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Posts Tagged ‘Kakalak’

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[with 5 poems from Kakalak 2023]
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Autumnal Asymptote
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The sun’s last red is seeping through the maple now,
and umber too, like the webbing of a frog, like the shadow of winter.
How tenderly the ground holds each leaf. How lightly they rest
before they snuggle down under the rain.
Such a wealth of dying. The coin of the land is on its edge,
a membrane, the balance of water, seeping –
even the roots break light together.
Even the fungus breathes its gifts
to the soil.
 . 
Even the breath of me shatters this silent grace.
My steps churn leaves, worm-cast, root, stone.
The arc of reaching out is endless, airless –
I cannot kiss the earth’s brow so lightly.
She cannot sigh and settle beneath my hand.
 . 
Hannah Ringler
from Kalalak 2023, Harrisburg, NC. © Moonshine Review Press 2023
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❦ ❦ ❦
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I am about to read an online poem titled Bicuspid and I immediately tell myself it will be about that congenital heart syndrome in which the aortic valve has only two leaflets instead of the normal three (“tricuspid”). The man in the poem won’t even know he harbors the cardiac defect. His life will be flowing along its secure expected trajectory until suddenly in his 30’s he won’t be able to walk up a flight of steps or have sex without gasping for breath. Everything crashes – painful tests & procedures, dangerous surgery, bankrupting bills, a foot-long scar down his sternum. The life he was a moment before so confidently devouring has abruptly turned to eat him up and spit him out. Will he discover a new center?
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The title also launches me into another favorite pastime – etymology. Just what is a cusp, anyway? Whenever you open yourself to a new field of exploration, your first big hurdle is its vocabulary. In scientific parlance, its nomenclature, but, hey, still just words. Don’t your non-poet friends’ eyes glaze over when you wax rhapsodic about enjambment? I know when my grandfather G. C. Cooke attended medical school in the nineteen-teens his required courses included Greek and Latin. Maybe he couldn’t do anything about Bicuspid Aortic Valve Syndrome, or even diagnose it pre-mortem, but he definitely was armed with all the nomenclature he needed to know cusp derives from Latin cuspis, a spear or a point, and the first recorded use of tricuspidem for “three-pointed” is from the 1660’s.
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Dig deep beneath the words growing in these lines, whether cultivated garden or rank unruly weeds, and you discover that all is metaphor. The cusp of the moment is a fulcrum impossible to balance upon; leap left or leap right? The spear prods your back; it will not permit you to remain standing on this spot of ground you imagined so stable. The motion of your very heart is arrested, worn out of synch, its fluttering leaflets no longer able to manage the flow of your minutes.
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Wow. I read the poem. Turns out it’s describing teeth. Bicuspid, duh. But it is still all about getting chewed up by life. And it’s awesome.
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[ read Bicuspid by Clemonce Heard on poets.org HERE ]
[ and HERE is my favorite online Etymology Dictionary (or download the app Etymology Explorer) ]
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 . 
Under
++ from the early Chinese philosopher Mencius:
++“The ten thousand things are part of me.
++ Treat those things as you would treat yourself.”
 . 
Under the cloud, a man in the airplane
looks down from the window and yawns
at the mountain’s green canopy,
the towering tree where, under
a branch, the owl sleeps.
Under the owl, a young mother
leans against the rugged trunk;
under her eyes, a small screen,
her frog thumbs hopping;
under the screen, her hands.
Under her darting glances,
her child squats. Under the child
the tumbling river dances;
under the river, the rock.
 . 
The child lifts the rock and squeals
as, under the rock, the crayfish wakes.
Between two fingers, under her gaze,
its curious feelers, its wiggling tail,
its many legs running midair,
its hooked fingers; its eyes
examine her. It whispers in her hear.
The water stirs. She lifts the rock again
and tenderly tucks the crayfish
under, for now she knows
the ten thousand things are part of her.
 . 
Martha O. Adams
from Kalalak 2023, Harrisburg, NC. © Moonshine Review Press 2023
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❦ ❦ ❦
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Fox Moves in Nearby
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As incense from a censer,
+++ wildness wafts about him –
he saunters
+++ outside our sliding door.
 . 
Red as cinnamon,
+++ gray-flecked belly,
he swings his head side to side,
takes everything in
+++ his black pearl eyes.
Squirrels scatter,
+++ grackles fly.
 . 
He lifts his leg and marks
+++ the stoop
and, with deliberation,
+++ three stones by the fountain.
 . 
He hesitates, concludes,
