Posts Tagged ‘poetry’
A Small Franchise – Poems for the Earth
Posted in Ecopoetry, tagged Bill Griffin, Denise Levertov, Earth Day 2025, Ecopoetry, imagery, Kenneth Rexroth, nature, nature photography, nature poetry, poetry, Robert Frost on April 4, 2025| Leave a Comment »
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Poems for the Earth: Kenneth Rexroth, Denise Levertov, Robert Frost
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Lute Music
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The earth will be going on a long time
Before it finally freezes;
Men will be on it; they will take names,
Give their deeds reasons.
We will be here only
As chemical constituents –
A small franchise indeed.
Right now we have lives,
Corpuscles, ambitions, caresses,
Like everybody had once –
All the bright neige d’antan people,
“Blithe Helen, white Iope, and the rest,”
All the uneasy remembered dead.
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Here at the year’s end, at the feast
Of birth, let us bring to each other
The gifts brought once west through deserts –
The precious metal of our mingled hair,
The frankincense of enraptured arms and legs,
The myrrh of desperate invincible kisses –
Let us celebrate the daily
Recurrent nativity of love,
The endless epiphany of our fluent selves,
While the earth rolls away under us
Into unknown snows and summers,
Into untraveled spaces of the stars.
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Kenneth Rexroth
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Is it really so strange that the close observation of life, noticing its many particulars and how desperate it is to spread and mingle and weave itself among the web of all other lives no matter how disparate and also individually desperate, strange that the observation and celebration of this planet solely and most fortuitously devoted to conjuring life should also ferment within the observer a noticing and rumination about death? Beside the stream the liverworts unclasp their primitive green. Rockspray nourishes them for a moment then continues its endless work of washing the ashes of earth to the sea. Between right now and when my own ashes will join them is less than a blink for the water, the rock, the bryophytes. Two or three blinks would be more than enough to embrace the span of my entire species on this middle-aged planet. A small franchise indeed.
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In our current society the virtues have lost most of their value to inflation (inflation of ego primarily), and of all virtues humility seems valued least. Another winter is apparently ended but it is hard to shake the chill of despite that has settled and will not permit dispelling. For the few years left of my personal franchise among the living, where is the warmth? Right here, though, is my favorite seat on the back porch. Its cushion retains the signature of my backside. Ten feet away my favorite among all trees remains undiscouraged, staid Beech perhaps a quarter century my elder. Its scars and knots only enhance its beauty. At its crown the long slender leafbuds already unfurl to prepare the deep shade so welcome come May. And that smooth, grey skin – the filamentous liverworts readily accept its unselfish invitation to reside. As a representative of a large-brained apex species, could I humble myself before such an insignificant creature as a liverwort? Could I be half so generous as the Beech? Perhaps it is warm enough after all – life is poised to spread and mingle. Let’s go out front into the sun and plant some seeds.
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The Past III
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You try to keep the present
==== uppermost in your mind, counting its blessings
==== ==== (which today are many) because
although you are not without hope for the world, crazy
==== as that seems to your gloomier friends and often
==== ==== to yourself, yet your own hopes
have shrunk, options are less abundant. Ages ago
==== you enjoyed thinking of names
==== ==== for a daughter; later you still entertained,
at least as hypothesis, the notion
==== of a not impossible love, requited passion;
==== ==== or resolved modestly to learn
some craft, various languages.
==== And all those sparks of future
==== ==== winked out behind you, forgettable. So –
the present. It’s blessings
==== many today:
==== ==== the fresh, ornate
blossoms of the simplest trees a sudden
==== irregular pattern everywhere, audacious white,
==== ==== flamingo pink in a haze of early warmth.
But perversely it’s not
==== what you crave. You want
==== ==== the past. Oh, not your own,
no reliving of anything – no, what you hanker after
==== is a compost,
==== ==== a forest floor, thick, saturate,
fathoms deep, palimpsestuous, its surface a mosaic
==== of infinitely fragile, lacy, tenacious
==== ==== skeleton leaves. When you put your ear
to that odorous ground you can catch the unmusical, undefeated
==== belling note, as of a wounded stag escaped triumphant,
==== ==== of lives long gone.
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Denise Levertov
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POETRY FOR EARTH DAY 2025
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Our ability to perceive quality in nature begins, as in art, with the pretty.
It expands through successive stages of the beautiful to values
as yet uncaptured by language.
Aldo Leopold
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Is it only serendipity that Earth Day and National Poetry Month are celebrated together each year in April? Our need for the Earth, our love for the Earth, are beyond language, yet poetry must continue to yearn to express that love.
