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Roots & Branches

Each of us needs a friend who challenges us a little.  Someone who expects more from us than we expect from ourselves.  Who wiggles something interesting in our peripheral vision, something we may not have thought about in years, and just knows we will turn and reach for it.

I have a friend like that who wiggled poetry where I just couldn’t quite ignore it.  About twenty years ago Anne Gulley called: “Bill, the Friends of the Library is sponsoring a poetry series, and I think you should come.”  “The last poem I read was Walt Whitman in college.  Well, I think I did try to write Linda a poem for our twentieth anniversary.”  “There, you see.”

When I took German in high school our teacher, Herr Watt, spent as much time narrating all the Wagnerian operas for us as he did on pronunciation and declension.  He insisted, “This is important!  It’s part of your allgemeine Bildung*.”  Maybe it was curiosity, maybe I recognized the need to beef up my allgemeine Bildung, maybe it was a sheepish feeling of being undereducated, but I went to the series: six Sunday evenings reading contemporary poets I’d never heard of like A.R.Ammons and Sharon Olds.  Holy Zeitgeist, this was writing as fresh as today’s Washington Post and a couple of orders of magnitude more compelling.  My brain fizzed.  Thanks, Anne!  And the very best part was the instructor.

Joseph Bathanti drove down from the mountains for each of those Sunday sessions. So calm, so coaxing, another friend who just naturally expects more from you than you even expect from yourself, he held out a handful of seeds to the squirrels of our curiosity with confidence that we’d come.  When we read Ammons’s Hymn I shuddered to discover language that melds lyricism and physics, imagination and biology, the particular with the cosmic.  I had to discover more of this stuff.  I’m still discovering.  Thanks, Joseph!

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Last month Leighanne at the Foothills Arts Council called to see if I’d like read some poems at an event she was planning.  Music by “Not Your Usual . . . ,” wine by Grassy Creek, eight readers, she titled the evening BEAT!  If there are going to be beatniks, you can’t neglect Allen Ginsburg, so I decided to read America, but I also wanted to introduce folks who don’t know his work to our newest NC Poet Laureate – Joseph Bathanti.  I re-read Joseph’s newest collection, Restoring Sacred Art, and finally chose to read Your Leaving.

What grabs me about this poem (besides the razor sharp dead center descriptions) is the complexity of the characters, artfully revealed in just a few lines.  There’s the father laughing drunk the night before his daughter’s wedding, then next day standing stoic in his “mourning suit.”  Marie, giggling in a muumuu with her bridesmaids, is transformed, “perfect in all the ways a bride desires to be.”  Mother, one moment stern and organizing, the next moment lost “on the edge of her bed, still in her house dress.”  And of course there’s the little brother, angry at the cousins and the loss of his bed, but struggling with a greater loss as he begins his “apprenticeship as an only child.”  Ambivalence, conflict, longing, revelation – reading these lines is to walk into a new household and become part of the family.

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Your Leaving
for Marie

The night before you married,
Pap’s godsons from Detroit
got him drunk and I had to help
wrangle him upstairs, so mad

I threatened to punch them.
Married men, cement finishers
with mortar grey hands who spoke
broken English with Michigan accents,

they wore Bermuda shorts, undershirts,
black socks and tennis loafers.
My outrage made them laugh.
A father marrying off his only daughter,

his best girl, after all, is entitled
on the eve of the wedding
to drink as much as he wants.
Pap laughed too,

but he felt sorry for me.  Like them,
he figured I was still innocent.
We laid him in my bed.
Mother wouldn’t sleep with him,

“stupid drunk
the night before his daughter’s wedding.”
She blinked the porch light off and on
to signal you in from kissing

your fiancé in his red MG,
the first Protestant
to marry into the family.
No wonder Pap got drunk;

it was you last night home.
Your bridesmaids slept over,
cosmetic kits and high, spun hair,
spit-curls scotch-taped to their cheeks,

rustling aqua gowns lounging
from the mantel on cloth hangars.
the six of you stayed up all night in muumuus,
laughing and eating popcorn.

