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[with 3 poems by Debra Kaufman]
 . 
Walking Westerly, My Shadow Precedes Me
 . 
She does not hear a warning
in the wren’s song,
+++++++++ as I do,
or see the ghost moon as an omen.
 . 
She appears to have a jauntier step,
wilder hair, longer, slimmer limbs.
 . 
Perhaps she is the me
I once was –
waitress, dancer, diary keeper.
 . 
Nothing bad
has happened yet.
+++++++++ Soon
 . 
she will trail a dangerous
fragrance, be sniffed out,
tracked, pinned down.
 . 
Wind trembles the beech leaves.
The wren calls again.
 . 
I step toward the past,
she into the future
 . 
Debra Kaufman
from Outwalking the Shadow, Redhawk Press, Hickory, NC; © 2023.
 . 
❦ ❦ ❦
 . 
If you believe that everything is connected;
if you believe that matter and energy are conserved (not to mention angular momentum);
if you believe that the breath you’ve just taken into your body, its oxygen reddening your corpuscles, worked its way up the hill from the great red oak not tumbled in last spring’s tornado, and that when you release it a second from now it will begin to wisp its way back down to wait for the asters you’ve sowed on wind-scoured earth;
if you believe that your body is stardust, its phosphorus and calcium and that fleck of selenium, every element which is heavier than air;
if you believe that no distance is too far and no time too long a thread to tie everything together and extend the connection,
++++++++++ then believe this:
 . 
when that wisp of a woman sitting on the couch beside your father and his baby sister, white-haired tiny flit of a woman no more substance than moonbeam, when she smiles it will light up the string of a million smiles stretching back so far that every smile since must take its cue, all the way back to the very first smile twenty-five years (less thirteen days) before you were born.
 . 
Recall those smiles you can and hold onto them — you dancing while she plays Mozart on the piano and laughs; she holding the cake while you take a deep breath to blow; beaches and playgrounds, jokes and canasta, weddings and first smiles of your own babies shared with her. Most smiles have flown to continue their cycle, petal of a flower she will notice, bug she’ll try to pick up from the carpet, a noise or a vision in some other creature’s thread of existence . . .
 . 
. . . but some precious few smiles are preserved in silver. Layers of atoms on glossy paper. Here’s one that her niece, your cousin, has just handed you, holding its connection to the others over seven decades in the bottom of a carton waiting for your gathering today. You hold it close for her to see and she smiles again.
 . 
Look! Today’s smile! When you see it, recognize its provenance, its taxonomy, its lineage and inheritance from all that have preceded it. Accept its assurance. So much lost, so much consigned to this or that flimsy drawer in the cupboard of memory (yours) and so many keys to so many drawers misplaced (hers), but still firmly by that long and winding thread as tenuous as breath connected. Every wisp connected.
 . 
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❦ ❦ ❦
 . 
The last time my mother
 . 
spoke words I heard
I saw her see me in a flash:
You’re my daughter!
We walked the hall,
a circumference
around the single rooms.
Round and round.
Each time we passed
the common room
she’d point to the Christmas lights.
 . 
On her bed lay a book
of her wedding photos.
I named the names, some small comfort.
I sang “Jacob’s Ladder”
and she smiled in that puzzled way.
 . 
I meant to rub lotion on her legs –
her skin dry, tissue-paper thin –
but they were calling her
for supper. I kissed her cheek.
She kissed my hand,
did not want to let it go.
 . 
I hoped we’d see a few sparrows
out her window, but
dark coming early, I saw only
our ghostly selves reflected there.
 . 
Debra Kaufman
from Outwalking the Shadow, Redhawk Press, Hickory, NC; © 2023.
 . 
 . 
❦ ❦ ❦
 . 
Yet if we do not stare despair in its face
(I hear you say) how will we recognize
 . 
the silver sliver of moon
when it hangs suspended like a dream?
 . 
++++++++++ from Bearing / Witness
 . 
