Archive for the ‘Imagery’ Category
Wonder & Sorrow – Poems for the Earth
Posted in Imagery on April 11, 2025| 2 Comments »
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[with poems by Sherod Santos, William Matthews, and Robert Pack]
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The Dairy Cows of Maria Cristina Cortes
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Although they may be
the most mothering of all the animals,
the ones with the gentlest
complaint, the ones whose milk
has left on our tongues
the knowledge that life can be simple
and good, still,
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in their pendulous,
earth bound, solitary ways, the remind me
of nothing quite so much
as those people we become after
the houselights rise
on a movie that find us wiping back
a tear. And since
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sadness, however
privately borne, secreted however far inside,
is a thing that finally
weighs us down, they are also
the ones most likely
in the end to inherit the earth; so wherever
they go, wandering
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the mud lanes out
from the dairy, or wading into grasses
at a pond’s edge, they
move the way a slow-forming storm
cloud moves, gathering
within it a heaviness drawn from deep
in the soil,
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a heaviness it will
return there. And yet a cow jumped over
the moon, we’re told, and
what in the world has ever been
more filled with light
than a glass of milk placed by the bed
of a child still struggling
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from a nightmare?
But whatever it is we say about the cow,
it’s the face we love,
a face that in spite of what we do
with our fences and barbs
and electrically charged cattle prods
shines equally on us
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as on the grasses
of the world, and shines in a way that makes
us feel forgiven after all
for forgetting we, too are animals – base-
born, landlocked, spattered
with mud, and filled with an ancient cow-
sorrow and -wonder.
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Sherod Santos
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At three separate stops along the trail this week, I’ve heard them. I wonder, were they already singing here before I knew to recognize their song or call their name? Three sweet slurred prefatory notes released into a tumbling trill – Louisiana Waterthrush. These migratory wood warblers who return from Belize every spring, usually denizens of Smoky ridges beside flash mountain streams, yet here they are nesting along this languid often silt-heavy Elkin Creek. Such a wonder!
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No less the Goldfinches by twos and fours now doffing their winter flannel for summer blazers. And Robins in the front yard cocking their heads to watch for a telltale squiggle of worm – this week they are lifting into the song branches to out-compete their neighbor in melody and lilt. But how many years has it been since winter days after rain brought a hundred Robins darkening the neighbor lawn; how long since Goldfinches arrived at the thistle seed by the tens and twenties? How much is Earth losing, and how fast? What is this feeling when something you love disappears so gradually that you fail to notice until it’s too late to grab it back?
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We imagine Earth lost all her dinosaurs in a flash when asteroid Chicxulub struck the Yucatan. After the global burning and after the many long winters, however, extinctions continued more gradually. The last large dinosaur species held on for at least ten thousand years [not counting the Theropod dinosaurs, whose direct descendants are currently doffing winter flannel and spearing worms]. How quickly are Earth’s species currently disappearing? Easy for us, apparently, to ignore what we’re losing. Easy to imagine we can always grab it back.
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Names
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Ten kinds of wolf are gone and twelve of rat
and not a single insect species.
Three sorts of skink are history and two
of minnow, two of pupfish, ten of owl.
Seventeen kinds of rail are out of here
and five of finch. It comforts us to think
the dinosaurs bought their farms all at once,
but they died at a rate of one species
per thousand years. Life in a faster lane
erased the speckled dace, the thicktail chub,
two kinds of thrush and six of wren, the heath
hen and Ash Meadows killfish. There are four
kinds of sucker not born any minute
anymore. The Christmas Island musk shrew
is defunct. Some places molt and peel so fast
it’s a wonder they have any name:
the Chatham Island bellbird flew the coop
as did the Chatham Island fernbird, the
Lord How Island Fantail and the Lord Howe
Island blackbird. The Utah Lake sculpin
Arizona jaguar and Puerto
Rican caviomorph, the Vegas Valley
leopard frog and New Caledonian lorikeet?
They’ve hit the road for which there is no name
a mouth surrounds so well as it did theirs.
