unsceptred isle?

Would we matter when
even our names are washed
clean as the stones in those
abandoned churchyards?

Somehow, blessed between green
and gray; sometime, bound between
the blaze of Fall and white Winter
I have loved you and maybe
that is answer enough.

Bradley R. Strahan
from A Parting Glass, BrickHouse Books, Baltimore, MD; © 2014 Bradley R. Strahan

plant, trail

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“A remembrance of Ireland” is how Brad Strahan describes A Parting Glass, his collection inspired by a year in Mallow, County Cork. His wife Shirley had “filled the long-vacant post of organist” and in addition to the congregation of St. James, Church of Ireland, they were welcomed into the community of poets. These fourteen poems are themselves a spare congregation, the lines spare, reverent, musing, and infused with the philosophy of rain-washed green island and mossed stones in ancient churchyards.

Fitting and more than fitting are these poems for the final few days of another roiling storm-tossed year. These are the days when we plant our feet and hope to feel what anchors us to the turf before the next year launches forth, uncertain, yes, but bright and hopeful for what it may discover. This is the reckoning, the nod of acquiescence when my grandson calls out to me, “Old man!”, the acceptance that a new year is no newer than any day which begins with taking another breath.

Read these poems in the warm companionship of ghosts that welcome your presence. Read and find company with the distant traveler and the warm hearth. With days of green and gray passed, passing, yet to pass. Raise your glass, all of us raise our glasses to the joy that may find each one.

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Hymn

Winter, solid to the bone,
melts in the music.
Colored light pearls
the faces in the wooden pews.

The news, good or bad,
has no foothold here.
The cold rain and snow
vanish in a flame of song.

Here we robe our tarnish
in vestments of harmony:
snow crystal bells
and a storm of organ-sound.

Here we are, not what we are
but what we would be,
notes on a purer staff,
leaning hard from brass to gold.

Bradley R. Strahan
from A Parting Glass, BrickHouse Books, Baltimore, MD; © 2014 Bradley R. Strahan

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A Book of Common Prayer
(St. James Church, Mallow)

Let me not for the flowers
by the altar placed.

Let me not for the windows
that gleam with grace.

Let me not for the music,
simple voices raised.

Let me still recall
the goodness that amazed

though nothing follows
being in this state of grace:

no more smiles, no more roses
and none there to embrace.

Bradley R. Strahan
from A Parting Glass, BrickHouse Books, Baltimore, MD; © 2014 Bradley R. Strahan

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NOTE: if you would like to purchase a copy of A Parting Glass from Bradley Strahan, please comment on this post or email me at comments@griffinpoetry.com.
++++++++++++++++++++++ Thanks! — Bill

 

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2017-03-06a Doughton Park Tree

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MERRY CHRISTMAS!

 

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Let the Stable Still Astonish

Let the stable still astonish:
Straw-dirt floor, dull eyes,
Dusty flanks of donkeys, oxen;
Crumbling, crooked walls;
No bed to carry that pain,
And then, the child,
Rag-wrapped, laid to cry
In a trough.

Who would have chosen this?
Who would have said: “Yes,
Let the God of all the heavens and earth
be born here, in this place.” ?

Who but the same God
Who stands in the darker, fouler rooms of our hearts
and says, “Yes, let the God
of Heaven and Earth
be born here —-

in this place.”

Leslie Leyland Fields

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from
The 2022 Elkin Community Chorus
60th Anniversary Christmas Concert
Tonya Smith Directing
Lillie Sawyers – Alto Solo
Amy Johnson – Piano
Sylvia Grace Smith – Cello

 

Let the Stable Still Astonish
composed by Dan Forrest, lyrics Leslie Leyland Fields

[Digitally recorded on December 4, 2022,
First Baptist Church of Elkin, North Carolina
by John Rees, GodsChild Records, Mt. Airy, NC
Digitally mastered and distributed by John Williams,
Engineer, Douglasville, GA]

 

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MERRY CHRISTMAS!

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2016-10-17b Doughton Park Tree

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Lessons & Carols

Linda and I opened our favorite Christmas present early. In November, our friend and fellow vocalist, Rebecca, had invited us to sing with her choir for their Festival of Lessons and Carols this fourth Sunday of Advent; their small group was dwindling in size and they had no tenor. Becky is a director of deep sensibility and infectious joy, and her husband Eric is a virtuoso organist and musicologist. If a naturalist is someone overcome with wonder at the organization and life history of tiny wildflowers and beetles, then a musicologist is one who discovers wonder and creates joy in the ecology of music.

