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Posts Tagged ‘Southern writing’

Last February I began announcing to my patients that I would be retiring in August. A few weeks later, March 2020, the regional health network of which my rural family practice is a small cog decided to curtail face-to-face visits to protect all of us, patients and providers, from exposure to SARS-CoV-2. Today I’m saying goodbye to my patients of 39 years via telehealth.

For several years now, especially after my older partner retired but no doubt because they also noticed my own grey temples, my patients have been asking me, “Are you next?” Or demanded, “Don’t you retire, too!” Or more than one: “You can’t quit practicing until I die!” So I’ve had plenty of time to ponder how I would say my goodbyes. Give fair warning: “But I’ll still be here to see you back for your next 3-month follow up.” Add a bit of boilerplate in the After Visit Summary including my younger colleagues’ names and the assurance, “You’ll be in good hands.” The obligatory form letter to my entire panel, its wording vetted by the compliance office.

The actual farewells, though, have been more intense than I anticipated. I predicted pretty well which grey-haired women (my age!) would ask for a final hug but I never expected the man whose chronic pain I had barely held at bay through the years to tear up and clasp me like a brother. Now it’s May and many more adieu’s yet to come. Currently I’m saying goodbye on the phone or via video link. Patients are asking, “Will I ever see you again in person?”

Will they? Well, it’s a small town. We might raise a hand passing at Food Lion, separated by six feet, although masked we might not recognize each other. What they really mean is will we ever again share together that sacred space, the exam room. Sacred, from Latin sacrare, to set apart: when the door closes the chamber becomes a place for telling and hearing secrets. It is the domain of eye contact and subtle body language. For the healer who can resist the impulse to leap into every hesitation it may become a realm of powerful silences. I am proud of my skills at juggling meds, managing a dozen co-morbidities, recognizing the occasional obscure syndrome, but my highest aspiration has been to master that quarter hour in the presence of one fellow human creature.

My patients are missing a final personal encounter. I am missing hundreds; just one more pale hue in the infinite spectrum of pain this coronavirus is causing. By the time I walk away will we have re-opened our doors? Will our state ever have adequate community-wide testing and surveillance or universal contact tracing? I am in the demographic that is one errant sneeze away from the ICU and a ventilator. Would I be willing to sit down tomorrow twenty-four inches from my next patient and peer at them from behind an ear-loop mask? One sneeze. I am afraid.

I don’t really care that the pandemic has robbed me of going out with the bang of vigorous full daily schedules and stuck me with a whimper. I’m already over the fact that my last few paychecks will be perceptibly slimmer. My deeper sense of loss is like arriving at the dock to wave at the ship that has already cast off its moorings. Can I call it back to harbor? Four decades as a small town family doc teaches a very peculiar sort of generosity – the ability to conceal from your patients your level of personal woe. But this is not the annoyance of another interrupted family meal nor the aggravation of a few hours of lost sleep. This month or the next we will begin to lift some physical distancing restrictions. Will I be generous enough to expand my schedule, to risk my patient’s virus so that we can experience face to face the completion of our long journey together? For whom would I be willing to make that sacrifice? For my patients? Or for me?

 

 

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Care

She opens the jeweled box of care
and unfolds first one
then another – fragile,
painful, frayed.

She falters then lets me touch them:
melancholy scent of longing,
golden afternoon interrupted forever
by thunder,
stained silk of loss;

this shared hour sighs away
past recapture
but the air about her flickers
with some rare new color –
she repacks her box to leave,
each wisp grown a shade lighter

and I carry a pastel weight.

 


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The Geriatrician Ages

They don’t fly up at him, all these names,
no confusion of pigeons’ wings
in the parking lot; they don’t lock arms
to block him entering
the next exam room;
maybe they awaken him near dawn
but not by shaking. More like
the powdery flutter
of a moth disturbed in daylight,
the mute gray snowfall
of ash from burning newsprint.

Many he can’t recall, but all of them
he recognizes when dry lips
whisper their presence
from the other side –
not accusations (their ease of passing
one more benediction
of his calling), not really thanks
though most are grateful,
mostly just an airy I . . . I
in his cluttered bag of memories.

So many, so often now, more and more.
Each murmur a spirit body bowed
into a wheelchair, curled mantis-like
in bed, pushing against a walker,
each of them pushing, pushing
against what held them here
and what let them go.
Some days he can’t remember
if he last saw them on evening rounds
or in a dream, and any moment
he expects the office door to open:
one will enter, speak
his name, one he had thought
was gone.

