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[with 3 selections from Tar River Poetry]
Letter to the Archaeologists of the Post-Anthropocene
You know already what fools we were,
how like the dog that starts itself awake
we jumped and bared our teeth
and turned to chase our tail, our fury
rising as we spun – and how, unlike the dog,
we did not hold our caught selves
gently, surprised to be at once the captive
and the captor, but chewed our own flesh
bloody, sure we were destroying that
which would destroy us. You already know
we killed our saviors, set fire
to our home, and ate
our bitter hearts. We said
because we owned what we destroyed
it was ours for the destruction,
and we destroyed it
to prove that it was ours.
You know all that.
You may not know, however,
just how much
we loved what we destroyed, how much
we longed to have it love us –
how even the cruelest among us
would stop sometimes to watch
the polluted sky at sunset
turning gold then pink then indigo.
Shane Sheely
from Tar River Poetry, Volume 62, Number 2. Spring 2023. © 2023 TRP
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Some ten years ago I became a phyto-heterotroph. Many people have asked whether it was a difficult transition and whether I have regrets. Not at all! To borrow a phrase from the general domain of heterotrophs, “Life is good.”
This week I’ve been reintroduced to a community of fellow heterotrophs after a year’s absence. We met in the woods on Grassy Creek’s Forest Bathing trail as they emerged  from the shady gloom, pale as the moon, a little creepy. Their scaly jointed fingers that are not fingers poked up from the leaf mould. They nodded their heads which are not heads. Not human, not fungus. What?
These are plants, flowering plants, but stark white, utterly absent chlorophyll : Ghost Pipes (Heath family, Ericaceae, same family as rhododendron, azalea, huckleberry, but so eerily different). Kneel to inspect the nodding head and you’ll see that it’s a flower, one at the apex of each stem, and indeed shaped like the flowers on my blueberry bushes beside the driveway. I remember the first time I saw these odd creatures in the southern Appalachians, thriving in rich mesic woodland, clustered in deep shade with no need for photons. I was taught that they are white because they’re parasitic, taking nourishment from the roots of trees.
Heterotrophic – fed by others. The opposite of autotrophic, feeding oneself. Most of the Plant Kingdom are autotrophs, industriously creating sugar and cellulose from the nothing of light and CO2. Quite a number in Kingdom Protist are autotrophs (algae, for example), and even a few in the Bacteria Kingdom (cyanobacteria). All the rest of us are unable to feed ourselves. I can make Vitamin D when sunlight strikes my skin, but as an obligate heterotroph I must consume autotrophs to survive.
Personal and Planetary Health—The Connection With Dietary Choices. This is the title of a feature editorial in the Journal of the American Medical Society (June 6, 2023; Volume 329, Number 21). It isn’t difficult to imagine the message the editorialist will promote, but it is novel to emphasize the connection between choices that lead to personal well-being and and choices that promote global health. To quote: Physicians have historically focused on patient health and relegated planetary health to environmentalists and lawmakers. However, dietary choices are the largest driver of chronic diseases. National surveys indicate less than 5% of the US population meets dietary fiber recommendations due to inadequate plant-based food intake. Plant-based diets are also associated with reduced incidence of chronic diseases such as obesity, cardiovascular disease, diabetes, chronic kidney disease, and cancer in multiple studies.
