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Posts Tagged ‘family’

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[two poems from Intervale]
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Poem from November
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The leaves have fallen, releasing the distances.
This year of my turning moves
in an arc like a preying bird’s,
purposeful.
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My loves have dried. I find
I can remember only the least things:
mouse-gray of my grandmother’s hair
dead in the silverbacked brush,
the smell of hardpacked dirt
under black grease in the smokehouse.
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Here is the old sky, the one we always had.
Everything in it is small,
punctuation for a vanished story.
 . 
I have forgotten the trick
an old man taught me: how the voice
can be made to nest in the cupped hands,
calling. Was it the dove
or the owl I brought close then?
There was a calling.
Something came.
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❀    ❀    ❀
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Penumbra
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The child in the cracked photograph sits still
in the rope swing hung from a live oak.
Her velvet dress brims with a lace frill.
 . 
Her pet Bantam is quiet in her lap.
It is the autumn day of a funeral
and someone has thought to take a snap-
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shot of the child who won’t be allowed
to go to the burying – the coffin in the house
for days, strange people going in and out.
 . 
She’s dressed as if she’d go, in the blue church-
dress from last Christmas, almost too short.
The rooster loves her, she guards his perch
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on her lap, his colors feathering the mild air.
She concentrates on this, now that her father
is unknowable, crying in his rocking chair.
 . 
Her mouth knife-thin, her small hands knotted hard
on the ropes she grips as if to be rescued.
She’s growing a will that won’t be shed
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and something as cold as winter’s breath
tightens in her, as later the asthma’s vise
will tighten – hands on the throat, the truth.
 . 
Black and white, she is hiding
in every one of my bright beginnings.
Gold and deep blue and dark-shining
 . 
red the cockerel’s feathers, gold the sun
in the skyblue southern fall, blue
over the four o’clocks and the drone
 . 
of weeping that drains like a shadow from the house
where someone is gone, is gone, is gone –
where the child will stay to darken like a bruise.
 . 
I am six years old, buried
in the colorless album.
My mother is dead.
I forgive no one.
 . 
Betty Adcock
from Intervale: New and Selected Poems, Louisiana State University Press, Baton Rouge LA; © 2001
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❀    ❀    ❀    ❀    ❀
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This is the season of perfect-family photos arriving by text after reunions for feasting or bursting from the envelopes of early Christmas cards. These cousins with their complimentary sweaters on the front steps, their lovely smiling children and companions. I spent the first day with my father after our dual week-long Covid quarantine helping him watch a home movie from 1936, his little sister on a tricycle, he barefoot astride his cousin’s pony. His aunts and grandmother crossed in the greytone background like hovering angels or benevolent wardens. And then the next reel, in color, my father in white t-shirt is twenty-six and I am a flame-haired infant in my grandfather’s arms.
 . 
These two poems and others in this collection by Betty Adcock take me deeper than I’ve ever labored into my own past. She sees everything. What no one but she had yet noticed, the voices, the smells, all are now alive in her sharp, unsentimental, raven-eyed truth telling. What memories are waiting half-asleep for each of us? What memories call us to create them fresh from fragments and tales and slowly disintegrating histories? A few words from Betty Adcock and forgotten ghosts materialize. There was a calling. Something came.
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Betty Adcock (b. 1938) was inducted into the North Carolina Literary Hall of Fame in 2014. She has taught and served as writer-in-residence in the state for many decades. Among her numerous awards and publications, this comment by Mary Oliver stands out: Adcock “writes poems that are as upright as houses, and as flighty as clouds. She never postures. The poems … are beautiful, meaningful, and very real.” (for The Difficult Wheel, 1995)
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Intervale and Betty Adcock’s other books are available from LSU PRESS.
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Another poem by Betty Adcock at Verse and Image:
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Thank you for visiting VERSE and IMAGE:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
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Thanks again for joining the conversation.
 . – Bill
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2020-09-08b Doughton Park Tree

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[with 3 poems by Robin Greene]
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Everyone is Someone Else
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Everyone is someone else tonight.
