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[with 3 poems from Kakalak 2024]
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How to Hold Small Things
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You were this big,
Mom used to say,
cupping her hands
as if to keep a bowl
of holy water
from spilling.
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Is that why I love
to hold small things?
Ladybugs. Twig tips.
Clover petals. Auger shells.
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It’s in the way
we hold small things
that makes them precious,
how we tender moments,
keep them warm
and safe in our clutch –
the newborn kitten,
the wounded bird,
the crab shell that might blow away
if we’re not careful –
as if holding our breath
as we carry them
might keep something
inside of us
from breaking.
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Tonight,
I hold you, baby girl,
cradle you against my chest,
your quick breaths
like scissored whispers,
your tiny fingers
thimble pinches,
and those blue eyes
dreaming with the fury
of newborn stars.
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Michael Beadle – Raleigh, NC
from Kakalak 2024, Moonshine Press Review, Harrisburg NC; © 2024
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❦ ❦ ❦
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God Bless You! Whether I’m at Food Lion, the post office, Dad’s nursing home, even at church, whenever I sneeze some friend or perfect stranger invokes God on my behalf in that benediction. And I sneeze a lot (I even sneeze when I chew peppermint gum). God Bless You! comes a small voice from around the corner in the condiments aisle. Why?
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A medieval superstition is one explanation. When you sneeze your soul is expelled from your body and a quick invocation prevents the devil from snatching it. Even earlier is a tale from the bubonic plague of 590 CE in Rome – a sneeze or cough might be the first manifestation of that fatal affliction, and since Pope Gregory had implored the populus to pray without ceasing for delivery, benedicat Deus was no doubt a universal refrain. When I sneeze, those three words are raised as a warding or talisman to protect me magically from death.
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What about Gesundheit? It simply means health auf Deutsch. Raise a glass of lager in Frankfurt or Bonn and your companion will likely toast, Sei gesund! (Be healthy!, as in To your health!). When I was a student in Berlin, however, the standard invitation was Prost! I never actually knew what Prost meant and just assumed it had origins in some dark Prussian drinking tradition, but surprise!, it’s Latin – a contraction of prosit, may it be beneficial. Another kind of blessing.
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But here’s my problem – I don’t want you commanding God to bless me. It’s not just because I enjoy sneezing. It’s not because when you say those words it feels superstitious and almost pagan – a little pagan is fine with me. I disagree with God Bless You at a fundamental level. God is not a jurist who bestows or withholds blessings depending on whim or quota or petition. God who is universal and who is the universe has already blessed me in the simple fact of my existence. The greatest additional blessing I might seek would be to recognize the goodness of this earth and of every creature, every person, around me.
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I am already blessed. What if the phrase on everyone’s lips were God has blessed us! Or even better, God is blessing us! Could this become an antidote to consumerism, tribalism, the culture of resentment and entitlement? Could I be healed of my feverish striving for more and more blessings and my coveting of yours? Contrary to my nature, I feel pretty pessimistic about the state and the fate of humanity as 2024 approaches oblivion. Is there any good that will survive our human perversity? Instead of wishing a Happy New Year, I might rather wish for you and me both to discover one good thing and hold on tight. The beneficial, the good, is around here somewhere. It always is. As my Prussian friends would proclaim, Prost Neujahr!
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❦ ❦ ❦
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Upon Hearing U2’s “The Sweetest Thing” at the Harris Teeter in Friendly Center
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I’m rushing through the grocery store on a Friday evening
after a long week, filled with deadlines, with news of another
sick friend. All I want to do is pick up a bottle of chardonnay,
a rotisserie chicken, and disappear into the weekend. I consider
buying some cookies too, and then among the masses pushing
their grocery carts, I hear the first chords of “The Sweetest Thing,”
on of my favorite songs, and stop, lean against the Oreos
and Chips Ahoy, and listen, at first only humming, then Bono’s
voice has me swaying in the aisle, and I start to sing louder
as people step farther away from me. But I don’t care. I need
this song, on this day, in this grocery store, and when I look up,
there’s a woman, about my age, staring at me, lip-syncing
the words. She steps forward and somehow we’re dancing
in the snack food aisle. I can’t tell you what she looks like
because we’re in motion, and The Edge is strumming his guitar,
and the whole damn week washes away as we hear a man
in a striped shirt, whom I assume is the manager, say Okay,
that’s enough now. She grabs my hand, and we run along
the back of the store, where the seafood counter guys smile
at us, and this one guy, who reminds me of my long-gone father
because of his graying beard, starts to clap, and my God,
his clapping, her hands in mine, this trip to Harris Teeter
feels like the sweetest thing in the whole wide world.
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Steve Cushman – Greensboro, NC
from Kakalak 2024, Moonshine Press Review, Harrisburg NC; © 2024
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❦ ❦ ❦
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One good thing that arrives as the New Year approaches is the annual Kakalak anthology. It grows each year and has become a gathering of almost two hundred artists and writers; this year there are dozens of names new to me. I especially appreciate the skill with which the editors curate micro-collections within the greater work, often placing several poems in sequence that share a theme or image, complimented by the art. Thank you to Julie Ann Cook, Angelo Geter, and David E. Poston for Kakalak 2024, and to benevolent deity Anne M. Kaylor who makes it happen and gives it life.
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Purchase Kakalak 2024 HERE:
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❦
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Michael Beadle teaches kids to love poetry, to write poetry, to speak poetry.
Steve Cushman works in IT, which does not inhibit him from finding poetry in everything.
Jessi Waugh is well on the way to having everyone on Bogue Banks engaged in poetry.
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❦ ❦ ❦
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Canopy Disengagement
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The year is closing and won’t come again
=== this day, the way the sun slants shadows
through the space between leaves that will fall
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and never grow again, the ones next year
=== will be different on a changed tree, you can’t
step into the same river twice
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We look for patterns with our primitive minds
=== searching the space between leaves for meaning
and when there is none, we relax and drift
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let the chaos of a system with a thousand variables
=== wash over us and defy explanation, why try?
O sweet surprise, oh symphony of endless instruments
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My child grows taller by the day and further away
=== The tree watches each lost leaf with a sigh
We’ve done our jobs, these rules aren’t yours or mine
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Only the space between leaves and the moment
=== the sun shines through us and the blaze of blood
orange fire as the wind plays with your hair
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I lose the pattern and accept the asymmetry
=== heart lightened by knowing there’s nothing more
I could do, nothing more would make you stay
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We step into the everchanging river your palm in mine
=== and a red sweetgum hand lands like a swirling gem
Your fingers disengage to catch it, the wind blows
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And the space between leaves shifts slightly above us
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Jessi Waugh – Pine Knoll Shores, NC
from Kakalak 2024, Moonshine Press Review, Harrisburg NC; © 2024
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❦ ❦ ❦
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