Moonrise this past Monday was 2:37 PM in Elkin, North Carolina, USA. Waxing gibbous, we spot her on the one clear afternoon without rain. We won’t have to worry about finding our way through the darkened house at bedtime. Light will precede us, follow us, attend us. We can’t summon the moon or assign her course; we can only watch and trust she will return. We can only recognize and be grateful.
 . 
I didn’t want to get out of bed that Monday morning. All the motivations and machinations of the preceding week – phone calls, site visits, family conferences – had cooled and dissipated. Who says energy is conserved? I sat at my desk, the to-do list accruing and scrolling in my head, not knowing how to begin. And then there was Debra Kaufman’s new book waiting patiently at the top of the pile. I opened to the first poem. The clamp on my innards released and breath returned.
 .  . 
Moon, and of course shadow, are recurring images in Outwalking the Shadow. It is no coincidence that metaphor and metamorph are nearly homologues. Images may shift their shapes and meanings, may stand in for any number of times and spaces, but moon and shadow link arms, weave a net, cast it out and draw us in. Debra does more than create contrasts. Her poems are not satisfied to simply cast light into the dark umbra of grief. Enter her lines and welcome the shadow, relive it, discover how and who it has made you. Recognize that light blinds when it glares but enlightens when it glimmers, slivers, almost ephemeral as dream.
 . 
Recognize that each of us lives with our shadow, and that even moonlight may cast one. Debra’s book is dedicated to her mother, Kathleen, and many of the poems explore her life, their life together, her final days, thereafter. Debra’s poems encompass much, much more than grieving, however. In many of her lines, I hear her speaking the very phrases I have needed to speak to my own heart. Perhaps you, too, have had mornings when you found it a burden to take even one step, when you felt empty and powerless and alone. These poems admit that. We are human and we carry our shadows. But these poems surprise themselves with sudden flashes and connections – a summoning of crows, a lesson learned, a visitation by spirits. Every time I turn another page, I discover more of what I need. Come, let us walk out together. There may still be joy if we open ourselves.
 . 
 . 
More about Debra Kaufman, Outwalking the Shadow from Redhawk Press, and how to purchase HERE
 . 
❦ ❦ ❦
 . 
Let my heart swing open
 . 
like French doors to a garden of blowsy flowers,
saloon doors where Kitty serves shots of rye,
a screen door with a farm wife waving you in,
 . 
or let my heart be a picture window
through which I see everyone I have ever loved,
my breath steaming the glass, come in,
 . 
we’ll turn up the party lights,
show all the passersby we’re dancing,
or better yet, let’s all spill out into the street,
 . 
my heart a village music festival –
welcome teachers, firefighters, cashiers, nurses,
shysters and spinsters, salsa dancers a skateboarders,
 . 
cat lovers, detasselers, twirlers and high-steppers,
come in you scuffed shoes, rhinestones, flannels,
I’ll be a mirror reflecting all y’all’s kindness,
 . 
your clumsy moves and broken bits,
your sad patience and patient wildness,
your generosity, crankiness, haunted dreams –
 . 
I’ll be the hostess sprinkling blessings like petals,
saying, The universe is here and so are we – 
champagne for everyone!
 . 
Debra Kaufman
from Outwalking the Shadow, Redhawk Press, Hickory, NC; © 2023.
 . 
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❦ ❦ ❦
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❦ ❦ ❦
 . 
2016-10-17a Doughton Park Tree

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 . 
[with 3 poems by David Radavich]
 . 
Offering
From one day
to the next
seems a difference
 . 
between drought
and flood,
 . 
corporations
and the poor.
 . 
Should we pack
our suitcase
for the future?
 . 
We bend over
gardenias
in the back yard,
 . 
salvia, rosemary,
daylilies jut now
blazing
 . 
wondering if nature
can withstand
our age,
 . 
sun fighting
with wind and rain,
 . 
wars consuming
everything
 . 
we believe.
 . 
Time to visit
the cemetery, bring
 . 
the pure lilies
we picked
this morning
 . 
as our offering
to the dead,
 . 
We owe them
our knees
and this stab at
 . 
continuing
 . 
paying homage
to names
 . 
and all
that’s green.