The sea mink’s crossed the bar and the great auk’s
ground time here was brief. Four forms the macaw
took are canceled checks. Sad Adam fills his lungs
with haunted air, and so does angry Eve:
they meant no name they made up for farewell.
They were just a couple starting out,
a place they could afford, a few laughs,
no champagne but a bottle of rosé.
In fact Adam and Eve are not their names.
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William Matthews
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Some things we know we will lose – our first love, our parents, our youth, even our life. Still, it’s hard. Expecting to lose something does not make it easier. But to lose what we always imagined would continue on long beyond ourselves? How much harder it is to lose coast lines, forests, birdsong. Saddest of all not to notice the loss or even admit it is possible. Bigbrain, you are the ultimate propagator, covering the Earth; you are the ultimate consumer, eating the Earth. But you with your massive cranium and metaphorical heart are capable of wonder, Earth-inspired love; you are capable of sorrow. Are you capable of sharing this planet?
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It Would Have Been Enough
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If only daffodils had caught the light,
++++++++that would have been enough,
++++ and if to add variety,
++++++++just crocuses and tulips
++++ splashed their colors in the dawn,
++++++++ that, too, would have sufficed;
++++ and if just sparrows, common sparrows,
not white-throated, dusky-evening, golden-crowned,
++++ had tilted on a limber bough
amid the silver smooth and silver rough
++++ and twined their whistlings in the leaves,
++++++++ that would have been enough.
To add variety, it would have been enough
++++++++if only chickadees,
++++the plain gray junco, and the nuthatch
also frequented the maple tree and played
++++++++ upon a puff of wind,
and, certainly, it would have been sufficient
++++ if, beside the steady maple,
for the sake of contrast in the hazy rain,
++++ a clump of gleaming birches swayed.
It would have been sufficient for variety
++++++++ without the tamaracks,
++++without the pines, without the firs,
without the hemlocks harboring the wind;
++++++++ it would have been enough
to have the chipmunk pausing on his log
++++++++ without the browsing deer
who, one by one by one, their white tails flashing,
++++ leap across the minnow stream.
++++++++ We didn’t need that much
++++ to want to make ourselves at home
++++++++ and building our dwelling here –
just light upon the lake would have sufficed to see,
++++++++ just changing light at evening
on a birch clump or a single maple tree.
++++ For us to make ourselves at home,
++++++++ it would have been enough
if only we had said, “This is enough,”
++++++++ and for variety,
it would have been sufficient if we said
++++++++ “This surely will suffice,”
and when dawn brushed its shadows in the apple tree,
++++++++ if we had only said
how bountiful those shaded circles are,
++++++++ how silently they pull
++++ themselves together toward the stem,
that bounty would have seemed more bountiful.
++++ And even now, if I should say,
“How bountiful,” then just one daffodil,
++++ a single daffodil unfolding
++++++++ in a yellow vase
upon a maple table in the breeding sun,
++++++++ would be enough
++++ and seem abundant far beyond
what was sufficient to desire, except
++++ for one brown, ordinary sparrow
++++++++ on my windowsill,
which I cannot resist including in this light,
++++ and maybe one wide row of cedars,
winding up the valley to the misted hill.
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Robert Pack
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[Dayenu is a song traditionally sung during the telling of the story of Exodus at the Passover seder. The song’s stanzas list a series of kindnesses God performed for the Jewish people during and after the Exodus and concludes each with the word dayenu — “it would have been enough.”]
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These poems by Sherod Santos, William Matthews, and Robert Pack are collected in Poems for a Small Planet: Contemporary American Nature Poetry, Middlebury College Press, University Press of New England; A Breadloaf Anthology © 1993.
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Between 1978 and 1980, geophysicists Glen Penfield and Antonio Camargo (working for Mexican petroleum company Pemex) collected data from the Yucatan Peninsula suggesting a huge asteroid impact crater. When they presented their findings at the Society of Exploration Geophysicists conference of 1981, most of the world’s experts on impact craters, the Cretaceous-Paleogene iridium layer, and dinosaur mass extinction were attending a different conference in Snowbird, Utah. For years Penfield’s conclusions were overlooked, ignored, or frankly dismissed and scoffed at. When he later chose to label the 66 million year old crater for the small nearby village of Chicxulub Pueblo, Penfield was heard to say that part of his motivation for choosing the name was “to give the academics and NASA naysayers a challenging time pronouncing it.”