Sitting on hallway stairs, bowl of packaged candies
on my lap, I rise to greet four princesses – facemasks
hard and identical, two Energizer bunnies,
an army soldier in fatigues, and three wise men –
brothers they tell me. Later, as my son peels off
his Ninja costume to sleep in the chaos of his take,
two new moons, discovered around Uranus,
appear on CNN. And strangely, Uranus
is one of his spelling words this week.
The world seems driven by repetitions:
the ant’s legs scrambling across the kitchen tile,
sheet rain blowing against window glass,
the perennial grass relentless beneath
our feet. Robert Creeley once removed
his glass eye in a poetry workshop and described life
as a dress rehearsal, but never said for what . . . .
And once there was a man I loved and married.
We made three babies, but one died inside me,
and I bled for a month. Sometimes I pretend
that shit like this just happens, and whatever
meaning I search for is like searching for the faces
of strangers on this Halloween: behind masks
are masks, behind motion is motion.
 . 
Robin Greene
from Lateral Drift, Windows on History Press, Durham NC; © 2002
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❦ ❦ ❦
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For now we see through a glass, darkly; but (even) then face to face.
I Corinthians 13:12 (KJV – adapted)
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Is everyone someone else, or just me? Am I who I seem to be, and would I let you know if I weren’t? I was that kid in English class who read every story in the book even though only four were assigned. I was the guy mixing and measuring in the back of the lab while the chemistry teacher was up front confounding the class. In college they had to drag me out of the science building every night when it closed. I chose medicine as my profession from some hazy expectation that it would let me keep learning new stuff all my life.
 . 
Now in my closing decades I want to say, “Stop! I’ve learned enough!” I don’t need to know any more than I do right now about all the hard stuff. Parent, caregiver, worrier, fuckup – enough! There is only one way, however, that life will finally drag you out of the classroom. To paraphrase a caution about Nature: Life gives you the test first, then teaches you the lesson.
 . 
A mirror, like a person, ages. Over a century shiny metal applied to glass tarnishes and darkens. It reveals its pits and blemishes. Attrition, wearing down, is not far from contrition, wearing ashes. Paul writing his first letter to the Corinthians expects us to outgrow our foolishness and confusion, set aside childish ways and think like grownups. He dangles the promise that we may experience eternity with God face to face. I hope that’s true, that my self is more durable than my molecules, but I wonder about all this learning and knowing in the meantime. Life – has it been worth it? Even the person who passes with an “A” still answered 5% wrong. That adds up to a lot of foolishness and confusion I am carrying.
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Even gazing into a dark mirror, I still see myself face to face. Who is that looking back? All the knowing I’ve tried so hard to accumulate and hold onto, all the elements I’ve combined into myself, in that mirror they become shadows fading away at the periphery. The person in that mirror – who is he really? Perhaps on my final day, when the blazing light of the universe is revealed and ultimate mysteries are mysterious no longer, I will also see, clear and defined, face to face, me.
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❦ ❦ ❦
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The Necklace
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Under cool running water, my mother clutches
a knife, debones chicken breasts the color
 . 
of a winter moon; I’ll never be a woman,
I think and rise from my half-lotus
 . 
on the countertop – eight years-old –
my flat, tight body still an ally.
 . 
My mother and I never speak of this
apprenticeship, field archeologist
 . 
I’ve become, unearthing the glyphs
and ruins of my gender
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until my father and brother arrive,
noisy as blind men,
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bumping their way across the linoleum tiles –
breaking our silence
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as though it were neither real
nor holy.
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Later, the smells of cologne, hairspray
filter through the house.
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Steam from the iron sizzles
on its aluminum pad
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as mother presses
my father’s slacks and shirt,
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and sets up snacks for the babysitter –
fashioning each small part of our lives
 . 
as though they were hand-made beads
for a necklace some Inca woman
 . 
might make and pass down
to her only daughter.
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Robin Greene
from Lateral Drift, Windows on History Press, Durham NC; © 2002
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❦ ❦ ❦
 . 
