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Posts Tagged ‘Don Ball’

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[with 3 poems from Tar River Poetry]
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Submersible
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+++ “Red Sky at Morning”
++++++ – for Peter Makuck
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All day and into the evening sullen rain has bucketed dow upon us,
and I think of Peter and the blue-black coastal squalls purpling seaward.
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Ignoring heavy weather is what natives do on Emerald Isle. Years ago
I failed to talk him and Phyllis into fleeing Hurricane Florence, a monster
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storm grinding on Wilmington. Likewise, I used to remind my rother
at Kitty Hawk, half-joking, that he lived in the middle of the god-damned
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Atlantic Ocean. He never listened either – even after his son refused
evacuation from Hurricane Isobel and almost drowned inside their cottage
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with his loyal dog and bobbing bamboo furniture. Tenaciously, Peter and
Phyllis have been anchored to their apartment for years, weathering cancer
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treatments and the Pandemic. Finally – like my father decades ago –
Peter had had enough of chemo, remission, drug cocktails and radiation,
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so six weeks back he stopped. Meanwhile the world obsesses over five men
trapped in the submersible Titan, its only hatch bolted from the outside and
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the seven ways it’s supposed to shed weight and resurface from its great drop
down to Titanic’s ghost spines. The one porthole is small. They’re out of air.
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Peter too has begun a long descent through the murky waters of memory,
morphine, and goodby to land finally (I hope) upon the soft silt of forever.
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Everyone’s half-waiting for the last storm to fade and for Peter – teacher, poet,
and sailor – to resurface and note with delight, again, a red sky at night.
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Don Ball
from Tar River Poetry, Volume 63 Number 1, Fall 2023, Greenville NC.
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❦ ❦ ❦
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As soon as he hops from the car he’s Tyrannosaurus, miniature dangling forelegs, ferocious jaw gaping as he swivels his head side to side, Linda and me his prey. While we wait for food Chameleon appears, thin compressed lips, deliberate robot-like ratcheting gait, front digits at right angles all asplay. Later we interrupt our walk for him to climb the big rock, Gila Monster, but then he elongates his body along a fissure and becomes Chuckwalla.
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Boys are animals. This boy, though, is the master of animals. Not only in transforming himself one into another but also in the thousand and one details he can tell us about their lives and characteristics. We imagine his kindergarten teacher’s eyebrows rising higher and higher at the revelations he pours forth. And what is the best place to really mix it up with animals? Besides, that is, the back yard – bird feeders, bunnies, snakes, hens – and walks along the greenway – deer, skinks, herons, eagles? Well, of course the North Carolina Zoological Park!
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This is the second straight year we’ve spent my birthday at the Zoo with Bert. And with about a thousand other boys and girls of every possible age, shape, size, and color. Come to the Zoo and see the wild children! What other place can keep kids walking for hours and miles with minimal meltdowns? (And what other place features Polar Bear pee and Gorilla poop, fascinating stuff.) Just pack plenty of snacks and you won’t hear the first whine. And while we adults are rewarded minute by minute with Bert’s company, it’s only fair to end the day with one final reward for him at the gift shop. Another addition to the home menagerie. Next time we’re together, I’ll be sure to keep my fingers to myself when Boy Snapping Turtle meets me at the door.
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❦ ❦ ❦
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The Dead
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We want to button them to us,
wear them like clothes. We want
to savor our morning café au lait
with them, hold yoga poses,
walk dogs, skateboard, eat sushi,
rake leaves, stream movies, tango
dribble basketballs with them.
We want them to ride beside us,
windows down, singing
along with our favorite playlists.
We want to tuck them in books
to mark our place, jingle them
in our pockets, lucky coins,
hook them over our arms
like umbrellas to keep us dry.
Coming home at night, we want
the porchlight’s yellow halo
to mean they’re waiting up.
As our key turns the lock,
we pray they’ll call out to us
from the empty rooms
of our dark house.
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Janis Harrington
from Tar River Poetry, Volume 63 Number 1, Fall 2023, Greenville NC.
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❦ ❦ ❦
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I first immersed myself in Peter Makuck’s poetry when I was poet-in-residence at the NC Zoo in 2012. I was working on the Poetry of Conservation project, selecting poems by North Carolina writers that might be displayed in the park, and I also published daily posts of my observations (spending all day every day in the Zoo – it doesn’t get better than that!). In my very first post I featured Peter’s poem, My Son Draws an Apple Tree, a beautifully simple poem that cuts to the truth of the bittersweet relationship between father and son. Peter’s collection in which the poem appears, Long Lens, is filled with generous, haunting, contemplative recollections and themes.
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Peter Makuck founded Tar River Poetry and served as its editor for decades during his tenure at East Carolina University. The current issue arrived this week [vol 63, nr 1, fall 2023] and is dedicated to him – he died last year at the age of 83. Peter inspired me through his writing but equally through his generosity and friendship. Somehow we struck up an email correspondence through the years, first about poetry, then about the NC coast, nature sightings, just stuff we discovered we had in common. Even when wearing his editor’s hat – and I have accumulated more rejections than acceptances from him and Luke Whisnant, the current editor – he was never anything but encouraging and giving of himself. He would have liked me to believe that I, even I, could write poetry as worthy as his own.
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 . 
Tar River Poetry is a journal of national stature and reputation, but the three poems I’ve featured today are all by North Carolina writers who appear in this current issue (the wonderful poem One Year Old by Rebecca Baggett is also in this issue but space constraints etc.). Check out TRP and join me in subscribing HERE
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Long Lens by Peter Makuck is available HERE. Learn more about Peter and his other books HERE
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❦ ❦ ❦
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Picking Up Trash with My Sister
on Crab Orchard Road
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She plunges a foot into the dry ditch,
tosses cans, plastic bottles, empty
cigarette packs onto the gravel road
so we can sort them into garbage
and recycling. As she works she asks,
Is this poison ivy? Is this?, trusting me
to protect her as I’ve trusted her since my beginning,
older sister in pictures at ages five and three,
reading to me as we sit on the sofa,
feet sticking straight out, book open in her lap,
pink cat’s eye classes she pushed with one finger
back up her nose.
 . 
And later, at nine and eleven, trying
to sooth with the only stories that made sense:
we’re fleeing the potato famine in Ireland
or Nazis coming to take us away
that morning we heaped dolls into blankets,
shoved clothes into flowered suitcases, fearing
each floorboard creak might be our father
come home to carry out night’s drunken threat
to shoot our mother.
 . 
My sister stomps a beer can flat,
drops it in her bag, slips a Styrofoam cup
into mine. Who would do this? she says,
shaking her head, pushing dark purple glasses
with one finger back up her nose. She twists the lid
from a water bottle, pours the last sip
over the roots of a wilted aster
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Pam Baggett
from Tar River Poetry, Volume 63 Number 1, Fall 2023, Greenville NC.
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❦ ❦ ❦
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IMG_6944
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Hepatica

