Feeds:
Posts
Comments

Posts Tagged ‘imagery’

I don’t know anything.  I’ve got a lot of people fooled into thinking I do, but no, I don’t know anything.

Sometimes Linda accuses me of thinking I know everything.  Well, OK, maybe I do tend to blurt out answers.  I hope I’m not as obnoxious as Bill Murray watching Jeopardy in Groundhog Day, but I do suffer from a mild case of expository blatheromania.  “What is a stereoisomer?”  “How about a four letter word for ‘wing-like’?”  Linda won’t let me within fifteen feet of her when she’s working a crossword. But all this fact stuff is just trivial.  I has nothing to do with knowing.  I say things out loud to test myself, to see if I finally do know anything.

Nope, still don’t.

All of which is making me very nervous about being the featured reader (along with Debra Kaufman) at Walking into April this Saturday. [April 14, Barton College, 9:00 a.m., Sam and Marjorie Ragan Writing Center – be there and place your bets as to whether I know anything.] It’s not the reading part.  I love to read and recite – my poetry, classic poems, a Sam Ragan or two – I’m a big ham.  No, it’s the little entry on the day’s schedule at 11:00 that says “Roundtable Discussion with Griffin and Kaufman, who will present their tips on writing and reading poetry.”

Right now the anything I don’t know the most about is poetry.  As in a total mistrust of whatever I possess that passes for taste, opinion, judgement, skill.  I worry that at the very moment I begin to like a certain poem that proves that it’s inferior.  “Man, you don’t know anything about GOOD poetry.”  And those poems that appear to me as if they were compiled by a random phrase generator?  “What is the matter with you, man?  Where’s your head?”  Maybe it’s just lack of self-confidence.  Maybe it would help to beg an audience with the Wizard of Oz, who would tell me, “Nonsense, lad!  You imagine you have no poetic soul, but all you need is this . . . [fill in the blank:  MFA; Fellowship; Pushcart; One thousandth ‘like’ on WordPress].”

There’s only one cure.  Read some more poems.  Let myself get caught up in images that seem to float effortlessly from line to line like dragonflies laying eggs on the mirror of a pond.  Words never before juxtaposed that now seem as if they were meant to be married since the genesis of language.  A narrative so exotic and at once so universal that I suddenly realize it’s my own story this strophe has captured.

Maybe I’ll discover I don’t need to know anything.

IMG_0061_crop01

.     .     .    .     .

Now Debra Kaufman knows something.  I have sat in her presence.  As she shares, the lines wind and flow like silk ribbon that seems so casual but soon binds you with no escape.  Her poems may hint at a personal history at the same time they are invoking an entirely new and fantastic landscape.  I walk into that landscape, look around, and find myself at home.

I am counting on you, Debra.  Knowing you’ll be there on Saturday, I will stand up straight, put off all this sidling nonsense, and walk upright into April.

.     .     .     .     .

Autumnal Equinox

Sugar maples blaze at sunset;
leaves swoop and skirt
the chilling wind like chimney swifts.

A boy leaps into leaves,
calls to a neighbor’s Irish red,
as light falls, a cat’s white shadow,

on his grandmother’s lap.
Her hands rest there,
her grandmother’s hands,

the same boniness of wrist and knuckle,
dry fingers nearly flammable in the smoky air.
She smells ripe pears

and feels her body drawn
toward the darkness that rolls in
earlier each day.

Heat and light retreat,
and evening covers everything
except the boy, whose hair shines

silky silver light
as he tosses armfuls of color
upward, like sparks.

from The Next Moment (Jacar Press)

.     .     .     .     .

Debra Kaufman is a North Carolina poet, playwright, and educator.  The Next Moment is her most recent poetry collection.  Her short and full-length plays have been performed throughout North Carolina and elsewhere. Debra is the recipient of a North Carolina Arts Council playwriting scholarship and of a grant from the Central Piedmont Regional Artists Hub Program.