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Elemental – Scott Owens
Posted in Imagery, tagged Bill Griffin, Elemental, imagery, nature, nature photography, nature poetry, NC Poets, poetry, Redhawk Publications, Scott Owens, Southern writing on March 28, 2025| 5 Comments »
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after rain the hills
fill up with mist, everything
else just memory
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[poetry by Scott Owens]
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Elemental
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Having been raised in shadow of pecan trees
he learned to keep his insecurities
concealed in shells the color of earth, almost
inextricable and gathered in brown paper bags.
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Having been shaped by twisted logic of weather
in South Carolina’s Tornado Alley,
he learned when to move with wind and when
to stand fast and howl against the blow.
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Having been dipped in yellow water
without being held by anything but current
he learned to sink to the bottom, plant his feet
in mud below and walk back to shore.
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Having been burned in fires of passion and forgiveness,
faith and disbelief, he learned to trust little
but what he could see: bird flight, dirt
beneath the nails, quiet eternity of mountain.
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Scott Owens
from Elemental, forthcoming in 2025 from Redhawk Press, Hickory NC; © Scott Owens.
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Where is the transition point between cluttered and ungodly mess? I gave up long ago any hope of keeping my desktop tidy or my bookshelves neatly organized. For the past year, however, the normal books and papers and camera gear have been invaded and overcome by bins, boxes, and bags. Here’s a sampling:
file boxes of my parents’ financial and tax records, 2023 to present;
banker’s boxes of photos I’m bound and determined to sort, 1920’s and even earlier;
crumbling carton of 35 mm home movies shot by Grandpop, who died in 1958;
and before I totally blame Mom and Dad, one chair is completely full of books and magazines I’ve read or intend to, and the other chair is completely loaded with gear, field guides, and two dozen clip boards with botanical checklists I’ll hand out at my next naturalist walk in a week.
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And one other thing among so many others that have not yet discovered or been granted their ultimate place of repose: a heavy oak urn containing my mother’s ashes.
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The urn I will keep close and heft from time to time. Is any of this other stuff really essential? I don’t believe I will ever lose the picture in my head of Mom on her bicycle, luminous smile, age 11 – perhaps these boxes don’t hold anything that can surpass that memory. I can’t conceive of a meaningful life that doesn’t include a camera in my hand, but after all I can only hold one at a time. And the books! I’m planning to surprise thirty or so friends with a (comfortably read) book for Poetry Month, but the groaning weight of the remainder will scarcely feel the loss.
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Whelm: To cover, submerge, engulf or bury; to overcome. Why have I made myself responsible for these accumulations? Am I their curator, conservator, salvager? Or do I expect this stuff to somehow save me? Buried by the non-essential all around me, perhaps I can thrash and claw my way through while I ignore my own ultimate burial.
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In a minute perhaps I’ll withdraw my hands from typing, swivel away from the screen, actually open one of these bins and boxes. Maybe I’ll chuck a dusty double handful in the trash. But maybe I’ll pull out a talisman that opens my soul to more luminous memories. I will smile and share what I’ve found. It will be a treasure not of precious metal or envious resale value but because of the door it opens. A sliver of light finds its way through and reveals one moment that has made meaning in this life. A moment that still has meaning. Not the old material stuff but the memories it carries on its back: from something here I might discover something new about myself, the ones I love, this overwhelming life. I might find something essential.
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Of Mint and Memory
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The smell of mint makes everything feel clean,
clears the senses like bells ringing,
or wind chimes, maybe, on a summer day
in 1973, after the war but before
the bomb became too real a thing to ignore.
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They say that smell is our most powerful sense,
not the strongest, not the one
we use the most, but the one we find
closest to memory and feeling, the one
most difficult to ignore, resist, overcome.
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I’ve given up patches of my yard to mint
so I’ll always have it for tea,
for homemade chocolate chip ice cream,
for the times I need to go back to days
when I didn’t know enough to be afraid.
