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Young Isaac is strolling through the orchard, another undifferentiated non-linear autumn afternoon of this perplexing equation we call life. Some of the fruit has detached itself and translocated several meters closer to the center of the earth. It has begun, with the help of fermenting microorganisms, to succumb to entropy. Isaac steps in it. He slips.

Isaac’s 70 kilograms, density of water, accelerate at 9.8 meters per second per second. Suddenly prone, the gravity of the situation strikes him. There, 10 centimeters from the tip of his nose, lies a perfect red spheroid. Glossy. Fragrant. The tiny lenticels on its taut unblemished skin are arranged with the symmetry of stars distributed across the heavenly sphere. “What an apple!” young Isaac exclaims, “Artios!” (his years of Greek instruction now finally relevant): That which is perfectly suited to its nature. The essence of appleness.

And how will Isaac’s own essence be transformed by this epiphany? How will yours and mine? No longer undifferentiated, will he discover his many gifts and their ideal trajectory? Will we ours? For are we not each of us an essence, our process of formation either distracted and garbled by the noisy physics of our history and our surroundings or alternatively able to grasp that trajectory perfectly suited to our unique nature? Besides mass and density and the ability to struggle upright against gravity, don’t we human animals also possess the agency of choice and change and discovery?

Isaac sits up and regards the apple. You know where this is headed. It will be 218 years before young Albert slips and falls and realizes that what Isaac experienced is actually the curvature of space. Meanwhile why don’t we all, each of us, sit up and regard our nature. Artios! To become that which is the perfect expression of our nature. It’s about time.

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I have been a DAVID MANNING fan since I first sat up and discovered poetry. Whether he does it with a compassion that draws me deeper into the circle of human family or with a wry and pointed barb that makes me snort, he regards human nature and tells its truths. I will be the first person in line when his NEW AND SELECTED is released from PRESS 53 later this year.

And I have been favored to preview the manuscript. Wandering these wonderful poems spanning decades I enter an inner landscape and pass from reader to personal companion. There is a deep imagination at work; there is joy and no lack of laughter and sometimes a little weirdness; there are bright moments of insight and connection.

Most of all there is WONDER. No aspect of our human situation or our confounding universe goes unnoticed. David’s artistry gathers a desert landscape, a snatch of opera, a funky conversation and weaves from them with perfect sense and sensitivity an affirmation. When I reach the final page I say, “YES, that is the way it is.”

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Sailing with Anne

Santa Monica, California, 1950

After her sailing class we cast off
into the ruffled Pacific blue, tide
incoming, echoes of great breakers
lapping the dock. She-the sailor,
the tiller, mine.

As we headed west, tacking
into a strong breeze I remember
marveling at who she was
to do these things. I imagined her
at the helm become Anne Bonny,
running a four-master down,
the setting sun turning red lights
in her hair.

I hope we left something there-
if only a boat paint-scrape
or salt spray from her hair.
Maybe something from that day
was never lost, but joined
the Pacific’s history, some trace
still riding the blue circuit
between the poles, with the sea-grape
and tiny life that make the coral.

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Star Journey

Sometimes at night I return

to the Griffith Park planetarium

where stars from the surrounding hills

come out to music.

North of Los Feliz

I step from city lights into the night

sky of Patagonia with its wind-swept shores

under the warm lights of Fornax,

Fomalhaut, Alpha Crucis, a bright canopy

of southern stars, to music-Gymnopedie,

Satie’s barefoot dance.

Then, under the soft night sky,

I take off my shoes

and find my way into the stars.

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David Manning’s NEW AND SELECTED POEMS is anticipated later this year from Press 53.

Star Journey first appeared in KaKalaK 2017 – Anthology of Carolina Poets
Sailing with Anne first appeared in Pinesong: The North Carolina Poetry Society

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Last February I began announcing to my patients that I would be retiring in August. A few weeks later, March 2020, the regional health network of which my rural family practice is a small cog decided to curtail face-to-face visits to protect all of us, patients and providers, from exposure to SARS-CoV-2. Today I’m saying goodbye to my patients of 39 years via telehealth.