Sample her work at:

Debra Kaufman homepage

Kathryn Stripling Byer — Here Where I Am (blog)

Scott Owen’s Musings

Moon-Mirror-Whiskey-Wind

.     .     .     .     .

IMG_1948

Read Full Post »

“As needed?”

When I left the hospital last Saturday night a fat Vidalia moon was just peering through the trees that circle the campus.  There were two cars and a pickup in the visitors’ lot.  Lined up on the front bumper of a dented black Civic were three of those deer blasters, chrome-plastic gizmos four inches long that look like little jet engines.  When you’re driving sixty they’re supposed to emit an ultrasonic whistle that spooks the deer so they don’t jump in front of your car.  Gives you an idea of the kind of traffic concerns we contend with out here in Surry County.

As I crossed to the lower lot (there was only one car at the far end – mine) I glimpsed movement.  I stopped and turned.  A grey fox trotted across the pavement.  Ignoring me.  It sauntered into the bushes at the perimeter of the landscaping and never made a sound or quickened its step.  Time to spring forward.

The big trees are still bare but this week the cherries blossomed.  Canada geese in the hospital pond have paired off.  Sunday morning I saw a pair of hooded mergansers and a wood duck eyeing each other near the nesting boxes I donated a couple of years ago.  How long until fuzzy chicks leap unafraid from the nesting cavity and plop into the water like tennis balls?  Everything is precisely as it should be.

What is needed?

Some day soon – five years?  ten? – I’ll make evening rounds for the last time.  There are plenty of things I’ll miss.  The Monday mornings after a long weekend on call.  Clowning around with the nurses – walk the halls with a big mug that says “DUKE” if you want to start a civil war.  My partners: sitting down to puzzle out a confusing patient; cracking each other up with the deadly black humor that makes you shut the door of the conference room.  And of course my patients.  Figuring out what they need and being right a lot of the time.  Figuring out who they are.  Figuring out who we are together.

And I wouldn’t even mention that there are plenty of things I won’t miss, except that they fall into the category of things-that-piss-me-off and are mostly the same for everyone who has survived into the twenty-first century: mindless productivity-sapping bureaucracy; people that manipulate and take advantage of you; being unappreciated, or underappreciated.

But there’s one more thing I really won’t miss.  Although it makes me irritable (ask Brenda and Carolyn at the office), it isn’t having to think about ten things at once – adrenalin just primes the pump, after all. It isn’t even the 3 a.m. calls from worried mothers – hell, that’s what I signed on for.  And it isn’t fear, although there have been plenty of crisis situations when I’ve been scared, and I don’t like that.  That thing I will be most glad to put behind me is something I might name “malignant uncertainty.”  I don’t know what comes next, I’m not sure what to do, but if I don’t make a decision in the next thirty seconds something real bad is going to happen.  Close corollary – I’ve given the order, the die is cast, and now I will sit and watch the outcome for minutes, hours.  Will this baby’s breathing slow to normal?  Will this old woman’s blood pressure come back up?  Will somebody hold my hand?

What do I need?

Besides another weekend off?  A couple of hours to write these lines?  An insight bright enough to make sense of it all?  A moon that pours through the branches while the fox and I pause to listen to spring peepers?

Will I figure it out before I’ve missed it?

DSCN4937

Painted Trillium

.     .     .     .     .

The Geriatrician Ages

They don’t fly up at him, all these names,
n
o confusion of pigeons’ wings
in the parking lot; they don’t lock arms
            to block him entering
the next exam room;
maybe they awaken him near dawn
but not by shaking. More like
            the powdery flutter
of a moth disturbed in daylight,
the mute gray snowfall
of ash from burning newsprint.

Many he can’t recall, but all of them
he recognizes when their dry lips
whisper their presence
            from the other side –
not accusations (their ease of passing
one more benediction
of his calling), not really thanks
            though most are grateful,
mostly just an airy I . . . I
in his cluttered bag of memories.

So many, so often now, more and more.
Each murmur a spirit body bowed
into a wheelchair, curled mantis-like
            in bed, pushing against a walker,
each of them pushing, pushing
against what held them here
and what let them go.
            Some days he can’t remember
if he last saw them on evening rounds
or in a dream, and any moment
he expects the office door to open:
            one will enter, speak
his name, one he had thought
was gone.

