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Posts Tagged ‘nature poetry’

 . 
after rain the hills
fill up with mist, everything
else just memory
 . 
[poetry by Scott Owens]
 . 
Elemental
 . 
Having been raised in shadow of pecan trees
he learned to keep his insecurities
concealed in shells the color of earth, almost
inextricable and gathered in brown paper bags.
 . 
Having been shaped by twisted logic of weather
in South Carolina’s Tornado Alley,
he learned when to move with wind and when
to stand fast and howl against the blow.
 . 
Having been dipped in yellow water
without being held by anything but current
he learned to sink to the bottom, plant his feet
in mud below and walk back to shore.
 . 
Having been burned in fires of passion and forgiveness,
faith and disbelief, he learned to trust little
but what he could see: bird flight, dirt
beneath the nails, quiet eternity of mountain.
 . 
Scott Owens
from Elemental, forthcoming in 2025 from Redhawk Press, Hickory NC; © Scott Owens.
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❦ ❦ ❦
 . 
Where is the transition point between cluttered and ungodly mess? I gave up long ago any hope of keeping my desktop tidy or my bookshelves neatly organized. For the past year, however, the normal books and papers and camera gear have been invaded and overcome by bins, boxes, and bags. Here’s a sampling:
file boxes of my parents’ financial and tax records, 2023 to present;
banker’s boxes of photos I’m bound and determined to sort, 1920’s and even earlier;
crumbling carton of 35 mm home movies shot by Grandpop, who died in 1958;
and before I totally blame Mom and Dad, one chair is completely full of books and magazines I’ve read or intend to, and the other chair is completely loaded with gear, field guides, and two dozen clip boards with botanical checklists I’ll hand out at my next naturalist walk in a week.
 . 
And one other thing among so many others that have not yet discovered or been granted their ultimate place of repose: a heavy oak urn containing my mother’s ashes.
 . 
The urn I will keep close and heft from time to time. Is any of this other stuff really essential? I don’t believe I will ever lose the picture in my head of Mom on her bicycle, luminous smile, age 11 – perhaps these boxes don’t hold anything that can surpass that memory. I can’t conceive of a meaningful life that doesn’t include a camera in my hand, but after all I can only hold one at a time. And the books! I’m planning to surprise thirty or so friends with a (comfortably read) book for Poetry Month, but the groaning weight of the remainder will scarcely feel the loss.
 . 
Whelm: To cover, submerge, engulf or bury; to overcome. Why have I made myself responsible for these accumulations? Am I their curator, conservator, salvager? Or do I expect this stuff to somehow save me? Buried by the non-essential all around me, perhaps I can thrash and claw my way through while I ignore my own ultimate burial.
 . 
In a minute perhaps I’ll withdraw my hands from typing, swivel away from the screen, actually open one of these bins and boxes. Maybe I’ll chuck a dusty double handful in the trash. But maybe I’ll pull out a talisman that opens my soul to more luminous memories. I will smile and share what I’ve found. It will be a treasure not of precious metal or envious resale value but because of the door it opens. A sliver of light finds its way through and reveals one moment that has made meaning in this life. A moment that still has meaning. Not the old material stuff but the memories it carries on its back: from something here I might discover something new about myself, the ones I love, this overwhelming life. I might find something essential.
 . 
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❦ ❦ ❦
 . 
Of Mint and Memory
 . 
The smell of mint makes everything feel clean,
clears the senses like bells ringing,
or wind chimes, maybe, on a summer day
in 1973, after the war but before
the bomb became too real a thing to ignore.
 . 
They say that smell is our most powerful sense,
not the strongest, not the one
we use the most, but the one we find
closest to memory and feeling, the one
most difficult to ignore, resist, overcome.
 . 
I’ve given up patches of my yard to mint
so I’ll always have it for tea,
for homemade chocolate chip ice cream,
for the times I need to go back to days
when I didn’t know enough to be afraid.
 . 
Scott Owens
from Elemental, forthcoming in 2025 from Redhawk Press, Hickory NC; © Scott Owens.
 . 
❦ ❦ ❦
 . 
Linda listening to Fauré while she reads. A brown thrasher sneaking into the holly just outside my window. Lacing up for another afternoon walk in the woods. I could list a dozen necessary things that have intruded on this morning, but if I take a deep breath and reflect on what is essential those first three seem like a good start. Last night we drove by a church signboard with this suggestion: “Do one thing today that makes the world a better place.” Essential. I would add, “one thing that makes you a better person.” Paying attention. Gratitude. Joy. If even for a moment, make space in the necessary for the essential.