Just as an earthquake or long drought may expose new strata to the paleontologist’s questing eye, so a pile of books tumbling off a desk. Robin Greene wrote these poems in Lateral Drift twenty-five years ago. When I open the book today for the first time, how powerfully the lines still reach out to me and into me. How truthfully they speak; how in the present they are; how they open themselves, and me. Who is the voice in these unsheathed knives of stories? Who was she then, and is she still? But why even ask such a thing? The poems are who they are made to be; they carry the light and the darkness they were created for.
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Better to ask instead, Who am I as I read these poems? I am a man opening myself to receive the truth of a woman’s struggles and the marrow of her knowing. I am a person old enough to have grandchildren yet I become a child and a young parent and Lord knows what in the tangle and turbulence of these stories. I am someone who knows little, perhaps nothing at all, until I am willing to sit down for a moment in this silence filled with words.
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After I’ve read the book, read it through a second time, spoken some poems, typed out a few favorites in order to learn them through my fingers as well as through my eyes and breath, then I turn back to the title page and test memory and find this: 11/17/01 To Bill, Best wishes, Robin Greene. Time is not metallic, unspooling keen enough to slice you if you try to hold it still or alter its shape; time is froth and broth and no telling what may next boil to the surface. There you discover the one advantage of having lived seventy years  – you have plenty to add to the stew.
 . 
 . 
Robin Greene has bubbled and boiled plenty since she signed my copy of Lateral Drift. She is cofounder of Longleaf Press and also cofounder of Sandhills Dharma Group. She retired as Professor of English and Writing, and Director of the Writing Center at Methodist University in Fayetteville, NC. She continues to write and publish poetry, fiction, and non-fiction from her home in Hendersonville, NC.
 . 
Robin Greene – Artist’s Statement
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❦ ❦ ❦
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What the Leaves Said
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As I walked in the woods today,
early October, the leaves fell –
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individually – through stark, shining air,
until one of them unfolded its
 . 
blood-red palm in my outstretched
hand and whispered a word
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before joining its kin on the forest floor.
I had stopped for a moment, noticing
 . 
sunlight opening up shadows,
shifting its radiance in light wind
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across the new landscape as leaves
shook from beech and oak,
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and I listened: one word becoming
many, becoming one.
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Robin Greene
from Lateral Drift, Windows on History Press, Durham NC; © 2002
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❦ ❦ ❦
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IMG_1783
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[with poems by Janis Harrington]
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Suicidal Ideation
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Think of dark starlings, each a ringleader,
invading your hanging backyard feeder.
Magnets for their kind, they muster, rout
more timid species from seed and suit.
Fast and fertile breeders, they multiply,
a flock of hundred swells to thousands.
Screeching and squawking rapacious hoodlums,
they give no quarter and sing no harmony,
waging war with incessant cacophony.
No calm, no détente; nonstop attack.
In waves, like bombers, they dive and peck.
Wing to wing, they block sun, moon, stars, finally
 . 
blot out all light, transforming noon to midnight.
No escape. a full eclipse of hope.
 . 
Janis Harrington
from How to Cut a Woman in Half, Able Muse Press, San Jose CA; © 2022
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❦ ❦ ❦
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Life is a dream. / You are the projector. You are the screen.
 . 
Dad is sitting at the new table beside the front window. The sun has settled; the ocean is pink and purple, at rest. Someone has helped Dad transfer into an upholstered chair and pushed his wheelchair into a corner. He is talking with his youngest grandchild while they work a puzzle. Everyone has arrived. Everyone surrounds him.
 . 
This is the image I create and cultivate after hanging up the phone. Bob has called to assure me that their eight-hour drive to the coast presented only surmountable obstacles. Now they’ll spend a week at the beach house celebrating Dad’s 99th birthday. Dad has been longing to be there for a year. He started asking me how soon he could go even before Mom’s memorial service last September.