+++ and prances
through the hostas,
+++ slows beneath the forsythia,
squeezes through the fence.
 . 
We spend sever quiet breaths,
+++ fingertips on glass,
before we step out to sense
+++ his leaving.
The birds flit back
+++ to feed and chatter
Shadows underlying trees
+++ are darker,
redbirds, redder.
 . 
Preston Martin
from Kalalak 2023, Harrisburg, NC. © Moonshine Review Press 2023
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❦ ❦ ❦
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A few weeks back a friend in my writer’s group (holy poesy, Bill is in a writer’s group now!) mentioned that she has edited an anthology by poets near her home in northwest Ohio. Imagine opening a collection and recognizing the writers by name! See their faces as you read their lines, hear their inflections and cadence. You might realize immediately that the poem is about teeth and not heart valves. Such a concept!
 . 
Welcome to Kakalak 2023. Although the editors no longer require a North or South Carolina connection in order to submit, I still discover many friends and acquaintances in the pages of this annual anthology. This year’s book very much retains the flavor of the South – has there ever been an issue without at least one mention of red clay or grits? But these almost 200 pages span most everything that could be said to make us human, whether grief or exaltation, recollection or discovery, love or despair, current events or origin stories, even a raised middle finger to the Home Owner’s Association.
 . 
I’ve read the book through from page one to the end. I intentionally avoided skipping straight to the names I know in order to discover names I want to get to know. I used my standard criteria to select three poems to feature here, which is no criteria at all except what grabs me in the moment of reading (and the three quickly becam five, eleven, fifty). Do you need some new friends? As Robert Frost invites when he heads down to clear the pasture spring – You come too!
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 . 
[ Kakalak 2023 is edited by Angelo Geter, David E. Poston, and Kimberlyn Blum-Hyclack; learn more about Kakalak, and purchase  HERE ]
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❦ ❦ ❦
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Moon-Child
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+++ +++ +++ Sophie has pummeled the beach all day
+++ with the unbridled vigor of a one-year-old
dog, her tail held aloft like a kite gaining the wind
 . 
She is tired and wonders why we’ve come back at this hour,
+++ though sand feels coos as the night sky peels off
+++ +++ the top layers of heat. She pants and leans into me.
 . 
+++ +++ That’s enough, isn’t it?
+++ To feel day draining into atmosphere?
+++ +++ To hear the surf recite the history of a planet –
 . 
+++ +++ +++ extinction events,
+++ +++ +++ +++ rise and fall of Rome,
+++ +++ +++ discovery, war, conquest,
+++ +++ pandemics, and underneath it all,
+++ echoes of lost Atlantis rumbling in the waves?
 . 
Sophie’s nose twitches.
+++ Something in the dark has put her on alert.
The cone of my flashlight reveals where a ghost crab
 . 
+++ +++ has been sidling. A moon-child
+++ +++ +++ gleaning alms offered by the tide
+++ +++ has scribed in the sand abstract patterns,
 . 
ragged as the Milky Way,
+++ like a record of all the small events
that drive the Earth, too delicate to see.
 . 
Gregory Lobas
from Kalalak 2023, Harrisburg, NC. © Moonshine Review Press 2023
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The Hive in the Wall
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Sometimes, when a soul has more to say,
it holds on to some place, some person,
or just moves in between joists and frames,
 . 
taking the shapes of bees, even their names,
their endless buzz near the too-warm kitchen.
Unlike other ghosts, they work by day.
 . 
They still need light and the scent of wet grass,
flowers that love summer and last until fall.
They, I say they, but I mean they act as one.
 . 
Many creatures made of one spirit, a mass
that’s a fused, united, yet scattered, all.
That’s what it takes to get the job done.
 . 
This may not be true, but here’s what I believe:
that one day, all bees, in one swarm, will leave.
 . 
Paul Jones
from Kalalak 2023, Harrisburg, NC. © Moonshine Review Press 2023
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❦ ❦ ❦
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Hannah Ringler (Durham, NC) is a poet, gardener, and educator.
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Martha O. Adams (Hendersonville, NC) includes drawings for coloring with her recent meditative poem In Your Meadow.
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Preston Martin (Chapel Hill, NC) facilitates classes in poetry and literature at Duke Continuing Education.
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Gregory Lobas (Columbus, NC) won the Dogfish Head Poetry Prize in 2022 for Left of Center.
 . 
Paul Jones (Chapel Hill, NC) is a member of the NC State Computer Science Hall of Fame and some of his poems crashed on the moon.
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❦ ❦ ❦
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2020-03-07 Doughton Park Tree
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Hepatica

