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Posts Tagged ‘L. E. Phillabaum Poetry Award’

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[with 2 poems by Catherine Carter]
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Earth says
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I am your mother as the horse
is mother to the louse, endlessly
intricate interlocking systems
which the blissfully sucking louse
cannot imagine and never must,
which it sums up
in some louse-sign for God
a quiver of hairs of the thorax,
a shimmer of inarticulate
gratitude for satiation and for
preservation of self, self, self.
I am sick of it, mother
with eight billion toddlers
not counting my beautiful beetles,
a horse plagued with lice, and yet.
I am your mother as you are mother
to the mosquito which hovers
over your arm as you write,
mote of thirsty gold quivering
with desperation to the boom
of great rivers in blue tunnels
and pipes just below the soft leather
scrim of skin, endless life
you’ll never miss and won’t let her have,
enough for a thousand generations.
If she tries to drink you will want
to swat her flat, and she must try,
for her unborn young, for her life. And maybe
eventually, weary of swatting,
worn down by importunity,
unwilling compassion, fear
of the insect apocalypse blossoming
all around you like the mushroom
cloud, you will incline your head. Fall
still. Let her drink her fill
and float away, a dandelion spore
on the summer air, in the hot flash
of May morning light.
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Catherine W. Carter
from By Stone and Needle, Louisiana State University Press, Baton Rouge LA; © 2025; winner of the L. E. Phillabaum Poetry Award for 2025
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❦ ❦ ❦
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Imagine a straight line. It’s Geometry’s simplest one-dimensional structure. It’s the shortest distance from here to there. It’s a diagram of my life on earth. Maybe my life seems bumpy and ridden with twists but no, it starts at my beginning, forges straight through, and ends at my ending. My timeline. Beyond that it becomes someone else’s line, “me” in their memories.
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It’s no accident that we all use the word timeline. (Instead of timepolygon or timecube?) Time’s line, even though it wields only one dimension, is all the vessel I have to contain my life. In fact, there is one single point on that line that holds the entirety of my awareness. I’ll label that point now. Every part of the line to the left is the extent of what has already been now and is now no more. Label it past. Everything to the right consists of nows yet to come. As I write this, several nows have just slipped by me.
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How many? How many nows have I filled up (wasted?) with staring across the room wondering what to write next? Do next? Think next? Be? I shudder to even attempt an answer to that, because in exactly the same way Geometry tells us that the line is continuous, no gaps, an infinity between each point, time is also a continuum. No missing pieces. No quanta. I could fit an infinity of nows between any two nows I choose.
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That adds up to a helluva lot of timeline spent worrying about my son. An infinity imagining the conversations we could have had that would have set us right, the conversations we could have tomorrow that would correct our course, revising those conversations, projecting out to the right the results of our conversations or absences thereof. Not to mention replaying out to the left the segments of line I’ll label regret.
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Until now. I return home late and my son is waiting up. He tells me he’s come to a turning point. We hug. How many nows does that fill? How many is infinity? Hey Time, just for a moment, please stop now.
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❦ ❦ ❦
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When you know a witch’s true name
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she has to do what you ask. If she tries
to refuse, her name lets you tighten the wire
on marrow-fears she’s spent forever
trying to hide, secret shames which sicken
her so she’d almost rather strangle than share:
the reason she wraps herself in that caul
of hexes, chainsaws, shielding spells.
This makes witches cautious.
Except something in them, in us
all, wants to hear someone say
our names with recognition, no matter
what comes after. Curled round
our glint of treasure, our shimmer
of power, we’re gongs hung
to tremble to our one true name
or one true question, the one we’ve awaited
forever, whose answer is our whole lives,
the one almost no one is interested
enough to ask. It’s why I’d come
if you summoned me up, despite.
If you knew the right question,
I would tell you anything.
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Catherine W. Carter
from By Stone and Needle, Louisiana State University Press, Baton Rouge LA; © 2025; winner of the L. E. Phillabaum Poetry Award for 2025
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❦ ❦ ❦
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I’m just / what comes next when everything touches everything.
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Is By Stone and Needle a book of charms and spells? Are its lines sigils and hexes that, in the hands of the seeker, reveal arcane wisdom? Is it the words of Myth and Magic, Nature and Earth that we have feared to hear and at the same time longed for?
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Catherine Carter’s language is afraid of nothing. It breaks down every door. It wrenches meaning from syllables that never before dared to be said so close together. Earth, though I tremble to admit it, I guess I’ve suspected you may well be tempted to swat us like a mosquito (although I’ve always known you love your beetles). And Love, I do believe you are out there hoping to strike the gong of our true names. I am still traveling the journey of these pages. By stone and needle I trust I will find my way. And at the end find myself.
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Catherine Carter’s By Stone and Needle is available from LSU PRESS. 
These poems are dense, delicious, scary, enlightening. I will feature two more poems from the collection at next weeks posting (October 17, 2025).
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❦ ❦ ❦
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The concepts of the line as unbroken continuum, the inseparable connection we make between that line and the set of all real numbers it compasses, and our human perception of time as an unbroken line are developed in a small book my wife Linda studied in college fifty years ago and which we discovered cleaning out bookcases this month:
Number – The Language of Science, Tobias Dantzig, Fourth Edition, Revised and Augmented. Doubleday Anchor Edition © 1956.
One cover blurb states, “This is beyond doubt the most interesting book on the evolution of mathematics which has ever fallen into my hands.” Albert Einstein
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2016-10-17a Doughton Park Tree
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