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[with poems by the 2023 Tremont Poetry Cohort]
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Awaken
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You came because the river quiets your soul,
the sassafras soothes and sweetgum settles.
Have you gotten your breath? Do you remember who you are?
Leave us, now; it’s our time to sleep. You go, awake.
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Sarah Small / Alcoa, Tennessee
postcard – Mother bear & cubs
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❦ ❦ ❦
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The Little River is singing ‘October Blues’ and I can listen if I’ll just roll down my window. Leaving the Smokies on a Sunday morning, who would have imagined such a glut of traffic, but I can make the choice to gentle my right foot and blend with the flow. And here on the right comes another choice: I pull off at Chimneys and flush the press of schedule and itinerary from my mind.
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A ten minute climb into old growth hardwood cove and road noise no longer penetrates. Every few steps another chipmunk whistles its alarm. Fecund – whoever coined that word was smelling this place. The carpet is bright green hepatica saving up to flower in just a few months, the understory is summer seedhead bounty and autumn wood asters blooming like crazy, and the overstory is way up there, crooked and knobbed, reaching and mingling and only allowing an occasional glimpse of Balsam Point.
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I’ve been waiting since breakfast and now I pull out the small slip of lined paper Renée gave me, a personal parting note; she prepared one for each of us in the cohort. “Read it later,” she had said. I’m going to trust she won’t mind if I share one line: “I came to this conference with some heaviness and I’m leaving with light and a sense of belonging.” A mystery, a wonder, an inexplicable blessing that in just a few days eight strangers can so deeply connect.
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❦ ❦ ❦
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[untitled]
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You’re not a flightless bird,
+++++ your wings held tight
against your breast;
+++++ unfurl your plumage,
Go from here with boldness,
+++++ revel in your glory.
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Jeannine Jordan / Lima, Ohio
postcard – Wild Turkey
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Community
(the Park speaks)
 . 
Inspire, breath in, be filled with spirit –
think I’d tip you like a funnel and pour
right in? Look around this circle and take
a lesson from the Queen of Connection.
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Bill Griffin / Elkin, North Carolina
postcard – entrance to GSMNP
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❦ ❦ ❦
 . 
Frank fans the deck and asks us each to select one. They’re postcards, of Great Smoky Mountains National Park, face down so we can’t see what we’ve picked. “The card has picked you,” Frank suggests. “What is it telling you about why you are here and what you’ll take with you when you leave?”
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This is our last exercise during our last session of this inaugural Tremont Writers’ Conference. Can it be only three days ago that Frank X Walker introduced himself to us as an artist who speaks Poet? Besides the language of linebreak and word choice, what Frank so incisively speaks is creativity, challenge, connection, community. Oh yes, we learn to critique each other’s poems through his quiet observations. Yes, we engage in color studies and sound studies and we write to prompts. But Frank is not teaching us to be writers – he is teaching us to be human. His carefully considered comments touch our gifts and expose our needs, and even more than that he weaves us seven into a whole whose true commitment is to bring out the best in each other.
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After ten or fifteen minutes of writing – channeling the voice we are hearing in our card’s image – Frank stops us and presents his next to last prompt: now break that all down into four lines. We probably should have seen this coming. We really aren’t ready, though, for his final instruction. He has us each pass our card two people to the left, write our home address on the fresh card we’re holding, then pass it back right to its original owner. Each of us will write our four-line poem on our card and mail it, and in a few days we will each receive a poem from one other member of the cohort.
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We won’t be driving home from this gathering to resume our scribbling in isolation. We will be watching the mailbox (and text messages) with a tingle. We are now a creative family. We are connected.
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❦ ❦ ❦
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The Experience
 . 
Like me, a yearling bear,
caged and carried away.
You came for the experience.
Imagine me gone. Write it.
 . 
Kim Hayes / Weaverville, North Carolina
postcard – Ursus americanus, Black Bear
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Somewhere, Sometime
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Sunlight  in this open field
Safely wander, graze
Trust the treeline
Grow. (I am growing, too.)
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Suzanne Bell / Pisgah Forest, North Carolina
postcard – deer graze in Cades Cove
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❦ ❦ ❦
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Connecting People with Nature is the motto of Great Smoky Mountains Institute at Tremont. Amen! In completing the Southern Appalachian Naturalist Certification Program at Tremont, I have felt the web of connections forged there welling up in me and changing me. One begins with the name of a thing, then comes to recognize how it makes its living and gets along with its neighbors, until at last there dawns an appreciation of the deep interdependence and kinship of all life, place, and planet. One living community.
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But if ecology is the study of living communities, poetry also has its ecology. How does the poem bring together all these living bits that make it come alive? Its images, its allusions, its music? How does the poem make its world equally real to or perhaps even more real than the world speeding by outside my window?
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It seems to me that the technique we learn at Tremont, the Naturalist Method, is entirely congruent with the Poetic Method – Pay Attention; Ask Questions; Make Connections; Share. All of this we try to do when we “speak Poet.” And Frank X Walker has certainly enabled every bit of this in us during our few days of communion with mountains, rivers, bears, each other. It is a language of laughter and surprise. It is a language of change and growth. It is a language of discovery, insight, and awe. We are leaving Tremont bubbling with its voice and overflowing with its joy. Poetry, and Nature, are how we connect.
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❦ ❦ ❦
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[untitled]
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Born on the top, nestled through the sides, tumbled to the bottom.
Again and again.
Those mountains captured and created.
Then they carried.