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Do you have a favorite poem that enlarges the boundaries of community? That notices the often overlooked? That celebrates all life on earth as one family together? We invite you to share! The deadline is April 10. See full guidelines at this link:
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These poems by Kenneth Rexroth, Denise Levertov, and Robert Frost are collected in The Ecopoetry Anthology, edited by Ann Fisher-Wirth and Laura-Gray Street; © Trinity University Press, San Antonio TX, 2020
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Liverworts are ancient non-vascular plants, some 9,000 different species inhabiting every continent except Antarctica and almost every habitat and niche. They have been grouped with mosses and hornworts in the division Bryophyta, although some taxonomists split them into their own division, Marchantiophyta. One particular species, Frullania eboracensis, the New York Scalewort, is particularly noticeable on smooth barked trees such as beech, maple, and holly.
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The Most of It
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He thought he kept the universe alone;
For all the voice in answer he could wake
Was but the mocking echo of his own
From some tree-hidden cliff across the lake.
Some morning from the boulder-broken beach
He would cry out on life, that what it wants
Is not its own love back in copy speech,
But counter-love, original response.
And nothing ever came of what he cried
Unless it was the embodiment that crashed
In the cliff’s talus on the other side,
And then in that far-distant water splashed,
But after a time allowed for it to swim,
Instead of proving human when it neared
And someone else additional to him,
As a great buck it powerfully appeared,
Pushing the crumpled water up ahead,
And landed pouring like a waterfall,
And stumbled through the rocks with horny tread,
And forced the underbrush – and that was all.
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Robert Frost
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Elemental – Scott Owens
Posted in Imagery, tagged Bill Griffin, Elemental, imagery, nature, nature photography, nature poetry, NC Poets, poetry, Redhawk Publications, Scott Owens, Southern writing on March 28, 2025| 4 Comments »
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after rain the hills
fill up with mist, everything
else just memory
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[poetry by Scott Owens]
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Elemental
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Having been raised in shadow of pecan trees
he learned to keep his insecurities
concealed in shells the color of earth, almost
inextricable and gathered in brown paper bags.
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Having been shaped by twisted logic of weather
in South Carolina’s Tornado Alley,
he learned when to move with wind and when
to stand fast and howl against the blow.
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Having been dipped in yellow water
without being held by anything but current
he learned to sink to the bottom, plant his feet
in mud below and walk back to shore.
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Having been burned in fires of passion and forgiveness,
faith and disbelief, he learned to trust little
but what he could see: bird flight, dirt
beneath the nails, quiet eternity of mountain.
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Scott Owens
from Elemental, forthcoming in 2025 from Redhawk Press, Hickory NC; © Scott Owens.
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Where is the transition point between cluttered and ungodly mess? I gave up long ago any hope of keeping my desktop tidy or my bookshelves neatly organized. For the past year, however, the normal books and papers and camera gear have been invaded and overcome by bins, boxes, and bags. Here’s a sampling:
file boxes of my parents’ financial and tax records, 2023 to present;
banker’s boxes of photos I’m bound and determined to sort, 1920’s and even earlier;
crumbling carton of 35 mm home movies shot by Grandpop, who died in 1958;
and before I totally blame Mom and Dad, one chair is completely full of books and magazines I’ve read or intend to, and the other chair is completely loaded with gear, field guides, and two dozen clip boards with botanical checklists I’ll hand out at my next naturalist walk in a week.
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And one other thing among so many others that have not yet discovered or been granted their ultimate place of repose: a heavy oak urn containing my mother’s ashes.
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The urn I will keep close and heft from time to time. Is any of this other stuff really essential? I don’t believe I will ever lose the picture in my head of Mom on her bicycle, luminous smile, age 11 – perhaps these boxes don’t hold anything that can surpass that memory. I can’t conceive of a meaningful life that doesn’t include a camera in my hand, but after all I can only hold one at a time. And the books! I’m planning to surprise thirty or so friends with a (comfortably read) book for Poetry Month, but the groaning weight of the remainder will scarcely feel the loss.
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Whelm: To cover, submerge, engulf or bury; to overcome. Why have I made myself responsible for these accumulations? Am I their curator, conservator, salvager? Or do I expect this stuff to somehow save me? Buried by the non-essential all around me, perhaps I can thrash and claw my way through while I ignore my own ultimate burial.
