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Posts Tagged ‘NC Poets’

Poetry Formatting in WordPress

Are you frustrated when you try to re-create complex line formatting in a WordPress post?

Sure, you can right / left / center justify a paragraph, and you can “add indent” to a paragraph, but unless you open the hood and get grease on your hands writing HTML, you can’t add tabs or spaces to a line to get it to look like this:

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The damselfly hovers,
+++ lays her eggs
++++++ in the sky
+++++++++ of pond,

her abdomen
+++ a slender J
++++++ pierces
+++++++++ the mirror.

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Instead after you save your draft and preview the screen here’s how it looks:

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The damselfly hovers,
lays her eggs
in the sky
of pond,

her abdomen
a slender J
pierces
the mirror.

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How pedestrian. How constipated.

Here’s my fix: clunky but effective. Tell me your fix if it’s better!

1 – ADD CHARACTERS TO THE SPACES OR TABS YOU WANT TO INSERT INTO THE LINE:

The damselfly hovers,
+++ lays her eggs
++++++ in the sky
+++++++++ of pond,

her abdomen
+++ a slender J
++++++ pierces
+++++++++ the mirror.

Here I’m using THREE +’s for each tab grouping; use more, fewer, any character you like.
I am also adding a [SPACE] after each grouping of +’s to make it easier to highlight them later.

2 – ONE AT A TIME, HIGHLIGHT EACH GROUPING OF +’S YOU WANT TO TRANSFORM

3 – CHANGE THE FONT COLOR TO “WHITE”

Click the small down arrow next to the A for Font and select the White square

Note – if your blog uses a background color OTHER than white, then instead of white you need to change the font color to your background color!

4 – CONTINUE FOR EACH GROUPING . . .
++++++++ SAVE DRAFT . . .
++++++++++++++++ PREVIEW . . .
++++++++++++++++++++++++ VOILA!

You can speckle random text all over the screen using this technique.

There must be a better way (short of learning to write code), but I haven’t found it!

Here’s the entire poem, which appeared in a slightly different version in my chapbook RIVERSTORY : TREESTORY published by the Orchard Street Press, © 2018

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Light

The damselfly hovers,
+++ lays her eggs
++++++ in the sky
+++++++++ of pond,

her abdomen
+++ a slender J
++++++ pierces
+++++++++ the mirror.

+++ Once.
+++ Again.
+++ One egg.
+++ Another.

Light as a morning
+++ kiss, light
++++++ as the voice

that ripples
+++ between
++++++ these lines,

+++ airy, watchful,

let no hungry trout
+++ swirl, lunge,
++++++ swallow
+++++++++ their maker.

+++ One.
+++ Another.
+++ Again.
+++ And tomorrow

these words become
+++ creatures
++++++ with silver wings

+++++++++ that rise
++++++++++++ into light.

 

from RIVERSTORY : TREESTORY, The Orchard Street Press, © 2018 Bill Griffin

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[with 3 poems by Diana Pinckney]

No hesitation. Out the back door she takes my hand and we hike down through the woods, steep switching trail, slick moss rocks, sliding on last fall’s leaves. Big brother is not with us today; she is the explorer. I wonder if she’ll hold back at the wash but she hops rocks across the rivulet and even runs ahead of me along Dutchman Creek. Threading the briers, skirting mud, twigs in her hair – she is all go today.

When we reach our destination, the shallow pools that linger from winter floods and may be dry by August, I hesitate. Not so many months ago she would make me check the playroom floor for millipedes, back away from pillbugs on the porch steps, want to be carried to the car.

I squat in a squishy place beside the water and show her clumps of clear jelly. Most of the eggs have hatched, some larvae still in their shivery globes, many tadpoles swimming free. With one finger I push algae aside so she can see them wriggle. Instantly her fingers are in the water, too. Tickling the tiny black wigglers. Oblivious to muck and slime. Pappy, can we come back here tomorrow?

This is what I would wish for her at five and all her life – to be innocent and yet be bold. To face the new and the scary and not look away. To discover, to wonder. And to remember the immense power of NO! bursting from her body, now when her brother thwarts her playful imaginings and always when the world conspires to steal that innocence from her.

And, for as long as I’m able, I wish for her to still want me to carry her.

 

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Who is completely innocent and who is entirely beast? Diana Pinckney’s poems are subtle like a rustle in the night but lucid, windows breathing light and fragrance into the world. Her language and lines are effortlessly elegant. Her poems seem to arrive from all the points of the compass to create community: persona poems in which the reader comes to inhabit a new being; poems of family, loss, commemoration, revelation; ekphrastic poems that uncover hidden truth in painting, sculpture, representation.