 . 
Scott Owens is always on the lookout for the essential. His new manuscript, Elemental, expands and reinforces the search. Expect to encounter the essential and you will! Scott has written thousands of poems to ground himself in the seeking and yet he still finds joyful surprise in the daily happenings and encounters that make real meaning in life, if you allow them to. Perhaps it is because he is intentional and systematic in his noticing that he discovers joy all around him. This book includes a section on the seasons, a travelogue section especially exploring North Carolina, a final section of life’s lessons. I will use it as a field guide for the truly essential.
 . 
Oh, and trees. Scott really, really loves trees, both in their grand collective leafiness and in their individual personalities. He mentions that he grew up around pecan trees and learned something about hiding vulnerability from the way their shells hide the sweet kernel. I’d like to sit down with Scott and swap yarns about the pecans in Granddaddy’s back yard. Or my beloved beech I will not forsake even though it dropped a branch through my windshield. Or the hundred colors of lichen on the holly’s bark. Then we will move on to birds, and mountains, and the sound of moving water. We will discover how much we have in common. We will nod and share a slice of joy in the discovery that every single creature on earth holds that much in common and more. That joy, that knowledge, is truly essential.
 . 
 . 
Keep your eyes peeled at Redhawk Publications for Scott Owens’s new book, Elemental, due out by this August, 2025.
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❦ ❦ ❦
 . 
All That Is
 . 
It’s winter,
a hard time of year
for noticing things,
except the wide sky
through limbs of trees,
and the shapes of trees
stripped of leaves,
and a white-breasted nuthatch
hopping sideways
down the trunk
of a peeling paper birch,
and the omnipresent cold,
and the quiet
of everyone staying inside
as long as they possibly can,
but all that is not there,
in the haunted austerity
of a winter landscape,
is what makes it possible
to see all that is
 . 
Scott Owens
from Elemental, forthcoming in 2025 from Redhawk Press, Hickory NC; © Scott Owens.
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❦ ❦ ❦
 . 
Doughton Park Tree 2020-06-11a

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 . .
[with 4 poems by Emilie Lygren]
 . .
Ritual
 . .
In each new place I look at the leaves.
 . .
Some are gray and withered, others gold or green.
 . .
The round spots of fungi, insect holes, split lines along veins all say:
 . .
I have been here long enough for here to change me.
 . .
May I stay half as long.
 . .
 . .
You Find Hope When
 . .
You find hope when you remember that
your best friend was elected Prom Queen.
 . .
We were shocked.
She was not popular or plastic or a cheerleader,
like prom queens in the movies always were.
 . .
She was kind to everyone.
 . .
When things feel bleak, remember the people out there
who thought that mattered.
 . .
Emilie Lygren
from What We Were Born For, Blue Light Press / 1st World Publishing, Fairfield IA; © 2021
 . .
❦ ❦ ❦
 . .
Something here beside the river is dragging. Something is slowing me down, clenching me inside, holding my skull between two fists. What is this cud of anger I’m chewing, chewing? I tug it loose when it snags on last summer’s dry aster or catches on a shard of quartz. I refuse to let go because it’s mine and I deserve to have it.
 . .
As I walk its banks, the river notices that I have stopped noticing it but the river doesn’t comment. The river refuses to tell me whether I’m good enough or why I’m not. I can’t convince it to admit that it’s really all those others hurting me and not me hurting them. The river has plenty to carry without taking on another load of trash. Stuff, big and little, just wants to tag along with the river. Silt enjoys the life of swirls and eddies, leaves love to dance. Stones tune up and provide the music. The river invites their company and moves along.
 . .
Is time passing here? The movement of water, always movement, and yet there is always always more water. Time must have passed, because I find I have misplaced whatever it was that was dragging me, I mean, whatever I was dragging. The music hasn’t stopped and there is singing. Suddenly I notice that what I really want is to join the river. And I find I have.
 . .
 . .
❦ ❦ ❦
 . .
River, competence
 . .
Rocks once ripped
from mountainsides,
broken branches of trees,
leaf or tuft of grass.
 . .
Swept up by
constant working currents,
blue undersides of streams,
mud unstuck from banks,
wed to clear movement.
 . .
Ripple pool and wave
reduce rough edges into roundness,
sand sticks into gleaming bare swords,
hold stones until their shapes converge.
 . .