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Scott Owens
from Elemental, forthcoming in 2025 from Redhawk Press, Hickory NC; © Scott Owens.
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Linda listening to Fauré while she reads. A brown thrasher sneaking into the holly just outside my window. Lacing up for another afternoon walk in the woods. I could list a dozen necessary things that have intruded on this morning, but if I take a deep breath and reflect on what is essential those first three seem like a good start. Last night we drove by a church signboard with this suggestion: “Do one thing today that makes the world a better place.” Essential. I would add, “one thing that makes you a better person.” Paying attention. Gratitude. Joy. If even for a moment, make space in the necessary for the essential.
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Scott Owens is always on the lookout for the essential. His new manuscript, Elemental, expands and reinforces the search. Expect to encounter the essential and you will! Scott has written thousands of poems to ground himself in the seeking and yet he still finds joyful surprise in the daily happenings and encounters that make real meaning in life, if you allow them to. Perhaps it is because he is intentional and systematic in his noticing that he discovers joy all around him. This book includes a section on the seasons, a travelogue section especially exploring North Carolina, a final section of life’s lessons. I will use it as a field guide for the truly essential.
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Oh, and trees. Scott really, really loves trees, both in their grand collective leafiness and in their individual personalities. He mentions that he grew up around pecan trees and learned something about hiding vulnerability from the way their shells hide the sweet kernel. I’d like to sit down with Scott and swap yarns about the pecans in Granddaddy’s back yard. Or my beloved beech I will not forsake even though it dropped a branch through my windshield. Or the hundred colors of lichen on the holly’s bark. Then we will move on to birds, and mountains, and the sound of moving water. We will discover how much we have in common. We will nod and share a slice of joy in the discovery that every single creature on earth holds that much in common and more. That joy, that knowledge, is truly essential.
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Keep your eyes peeled at Redhawk Publications for Scott Owens’s new book, Elemental, due out by this August, 2025.
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All That Is
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It’s winter,
a hard time of year
for noticing things,
except the wide sky
through limbs of trees,
and the shapes of trees
stripped of leaves,
and a white-breasted nuthatch
hopping sideways
down the trunk
of a peeling paper birch,
and the omnipresent cold,
and the quiet
of everyone staying inside
as long as they possibly can,
but all that is not there,
in the haunted austerity
of a winter landscape,
is what makes it possible
to see all that is
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Scott Owens
from Elemental, forthcoming in 2025 from Redhawk Press, Hickory NC; © Scott Owens.
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For the Unseen
Posted in Imagery, tagged Astonished to Wake, Bill Griffin, imagery, Jacar Press, Julie Suk, nature, nature photography, NC Poets, poetry, Southern writing on March 21, 2025| 2 Comments »
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[with 3 poems by Julie Suk]
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We’re Small on the Rim
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of comprehension, but that shouldn’t distract
us from the fig tree
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bent by fleshy globes on the verge of fall,
seed exposed where the fruit splits.
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And there are the aunts
leaning over a cast-iron kettle filled
with sugar, spices, and a curl of lemon zest –
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figs stewing, jars lined up, the ladle lifted
for a sample sip –
++++ never mind the times my lips were burned
++++ by a sweetness giving more than I gave back.
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Hold out your hand for the unseen
my grandfather said.
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There, the universe,
a potpourri of energy lit by colorful fires
that sparked me to life,
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++++ accident though it was,
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limb of the fig tree scratching the house,
on the table, a spoon.
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Julie Suk
from Astonished to Wake, Jacar Press, Durham NC; © 2016
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I am crying for the beauty of these trees. An upwelling of emotion? A brain response slung through limbic system from temporal lobe because of certain inverted images on my retina? No, a watery reaction to pollen. Hazel catkins stirring in the breeze. An itch, a sneeze. But still I am crying for the beauty of these little trees.
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How one says a thing is more important that what one says. We stop along the nature trail to notice this unequivocal manifestation of Spring – drooping yellow pollen catkins on American Hazelnut, full and fertile long before any leaves appear. These are the male flowers. Where are the female? Solitary at the tips of limbs and buds, discover a few spidery red florets no bigger than your little fingernail. From these tiny nubs the nuts will form and we can eat them in September if we beat the squirrels. As I point out the female flowers, how they point mostly outward and upward away from the catkins, I catch myself before blurting this explanation: “They’re designed to prevent self pollination.”