[poems from Kakalak 2021 by Beth Copeland, Danielle Ann Verwers, Don Ball]

How cool would it be if your friends got together and wrote a book for you? Friends you hadn’t seen in a while, like maybe two years. Friends you’ve swapped a few stories with and suddenly here they are sharing new stories. Friends who at this very moment are just now becoming your friends.

How cool? Very cool.

Kakalak 2021 arrived last week and here are my friends! I’ve read the book through and gone back to re-read my favorites over and over again; the Carolinas have suddenly become cozy and personable and at once broad and expansive. Heart-expanding! Among the poets and visual artists in the book I see so many people I’ve met before at a literary gathering, read with at an open mic, served with on a board or committee. And then there are all the people whose books I’ve read or whose names I’ve seen and now the many more names I’ve not heard before but am learning. Names becoming friends. Somehow they’ve all come together to write a book for me. And for you.

.     .     .     .      .     .     .

Fog

Morning fog erases the mountain and trees.
No, not an erasure but unseen.

+++ Not an erasure but unseen.
+++ The mountain, the laurel still green.

Unlike the mountain and laurel still green,
the dearly departed lie beneath white sheets.

+++ The deer depart beneath white sheets
+++ of fog, stepping into a forgotten dream

of fog slipping into a forgotten dream
the ghost mountain dreams.

+++ The ghost mountain dreams.
+++ Crows fly to pines on mascara wings.

Crows fly to pines on mascara wings,
mourning. Fog erases the mountain, the trees.

Beth Copeland

 

Ptera

.     .     .     .      .     .     .

In between reflecting on the poems and enjoying the art, I flip to the back of the book for the bios. The array of people’s publishing kudos is, of course, impressive, but personal glimpses also shine through (which, true confession, is what I’m really looking for in a bio):
Dean of Arts & Sciences at Isothermal Community College . . . Kathy Ackerman
interior designer . . . Melanie T. Aves
proud member of The Poet Fools . . . Don Ball
retired librarian . . . Richard Band
academic therapist . . . Joan Barasovska
feels a good day mellows blissfully with . . . creating art . . . Christina Baumis
poems featured on a transit bus . . . Michael Beadle
beginning poet . . . Gay Boswell (an awesome beginning here, a devastating poem)
eats dark chocolate daily . . . Cheryl Boyer
loves roots music . . . Joyce Compton Brown
marriage and family therapist . . . Bill Caldwell
sings in several church choirs . . . Joy Colter
masterfully overbooks non-existent free time . . . Julie Ann Cook
creates “convoluted notions” . . . Caren Stuart
passionate about reading aloud to children . . . Jennifer Weiss
collects library cards . . . Danielle Ann Verwers
and more, and more . . . . . . . .

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Two Sparrows for a Penny

+++ I.
If an airport is anything, it must be purgatory. And positioned
here in this terminal is benevolent holding space to store heavy
baggage as I watch my status, wait for take-off. A hollow metal
locker contains all my small treasures as I perch near walls of
windows. Iron flocks drift into the cumulous blue.

+++ II.
Milton, the bishop not the poet, believed humans would soar
in time. Brethren mocked his vision, convinced all schematics
to be sketched were drafted, nothing new under the sun to be
invented. Still, Milton knew his offspring inherited aviation
faith in their DNA, their eyes fixed on the heavens, their irises
bright with flight. Before fruition, typhoid took him. He missed
it when his sons fulfilled the prophecy, when his boys flew
with sparrows.