For several years now, especially after my older partner retired but no doubt because they also noticed my own grey temples, my patients have been asking me, “Are you next?” Or demanded, “Don’t you retire, too!” Or more than one: “You can’t quit practicing until I die!” So I’ve had plenty of time to ponder how I would say my goodbyes. Give fair warning: “But I’ll still be here to see you back for your next 3-month follow up.” Add a bit of boilerplate in the After Visit Summary including my younger colleagues’ names and the assurance, “You’ll be in good hands.” The obligatory form letter to my entire panel, its wording vetted by the compliance office.

The actual farewells, though, have been more intense than I anticipated. I predicted pretty well which grey-haired women (my age!) would ask for a final hug but I never expected the man whose chronic pain I had barely held at bay through the years to tear up and clasp me like a brother. Now it’s May and many more adieu’s yet to come. Currently I’m saying goodbye on the phone or via video link. Patients are asking, “Will I ever see you again in person?”

Will they? Well, it’s a small town. We might raise a hand passing at Food Lion, separated by six feet, although masked we might not recognize each other. What they really mean is will we ever again share together that sacred space, the exam room. Sacred, from Latin sacrare, to set apart: when the door closes the chamber becomes a place for telling and hearing secrets. It is the domain of eye contact and subtle body language. For the healer who can resist the impulse to leap into every hesitation it may become a realm of powerful silences. I am proud of my skills at juggling meds, managing a dozen co-morbidities, recognizing the occasional obscure syndrome, but my highest aspiration has been to master that quarter hour in the presence of one fellow human creature.

My patients are missing a final personal encounter. I am missing hundreds; just one more pale hue in the infinite spectrum of pain this coronavirus is causing. By the time I walk away will we have re-opened our doors? Will our state ever have adequate community-wide testing and surveillance or universal contact tracing? I am in the demographic that is one errant sneeze away from the ICU and a ventilator. Would I be willing to sit down tomorrow twenty-four inches from my next patient and peer at them from behind an ear-loop mask? One sneeze. I am afraid.

I don’t really care that the pandemic has robbed me of going out with the bang of vigorous full daily schedules and stuck me with a whimper. I’m already over the fact that my last few paychecks will be perceptibly slimmer. My deeper sense of loss is like arriving at the dock to wave at the ship that has already cast off its moorings. Can I call it back to harbor? Four decades as a small town family doc teaches a very peculiar sort of generosity – the ability to conceal from your patients your level of personal woe. But this is not the annoyance of another interrupted family meal nor the aggravation of a few hours of lost sleep. This month or the next we will begin to lift some physical distancing restrictions. Will I be generous enough to expand my schedule, to risk my patient’s virus so that we can experience face to face the completion of our long journey together? For whom would I be willing to make that sacrifice? For my patients? Or for me?

 

 

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Care

She opens the jeweled box of care
and unfolds first one
then another – fragile,
painful, frayed.

She falters then lets me touch them:
melancholy scent of longing,
golden afternoon interrupted forever
by thunder,
stained silk of loss;

this shared hour sighs away
past recapture
but the air about her flickers
with some rare new color –
she repacks her box to leave,
each wisp grown a shade lighter

and I carry a pastel weight.

 


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The Geriatrician Ages

They don’t fly up at him, all these names,
no confusion of pigeons’ wings
in the parking lot; they don’t lock arms
to block him entering
the next exam room;
maybe they awaken him near dawn
but not by shaking. More like
the powdery flutter
of a moth disturbed in daylight,
the mute gray snowfall
of ash from burning newsprint.

Many he can’t recall, but all of them
he recognizes when dry lips
whisper their presence
from the other side –
not accusations (their ease of passing
one more benediction
of his calling), not really thanks
though most are grateful,
mostly just an airy I . . . I
in his cluttered bag of memories.