I became a phyto-heterotroph (it’s easier to spell vegetarian) not for personal health but to reduce my ecological footprint. Eating plants instead of eating things that eat plants has a frankly unbelieveable impact on agricultural water consumption, loss of habitat to grazing and animal feedstock production, and methane and nitrous oxide production (25 times and 298 times more potent greenhouse gases than CO2). Even the most diehard omni-heterotroph could probably tolerate a phyto-heterotroph diet one or two days a week.
And those Ghost Pipes (Monotropa uniflora) – I read this week that they are actually myco-heterotrophs. Their roots entangle with and suck sugar from the fungal filaments of the mycorrhizal network that permeates all healthy soil. Alas, all fungi are themselves heterotrophs. They reciprocate with green plants to provide minerals and water in exchange for sugar, some of which they evidently pass on to the Ghost Pipes. Without GREEN, none of us would be here.
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Because the Demented World Repeats Itself
In Europe again tonight,
a human being is dying
under a bombed-to-rubble house
or in the street – bicycle basket
spilling its loaf of bread.
This particular human is dying
whose dying makes me despair
though I’m no one in particular
and they’re no one in particular
to me. I’m just another human
who will be dying, but not yet,
and who lies warm under my quilt
of many blessings, wondering
what can be done about humans
when I can’t dissuade the sparrow
who attacks our window
slamming and slamming
his reflection – the enemy
he keeps seeing but not
seeing as himself.
Susan Cohen
from Tar River Poetry, Volume 62, Number 2. Spring 2023. © 2023 TRP
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I don’t subscribe to many literary journals, but I don’t let my Tar River Poetry lapse. Volume 62/Number 2 arrived last week containing a few familiar names but many more names that I now want to remain familiar with. Micro-themes seem to weave through its fifty pages of poetry like a carrier wave that fills the room with music. A few poems juxtaposed are having a conversation, but when the next in line picks up the thread the color and texture have suddenly shifted again. Always something new, always engaging, deeply felt, deeply connecting. Thank you to Luke Whisnant and all the perceptive editors who send me a fresh volume twice a year.
Tar River Poetry is published twice yearly with the support of the Department of English, East Carolina University. http://tarriverpoetry.com. 113 Erwin Hall, Mail Stop 159, ECU, East Fifth Street, Greenville NC 27858-4353.
Shane Sheely has published three books of poetry and directs and teaches in the creative writing MFA program at University of Missouri-St. Louis.
Susan Cohen, author of three full-length poetry collections, is a former journalist living in Berkeley, California.
Steve Cushman’s first poetry collection, How Birds Fly, won the 2018 Lena Shull Book Award of the North Carolina Poetry Society.
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The Candiru Fish is So Small It Could Swim Up Your Urethra
is what Mrs. Hart, my 9th grade biology teacher, said
thirty-some years ago, so when Julie says let’s go skinny
dipping, instead of being excited I’m transported back to
Mrs. Hart’s class in St. Petersburg where all we had to cool
us off on those Florida afternoons was one lone window unit,
so we sweated through her lectures until the day we sat up
straight and listened as she discussed urethras and penises
and the dangers lurking beneath the surface. Come on, Julie
is saying, naked now, her clothes in a stack at the shore,
her pale shoulders bouncing up and down at the water’s surface.
I strip bare, tell myself we’re nowhere near the Amazon River,
run with everything I have into the water, into Julie’s arms,
and again she’s rescuing me from myself, from my silly fears,
and those murky, dangerous things, seen and unseen.
Steve Cushman
from Tar River Poetry, Volume 62, Number 2. Spring 2023. © 2023 TRP
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Doughton Park Tree 2020-11-22