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Care was first published in Mobius, Vol. 2, Nr. 20, Fall-Winter, 2006
The Geriatrician Ages originally appeared in Journal of the American Medical Association, Vol. 304, No. 16, October 27, 2010, and is also featured in my March 17, 2012 post
Both of these poems are collected in Crossing the River, Main Street Rag Publishing, © 2017

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Jonesville Family Medical Center — Yadkin County, NC — 2008

 

The JFMC Christmas Party of 2010

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This evening at suppertime she peers into the beef and carrots simmering on the right burner; I snip pea pods and spinach into the black bean broth on the left burner. Pretty soon both pots are smelling darn good. It’s usually something like this, the scene in our kitchen all the years since I decided to stop eating meat and she didn’t. Separate skillets, or sequential nuking, then sit down together.

But then every once in a while it’s all her show. She steams the broccoli while I sit near the lamp and read. I start on a little dry white wine (she’ll accept two ounces for herself later – Pastor Jan, pretend you didn’t read this) while she simmers the pasta. She serves two blue patterned Japanese bowls we’ve owned since year one. Then we sit down together.

When I die, sorry to say, I have no faith that there will be an angel in heaven who can make broccoli Alfredo this good.

 

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Getting home from the office early these days, I’m revisiting the overflowing stacks beside my desk. Poetry, philosophy, poetry, nature, poetry — I’ve rediscovered that all of Terri Kirby Erickson’s poems are home.

Lots of poetry is about home – you get a peak through the curtains and maybe you can imagine life on the other side of the pane. Terri’s poems are home. Welcome in. Don’t mind the mess. Maybe you didn’t understand this is your home but for twenty or thirty lines you will be part of the family. So many families. So many homes longed for, left behind, returned to. Soft light, hard edges. Sweet and harsh and all shades between. Come on in. Let’s sit down together.

 

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from In the Palms of Angels, Terri Kirby Erickson, Press 53 © 2011

 

Wayfarer

He seems like a man
you’d see walking down a long
stretch of road, the kind
with dust

rising

in a red haze beneath the wheels
of pickup trucks, cutting
through fields of golden

wheat. Scudding clouds cast
shadows
across the ground like whales

swimming through clear
water, and the air carries the scent
of grain and loam.

Every few miles, the glint of a silo
(startling against the lonesome

sky)

signals a farm house
where peach pies sit cooling
on window sills, and patterned
carpets are worn-out from parents

pacing to and fro with fretful babies
in their arms.

He’s traveling toward the horizon
with the steady gait of someone
with a place to go, whose tender

gaze

will soon find home, that place
more sacred than communion wafers
nestled in the palms
of angels.

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Rosary

Down by the creek,
we sit on dry
stones,

our shoes and socks
jumbled in a pile.
The sun

warms our toes
and casts its
net of light

from bank to bank,
where willows
trail their

fingers in the water,
and snakes look
like branches

floating by
them. Mosquitoes
lay their eggs

in stagnant pools,
far from leaves
and grasses snagged

by rocks, twisting
in the current.
Tadpoles swim

in tight formation,
wiggling their tails
in tandem,

as salamanders
scuttle by, searching
for places to nap.

Dragonflies hover,
then hurry
away,

their wings
thrumming a one-note
song – while we,

silent as nuns in prayer,
count the beads
of summer.

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[Rosary first appeared in Basilica Review; other collections by Terri Kirby Erickson from Press 53 include: Telling Tales of Dusk; A Lake of Light and Clouds; Becoming the Blue Heron.]

Author Page, Terri Kirby Erickson, Press 53, Winston-Salem, NC.

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Here’s a sobering thought: even when you receive that wondrous acceptance letter (or email) telling you that The Editor has decided to publish one of the poems you sent him or her, she or he is still rejecting the other two or three or four that were in the envelope (or .PDF). I hear the trombones going, “WAH Wah wah.” And equally sobering: if anyone is reading the poem once it does get published, they’re not calling you to tell you how much they like it. How not sexy is that?