Renée Whitmore / Vass, North Carolina
postcard – sunrise through mountains in Cades Cove

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Clouds in my Skin

You are here
Not to burn through the mist
To roll around in the slick slopes
Of your soft hope—this knowing, this peace

Sophia Fortunato / Bozeman, Montana
postcard – mountain ridges fading into blue mist

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❦ ❦ ❦
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The Poetry Cohort of the First Tremont Writers’ Conference, October 15-29, 2023, is Jeannine Jordan, Bill Griffin, Sophia Fortunato, Sarah Small, Renée Whitmore, Kim Hayes, and Suzanne Bell. Our teacher, mentor, guide, and brother is Frank X Walker from Lexington, Kentucky, speaker of poetry, professor at University of Kentucky, and former state Poet Laureate.
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Other instructors at this inaugural conference are Janet McCue (Non-Fiction) and Annette Saunooke Clapsaddle (Fiction) and the featured speaker is Richard Powers, Pulitzer Prize-winning author of The Overstory. Jeremy Lloyd, Tremont Manager of Field and College Programs, has been the primary organizer, assisted by Tremont staff Elizabeth Davis, Erin Cantor, Lyndsey Kessler, education director John DiDiego, and many others.
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This conference was also made possible through the integral participation and partnership of Great Smoky Mountains Association and Creative Services Director Frances Figart. Thank you!
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❦ ❦ ❦
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IMG_1783