Stay here long enough
and the parts of you, too,
that have been broken
will be made smooth
 . .
Emilie Lygren
from What We Were Born For, Blue Light Press / 1st World Publishing, Fairfield IA; © 2021
 . .
❦ ❦ ❦
 . .
Emilie Lygren’s poems are not all quiet. Some rage against tyrants. Some spit and hiss at what the ocean spits up, the trash we have crammed down its throat. Some push back hard against cruelty and prejudice, anything that willfully splits and cleaves.
 . .
But all of Emilie Lygren’s poems quiet me. When I am disgusted by things people do and say and think; when it hurts me that the people I love are hurting and are hurting me; when I despair that we human beings will never learn kindness; when I can’t see any hope for our future as a species or for all the species we destroy –
 . .
When all this noise and rage and torment shake me like a maple leaf, then Emilie Lygren’s poems return with their voice of understanding. We all feel these things. We all need something better. Listen, just listen. The earth is still here for you. Join it, the earth and all it embraces. Find its place in you and rediscover your place on the earth. Every day, if only for a moment – quiet.
 . .
 . .
Emilie Lygren is a poet and outdoor educator in California. What We Were Born For is the winner of the 2021 Blue Light Book Award from Blue Light Press / 1st World Publishing and can be purchased at Bookshop.org.
 . .
Read an additional poem by Emilie Lygren, Erosion, HERE:
 . .
 . .
All of today’s photos are by Jonathan Saul Griffin, © 2022
 . .
 . .
❦ ❦ ❦
 . .
Meditation
 . .
Sitting near the window.
I watched a fly stammering
against the glass,
trying to break free
and transcend the
transparent boundary
it could not comprehend.
 . .
As I cupped my hands around the fly
then let it out the open door,
I wished that we could trade places –
 . .
that someone would gently remove me
from the invisible walls
I have pressed myself up against,
offer an opening I am too small to see.
 . .
After sitting longer,
I start to think that maybe I am all parts of the story –
 . .
the trembling fly,
the gently cupped hands,
the clear glass window,
the necessary air outside.
 . .
Emilie Lygren
from What We Were Born For, Blue Light Press / 1st World Publishing, Fairfield IA; © 2021
 . .
❦ ❦ ❦
 . .
 . .

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 . 
[with poetry by Mary Oliver and Tennyson]
 . 
On Winter’s Margin
 . 
On winter’s margin, see the small birds now
With half-forged memories come flocking home
To gardens famous for their charity.
The green globe’s broken; vines like tangled veins
Hang at the entrance to the silent wood.
 . 
With half a loaf, I am the prince of crumbs;
By time snow’s down, the birds amassed will sing
Like children for their sire to walk aborad!
But what I love, is the gray stubborn hawk
Who floats alone beyond the frozen vines;
And what I dream of are the patient deer
Who stand on legs like reeds and drink the wind; –
 . 
They are what saves the world: who choose to grow
Thin to a starting point beyond this squalor.
 . 
Mary Oliver
from Devotions, the Selected Poems of Mary Oliver, Penguin Press © 2017; originally collected in No Voyage and Other Poems, Houghton Mifflin © 1965
 . 
❦ ❦ ❦
 . 
In the Spring a young man’s fancy lightly turns to thoughts of . . . phenological mismatch.
 . 
Ah, Alfred Tennyson, better you had continued to tramp the heath and weald of old Locksley Hall and turned away from your infatuations with the inconstant and unreachable Amy. Look here! Amidst the brittle stems of last summer’s arboreal plumage and almost buried beneath autumn’s comforter, an eyelet of green! Gently peel aside the brown leavings of solemn beech and discover: seven pale lilac petals and their swarm of stamens. February 18 and Hepatica has begun to bloom!
 . 
So I hope we’ll be greeted tomorrow, February 22, on our first naturalist walk of the season. Now and every three weeks through April we will tally the progression of blooming along the Elkin Creek Nature Trail. Native wildflowers, these spring ephemerals make their living here beneath the beech / oak canopy. Hepatica, Trout Lily, Bloodroot, Foamflower, they will quickly extend their leaves into the sun before its light can be obscured by budbreak among the overarching trees. Phenological escape – the urgent days of photosynthesis before the canopy closes. These low growing herbs must earn most of their entire year’s salary in just two or three weeks.
 . 