 . 
David Radavich
from Here’s Plenty, Červená Barva Press, W. Somerville, MA; © 2023
 . 
❦ ❦ ❦
 . 
“These are monsters migrating.” Thus the boy explains the drawing he’s brought home from kindergarten. Three big ones fly south, dragon-winged, pterodactylloid, gallinaceous. A mighty bruiser gallops on great feet bound to raise dust and thunder, heavy tail thrashing. But here’s one down in the corner foreground, not imposing, non-scary, looking me straight in the eye. Most monsters speed away, thank goodness, but some are willing to stay and make friends.
 . 
Monsters sneak into my head at 3 AM when I return from the bathroom. In the old days, before I retired from medicine, they called me from the ICU or Labor & Delivery and I knew it was time to pull up my pants and find the car keys. Now they spring up when I call them – damn! – and poke me with their spines and cold stiff claws each time my breath attempts to settle. Does anyone escape? Doesn’t everyone with parent, child, grandchild harbor a squirm of worry underneath the bed, ready to pop awake and crawl up between the sheets?
 . 
Monsters seem to be drawn to the idle mind like migrating bats to open, dark caverns. Their scales and markings may vary but they all belong to Class, Order, and Family of What If? Once their migration might have lasted just hours – what if I can’t get his blood pressure up? what if her baby’s head is transverse? – but now they don’t seem to have any finite lifespan. The infinite multiverse fans out from its monstrous 3 AM nidus into a crashing storm of uncertainty. Calm yourself. Smooth those waves of rapid breathing. Wrap the turbulence and darkness until they become a comforting cloak. What . . .
 . 
. . . if you sit down with me here and tell me about these monsters? The boy has a name for each one. He knows their powers and their weaknesses. Far from being fearful, these are friends, some to each other and all of them to him. You wouldn’t want to sit on one – they’re sharp, and they might break! – but it’s amazing to watch them fly and run. In fact, they are all related to each other. They are monster family.
 . 
 . 
❦ ❦ ❦
 . 
Crux
for Shelby
 . 
This is where
boy meets man:
 . 
a space
always alone
 . 
between
water and land,
 . 
fishing
or hiking,
 . 
gathering crayfish,
skipping stones,
 . 
another boss
is another tyrant,
 . 
pay not enough
to make ends meet,
 . 
mouths to feed
at the table,
 . 
gills in the water
needing your lure
 . 
and just the right
throw to home
 . 
sliding in
or head-long,
 . 
swinging high over
that creek
 . 
never knowing
if the vine will hold,
 . 
that’s what being
adult means:
 . 
learning
not to trust,
 . 
pulling everything
you’ve got,
 . 
keeping a sharp eye on
what’s moving
 . 
and then
grab it for grace,
 . 
feed that family
and don’t apologize.
 . 
David Radavich
from Here’s Plenty, Červená Barva Press, W. Somerville, MA; © 2023
 . 
❦ ❦ ❦
 . 
What if my name, instead of “Bill,” were “Boy?” What is the thing against the idea of the thing? And words on a page, are they the one or are they the other? David Radavich, in Here’s Plenty, doesn’t open his palm and hold out to you the answer to such queries, but he leaves plenty of answers scattered among the lilies or still hanging from branches, reddening fruit for us readers to discover. Can the idea of a thing become itself when we bite into it, when we take it into ourselves?
 . 
This is one task and one blessing of poetry – not to be a textbook, lining out chapter and verse; not to be gospel; but to be spell, cast into the world and opening like the petalled layers of a peony. Perhaps we return day by day to discover its transformation, perhaps we grab and thrust our nose deep into the blossom’s perfume and scatter petals all around us. Either way we engage, yes with the words but even more so with ourselves. The real poetry is what we write within while reading what is without.
 . 
David Radavich lives in the world. So apples, seed and stem, peel and core and crisp. Edens and crags. Harsh sharp divisions and tender comings together. Nothing ignored or unnoticed, nothing left out. Everything invited in. You and me, too. Come – there’s plenty.