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 . 
[with haiku by William Winslow]
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azalea in bloom
seems early this year –
what else have I missed?
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bent over and lean –
I have become the tree I
climbed in my childhood!
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Yesterday after church I carried the rocking chair out to the car. Scratches and scars from a thousand children in Mom French’s school library, this chair was just one of her oh so irresistible enticements to read – and she the most enticing of all as Mother Goose, Good Witch, Hobbit, Elementary Librarian. The rocker first retired to our church nursery and now is finally retiring home.
 . 
As I fumbled for keys, Darlene called from across the lot, “Now Bill, you better do some rocking!”
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“Are you kidding?” I hollered as I popped the hatch. “I’ve been retired three years and I haven’t had a chance to rock yet!”
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an early morning
baptism: bluestem grasses
brush against my legs
 . 
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I’ve been here before
but these flowers are not like
those of my childhood
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I’m not rocking this morning but the feeder rocks after the chickadee scolds, then grabs a seed and pushes off. My rock-equivalent here on the porch is this: coffee and notebook at hand, a book of verse, feet up, fleece jacket and cap for 50 degrees & autumn. Two young guys down the street are hacking out busted flooring from the house that has squatted empty since last spring’s tornado. The yard crew just pulled their big trailer up next door and here come the weed-eaters & blowers & zero-turn-radius terrafirmanator. Around the corner someone is hammering. For a few minutes the breeze settles and the trees around me and all down the ridge just listen.
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music for the soul:
dog tags dancing on the rim
of a metal bowl
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forgotten clothesline
linens pop in the wind – a
restless night ahead!
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This morning the season rocks and tilts and won’t return to summer. It makes itself known even if I close eyes and plug ears – the keen edge of that scent, crisping leaves and browning forbs. When I open my eyes again I notice the beech tarnished copper, I discover an ornamentation of Virginia creeper indistinguishable green last week now stepping forward into red, and look there’s the one unfractured maple branch dressing up in its indescribable orange while new growth from the trunk still clings to some jade hope. I shove my pale fingers into my armpits between these phrases. The chickadees resume their scolding but the freshening breeze pays me no mind at all.
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 . 
not yellow brick but
wingstem and aster lead me
through this hillside field
 . 
look, a child spattered
mustard along the roadside –
oh, yellow ironweed!
 . 
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Rocking at the tempo of breath, surrendering to the heartpulse rhythm – bustle can’t touch this. I turn another page in William Winslow’s haiku collection. Resistance is futile. My subconscious tries to push back – I don’t want to merge into your momentariness, Mr. Poet, I’ll make my own revelations, thank you! But reading haiku is like breathing. You can only hold out for so long before the pressure to inhale, before the desire to step into that cool shaded invitation. As William reminds us in his afterword, a haiku is written to be spoken in a single breath. As I stroll further down the page, pausing after each poem, often retracing my steps, my anxious breath slows and I enter the moment. Look, Darlene, I’m rocking!
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look, the centerpiece
of my garden is that tall
weed I did not plant!
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dead limb your tree no
longer needs you – it seems that
we could be brothers
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hiking stick my hands
have carved you but my legs may
send you on alone
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❦ ❦ ❦
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All selections are from 112 HAIKU by William Winslow, Palmetto Publishing, Charleston SC, © 2023. William lives in Mount Pleasant, South Carolina but spends many days in the Southern Appalachians in western North Carolina, as evident from the flavor and setting of his writing. He lived in Japan for two years and immersed himself in the culture. Of the art of haiku, he says, “Set aside some time, take a deep breath, and write yours!”
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Visit Palmetto Publishing HERE
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Next week I will attend the Tremont Writers’ Conference in Great Smoky Mountains National Park, led by poet Frank X Walker. Most likely you won’t find a post here on October 27, but take a moment that morning to silently wish my father, Wilson, a happy day on his 97th birthday. I’ll see you back here on November 3.   — B
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 . 
[with 3 poems by David Radavich]
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Turtle
 . 
Its stomach brushes ground
as by long acquaintance,
 . 
one foot then another, one leaf,
slow digestion, eyes alert
 . 
like high-beams
in the wind-swept night,
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hard against the air yet telling
stories as a stained-glass
 . 
window, victory
over hastening death,
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comrade of dust and mud
and golden squares like armor
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glinting whenever sun
arcs its sacrifice –
 . 
just so I think of you
unfolding a yellowed piece
 . 
of paper, words
you never meant to say
 . 
crawling their careful
way into my bone-frame,
 . 
softer than
the moon starting
 . 
to curl
into dawn
 . 
David Radavich
from Canonicals – Love’s Hours
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❦ ❦ ❦
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At 17 she had a boyfriend (briefly) whose language she did not speak. The two would sit at the back of the bus through the turns and hesitations of the clamorous diesel-fumed city and communicate with their lips, although words are not what passed between them. When they came up for breath it was no use to tell him about the menacing gothic facade they were passing or comment on the uniformed school children being led across the bridge. He would stare at her and she back at him until they reached her stop. Come inside? What am I saying, and what do you think I mean? Well,  Tschuβ until tomorrow after school.
 . 
Some would say that no boy and girl at 17 ever speak the same language. Some say man and woman never at any age. Cynics. Nevertheless, when the girl’s best friend, who commanded some phrases the boy could grasp, had to call him one evening to convey a final message from the girl – angry? sad? frustrated? – and cancel any further bus rides, she still could never quite understand how it all had gone so wrong. An inter-language dictionary proved no help at all. Decades later she would still wake at 3 AM and feel the fool, although a few latent hippocampal neurons, hers and no doubt his as well, continued to fire, “What if? What if?” One tattered shred of recollection with lint of vocabulary she could have pieced together if she had tried still labored to remind her of this: when they had turned toward each other and he placed his hand at her neck, fingers in her soft short hair, they had seemed to understand each other well enough.
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Time is both a bewildering tangle and a firm reassurance in these poems by David Radavich from Canonicals – Love’s Hours. It is a book of hours matins to vespers  but also a book of days and years. The images can be elusive, like moonlight through restless leaves, yet remain rich in their enticement. And what message does this subtle, earthbound, exalted language, this language both  precise and intangible, what does it desire to convey? The object, the “you,” is it a focus for affection and gratitude or a saving grace always just beyond reach? Each word lovingly selected, placed, ordered: these poems understand you, the reader, and they invite you with all hopefulness and promise to understand them.
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Canonicals  – Love’s Hours by David Radavich, Finishing Line Press, Georgetown, KY. © 2019 [author biography and book purchase HERE]
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❦ ❦ ❦
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Argus
 . 
Quietly, quietly
dawn takes its place
 . 
among the world’s
elements –
 . 
There will be rapes today,
and military coups,
 . 
also gay
birthdays, painful
 . 
dyings and forlorn lovers
discovering their first infatuation
 . 
with another body.
 . 
Let me be there for it all,
all seasons, all temperaments
 . 
seeing
the round circus
 . 
black and gold as autumn
spinning into night
 . 
love turning
a corner
 . 
into open doors
that lead to bright air
 . 
blowing
many leaves
 . 
David Radavich
from Canonicals – Love’s Hours
 . 
❦ ❦ ❦
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Cyclical
 . 
To rediscover.
 . 
To find again what
has been lost
for more than thirty years.
 . 
A stolen ring
on someone else’s
hand, gold around a gun
 . 
or maybe you
clutching my heart
like a bandit.
 . 
In any case
 . 
it reappears, this missing
self, this jewel tossed
in some closet,
 . 
the world turns
so that China ends up
 . 
and we are land
at the sphere’s bottom
 . 
rediscovering what
 . 
has been lost by many others
and found again like
 . 
sunrise,
like buds breaking.
 . 
David Radavich
from Canonicals – Love’s Hours
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❦ ❦ ❦
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Doughton Park Tree 2020-11-22
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