.     .     .     .     .

first published in the Journal of the American Medical Association, Vol. 304, No. 16, p.1754,  October 27, 2010

IMG_1783

Read Full Post »

“In case of nuclear attack, hide underneath the toilet.  No one’s ever hit it yet.”

On the wall above the commode, that’s the hand-lettered sign you get to read while you take aim and take a leak.  Assuming you’re standing – it’s a unisex bathroom.  To find it I had to ask directions of the forty-ish woman behind the register in the little convenience store: through the store room, take a right, last door.  I’m running ahead of schedule and have stopped for gas about a mile above the Catawba River (and I hate to arrive anywhere and have to ask first thing, “May I use your restroom?”).  Looked like it couldn’t be more than another mile or two from here to the Bethlehem Branch Library where I’d come to hear Adrian Rice read.

For the wanderer in search of literary respite, what a haven.  A simple well-lit temple to words.  Bethlehem Branch is across the county line from Hickory, so all those who cross this threshhold must do so intentionally and filled with expectation.

After we set up chairs, the head librarian showed me around: cozy spots for curling up with a book; windows, lots of natural light on winter afternoons; the current month’s art on display, evocative scenes by a local photographer; each photo accompanied by a poem written by a local poet inspired by that specific shot.  And now the library is officially closed but the door keeps swinging open.  Twenty or thirty souls arrive to share poetry, each of them intentional and filled with expectation.

In case of nuclear attack, head for the library.  Might as well pass through the pearly gates with a crowd you wouldn’t mind accompanying into eternity.

.     .     .     .    .

I’d never heard Adrian Rice read his poetry before this night.  But who could resist that soft accent, as smooth and deep as kelly moss and inviting as a tall glass of dark amber?  The first thing he said was, “It’s a disaster to ask an Irishman to read for twenty minutes.  The introduction to the first poem will be twenty minutes!”

How can it be, then, that Adrian has written a book of haiku?  He shared with us several from his collection Hickory Haiku.  Oh sure, before each poem he gave us a build-up that was probably ten times seventeen syllables, but the secret to the Ulster lad’s three-line epics is to sit down and read the book through.  Fifty terse images from a man far from home and almost as far from boyhood.  Lines as quick and sharp as a turning latch.  Connections longed for, connections discovered.  The green hills left behind and the new hills that have become home.  The strangeness of nature, the nature of people, perhaps not so strange after all.  The deepwater anchor of porch, books, family.  Taken together, these are poems that link arms to tell a grand story with a wink and a prayer, worthy of an Irishman.

.     .     .     .     .

IMG_1560

II

We Irish aren’t wooed
by weather.  But, for folk here,
it’s a love affair

VIII

Night-winds lay the corn
rows low.  Morning, they rise –
foals finding their feet.

IX

Olde Hickory Tap
Room – draught handles are beer-bows
that target the Thirst.

XIX

The sun’s done gone.  Dark
ink surges through sky water –
a storm’s a-comin’!

XXVI

Two contrails cross in
the royal sky – the airy,
brave flag of Scotland.

XXVII

Like found poems, the bare
necessities of home – Heinz
beans & Weetabix!

XLII

We whinny and neigh,
two rocking horses grazing
the pasture of porch

.     .     .     .     .

IMG_1602

Adrian Rice teaches English at Catawba Valley Comunity College.  Turning poetry into lyrics, he has also teamed up with Hickory-based and fellow Belfastman, musician/songwriter Alan Mearns, to form ‘The Belfast Boys’, a dynamic Irish Traditional Music duo.  Listen to him read at the book launch for Hickory Haiku.

Thanks to Bud Caywood for organizing the monthly art and the annual poetry readings at Bethlehem Branch Library, and thanks to all the staff and regulars.

.     .     .     .     .

IMG_1609

Read Full Post »

« Newer Posts - Older Posts »