How do they know? What triggers the perennials to leaf and bloom; what swells and opens the leaf buds overhead? What is the key to understanding their phenology (def. – the study of cyclical biological phenomena)? Warming. Soil temperature and air temperature. But some plants are more sensitive to temperature changes and the warming of planet earth than others. In North America, deciduous trees are the most sensitive to warming trends that determine when they will break bud and unfurl leaves. Beech, oak, maple they leaf out earlier as average temperatures increase; Hepatica may not, and so the window of sunlight opportunity shortens.
 . 
This is just one example of phenological mismatch. Imagine how it might affect interconnected species that gradually diverge, out of synch. Will Hepatica have time to turn photons into the sugars it must store for the next long darkness? Will its pollinators and its seed dispersers still thrive in the altered forest? What will our spring walks look like in ten years? in twenty? Alfred Tennyson, I’m afraid there are days I share your melancholy.
 . 
 . 
❦ ❦ ❦
 . 
Wild Geese
 . 
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
+++ love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting –
over and over announcing your place
in the family of things.
 . 
Mary Oliver
from Devotions, the Selected Poems of Mary Oliver, Penguin Press © 2017; originally collected in Dream Work, Grove/Atlantic Inc. © 1986.
 . 
❦ ❦ ❦
 . 
A week after our group walked the trail I am still happy for what the forest shared with us. Yes, one Trout Lily had stretched and curved its petals to open a small yellow flower. Yes, one Hepatica, among the many other slumbering liver-lobed leaves, presented the cold morning after freezing night with a single pale lilac bloom. We knelt closer for its even more remarkable surprise: beneath the blossom nodded two more, sepals already empty of petals and gone to seed. The spring ephemerals know their business and their name. They make more of themselves and fill the world whether we are watching or not.
 . 
I have been watching these flowers but not nearly long enough nor often enough. Nevertheless one remembers – color and scent may spark a flicker of joy into a life that threatens to cloak each day with darkness. On our walk, beside a particular beech tree no different from the hundreds around us, I recall the first time I ever discovered Hepatica blooming in our woods. That year it was the only one I found and I returned to it day after day until it faded. Now here it is again, the very plant. Its leaves are pocked and burnt orange from their long winter’s work. If it has buds, they are still hiding. As yet no new spring foliage. But I will be back to share this brief season with it. Perhaps we will bloom together.
 . 
 . 
❦ ❦ ❦
 . 
Spring
 . 
Somewhere
++ a black bear
++ ++ has just risen from sleep
++ ++ ++ and is staring
 . 
down the mountain.
++ All night
++ ++ in the brisk and shallow restlessness
++ ++ ++ of early spring
 . 
I think of her,
++ her four black fists
++ ++ flicking the gravel,
++ ++ ++ her tongue
 . 
like a red fire
++ touching the grass,
++ ++ the cold water.
++ ++ There is only one question;
 . 
how to love this world.
++ I think of her
++ ++ rising
++ ++ ++ like a black and leafy ledge
 . 
to sharpen her claws against
++ the silence
++ ++ of the trees.
++ ++ ++ Whatever else
 . 
my life is
++ with its poems
++ ++ and its music
++ ++ ++ and its glass cities,
 . 
it is also this dazzling darkness
++ coming
++ ++ down the mountain,
++ ++ ++ breathing and tasting;
 . 
all day I think of her –
++ her white teeth,
++ ++ her wordlessness,
++ ++ ++ her perfect love.
 . 
Mary Oliver
from Devotions, the Selected Poems of Mary Oliver, Penguin Press © 2017; originally collected in House of Light, Beacon Press © 1990.
 . 
❦ ❦ ❦
 . 
Here in closing a few lush stanzas from the overpowering lyric Locksley Hall by Alfred Lord Tennyson:
 . 
Here about the beach I wander’d, nourishing a youth sublime
With the fairy tales of science, and the long result of Time;
 . 
When the centuries behind me like a fruitful land reposed;
When I clung to all the present for the promise that it closed:
 . 
When I dipt into the future far as human eye could see;
Saw the Vision of the world and all the wonder that would be.—
 . 
In the Spring a fuller crimson comes upon the robin’s breast;
In the Spring the wanton lapwing gets himself another crest;
 . 
In the Spring a livelier iris changes on the burnish’d dove;
In the Spring a young man’s fancy lightly turns to thoughts of love.
 . 
Read Locksley Hall in its entirety at The Poetry Foundation
Purchase Mary Oliver’s Devotions at Penguin/Random House
Cutting edge phenological research at Nature.com
 . 
❦ ❦ ❦
 . 
2019-02-09 Doughton Park Tree
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