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Designed? The Hazels worked out this arrangement of their own volition? Or had it planned for them de novo on some cosmic drawing board? Oh Evolution, how you embrace the random and non-linear, and how we struggle to grasp such a universe. I gulp and begin a different tack. “Self pollination increases the risk of recessive traits and may weaken the line. Over many, many generations, the Hazel trees that happen to grow with their little red flowers poised to catch pollen blown in from a neighbor tree are more likely to have strong offspring that can pass that trait along.”
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And does that explain why I cry for the beauty of these trees? All these trees? The red maples are already dropping their polleniferous bundles as winged seeds unspool from female flowers. Stony hickory nuts are still discoverable beside the trail from last fall’s excellent mast season. The green furze we spy at the ridgeline’s crown is tuliptrees’ earliest budbreak. The trees speak their names in the space they fill. They give their promises almost silently but always sure. There seems no end to the means my own species can devise to make the world harsh, hateful, ugly. There is no end to the beauty of these trees. I cry.
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The Dream It Was
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Gone, the apples left last night for the deer –
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shadows lighter than the night they passed through,
rune-like hoof marks carving the frosted lawn.
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Like a dream,
but touch is my familiar.
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May you and I morph into other bodies that meet
once this one goes
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on and on into the blue heights – old trails
like those deer use around the girth of a mountain.
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And after breath evaporates
may the words left without a tongue
fall into the pool where we swam,
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the cold waters rushing back warm.
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Julie Suk
from Astonished to Wake, Jacar Press, Durham NC; © 2016
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Hold out your heart for the unseen. When there are no longer lips, a mouth, to hold our words may they pool in the places we loved. May we meet again on the blue heights, on some new trail, on a very old trail. What voice would you choose in your next life? Listen for me, a song of wind thin in the high branches.
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What would the new day hold for us if each morning we were astonished to wake? Dogwood scratches the window as wind picks up. Throaty testosterone rumbles as the teenager across the street starts his pickup to head to school. What could urge me out of bed instead of surrendering to warmth and pulling the covers higher? But this is a new day, the vernal equinox in fact. I confess I have reached the time of life when I can see the days ticking on ahead of me are finite in number.
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Turning each page in Julie Suk’s Astonished to Wake is a reminder that new days are in short supply. Perhaps this one will weave its meaning from days treasured in their remembering. Perhaps this one would prefer to eat me raw. Perhaps this is the day I really will wake up and notice every person that has made my life, and even tell them so. A good book of poetry compels one to turn each page, then the next. A great book of poetry compels one to set the book aside and enter the newness of this day.
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From Charlotte, NC, and former managing editor of Southern Poetry Review, Julie Suk has been a beacon in the world for poetry for decades. R. T. Smith writes, “The poetry of Julie Suk is at once deceptively spare and metaphorically rich, and the sensual mystery of her perfectly pitched and etched lines is haunting, elemental, and wild.” Her many awards include the Brockman-Campbell Award of the North Carolina Poetry Society. Astonished to Wake is Julie’s sixth collection, published by Jacar Press.
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The Music
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When my father was young, he played the violin,
his mother, the rosewood Grand.
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She also had a voice clear and sweet,
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also had tuberculosis and died
when my father was thirteen.
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He never played again, but loved music,
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the Victrola making its rounds,
or the two of us listening to opera on the radio.
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No noise allowed in the house when Rosa Ponselle sang.
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In my next life I want the voice of a violin.
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Tell me what you’d like played
and I’ll speak from the key of love and pain,
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how the living are echoes of the past,
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my grandmother staring into the darkness – as I do now,
thinking of those I must leave.
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Talking into the night,
we’ll hold sorrow up close and let it weep.
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Julie Suk
from Astonished to Wake, Jacar Press, Durham NC; © 2016
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Thanks Les. Witness to the pain and the joy. ---B