And woven throughout her book, The Beast and the Innocent, lurks the wolf: tyrant predator, misunderstood victim; purity and profane. Who is the threat and who the threatened? Aren’t we all only doing what it takes to survive?

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Ghost Wolves, for My Grandchildren

You may see one in a zoo
***** and ask, does he howl
********** and I may say, what would

he howl about? What, you ask, does a wild
***** wolf sound like? What could I answer? Wind
********** when it rises from the deepest

canyon to the tops of spruce
***** or the fog’s blue surge, the drift
********** above dying embers. Smoke alone

moves toward the stars in a world
***** where nothing is heard and only the moon
********** knows then the last tree falls.

Emptiness that whispers
***** after the wilderness
********** has forgotten what it longs for.

from The Beast and the Innocent, Diana Pinckney, FutureCycle Press, © 2015

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My Brother Sings
after Raymond Carver’s “What the Doctor Said”

He sings when the dogwoods are blooming as I drive
him and his wife along the highway from Asheville,
away from a hospital where we waited in the doctor’s office,
sitting in gray chairs, joking about my allergy

to their six cats, ow I can’t sleep in their house
and still breathe. I watched my brother move
his fingers over swollen knuckles that he used to
crack when I was little just to tease. There to hear

the results of the lung biopsy, now we know.
Traveling through Blue Ridge mountains, we see
dogwoods, redbuds, cherry trees heavy
with April’s abundance. When my brother

begins the song, his wife in the back seat on her cell
interrupts, Dabney, will you please stop singing
while I’m telling Sis you have cancer. Oh, sorry, he says.
He glances at me while petals drift with us

down the mountain. Our laughter’s almost soundless.

from The Beast and the Innocent, Diana Pinckney, FutureCycle Press, © 2015

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The Beast and The Innocent

Of course, dogs and cats go to heaven,
my mother announce from her deathbed.
Welcomed into heaven, my childhood cat
will groom Grandmother’s canary, feathers the same
yellow as the black cat’s eyes, the bird

he ate when I was seven. In paradise
pointers lap at duck ponds while cockatiels
screech and perch on each dog’s white- or black-
spotted back. Heaven’s way is,

as we have heard, the lion lying down
with the lamb. A place where Christians kindle
the eight candles of Hanukkah, Muslims unfurl
prayer rugs for Hindi, and the roped Tibetan prayer

flags flutter good fortune for the Chinese.
The wine and wafer bless a round wooden table, a feast
celebrated with unleavened and leavened,
mango and oyster, babel unlimited. And the spaniel
that killed my brother’s rabbits will lie

on the wide-bladed grass of my youth, all manner
of four- and two-legged creatures leaping
over him, some stroking the red-and-white silk
of his fur for pure pleasure, for the grace.

from The Beast and the Innocent, Diana Pinckney, FutureCycle Press, © 2015

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Doughton Park Tree 2021-03-23

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[with 3 poems by Tony Abbott]

Mike and I met at a remote trailhead below Mt. Pisgah to hike up into Shining Rock Wilderness. We planned to spend one night at our favorite site after reaching it by this unfamiliar approach. End of September, gorgeous reds and golds, brittle blue sky, and we were prepared for cold above 5,000 feet.

No camp fires permitted in a Wilderness Area. We made tea over a little alcohol stove, sat on the ground, and talked until it grew too dark to see. The ultralight 2-person tent Mike had packed was cozy, which is to say it was more like a 1 ½-person tent. We’d be keeping each other warm.

I woke up after midnight in dense darkness and couldn’t breathe. Got out of the tent, pulled on my balaclava, walked away to pee, sat on a log – deep silence, no owl hoot, no chitter of flying squirrels, not one breath of wind. When my butt started to freeze I tried squeezing back into my mummy bag. No good. My chest tightened, the thick black pushed down on my face, I had to claw its hand away. Worst claustrophobia ever.

I finally dragged my sleeping pad and bag out to a level space in the pine needles, wrapped a jacket around my feet, and hunkered in just as the moon rose through the red spruce. Cold light expanded my lungs. At some point, hours creeping, moon in my eyes, I fell asleep. Mike woke me at first sun.

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What can bring light into darkness? What hand comforts the clench of fear? What consoling faith casts away doubt? What companion banishes loneliness?