But no, wait a minute, I take that back. I have a special friend who always tells me she likes my poems. (I won’t reveal her name, but her initials are “Caren Stuart.”) If she finds something I’ve written appearing in a regional journal or anthology she shoots me the kind of email that is 100% guaranteed to improve posture, dissolve scowl lines, and overcome even the most stubborn case of writer’s block. For several years she and I and Nancy King had a monthly email poetry critique session going. We’d share one poem apiece and comment. CS could find something wonderful in my lamest efforts, which inspired me to keep hacking away at them until they really were wonderful. Thanks, Kiddo – I write a lot better when you’re in the world.

Give it a try yourself. Lot’s of times I’ve discovered a poem by someone I know, picked out my favorite line, and sent them a little message about why I like it. Such an act never fails to reverse entropy and slow down global warming.

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Yellow Fringed Orchid, Patanthera ciliaris — Gorges State Park NC, 8/2015

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I confess that for a few years I’ve almost quit submitting poems for publication. Who needs the fame, right? But in 2015 the tide is turning. Maybe I’m beginning to see that my personal journey as poet is developing a more unifying theme or gestalt. Maybe I’m feeling more comfortable in the community of poets. And it certainly helps that so many journals accept online submissions – I’ve got a roll of 100 “second ounce” postage stamps I’ve hardly touched. I’m sending my little darlings out to the Mercy of Editors again.

AND . . . I’ve got a new system. Which I am going to share with you.

Ever get all fired up with a sheaf of poems, stuffing them into a .PDF only to discover the journal you’ve envisioned for them closed its annual submission period last week? Grieve no longer. Check out the creation below (which has been made possible by dozens of hours on the computer and a constant infusion of what CS calls my “Type A-ness”):

Submission Calendar Page 1_crop

This table shows the months when various journals accept submissions, plus how to research their submssions guidelines. Just look down the column of the current month to pick a journal that’s currently open to submissions!

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Click the link below for the entire .PDF. As of March, 2016 I have about 75+ journals and contests listed. I’d like to keep expanding– my email address is listed in the document so you can send me your suggestions and additions, plus any corrections. I’ll keep the updated document linked to this page.

Click  below for .PDF file with the FULL LIST:
[Last updated 3/6/2016]

. . . . . . . . . . . !!Submissions Calendar 2016-03 . . . . . . . . . .

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Luna Moth, Actias luna — Gorges State Park NC, 8/2015

After Shelby Stephenson published Orange Cap in Pembroke Magazine in 2005 I didn’t submit again for a few years, and now he has turned over the reins to the new Editor, Jessica Pitchford. Last year I had written a poem about my paternal grandmother that I thought my aunt and cousins might enjoy. Whenever we’re together we usually share a story or two about Grandmother (no lesser title could ever suffice), the stoic matriarch and proud link to the Weatherspoon side of the family, now to be captured for posterity in a sonnet. But before I sent the poem to the family I sent it to Pembroke. Thanks, Jessica! The family is indeed enjoying this. (And it explains why I bought four extra copies of Pembroke #47.)

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Sonnet for the Woman Who Fried 10,000 Chickens

And don’t forget about a bazillion quail,
each three bites for breakfast with biscuits and grits
and gravy über Alles thanks to red setters’ skill,
Granddaddy’s gun, and us willing to pick little nits
of birdshot out of our teeth, but save that fat pullet
for this Sunday’s dinner, piled crisp high and brown
as pecans shelled last night for green jello salad.
The triumphal platter Grandmother sets down,
we pray Come Lord Jesus, me and Brother grab
for the juiciest piece ‘til we backpeddle before
her Presbyterian eye – Boys, what will you have?
and Finish your greens before you ask for more.
.     No one says thigh or breast here: Grandmother will offer
.     only second joint, white meat, and everything proper.

[First appeared in Pembroke Magazine number forty-seven, 2015]

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Extremely hungry millipede, Narceus americanus, trying to untie my bear bag & steal the goodies. Gorges State Park NC, 8/2015

Post Script – One other reason to send out a poem: last year I wrote a poem about a friend and patient who had died at the age of 98. It placed in a contest and appeared in an anthology. This summer I took a copy of the book to his widow, herself 98, read her the poem and just reminisced for a while about the many great stories her husband had shared with me over the years. About a month later she mailed me a thank you note, said all her kids had enjoyed the poem about their daddy, and she had read my other poem that appeared in the same book and commented on it.

It doesn’t take a thousand readers to make the writing worth the effort. One will do.

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