[poems from Kakalak 2021 by Beth Copeland, Danielle Ann Verwers, Don Ball]

How cool would it be if your friends got together and wrote a book for you? Friends you hadn’t seen in a while, like maybe two years. Friends you’ve swapped a few stories with and suddenly here they are sharing new stories. Friends who at this very moment are just now becoming your friends.

How cool? Very cool.

Kakalak 2021 arrived last week and here are my friends! I’ve read the book through and gone back to re-read my favorites over and over again; the Carolinas have suddenly become cozy and personable and at once broad and expansive. Heart-expanding! Among the poets and visual artists in the book I see so many people I’ve met before at a literary gathering, read with at an open mic, served with on a board or committee. And then there are all the people whose books I’ve read or whose names I’ve seen and now the many more names I’ve not heard before but am learning. Names becoming friends. Somehow they’ve all come together to write a book for me. And for you.

.     .     .     .      .     .     .

Fog

Morning fog erases the mountain and trees.
No, not an erasure but unseen.

+++ Not an erasure but unseen.
+++ The mountain, the laurel still green.

Unlike the mountain and laurel still green,
the dearly departed lie beneath white sheets.

+++ The deer depart beneath white sheets
+++ of fog, stepping into a forgotten dream

of fog slipping into a forgotten dream
the ghost mountain dreams.

+++ The ghost mountain dreams.
+++ Crows fly to pines on mascara wings.

Crows fly to pines on mascara wings,
mourning. Fog erases the mountain, the trees.

Beth Copeland

 

Ptera

.     .     .     .      .     .     .

In between reflecting on the poems and enjoying the art, I flip to the back of the book for the bios. The array of people’s publishing kudos is, of course, impressive, but personal glimpses also shine through (which, true confession, is what I’m really looking for in a bio):
Dean of Arts & Sciences at Isothermal Community College . . . Kathy Ackerman
interior designer . . . Melanie T. Aves
proud member of The Poet Fools . . . Don Ball
retired librarian . . . Richard Band
academic therapist . . . Joan Barasovska
feels a good day mellows blissfully with . . . creating art . . . Christina Baumis
poems featured on a transit bus . . . Michael Beadle
beginning poet . . . Gay Boswell (an awesome beginning here, a devastating poem)
eats dark chocolate daily . . . Cheryl Boyer
loves roots music . . . Joyce Compton Brown
marriage and family therapist . . . Bill Caldwell
sings in several church choirs . . . Joy Colter
masterfully overbooks non-existent free time . . . Julie Ann Cook
creates “convoluted notions” . . . Caren Stuart
passionate about reading aloud to children . . . Jennifer Weiss
collects library cards . . . Danielle Ann Verwers
and more, and more . . . . . . . .