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In a minute perhaps I’ll withdraw my hands from typing, swivel away from the screen, actually open one of these bins and boxes. Maybe I’ll chuck a dusty double handful in the trash. But maybe I’ll pull out a talisman that opens my soul to more luminous memories. I will smile and share what I’ve found. It will be a treasure not of precious metal or envious resale value but because of the door it opens. A sliver of light finds its way through and reveals one moment that has made meaning in this life. A moment that still has meaning. Not the old material stuff but the memories it carries on its back: from something here I might discover something new about myself, the ones I love, this overwhelming life. I might find something essential.
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Of Mint and Memory
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The smell of mint makes everything feel clean,
clears the senses like bells ringing,
or wind chimes, maybe, on a summer day
in 1973, after the war but before
the bomb became too real a thing to ignore.
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They say that smell is our most powerful sense,
not the strongest, not the one
we use the most, but the one we find
closest to memory and feeling, the one
most difficult to ignore, resist, overcome.
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I’ve given up patches of my yard to mint
so I’ll always have it for tea,
for homemade chocolate chip ice cream,
for the times I need to go back to days
when I didn’t know enough to be afraid.
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Scott Owens
from Elemental, forthcoming in 2025 from Redhawk Press, Hickory NC; © Scott Owens.
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Linda listening to Fauré while she reads. A brown thrasher sneaking into the holly just outside my window. Lacing up for another afternoon walk in the woods. I could list a dozen necessary things that have intruded on this morning, but if I take a deep breath and reflect on what is essential those first three seem like a good start. Last night we drove by a church signboard with this suggestion: “Do one thing today that makes the world a better place.” Essential. I would add, “one thing that makes you a better person.” Paying attention. Gratitude. Joy. If even for a moment, make space in the necessary for the essential.
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Scott Owens is always on the lookout for the essential. His new manuscript, Elemental, expands and reinforces the search. Expect to encounter the essential and you will! Scott has written thousands of poems to ground himself in the seeking and yet he still finds joyful surprise in the daily happenings and encounters that make real meaning in life, if you allow them to. Perhaps it is because he is intentional and systematic in his noticing that he discovers joy all around him. This book includes a section on the seasons, a travelogue section especially exploring North Carolina, a final section of life’s lessons. I will use it as a field guide for the truly essential.
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Oh, and trees. Scott really, really loves trees, both in their grand collective leafiness and in their individual personalities. He mentions that he grew up around pecan trees and learned something about hiding vulnerability from the way their shells hide the sweet kernel. I’d like to sit down with Scott and swap yarns about the pecans in Granddaddy’s back yard. Or my beloved beech I will not forsake even though it dropped a branch through my windshield. Or the hundred colors of lichen on the holly’s bark. Then we will move on to birds, and mountains, and the sound of moving water. We will discover how much we have in common. We will nod and share a slice of joy in the discovery that every single creature on earth holds that much in common and more. That joy, that knowledge, is truly essential.
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Keep your eyes peeled at Redhawk Publications for Scott Owens’s new book, Elemental, due out by this August, 2025.
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All That Is
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It’s winter,
a hard time of year
for noticing things,
except the wide sky
through limbs of trees,
and the shapes of trees
stripped of leaves,
and a white-breasted nuthatch
hopping sideways
down the trunk
of a peeling paper birch,
and the omnipresent cold,
and the quiet
of everyone staying inside
as long as they possibly can,
but all that is not there,
in the haunted austerity
of a winter landscape,
is what makes it possible
to see all that is
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Scott Owens
from Elemental, forthcoming in 2025 from Redhawk Press, Hickory NC; © Scott Owens.
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For the Unseen
Posted in Imagery, tagged Astonished to Wake, Bill Griffin, imagery, Jacar Press, Julie Suk, nature, nature photography, NC Poets, poetry, Southern writing on March 21, 2025| 2 Comments »
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[with 3 poems by Julie Suk]
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We’re Small on the Rim
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of comprehension, but that shouldn’t distract
us from the fig tree
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bent by fleshy globes on the verge of fall,
seed exposed where the fruit splits.
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And there are the aunts
leaning over a cast-iron kettle filled
with sugar, spices, and a curl of lemon zest –
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figs stewing, jars lined up, the ladle lifted
for a sample sip –
++++ never mind the times my lips were burned
++++ by a sweetness giving more than I gave back.
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Hold out your hand for the unseen
my grandfather said.
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There, the universe,
a potpourri of energy lit by colorful fires
that sparked me to life,
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++++ accident though it was,
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limb of the fig tree scratching the house,
on the table, a spoon.
