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Posts Tagged ‘imagery’

“As needed?”

When I left the hospital last Saturday night a fat Vidalia moon was just peering through the trees that circle the campus.  There were two cars and a pickup in the visitors’ lot.  Lined up on the front bumper of a dented black Civic were three of those deer blasters, chrome-plastic gizmos four inches long that look like little jet engines.  When you’re driving sixty they’re supposed to emit an ultrasonic whistle that spooks the deer so they don’t jump in front of your car.  Gives you an idea of the kind of traffic concerns we contend with out here in Surry County.

As I crossed to the lower lot (there was only one car at the far end – mine) I glimpsed movement.  I stopped and turned.  A grey fox trotted across the pavement.  Ignoring me.  It sauntered into the bushes at the perimeter of the landscaping and never made a sound or quickened its step.  Time to spring forward.

The big trees are still bare but this week the cherries blossomed.  Canada geese in the hospital pond have paired off.  Sunday morning I saw a pair of hooded mergansers and a wood duck eyeing each other near the nesting boxes I donated a couple of years ago.  How long until fuzzy chicks leap unafraid from the nesting cavity and plop into the water like tennis balls?  Everything is precisely as it should be.

What is needed?

Some day soon – five years?  ten? – I’ll make evening rounds for the last time.  There are plenty of things I’ll miss.  The Monday mornings after a long weekend on call.  Clowning around with the nurses – walk the halls with a big mug that says “DUKE” if you want to start a civil war.  My partners: sitting down to puzzle out a confusing patient; cracking each other up with the deadly black humor that makes you shut the door of the conference room.  And of course my patients.  Figuring out what they need and being right a lot of the time.  Figuring out who they are.  Figuring out who we are together.

And I wouldn’t even mention that there are plenty of things I won’t miss, except that they fall into the category of things-that-piss-me-off and are mostly the same for everyone who has survived into the twenty-first century: mindless productivity-sapping bureaucracy; people that manipulate and take advantage of you; being unappreciated, or underappreciated.

But there’s one more thing I really won’t miss.  Although it makes me irritable (ask Brenda and Carolyn at the office), it isn’t having to think about ten things at once – adrenalin just primes the pump, after all. It isn’t even the 3 a.m. calls from worried mothers – hell, that’s what I signed on for.  And it isn’t fear, although there have been plenty of crisis situations when I’ve been scared, and I don’t like that.  That thing I will be most glad to put behind me is something I might name “malignant uncertainty.”  I don’t know what comes next, I’m not sure what to do, but if I don’t make a decision in the next thirty seconds something real bad is going to happen.  Close corollary – I’ve given the order, the die is cast, and now I will sit and watch the outcome for minutes, hours.  Will this baby’s breathing slow to normal?  Will this old woman’s blood pressure come back up?  Will somebody hold my hand?

What do I need?

Besides another weekend off?  A couple of hours to write these lines?  An insight bright enough to make sense of it all?  A moon that pours through the branches while the fox and I pause to listen to spring peepers?

Will I figure it out before I’ve missed it?

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Painted Trillium

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The Geriatrician Ages

They don’t fly up at him, all these names,
n
o confusion of pigeons’ wings
in the parking lot; they don’t lock arms
            to block him entering
the next exam room;
maybe they awaken him near dawn
but not by shaking. More like
            the powdery flutter
of a moth disturbed in daylight,
the mute gray snowfall
of ash from burning newsprint.

Many he can’t recall, but all of them
he recognizes when their dry lips
whisper their presence
            from the other side –
not accusations (their ease of passing
one more benediction
of his calling), not really thanks
            though most are grateful,
mostly just an airy I . . . I
in his cluttered bag of memories.

So many, so often now, more and more.
Each murmur a spirit body bowed
into a wheelchair, curled mantis-like
            in bed, pushing against a walker,
each of them pushing, pushing
against what held them here
and what let them go.
            Some days he can’t remember
if he last saw them on evening rounds
or in a dream, and any moment
he expects the office door to open:
            one will enter, speak
his name, one he had thought
was gone.

.     .     .     .     .

first published in the Journal of the American Medical Association, Vol. 304, No. 16, p.1754,  October 27, 2010

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“In case of nuclear attack, hide underneath the toilet.  No one’s ever hit it yet.”

On the wall above the commode, that’s the hand-lettered sign you get to read while you take aim and take a leak.  Assuming you’re standing – it’s a unisex bathroom.  To find it I had to ask directions of the forty-ish woman behind the register in the little convenience store: through the store room, take a right, last door.  I’m running ahead of schedule and have stopped for gas about a mile above the Catawba River (and I hate to arrive anywhere and have to ask first thing, “May I use your restroom?”).  Looked like it couldn’t be more than another mile or two from here to the Bethlehem Branch Library where I’d come to hear Adrian Rice read.