The Lessons are a series of readings from Old and New Testament that reveal God’s presence in the world: creation; prophecy of the Messiah and the promised kingdom of peace; the arrival of Immanuel, God With Us. Each lesson is punctuated with music, the Carols. For this year’s service, Eric compiled a sequence of early American hymns and folk tunes, melodies that were once on every tongue but through the decades have largely fallen from familiarity and favor: Shape Note, Shaker, Appalachian, Moravian. We practiced, we rehearsed, and on Sunday morning with the Corda String Quartet and thundering pipe organ, we sang.

 

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THIRD LESSON: The king is coming and will usher in a reign of justice for the poor and peace for all of God’s creation. There shall come forth a shoot from the stump of Jesse, and a branch from his roots shall bear fruit. (Isaiah 1:1)

Behold a Lovely Vine
. . .
Shall feeble nature sing
and man not join the lays,
O may their throats be swell’d with notes
and fill’d with songs of praise.
. . .
++++++ Jeremiah Ingalls (1764-1838)

If nature itself sings the praises of earth and all it holds, how can we help but join in? Lays are medieval ballads, songs sung by minstrels. This hymn from 1805 retells Old Testament prophecies using metaphor and symbolic imagery. Interwoven is the theme that Nature fulfills its purposes and exists in harmony with the flow of creation. May we humans hope to be restored to that same harmony and oneness? Nature may become our “spiritual training ground.” Poetry and song throughout the 19th century reflect this vision of the perfection of nature as an example for humankind, as in the book length poem Wilderness and Mount by Ellen T. H. Harvey:

Here is the field: the insects in the grass
Sing praise as by their little tents we pass.
They are in harmony with all God’s move:
Ah, why can man do any less than love?

++++++ Ellen T. H. Harvey, 1872

Observation, identification, contemplation: is it possible that these insignificant grasses and insects reveal wisdom? Is it possible that I might see past the fractures and trials of my daily preoccupations to discover a truer purpose? To love?

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NINTH LESSON: John unfolds the great mystery of the incarnation. In the beginning was the Word, and the Word was with God, and the Word was God. (Gospel of John 1:1)

Surely at my age, threescore and ten, I have discovered my life’s purpose. I have degrees in biochemistry and medicine; I’m a trained and certified naturalist. Where is God in all of this? Where is the natural theology that integrates quantum reality and molecular genetics and the transcendent experience of oneness with the universe?

Word – Logos – is intrinsic and essential to every atom and its component quarks, to nucleic acids infinitely recombining, to each minute dust-like spore of the luxuriant fern, to tangles of neurons from whose organized chaos arises thought. Word is that which calls us; that which explains and enlightens; that challenges and assures; that speaks the inchoate and expresses the ineffable, uncreated and continuously creative.

Word is the beak of the finch and the long tapered nectary of the orchid. Word is Hawking radiation and Planck’s constant. Word is the affinity of carbon to bond with nitrogen, oxygen, hydrogen, and most wonderfully of all with itself. Word is the specific heat of water which permits a planet the proper distance from its star to moderate its climate.

Where is God? In all of this. There is nothing that is not God.

We have words, paltry words, but we use them the best we can to express Word. Sometimes we call it poetry – non-linear, condensed and rarified, transcendent. Ponder the individual words and they scatter like grains of sand running through your fingers. Cup them and hold them whole, lift them on the wings of music, organ and strings, melody and harmonies. In this fullness and flow of words we might hope to experience Word.

A crescendo sung by a choir – a goldfinch plucking down from a thistle – a speck of grey-green lichen on a metal post: O may our throats be swell’d with notes!

Behold a Lovely Vine

Behold a lovely vine
her in this desert ground;
the blossoms shoot and promised fruit
and tender grapes are found.

It’s circling branches rise
and shade the neighb’ring lands;
with lovely arms she spreads her arms,
with clusters in her hands.

This city can’t be hid,
it’s built upon a hill;
the dazzling light it shines so bright
it doth the vallies fill.

Ye trees which lofty stans
and stars with sparkling light;
Ye Christians hear both far and near,
Tis joy to see the sight.

Shall feeble nature sing
and man not join the lays,
O may their throats be swell’d with notes
and fill’d with songs of praise.

Glory to God on high,
for His redeeming grace,
the blessed Dove come from above
to save our ruined race.

++++++ Jeremiah Ingalls (1764-1838)

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And of course the most important and utilitarian facet of the word Lays is that it rhymes with Praise.

Thank you to Central United Methodist Church, Mt. Airy, NC.
Thank you to Rebecca Cook – she lifts her arms and we raise our voices.
Thank you to Eric Cook, master of multiple manuals, for devising this inspiring program and equal thanks for his copious and enlightening notes.

Ellen H. T. Harvey, Wilderness and Mount: A Poem of Tabernacles. John Bent, Publisher; Boston, 1872.

Brett Malcolm Grainger, The Vital Landscape: Evangelical Religious Practice and the
Culture of Nature in America, 1790-1870. Doctoral dissertation, Harvard Divinity School (2014).

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IMG_7952

 

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