The forward to Anthony S. Abbott’s book Dark Side of North, published posthumously by Press 53 this year, consists of a remembrance presented by Dr. Jacqueline Bussie at Tony’s memorial service on October 17, 2020. Here is an excerpt:

Suffering didn’t make Tony unique. What he did with it did. Tony was the first adult, and the first teacher, I’d ever met in life who was willing to talk about the hard stuff. He taught us that suffering sucks. That suffering denied is suffering unhealed. He taught us to never sugarcoat suffering, smack a pink bow on it, or shove it to the back of the drawer. In one of my favorite lines in Tony’s poetry, he urges us to get down to “the Humpty-Dumpty business of trying to make a jewel out of the cracked pieces of the heart.”

Dr. Jacqueline Bussie, page xiv, Dark Side of North

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The Boy from Somewhere Else

lived in the open mouth of the world.
He chewed on the dry branches of time.
He was handsome enough, to be sure,

but there was in his voice
the deep well of absence.
He was with them, but not of them.

His speech was familiar, but not theirs,
and when he told tales
of his drunken uncles and stage-struck

sisters, they nodded politely
and they spoke in their apple-round voices
of kith and kin, and told how their

grandfathers had founded the first
bank in Hitchcock County.
He would wait, this boy.

He would find one day the person
who could hear his music
as blood red leaves matched autumn.

He could not be mistaken about this.
When she came, he would recognize her
at once – as one knows the coming storm

by the first, distant clap of thunder.
Perhaps he could not keep her.
Perhaps one can never keep such a gift.

But, still, she would grace his years – the buds
of his growing up, the rattling trains of the
middle passage, the brittle bones of the slow

descent, the icy nights of the final coming down.

from Dark Side of North, Anthony S. Abbott, Press 53, Winston-Salem NC, © 2021 by the estate of Anthony S. Abbott

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The Light in the Window
In memory of Nancy Abbott Hieronymus (1926-2017)

How early I must have known that she was
my true mother, that when she packed her bag
I must go with her. She would keep me safe.

How early I must have known that she was
my true teacher, making the sounds of the words
with her mouth so I could learn them, too.

How early I must have known that she was
my true protector, throwing herself across me
slashing her knee on the broken windshield glass.

Later, when I was nearly grown, cocky sophomore
in prep school, riding the subway home at 2 a.m.,
she left a light in the window on that I

would turn out when I came in. I didn’t know
she stayed awake until she heard the door open
and close, heard the click of the light going off.

Now I sit by her bed and watch her sleep and wake,
sleep and wake, and tell me how she loves
her precious Dick, how she will hold his hand

all the way to heaven. Beyond the light in her window
the evening comes over the island, the deer prick up
their ears, the foxes peek from their dens. In the pines

the gold crowned kinglet waits. She is coming, they say,
our friend is coming, the one who loved us all these years.
Tonight I will go home, and the friends who loved her so

will arrive, one by one, to take her in their arms,
and the next night the angel will stand at the foot
of her bed. You are loved, he will say, and enfold her

with his bright wings. And she will go where that brightness
is and, like a light in the window, shine upon us all.

from Dark Side of North, Anthony S. Abbott, Press 53, Winston-Salem NC, © 2021 by the estate of Anthony S. Abbott

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The Long Afternoon

All through the long afternoon
the wind moved in the branches.
I had lived in the city and had seen
only the dust from the tires,
the diesel gas from the gray brown
buses with their leaden burdens.

Here it was different. Here on the grass
we had found by chance, walking
away, just away from everything
and then, a clearing and green
grass and the wind moving
like silver over the water
and in the branches, too. Yes,

all through the long afternoon
the wind moved and we were silent
in awe of the day and leaves
yellow and red and orange,
which floated slowly down
into our waiting hands.
aaaaaaaaaaaaaaaaa Later
I found these leaves in a book
where you had put them for
safe keeping, a book you knew
I would take down and read
some distant starry night.

from Dark Side of North, Anthony S. Abbott, Press 53, Winston-Salem NC, © 2021 by the estate of Anthony S. Abbott

 

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Thank you, Tony. We will continue trying, and we will not stop trying, to make something beautiful from the brokenness that we are. Together. May it be and become so.

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The North Carolina Poetry Society has honored Anthony S. Abbott’s memory and shared Tony’s poetry at its January, 2021 literary meeting and with a commemoration in the Winter, 2021 edition of its quarterly publication, Pine Whispers.

The line “the Humpty-Dumpty business of trying to make a jewel out of the cracked pieces of the heart.” is from Tony’s poem Before Forty in his book The Girl in the Yellow Raincoat (St. Andrews Press, 1989) and collected in New & Selected Poems (Lorimer Press, 2009).

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2015-06-15Doughton Park Tree

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