For the wanderer in search of literary respite, what a haven.  A simple well-lit temple to words.  Bethlehem Branch is across the county line from Hickory, so all those who cross this threshhold must do so intentionally and filled with expectation.

After we set up chairs, the head librarian showed me around: cozy spots for curling up with a book; windows, lots of natural light on winter afternoons; the current month’s art on display, evocative scenes by a local photographer; each photo accompanied by a poem written by a local poet inspired by that specific shot.  And now the library is officially closed but the door keeps swinging open.  Twenty or thirty souls arrive to share poetry, each of them intentional and filled with expectation.

In case of nuclear attack, head for the library.  Might as well pass through the pearly gates with a crowd you wouldn’t mind accompanying into eternity.

.     .     .     .    .

I’d never heard Adrian Rice read his poetry before this night.  But who could resist that soft accent, as smooth and deep as kelly moss and inviting as a tall glass of dark amber?  The first thing he said was, “It’s a disaster to ask an Irishman to read for twenty minutes.  The introduction to the first poem will be twenty minutes!”

How can it be, then, that Adrian has written a book of haiku?  He shared with us several from his collection Hickory Haiku.  Oh sure, before each poem he gave us a build-up that was probably ten times seventeen syllables, but the secret to the Ulster lad’s three-line epics is to sit down and read the book through.  Fifty terse images from a man far from home and almost as far from boyhood.  Lines as quick and sharp as a turning latch.  Connections longed for, connections discovered.  The green hills left behind and the new hills that have become home.  The strangeness of nature, the nature of people, perhaps not so strange after all.  The deepwater anchor of porch, books, family.  Taken together, these are poems that link arms to tell a grand story with a wink and a prayer, worthy of an Irishman.

.     .     .     .     .

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II

We Irish aren’t wooed
by weather.  But, for folk here,
it’s a love affair

VIII

Night-winds lay the corn
rows low.  Morning, they rise –
foals finding their feet.

IX

Olde Hickory Tap
Room – draught handles are beer-bows
that target the Thirst.

XIX

The sun’s done gone.  Dark
ink surges through sky water –
a storm’s a-comin’!

XXVI

Two contrails cross in
the royal sky – the airy,
brave flag of Scotland.

XXVII

Like found poems, the bare
necessities of home – Heinz
beans & Weetabix!

XLII

We whinny and neigh,
two rocking horses grazing
the pasture of porch

.     .     .     .     .

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Adrian Rice teaches English at Catawba Valley Comunity College.  Turning poetry into lyrics, he has also teamed up with Hickory-based and fellow Belfastman, musician/songwriter Alan Mearns, to form ‘The Belfast Boys’, a dynamic Irish Traditional Music duo.  Listen to him read at the book launch for Hickory Haiku.

Thanks to Bud Caywood for organizing the monthly art and the annual poetry readings at Bethlehem Branch Library, and thanks to all the staff and regulars.

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Juxtaposition

Jeez, just when you think you sort of know someone.  Picture the engraving by M. C. Escher, Encounter: a placid white man, the negative space around him metamorphosed by degrees into a sinister appearing black man.  They greet. But step back.  At a distance sufficient for you to see the image whole, where does one homunculus end and the next begin?  Like looking into yourself.  Or into the world.

Celisa Steele’s poems in How Language is Lost embody the same perplexity.  Look closely.  Are these images sacred or profane?  (There will never be a more arresting poem title than “Al Considers the Fucking Holy Spirit.”) Now step back.  Read every poem.  Just when you thought you sort of knew someone.

A subtle breath wends from line to line to line, an irresistable inhalation that brings all within – drunk with your face in the mashed potatoes, grieving as ice melts in the cup, alone and lost as a language, as an entire generation.  Or grunting at the jab of an elbow in your ribs that demands you laugh.  There you are.  There I am.  A fractal poetry in which the smallest detail expands to become the universe.  Divine juxtaposition.

If everything is God, the only sin is in denying that God is everything.

.     .     .     .     .

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The Jungle on the Back Patio

Today a sparrow, doubtless
a Yeatsian, builds her nest again
where yesterday I beat it down.

Last fall Besson bulldozed
the jungle at Calais.  Hundreds
of undocumented migrants,

Pashtuns hoping to hop
a Dover-bound lorry, flew
before the announced razing.

Some stayed (most minors),
arrested in soft clouds of breath
just visible in the early morning.

This morning’s song – luculent
encomium of labor – lowers
the upturned broom in my hand.

No one wins.  Not the bird,
not the French.  Nothing changes
by an inch or an ounce, and I imagine

I will startle her to flitting frenzy,
send her to a nearby branch
each time I set foot on the patio.

Eggs, cool for too long, will
never hatch – the next generation
lost in a spindrift of pollen.

.     .     .     .     .

Celisa Steele

MC Esher Gallery 

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