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Last night Linda and I argued about a related family wrangle. She was angry at the person sharpening their claws. I told her it was bedtime and I was determined to put conflict out of my mind for eight hours. Let dreams sort it. Of course, I then woke at 3:00 and ruminated for an hour or two. Isn’t this supposed to be the week of no worries, Dad safe in the arms of my brother and his family? After a year of all manner of arrangements, finagles, and complications, after each nurse’s phone call and the anticipation of the next one, aren’t I allowed to flip the ON switch for peace?
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What the hell does that even mean, I am the screen and the projector? That I alone make my life what it is? Or that I imagine I do? In dreams the tangle of images and juxtapositions is supposedly the effort by my unconscious to shuffle into some semblance of meaning all my disparate and disconnected moments. Perhaps Dad won’t scuffle out of an unfamiliar bed after midnight and break his hip. Perhaps the worst is not always just about to happen. Scientists have discovered through meticulous testing and observation that there are indeed other species besides Homo sapiens that can imagine and anticipate the future. God help them.
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❦ ❦ ❦
 . 
How to Cut a Woman in Half
 . 
Fate, a cruel magician, vanishes her husband,
leaving her table with half as many plates,
shower rack missing half its towels,
bed half empty. The trick: after the blade falls,
she shrinks herself into half of her former life.
But is he truly absent? She wills
each day’s crawling hours to end, certain
he waits in sleep’s tempting garden –
there’s no hope of persuading her
that dreams are merely pan’s sleight of hand.
Eventually, she will emerge on stage,
appearing unharmed, performance complete.
Does it matter what is real or illusion if,
when she steps from grief’s box, she feels whole?
 . 
Janis Harrington
from How to Cut a Woman in Half, Able Muse Press, San Jose CA; © 2022
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❦ ❦ ❦
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Solo
 . 
The Buddhist acupuncturist, gazing beyond
the veil, report that Nick at last, has shed
earth’s weight. His soul, presently in the astral state,
has embraced its destiny – like the wayward
gray whale, whose biological mandate
to migrate finally required
his recent swim from bay to open ocean.
 . 
Annie’s turn, now, to exit sorrow’s cul-de-sac,
navigate rocky channels to new seas,
resisting the sirens’ call of what used to be,
accepting she and Nick must make solo passages:
his voyage, to collective consciousness,
without form or visible home;
hers, to find a port in life’s physical realm.
 . 
Janis Harrington
from How to Cut a Woman in Half, Able Muse Press, San Jose CA; © 2022
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❦ ❦ ❦
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This sonnet sequence by Janis Harrington is mournful, painful, piercing. It reveals every face of suffering but also every facet needed for healing. How to cut a woman in half? Divide her from the person she loves most dearly. Dissect away with blunt shears half of her being, her essence. How to put her back together? That is a long and painful process and no certain sunrise on the horizon, although a sister is required and is present. I treasure the metaphor nearing the book’s final pages: Together, we flew close to grief’s center, / our wings sturdier than wax and feather.
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How to Cut a Woman in Half was finalist for the 2020 Able Muse Book Award and is available HERE. Janis Harrington’s first book, Waiting for the Hurricane (St. Andrews University Press © 2017) won the Lena M. Shull Book Award of the North Carolina Poetry Society. Discover more about Janis HERE.
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❦ ❦ ❦
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Acroyoga
 . 
Flex your trust muscle, the instructor advises,
making us giggle. Annie and I alternate
as flyer or base, each of us able
to bear a sister’s weight. Now, my back on the mat,
our hands clasped, my feet supporting her thighs,
I straighten my legs to ninety degrees –
my turn to hold her aloft. Acrobat of strength
and grace, she soars, escaping sorrow’s labyrinth.
Her liberty has freed me. Being her spotter,
daily witness to her reckoning with loss,
released my heart’s stubborn resistance
to Pete’s fate, long mourning of his absence.
Together, we flew close to grief’s center,
our wings sturdier than wax and feather.
 . 
Janis Harrington
from How to Cut a Woman in Half, Able Muse Press, San Jose CA; © 2022
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❦ ❦ ❦
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2020-09-08b Doughton Park Tree
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