[with 3 poems by Aruna Gurumurthy]
One directs from the piano while he plays, his left eyebrow for entrances, the right to cut us off. Another tells us stories about her middle school students, then gets us to open our mouths like grownups. The beautiful one coaches our vowels with a baritone so luscious even we ourselves begin to believe. The one with a degree in percussion can direct 6/8 with his right hand and 4/4 with his left – simultaneously. The one no longer quite young requires all her sopranos to sing as if they are. The forever younger one jokes with us constantly until someone sings a terminal s at the end of the upbeat instead of the up of the downbeat (some in the tenor section refer to this gaff as “showing your ess”).
And all of us gathered around our director? We sing.
We sing not merely phonating, mouths formed, palates elevated, cords vibrating. We sing not merely vocalizing, words in rhythm on pitch. Not merely making a joyful noise. Singing together is less about what issues forth from between our lips and more about what flows into our ears, listening to our brothers and sisters on either side. And the together in singing together is most of all about what we see, eyes lifted from the score, alert, watching our leader, his hands, her face, their power to slow and soften us into tenderness, to swell us to climax, to make us one.
Singing together: leader, voices, music, lyric, all coalesce into one wholeness, one flow, one message – the song.
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Madras
Tied in seventeen years of matrimony,
we lick the glazed onions and potatoes
of a masala dosa
from banana leaves at Karpagambal Café.
The scent and steamy ascent
of filtered coffee wraps around tunes
of the Tamil melody Ennavale.
He touches my swinging earrings
as I nod through tales of yesterday,
picking just the good ones,
the greener exits off the highway.
Breathless by the ocean, we watch
Earth’s blazing empress undress on miles of blue.
To heartbeats of the Ferris wheel,
we crack hot, roasted groundnuts,
glance at fluttering pigeons
and faraway people.
He pulls out three rupees for the jasmine braider,
tucks those flowers in my black curls,
smells the white, drooping malas
bounce in my hair
as we kick the wet sand on the pier.
Morning mantras resound
under the temple arches of Anna Nagar.
Garlands of marigolds sway to the singing breeze.
Devotees, we circle around the Ganesh deity,
break a coconut, drink the holy water
and make offerings for a good day.
We take a rickshaw to my mother’s brick cottage.
Crows caw on the neighbor’s wall
as we amble down the pebbled aisle.
A drop of dew slides on a hibiscus,
its yellow mellows even a passerby’s gloom.
I step on kolams, starry rice powder tattoos
on the foyer floor, dusting our rising dreams
of the shores of a white sand beach
dimmed by the dwindling sun,
where we curl our fingers
as the waves unfurl at our feet
and touch our breathing bodies.
Aruna Gurumurthy
from storySouth Issue 54: Fall 2022
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Cumin and mustard seeds pop in the oil, fragrant steam from onions, garlic, coriander, cardomom wafts us away from a cold, overcast day in the North Carolina piedmont to a warmer clime that gently challenges all our sense. Aruna Gurumurthy’s poems taste exotic. Sometimes the masala is hot and makes us sweat, sometimes it’s sweet and floral, but always fresh: an unexpected description, imagined encounter, cultural reference. Whether her setting is her home in Chapel Hill or her themes are as commonplace as home, motherhood, a morning in the garden or an afternoon in the kitchen, Aruna seasons each poem with a hint of something new.
Madras was runner-up for the 2022 Randall Jarrell Award of the North Carolina Writer’s Network. The Embrace and I Went to the Bottom of the Well are from Aruna’s 2020 book of prose poems, Down the Grassy Aisles.
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The Embrace
The growing vine, she helixes around the naked branches of the Oak. She travels through a gazebo, she dances about, the bounce loosening up a passerby’s grimace, with a musical glow, an oomph to the soul. Resplendent raw sienna, her body touches the tree. A cherub of twenty-four months, she has grown and crawls to embrace me. A subtle Shangri-La, a mystic Bethlehem, the dancing duos in he arms of Mother Earth.
Aruna Gurumurthy
from Down the Grassy Aisles, Kelsay Books, American Fork UT, © 2020
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I Went to the Bottom of the Well
They hated me, a timid teenager. They bit me with mean dragon faings, making me weak, shredded from within, stripped of my faith. The dragon’s fumes roared at me, turning its neck from side to side. I felt like a trembling half-dead cockroach. Left me feeling like they had shot me in the head, but I bled from down there. After it all, the dragon dove into the wter, escaping, extinguishing. I went diving too, to the bottom of the well. There lay a small, shining silver coin. I swam my way through layers of despair, arms as though mustering a breaststroke, and my fingertip reaching out for that coin – my faith. I had found my faith.
Aruna Gurumurthy
from Down the Grassy Aisles, Kelsay Books, American Fork UT, © 2020
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V E R S E and I M A G E 
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