+++ III.
No one sings about two sparrows for a penny. Instead, we praise
our own ascent after a shell of flesh is molted. I’ll fly away, Oh Glory!
When I die let them sing the blues. Play a minor key for the birds
who crashed, feathers intact. Sing about birds who caught
tender gaze of God. Yes, let them sing of paradise lost.

+++ IV.
Close your eyes. Imagine you are a cloud drifting in the sky.
Light and free. No—imagine you possess hollow bones, you
are all sparrow. And now you flap your feathered wings but
your sternum is lead heavy. And you are falling towards the
ground at the speed of—no imagine you are light, warm and
bright. Imagine beams emit from your eyes, your chest, your
feathers, your beak. You radiate. No—I take it back. Imagine
you are a vapor, here today and gone tomorrow. Yes, imagine
you are a cloud.

Danielle Ann Verwers

 

Two

.     .     .     .      .     .     .

Somehow they’ve all come together to write me a book . . .

Well, not somehow come together – they’ve arrived here by intention. This book for me (and for you) was born of diligent labor and evolved quite intentionally. Enabled by the founders, sustained by editors and publishers through the years, the Kakalak vision perseveres and flourishes – a regional anthology created of and for people connected to North & South Carolina. This year’s Editors have sprinkled their selections with an especially effervescent cloud of pixie dust: they have created magical groupings of poems, 2 or 3 or more with complementary theme, style, subject. And the Art Editor has added a swish more magic by partnering the groupings with art that amplifies the verse.

And then . . . and then the real magic. The shiver. The heart to heart. I read these lines and something shifts inside me. I see with another’s eyes. I feel the depth of another’s struggle. God almighty, this is the place and this is the thing I need and this is certainly the time. When have we ever before needed it so much, this connection? Here we find it: connection with each other; connection with our small place on this planet; connection with our self.

Thank you, friends, for writing this book for me.

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Wish
Park View Hospital, Rocky Mount, NC

I am supposed to kiss my grandfather,
stroke-frozen in his high-racked hospital bed,
but he is angry at us and crying,
half-realizing the difference.
I stand by my brother and close my eyes.

About the same,
my mother says to someone in the hall,
and he’s about the same,
she whispers later on the bedside phone,
nodding to the wall.

But I am changed
by the hospital light, cold-yellow and dry,
by the white carts gliding through plastered corridors,
rattling over steel plates, swallowed by the swinging doors,
and voices that start up and quit—voices
suffocated by the secret-keeping walls.

This is it — I am thinking —
God almighty, this is the place.

Outside we are walking, our breath released.
The summer evening is blade-green and black.
The parking lot is full but quiet.
Crickets call behind looming elms,
and the moon booms out into the open sky.

Look, points my mother, The first star.
Make a wish.

The rows of hospital rooms are burning and hanging;
my brother is bending over the hint of a penny;
Grandfather, I am kissing you goodbye.

Don Ball

Currituck

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Kakalak 2021
Copyright © Moonshine Review Press, Harrisburg, North Carolina, 2021

Editors & Contest Judges:
+++ Kimberlyn Blum-Hyclak
+++ David E. Poston
+++ Richard Allen Taylor

Executive Editor and Publisher (and Art Editor)
+++ Anne M. Kaylor

[You might imagine how difficult it was to select just a few poems from many, many new favorites in this book!

Today’s art were among the entries I submitted but which were not published in Kakalak 2013, 2018, 2020, 2021. You’ll have to buy a copy of your book to see Incisors, selected for this year’s issue! — Bill Griffin.]

Order your copy of Kakalak 2021.

Explore past issues of Kakalak published by Main Street Rag.

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Delivery

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2020-03-07 Doughton Park Tree

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Forest Bathing Trail, Grassy Creek off Mountains-to-Sea Trail

[with poems by Lucinda Trew and Jane Craven]

Last week I took a walk in the woods with my oldest friend Bill (distanced by 2-meter dog leash). We were forest bathing (shinrin yoku): phones off, listening to Grassy Creek accompany our rustic trail, smelling leafmold, fungus, pines, going nowhere and getting there; reflecting on the moment, simmering in our conjoined past which stretches all the way back to our grandfathers who worked together on the same railroad 60 years ago.