.     .     .     .      .     .     .

Two Sparrows for a Penny

+++ I.
If an airport is anything, it must be purgatory. And positioned
here in this terminal is benevolent holding space to store heavy
baggage as I watch my status, wait for take-off. A hollow metal
locker contains all my small treasures as I perch near walls of
windows. Iron flocks drift into the cumulous blue.

+++ II.
Milton, the bishop not the poet, believed humans would soar
in time. Brethren mocked his vision, convinced all schematics
to be sketched were drafted, nothing new under the sun to be
invented. Still, Milton knew his offspring inherited aviation
faith in their DNA, their eyes fixed on the heavens, their irises
bright with flight. Before fruition, typhoid took him. He missed
it when his sons fulfilled the prophecy, when his boys flew
with sparrows.

+++ III.
No one sings about two sparrows for a penny. Instead, we praise
our own ascent after a shell of flesh is molted. I’ll fly away, Oh Glory!
When I die let them sing the blues. Play a minor key for the birds
who crashed, feathers intact. Sing about birds who caught
tender gaze of God. Yes, let them sing of paradise lost.

+++ IV.
Close your eyes. Imagine you are a cloud drifting in the sky.
Light and free. No—imagine you possess hollow bones, you
are all sparrow. And now you flap your feathered wings but
your sternum is lead heavy. And you are falling towards the
ground at the speed of—no imagine you are light, warm and
bright. Imagine beams emit from your eyes, your chest, your
feathers, your beak. You radiate. No—I take it back. Imagine
you are a vapor, here today and gone tomorrow. Yes, imagine
you are a cloud.

Danielle Ann Verwers

 

Two

.     .     .     .      .     .     .

Somehow they’ve all come together to write me a book . . .

Well, not somehow come together – they’ve arrived here by intention. This book for me (and for you) was born of diligent labor and evolved quite intentionally. Enabled by the founders, sustained by editors and publishers through the years, the Kakalak vision perseveres and flourishes – a regional anthology created of and for people connected to North & South Carolina. This year’s Editors have sprinkled their selections with an especially effervescent cloud of pixie dust: they have created magical groupings of poems, 2 or 3 or more with complementary theme, style, subject. And the Art Editor has added a swish more magic by partnering the groupings with art that amplifies the verse.

And then . . . and then the real magic. The shiver. The heart to heart. I read these lines and something shifts inside me. I see with another’s eyes. I feel the depth of another’s struggle. God almighty, this is the place and this is the thing I need and this is certainly the time. When have we ever before needed it so much, this connection? Here we find it: connection with each other; connection with our small place on this planet; connection with our self.

Thank you, friends, for writing this book for me.

.     .     .     .      .     .     .

Wish
Park View Hospital, Rocky Mount, NC

I am supposed to kiss my grandfather,
stroke-frozen in his high-racked hospital bed,
but he is angry at us and crying,
half-realizing the difference.
I stand by my brother and close my eyes.

About the same,
my mother says to someone in the hall,
and he’s about the same,
she whispers later on the bedside phone,
nodding to the wall.

But I am changed
by the hospital light, cold-yellow and dry,
by the white carts gliding through plastered corridors,
rattling over steel plates, swallowed by the swinging doors,
and voices that start up and quit—voices
suffocated by the secret-keeping walls.

This is it — I am thinking —
God almighty, this is the place.

Outside we are walking, our breath released.
The summer evening is blade-green and black.
The parking lot is full but quiet.
Crickets call behind looming elms,
and the moon booms out into the open sky.

Look, points my mother, The first star.
Make a wish.

The rows of hospital rooms are burning and hanging;
my brother is bending over the hint of a penny;
Grandfather, I am kissing you goodbye.

Don Ball

Currituck

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Kakalak 2021
Copyright © Moonshine Review Press, Harrisburg, North Carolina, 2021

Editors & Contest Judges:
+++ Kimberlyn Blum-Hyclak
+++ David E. Poston
+++ Richard Allen Taylor

Executive Editor and Publisher (and Art Editor)
+++ Anne M. Kaylor

[You might imagine how difficult it was to select just a few poems from many, many new favorites in this book!

Today’s art were among the entries I submitted but which were not published in Kakalak 2013, 2018, 2020, 2021. You’ll have to buy a copy of your book to see Incisors, selected for this year’s issue! — Bill Griffin.]

Order your copy of Kakalak 2021.

Explore past issues of Kakalak published by Main Street Rag.

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Delivery

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2020-03-07 Doughton Park Tree

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