 . 
 . 
Here’s Plenty is David Radavich’s tenth collection of poetry. He has also published many plays as well as scholarly and informal essays in many countries. The book is available HERE
 . 
 . 
❦ ❦ ❦
 . 
Going Home
 . 
Forget about it.
 . 
The old one wasn’t
worth much
anyway.
 . 
You can do better
tossing a coin
or consulting
some astrologer.
 . 
Choose
where or what
you want to be
 . 
and go there
to take your place
among the yet
to arrive.
 . 
Wave your white
flag to the past
 . 
and make your new
garden bloom
 . 
as if
you had been
 . 
there all along
incognito
 . 
among many
creatures
you don’t know
names for,
 . 
your enemies
forgotten
 . 
and a sky
just as much
your own
 . 
as a new skin.
 . 
David Radavich
from Here’s Plenty, Červená Barva Press, W. Somerville, MA; © 2023
 . 
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❦ ❦ ❦
 . 
2020-06-11a Doughton Park Tree
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 . 
[with 3 poems by Ana Pugatch]
 . 
My Mother’s Visit
 . 
The woman sensed that I now
looked down on her. That the earth
had turned slowly
 . 
into night. That her kin would only be
a distant moon. She watched
shards of light slice through the bamboo
 . 
thicket, the stars’ edges harden
and cool. In daytime she marveled
at the strength of a water buffalo, how
 . 
it shoulders could shift continents.
But I knew it would never be
enough.
 . 
We looked down
from the bamboo raft, and below
the glass surface saw
 . 
what flickered in turbid
darkness. Like my mother I thought
of the day when the river
 . 
would freeze over –
and how I’d give up everything
to feel its final stillness.
 . 
Ana Pugatch
from Engrams, Seven Years in Asia, winner of the 2022 Lena Shull Book Award of the North Carolina Poetry Society; Redhawk Publications, Hickory, NC; © 2023
 . 
❦ ❦ ❦
 . 
Above the river a west-facing ridge, protected, always cool and moist, and a narrow rustic trail that veers from the main — this is the path I take the day after Christmas. Winter brown, mossy stones and lichen, these are all I expect today, but here and there are premonitions. Ruddy toothed leaves, foamflower will bloom in March; bright green variegated heartleaf hides beneath pine needles today but soon will hide its own little brown jugs. So much muted beauty to share, but what is this! Hepatica is blooming!
 . 
Right here along this little path is the first place I ever discovered native hepatica in Elkin. (I still clearly remember where I was standing when I added my first bird to my life list decades ago, a chestnut-sided warbler — do normal people hold onto these sorts of memories?) But this is December — the earliest we ever see hepatica in bloom is late February, preceding even the rush of trout lilies. Nevertheless here is one plant with a flower and two swelling buds. Too, too early. Winter too warm. I can’t say I’m filled with happy thoughts for our planet.
 . 
A few days later I’m back with a camera. I can’t say I’m filled with happy thoughts of botany and phenology. Last night my brother and sister and I had a lengthy conference about our Mom’s decline. Tomorrow I’ll be sitting down with her and Dad to discuss a palliative care consultation and possibly moving to a higher level of care. I have to watch my footing carefully on parts of this trail – exposed stones, roots, erosion. Going downhill is when you’re most likely to fall. Mom’s descent has been steady for years, gradual, but the path ahead appears much steeper.
 . 
This is interesting – a single clump of pinstriped leaves, Adam-and-Eve Orchid. And Cranefly Orchid with its magenta underleaf is plentiful here. When the surrounding trees lose their leaves these orchids make sugar from winter sun. Their own leaves will fade and disappear before spikes of tiny flowers appear  mid-summer. Similar for the hepatica: last year’s flecked and nibbled liver-lobed leaves are making way for new green even now. Diminished light, cold and frost, life makes what it can of every season. I bend lower for a better look at each delicate yet resolute little family of leaves. Not a single flower to be found today.
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❦ ❦ ❦
 . 
The Nightjar
+++ for S.
 . 
In the evenings you fold your wings
in a hammock on the porch.