Every trail, though, has a way of turning. Almost back to our cars, Bill happened to ask, “What are you going to do with your stuff before you die?” Us old guys, especially old poets, think about dying. Good story fodder. Let me tell you the one about . . . . Just not usually as concrete as what will become of our earthly matter when no one wants it any more.

Stoff: German, translates as substance. Two synonyms for Oxygen are Sauerstoff and Atemluft, the first meaning acid substance (early chemists’ misconception that all acids must contain oxygen) and the second meaning air for breathing. We humans can live about 3 minutes without oxygen before our brains lose neurons and our substance begins to degrade, but oxygen is pure poison to many microorganisms and tricky to deal with even for our own mammal cells (or why else would anti-oxidants be such a big deal?).

Stuff is pretty frangible. Are the moment’s mental occupations or the day’s consuming concerns any more tangible? Bill shared with me a photo of his granddad Enoch Blackley in his engineer’s gear from the 30’s, outline of pocket watch visible through the denim of his overalls. I have one very similar of my granddaddy Peewee Griffin. The bit of stuff comprising those old prints, grains of silver on paper, is mere milligrams of matter; the cubic volume of memory those images reveal is larger than many lives.

My Stoff – carbon, nitrogen, phosporus – will feed the trees. May I leave behind the tempo of my walk, the sound of laughter, honest tears of compassion, a couple of good poems. Maybe that’ll do.

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These two poems are from Kakalak 2020, the annual anthology of Carolina poets, by writers whom I don’t know and hadn’t read before. Lucinda Trew’s Of Stars fills me with wonder, all the universe in a crow-eye seed, somewhere within the secrets of universe wanting to be spilled out. Jane Craven’s Speaking of the World does just that, the image of a small flower expanding to hold the pain and contradictions of the most intimate relationships.

Metaphor is the tool that communicates the mysteries which swirl around us and within us, the inexplicable spark of our synapses, the spin of our electrons. Some things can’t be spoken, only sung.

Forest Bathing Trail, Grassy Creek off Mountains-to-Sea Trail

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Of Stars
If you wish to make an apple pie from scratch, you must first invent the universe. – Carl Sagan

The conjuring orchard man
holds hemispheres in sturdy hands
cupping chaos and creation
presenting apple halves
for inspection
and the revelation

of stars
a crop circle enigma etched
within sweet flesh
five symmetrical rays cradling
crow-eye seeds
small enough to spit
vast enough to hold eternity –
the very dust and stuff

of stars
carbon, nitrogen, oxygen
phosphorus – the breath and wingbeat
of birds who rise from reeds and nest

the rush and thrum
of boys who scrabble up bark, swagger
wave applewood swords

the sway and silhouette
of branches, girls dancing
longing for the moon

of pulse and surge
of cities, song, engines
prayer

the earthen realm
of roots and worm, turnips
and bones

the axial turn
of tides and shells
molecular chains

and of apples
twisted exquisitely, evenly
in half
spilling stars
and seeds and secrets
of the universe

Lucinda Trew, Kakalak 2020, Main Street Rag Publishing Company

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Forest Bathing Trail, Grassy Creek off Mountains-to-Sea Trail

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Speaking of the World

Pinprick faces open in a violet fever behind my house – swathes
of mazus flowering downhill. A cultivar

from the Himalayas, it’s bred to survive scarcity and climate extremes.

In your world, the doctors have gone, left your body

a prescribed burn, lightly
elevated in a rented hospital bed, handfuls of pills labeled for days.

The trees, to a one, freeze beneath a milky lichen – and you who sleep

year round with open windows are speaking of the world –
of the last deer you saw weaving through balsam, of the bear

who bent double the birdfeeder, wild turkeys and their long-
neck chicks, a lone slavering coyote crossing the yard.

Grief, you say
three times,
each a dry leaf
papering
from your lips.

I left you in the boreal world, rushed back to my own life.
And I admit this with unnatural ease, like there’s no shame

in turning toward the sun, in enduring.

Jane Craven, Kakalak 2020, Main Street Rag Publishing Company

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Lucinda Trew: http://trewwords.com/about/
Jane Craven: https://www.janecraven.com/bio

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2020-11-03b Doughton Park Tree

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