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Julie Suk
from Astonished to Wake, Jacar Press, Durham NC; © 2016
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I am crying for the beauty of these trees. An upwelling of emotion? A brain response slung through limbic system from temporal lobe because of certain inverted images on my retina? No, a watery reaction to pollen. Hazel catkins stirring in the breeze. An itch, a sneeze. But still I am crying for the beauty of these little trees.
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How one says a thing is more important that what one says. We stop along the nature trail to notice this unequivocal manifestation of Spring – drooping yellow pollen catkins on American Hazelnut, full and fertile long before any leaves appear. These are the male flowers. Where are the female? Solitary at the tips of limbs and buds, discover a few spidery red florets no bigger than your little fingernail. From these tiny nubs the nuts will form and we can eat them in September if we beat the squirrels. As I point out the female flowers, how they point mostly outward and upward away from the catkins, I catch myself before blurting this explanation: “They’re designed to prevent self pollination.”
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Designed? The Hazels worked out this arrangement of their own volition? Or had it planned for them de novo on some cosmic drawing board? Oh Evolution, how you embrace the random and non-linear, and how we struggle to grasp such a universe. I gulp and begin a different tack. “Self pollination increases the risk of recessive traits and may weaken the line. Over many, many generations, the Hazel trees that happen to grow with their little red flowers poised to catch pollen blown in from a neighbor tree are more likely to have strong offspring that can pass that trait along.”
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And does that explain why I cry for the beauty of these trees? All these trees? The red maples are already dropping their polleniferous bundles as winged seeds unspool from female flowers. Stony hickory nuts are still discoverable beside the trail from last fall’s excellent mast season. The green furze we spy at the ridgeline’s crown is tuliptrees’ earliest budbreak. The trees speak their names in the space they fill. They give their promises almost silently but always sure. There seems no end to the means my own species can devise to make the world harsh, hateful, ugly. There is no end to the beauty of these trees. I cry.
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The Dream It Was
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Gone, the apples left last night for the deer –
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shadows lighter than the night they passed through,
rune-like hoof marks carving the frosted lawn.
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Like a dream,
but touch is my familiar.
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May you and I morph into other bodies that meet
once this one goes
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on and on into the blue heights – old trails
like those deer use around the girth of a mountain.
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And after breath evaporates
may the words left without a tongue
fall into the pool where we swam,
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the cold waters rushing back warm.
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Julie Suk
from Astonished to Wake, Jacar Press, Durham NC; © 2016
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Hold out your heart for the unseen. When there are no longer lips, a mouth, to hold our words may they pool in the places we loved. May we meet again on the blue heights, on some new trail, on a very old trail. What voice would you choose in your next life? Listen for me, a song of wind thin in the high branches.
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What would the new day hold for us if each morning we were astonished to wake? Dogwood scratches the window as wind picks up. Throaty testosterone rumbles as the teenager across the street starts his pickup to head to school. What could urge me out of bed instead of surrendering to warmth and pulling the covers higher? But this is a new day, the vernal equinox in fact. I confess I have reached the time of life when I can see the days ticking on ahead of me are finite in number.
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Turning each page in Julie Suk’s Astonished to Wake is a reminder that new days are in short supply. Perhaps this one will weave its meaning from days treasured in their remembering. Perhaps this one would prefer to eat me raw. Perhaps this is the day I really will wake up and notice every person that has made my life, and even tell them so. A good book of poetry compels one to turn each page, then the next. A great book of poetry compels one to set the book aside and enter the newness of this day.
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From Charlotte, NC, and former managing editor of Southern Poetry Review, Julie Suk has been a beacon in the world for poetry for decades. R. T. Smith writes, “The poetry of Julie Suk is at once deceptively spare and metaphorically rich, and the sensual mystery of her perfectly pitched and etched lines is haunting, elemental, and wild.” Her many awards include the Brockman-Campbell Award of the North Carolina Poetry Society. Astonished to Wake is Julie’s sixth collection, published by Jacar Press.
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The Music
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When my father was young, he played the violin,
his mother, the rosewood Grand.
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She also had a voice clear and sweet,
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also had tuberculosis and died
when my father was thirteen.
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He never played again, but loved music,
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the Victrola making its rounds,
or the two of us listening to opera on the radio.
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No noise allowed in the house when Rosa Ponselle sang.
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In my next life I want the voice of a violin.
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Tell me what you’d like played
and I’ll speak from the key of love and pain,
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how the living are echoes of the past,
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my grandmother staring into the darkness – as I do now,
thinking of those I must leave.
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Talking into the night,
we’ll hold sorrow up close and let it weep.
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Julie Suk
from Astonished to Wake, Jacar Press, Durham NC; © 2016
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