 . 
your jaw clicks in imitation
of car locks. Your hair grows dark
to form a nest, twilight clouds:
 . 
a puff of throat. Mangrove roots
of a slow entanglement; filaments of stars
hang above us.
 . 
Don’t forget you say with the fan-eyes
of your tail as you fly away
 . 
each morning. You’re known
to frequent other lives, exhale their smoke,
catch tiny deaths on the temple’s
 . 
low wall. You’re known
for your camouflage, the concealment
of thoughts in daylight.
 . 
But I’ll still hold you, hoping
you’ll stay. Even if your ones are hollow,
 . 
fragile – I know one day you’ll roost
on steady ground.
 . 
Ana Pugatch
from Engrams, Seven Years in Asia, winner of the 2022 Lena Shull Book Award of the North Carolina Poetry Society; Redhawk Publications, Hickory, NC; © 2023
 . 
❦ ❦ ❦
 . 
Where does a memory live? Where does its root take hold, where is its safe repository? The sudden intake of breath at one sepia photo slipped from a pile of many others? A brief waft of scent upon opening a long-closed drawer? A word spoken in an unknown language ferrying meaning beyond its meaning? A phrase written in a notebook long misplaced? A dream?
 . 
Perhaps our memories are truly embedded in biochemical engrams deep in our hippocampus, hard-wired each in its own bud of synapse, but where is the map to its local address? Ana Pugatch knows to follow the narrow alleys and unmarked streets. Her poems are visions, aromas, sensations that may chill or warm. That may be fearful and unsettling or openly inviting. Her memories weave a world for me. Her world opens me to my own alleys, dim at times but becoming brighter; she opens me to streets I had forgotten. Or have yet to travel.
 . 
 . 
Is it because the world is so big and there are so many of us in it that we react by closing ourselves and retreating? Are we threatened by the rush and clamor of ideas, practices, cultures? Is that why we draw a line around our tribe and push all others away? We imagine that to survive we must deny, even destroy, everything outside our comfortable patch of expectations. To my mind, humankind’s survival depends on just the opposite. We can’t close the door but most open it. Perhaps we do feel frightened when confronted with anything that challenges our assumptions, whether a person, an artifact, an idea. Perhaps. And perhaps responding to novelty with imagination rather than rebuff is what allowed Homo sapiens to expand while Homo neanderthalensis dwindled and disappeared (except for the handful of Neanderthal genes we’ve acquired and still carry!).
 . 
Within poetry is concealed the map to our local memories. And in poetry we encounter shared memory and experience, doorways that may lead us out of our cloister and into the embrace of the different, the foreign, the alien, the frightening. As I read Ana Pugatch’s sensitive and sometimes ephemeral visions of her years in China and Thailand, and now of her presence in North Carolina, I am not an impartial observer watching a travelogue. I connect with those struggles. We are human, she and I and all the people she encounters. From the strangeness I feel a common thread winding around my heart. May that thread continue to pull me forward, and outward.
 . 
 . 
Engrams, Seven Years in Asia is available from Redhawk Publications.
The Lena Shull Book Award for a full length poetry manuscript is sponsored annually by the North Carolina Poetry Society. Submission period opens June 15, 2024.
 . 
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❦ ❦ ❦
 . 
Unfurnished
 . 
I would write down the date if I knew
which day it was.
It’s Tuesday, I think,
and the baby cries upstairs.
 . 
I’ve never seen the family;
I only know them by
the red and gold characters posted
on their door.
 . 
Their laundry hangs
on the lines above mine;
Cantonese echoes through
my empty rooms.
 . 
We share the same view of Zhuhai.
We share that space of sky and trees
and we open our doors
when it rains.
 . 
Ana Pugatch
from Engrams, Seven Years in Asia, winner of the 2022 Lena Shull Book Award of the North Carolina Poetry Society; Redhawk Publications, Hickory, NC; © 2023
 . 
❦ ❦ ❦
 . 
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❦ ❦ ❦
 . 
2018-02-09 Doughton Park Tree

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