So many, so often now, more and more.
Each murmur a spirit body bowed
into a wheelchair, curled mantis-like
in bed, pushing against a walker,
each of them pushing, pushing
against what held them here
and what let them go.
Some days he can’t remember
if he last saw them on evening rounds
or in a dream, and any moment
he expects the office door to open:
one will enter, speak
his name, one he had thought
was gone.

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Care was first published in Mobius, Vol. 2, Nr. 20, Fall-Winter, 2006
The Geriatrician Ages originally appeared in Journal of the American Medical Association, Vol. 304, No. 16, October 27, 2010, and is also featured in my March 17, 2012 post
Both of these poems are collected in Crossing the River, Main Street Rag Publishing, © 2017

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Jonesville Family Medical Center — Yadkin County, NC — 2008

 

The JFMC Christmas Party of 2010

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This evening at suppertime she peers into the beef and carrots simmering on the right burner; I snip pea pods and spinach into the black bean broth on the left burner. Pretty soon both pots are smelling darn good. It’s usually something like this, the scene in our kitchen all the years since I decided to stop eating meat and she didn’t. Separate skillets, or sequential nuking, then sit down together.

But then every once in a while it’s all her show. She steams the broccoli while I sit near the lamp and read. I start on a little dry white wine (she’ll accept two ounces for herself later – Pastor Jan, pretend you didn’t read this) while she simmers the pasta. She serves two blue patterned Japanese bowls we’ve owned since year one. Then we sit down together.

When I die, sorry to say, I have no faith that there will be an angel in heaven who can make broccoli Alfredo this good.

 

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Getting home from the office early these days, I’m revisiting the overflowing stacks beside my desk. Poetry, philosophy, poetry, nature, poetry — I’ve rediscovered that all of Terri Kirby Erickson’s poems are home.

Lots of poetry is about home – you get a peak through the curtains and maybe you can imagine life on the other side of the pane. Terri’s poems are home. Welcome in. Don’t mind the mess. Maybe you didn’t understand this is your home but for twenty or thirty lines you will be part of the family. So many families. So many homes longed for, left behind, returned to. Soft light, hard edges. Sweet and harsh and all shades between. Come on in. Let’s sit down together.

 

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from In the Palms of Angels, Terri Kirby Erickson, Press 53 © 2011

 

Wayfarer

He seems like a man
you’d see walking down a long
stretch of road, the kind
with dust

rising

in a red haze beneath the wheels
of pickup trucks, cutting
through fields of golden

wheat. Scudding clouds cast
shadows
across the ground like whales

swimming through clear
water, and the air carries the scent
of grain and loam.

Every few miles, the glint of a silo
(startling against the lonesome

sky)

signals a farm house
where peach pies sit cooling
on window sills, and patterned
carpets are worn-out from parents

pacing to and fro with fretful babies
in their arms.

He’s traveling toward the horizon
with the steady gait of someone
with a place to go, whose tender

gaze

will soon find home, that place
more sacred than communion wafers
nestled in the palms
of angels.

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Rosary

Down by the creek,
we sit on dry
stones,

our shoes and socks
jumbled in a pile.
The sun

warms our toes
and casts its
net of light

from bank to bank,
where willows
trail their

fingers in the water,
and snakes look
like branches

floating by
them. Mosquitoes
lay their eggs

in stagnant pools,
far from leaves
and grasses snagged

by rocks, twisting
in the current.
Tadpoles swim

in tight formation,
wiggling their tails
in tandem,

as salamanders
scuttle by, searching
for places to nap.

Dragonflies hover,
then hurry
away,

their wings
thrumming a one-note
song – while we,

silent as nuns in prayer,
count the beads
of summer.

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[Rosary first appeared in Basilica Review; other collections by Terri Kirby Erickson from Press 53 include: Telling Tales of Dusk; A Lake of Light and Clouds; Becoming the Blue Heron.]

Author Page, Terri Kirby Erickson, Press 53, Winston-Salem, NC.

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