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[featuring two poems by Regina Garcia]

This Fire Tastes Like . . .

This fire won’t taste like the last ones did
Singed souls torn up, crying, wandering,
wondering how to get love back
How to fix life
How to repair
The last fires tasted like . . .
Tasted like loss
Tasted like shame
Tasted like despair
Tasted like mourning
Tasted like no way out
Tasted like no way back
tasted like Tulsa
Tasted like Elaine
Tasted like Watts
Tasted like Wilmington
Tasted like old Eppes High . . .
Tasted like all that it had consumed

This fire tastes different
This fire tastes fed up
This fire has eyes set
Beyond loss
Beyond prison
Beyond death
Beyond the graves
This fire has new eyes
Fixed on that “New New”
Jerusalem
New fire gonna propel these children into
promised land
They won’t need the water fo the oppressor
Because they are children of living waters
And Raging Fires
And earth tht has promised fertility
Yet pushed out weeds to choke and distract

This fire tasted different
It tastes like energy

Tastes like righteous fury
Its fuel is dark kindling root
It will combust from a place to deep
So misunderstood
So, underestimated
That it will not be contained
This fire tastes different
It tastes like resolve

It will reject any attempts to thwart combustion
The internal combustion
It will incinerate attempts at trickery for
It has seen the video and believes
It waw murderous hubris
It saw The Dead that were tried for dying
It saw the solid stance of patronizing defiance of other fires
It saw the lies stifling acrid air
This fire tastes different
It tastes alive
It will not stop until there is nothing left that can stop it
It will then scoop the ashes and build
Jerusalem
Yeah
This fire tastes different
This fire tastes like revelation
This fire tastes like change
This fire tastes like
Hope

Regina YC Garcia
from The Firetalker’s Daughter, Finishing Line Press, © 2023

 

 

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Rainstorm, windstorm, limbs thrashing the house in panic, rain attacking the windows through the screens: we can feel Amelia’s mounting fear each time the sky grows dark and she asks, “Is this a tornado?” No, Honey, just a big storm. We don’t get tornados around here.

Until this afternoon. Severe Thunderstorm pings on the phone while we’re watching a movie with Amelia in the living room. Within minutes the sky is slate and the TV goes black. When hail peppers the porch we lurch for the basement. Amelia makes it into a game, the divine gift of the seven-year old, and while we play with flashlights we hear the drumming of rain but assume those contrabasso reverberations are thunder.

It’s all over in fifteen minutes. We climb the stairs and open the front door – our neighbor’s venerable willow oak, trunk at least two meters in diameter, is angled across the road into our driveway. Not crushing our living room. One sugar maple at the end of our house has had its spine snapped and hurled, but not into our bedroom. As our neighbors emerge, we tally and discover no one is injured (although not true of several roofs).

Everyone’s yard is full of twisted trunks and limbs or huge redclay balls of the uprooted. We notice most of the trees aligned prostrate in the same direction and we mutter, “Downburst.” “Straight-line wind.” Two days later, though, the National Weather Service makes its proclamation: an E0 tornado. We wonder if Amelia will ever want to finish that movie we had started. And if we ever get our power back on, we’re ordering some more flashlights.

 

Regina Garcia’s new poetry collection, The Firetalker’s Daughter, is elemental – wind, earth, water, fire. She describes her mother and her son as Firetalkers – they can speak to pain and talk it into submission. And isn’t that what these poems do, speak to the pain? If words could remove the pain of the world, the inescapable pain of living, perhaps a new day would dawn when the earth would have no more need of words. We will never see that day.

But strong words, words of compassion and truth, can raise us out of the pain. We can stand on the shoulders of the poetry, the hymns, the stories of the Firetalker and see a way beyond the pain. We can see a road before us where pain can’t wield its power over us. We can live in this world of pain and still proclaim joy, the rise of indomitable spirits from the embers. Oh, Regina Garcia, may your poetry lead us there. You are the Firetalker.

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The Fire That Consumes: The Burnings of Black Histories

Have you ever seen fire, the kind that consumes . . . ?
a house, a block, a street?
a community?
a town?
a nation?

Have you ever stretched fingers towards fire just because you wanted to feel
the last gusts of breath before the flames melted . . . ?
Mortar from brick?
Wood from steel?
Skin from meat from sinew from bone?
Have you ever jumped at the crack and splinter before the crash?
Hid your face to escape the blowing soot?
Covered your nose to block the smell of escaping gases the incineration of
flesh? Squeezed eyes shut to restrain the release of tears?

Fire destroys completely
Everything
Except memory
Those who have lived through fire never forget that all that was lost cannot
be returned, cannot be restored
Pre-fire life flickering in memory

Have you ever known the indignity of stolen memory?
Of erasure of thought?
A disallowing of necessary history passed on from ind to mind
No collective storage
Trashed as disposable waste
Scores of nations and families of people relegated to one layer of life lived
while other layers burned away
Withdrawn from the light of day
Layers that could have lit
the illumination of minds
the awareness of conditions

the recognition of irreverence and unrighteousness
the tackling of generational traumas
the overcoming of fear
the pride of resilience

Layers of heated memory
Deemed villainous
Tossed into the ashes
By thieves, those who dread
The power that it brings
And the rise of indomitable spirits from the embers

Regina YC Garcia
from The Firetalker’s Daughter, Finishing Line Press, © 2023

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[This is a re-posting of one of my personal favorites, from July 27, 2020. May we each discover what is most perfectly suited to our individual nature; may we discover the perfect curvature and gravity of the universe. And may we continue to re-discover the poetry of the late David Treadway Manning, one of my favorite human beings.

I am re-posting rather than creating an original offering for this date because our neighborhood is still digging out from a tornado that struck us on April 28, 2023. No people injured, many hundreds of trees down, brighter wider horizons absent their green banners, a few nights of darker skies and brighter stars and the company of the waxing moon.    —-   Bill ]

Young Isaac is strolling through the orchard, another undifferentiated non-linear autumn afternoon of this perplexing equation we call life. Some of the fruit has detached itself and translocated several meters closer to the center of the earth. It has begun, with the help of fermenting microorganisms, to succumb to entropy. Isaac steps in it. He slips.

Isaac’s 70 kilograms, density of water, accelerate at 9.8 meters per second per second. Suddenly prone, the gravity of the situation strikes him. There, 10 centimeters from the tip of his nose, lies a perfect red spheroid. Glossy. Fragrant. The tiny lenticels on its taut unblemished skin are arranged with the symmetry of stars distributed across the heavenly sphere. “What an apple!” young Isaac exclaims, “Artios!” (his years of Greek instruction now finally relevant): That which is perfectly suited to its nature. The essence of appleness.

And how will Isaac’s own essence be transformed by this epiphany? How will yours and mine? No longer undifferentiated, will he discover his many gifts and their ideal trajectory? Will we ours? For are we not each of us an essence, our process of formation either distracted and garbled by the noisy physics of our history and our surroundings or alternatively able to grasp that trajectory perfectly suited to our unique nature? Besides mass and density and the ability to struggle upright against gravity, don’t we human animals also possess the agency of choice and change and discovery?

Isaac sits up and regards the apple. You know where this is headed. It will be 218 years before young Albert slips and falls and realizes that what Isaac experienced is actually the curvature of space. Meanwhile why don’t we all, each of us, sit up and regard our nature. Artios! To become that which is the perfect expression of our nature. It’s about time.

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I have been a DAVID MANNING fan since I first sat up and discovered poetry. Whether he does it with a compassion that draws me deeper into the circle of human family or with a wry and pointed barb that makes me snort, he regards human nature and tells its truths. I will be the first person in line when his NEW AND SELECTED is released from PRESS 53 later this year.

And I have been favored to preview the manuscript. Wandering these wonderful poems spanning decades I enter an inner landscape and pass from reader to personal companion. There is a deep imagination at work; there is joy and no lack of laughter and sometimes a little weirdness; there are bright moments of insight and connection.

Most of all there is WONDER. No aspect of our human situation or our confounding universe goes unnoticed. David’s artistry gathers a desert landscape, a snatch of opera, a funky conversation and weaves from them with perfect sense and sensitivity an affirmation. When I reach the final page I say, “YES, that is the way it is.”

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Sailing with Anne

Santa Monica, California, 1950

After her sailing class we cast off
into the ruffled Pacific blue, tide
incoming, echoes of great breakers
lapping the dock. She-the sailor,
the tiller, mine.

As we headed west, tacking
into a strong breeze I remember
marveling at who she was
to do these things. I imagined her
at the helm become Anne Bonny,
running a four-master down,
the setting sun turning red lights
in her hair.

I hope we left something there-
if only a boat paint-scrape
or salt spray from her hair.
Maybe something from that day
was never lost, but joined
the Pacific’s history, some trace
still riding the blue circuit
between the poles, with the sea-grape
and tiny life that make the coral.

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Star Journey

Sometimes at night I return

to the Griffith Park planetarium

where stars from the surrounding hills

come out to music.

North of Los Feliz

I step from city lights into the night

sky of Patagonia with its wind-swept shores

under the warm lights of Fornax,

Fomalhaut, Alpha Crucis, a bright canopy

of southern stars, to music-Gymnopedie,

Satie’s barefoot dance.

Then, under the soft night sky,

I take off my shoes

and find my way into the stars.

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David Manning’s NEW AND SELECTED POEMS is anticipated later this year from Press 53.

Star Journey first appeared in KaKalaK 2017 – Anthology of Carolina Poets
Sailing with Anne first appeared in Pinesong: The North Carolina Poetry Society

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