Downtown, the groom and his ushers cheered
the stripers at the Edison Hotel.
I had nowhere to sleep,
so I crawled into your empty bed, and began

my apprenticeship as an only child.
The next day, Pap got up
and donned his mourning suit.
The girls descended the porch steps

in single file, heads bowed
over nosegays as the photographer
stilled each for posterity.
And you, only twenty, behind them,

without hesitation, disguised
in wedding dress and veil, perfect
in all the ways a bride desires to be,
the repeated click of the camera

documenting those first irrevocable seconds
of your leaving once and for all,
while upstairs Mother san on the edge
of her bed, still in a house dress.

© 2010 by Joseph Bathanti, Star Cloud Press, Scottsdale AZ

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A couple of years after that Friends of the Library series Anne called again.  “We’ve arranged a Saturday morning poetry writing workshop at the Arts Council.  I really want you to meet Frank Levering.  And Bill is going to be there.”  A whole new story – estrangement, reconciliation, inspiration, new friendships.  Anne, you can’t quit challenging me!

While I was trying not to step in the bear scat on Albert Mountain two weeks ago, the Foothills Arts Council held opening night for Anne’s show Mythology–eyes, which will be up through most of November.  Her oils, from almost pocket-size to wall filling, are for me a little like that Ammons poem.  Rooted in closely observed and rendered beasts, landscapes, they branch and soar into surreal planes that challenge me to see, to think, to discover.  Thanks, Anne!  My allgemeine Bildung continues to accrue.

Here’s a photo of Anne cloistered in her Cabinet of Curiosity, and me reading Your Leaving at the FAC.

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*   Allgemeine Bildung = general culture, or education – Google the phrase for 17 megahits.

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Forever Mountain

Keep close to Nature’s heart, yourself;
and break clear away 
once in a while,
and climb a mountain
or spend a week in the woods.
Wash your spirit clean.
John Muir

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Why have they come?  Why have they driven hundreds of miles of highway and another twenty of Forest Service gravel to this Deep Gap?  Why have they tracked down my friend Mike Barnett and persuaded him to share with them everything they will need to know to spend a few nights on the trail? Why forsake comfort for mist, rain, steep switchbacks, cold nights, hard ground?  Why have they come here?

Now they huddle at the trail head – Judy, Nora, Cathy, Gloria, Joan, Nancy – median age 65 (just a wild guess, Ladies!).  They pull on fleece and rain gear because we’re already above 3,000 feet and it’s mid-October.  Mist condenses on the leaves and drips like rain.  The plan is to hike the AT for three days with everything we need to survive on our backs: food, stove, water & filter, tent, mummy bags, and lots of layers for nights just above freezing.  We’ll reward ourselves the third night with a short side hike to Albert Mountain and hope to catch the sunset and sunrise from the 5,280 foot summit and fire tower.

That sunrise seems a long way off as we hunker down for the first night half-way up Standing Indian Mountain.  It’s pitch dark , a “hunter moon,” first new moon after equinox, but what does absent moon matter when we are engulfed in cloud with thunder echoing ridge to ridge as lightning strikes the summit?  Kids, I just want to let you know that your grandmothers are some tough-ass mountain women – they wake up the next morning joking that the howl of wind and rain had caused them to miss George Clooney’s surprise midnight visit.  And the only complaint I hear is when Joan comes back from digging a cat hole just as the mist lifts to reveal a nice rainproof privy not twenty yards from our camp site.

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Our second night we stop at Beech Gap, a saddle between peaks with a good spring and level tent sites.  The stars burn cold as diamond just above our shoulders; we are wearing every layer of clothing we’ve carried.  I ask, “Why?  Why did you go to so much trouble to put this trek together?”

Judy was the instigator.  She told Nora she wanted to hike at least one stretch of the Appalachian Trail before she died.  Nora replied, “Gee, I know someone who’s been taking kids on high adventure hikes in the mountains for twenty years, and his sister-in-law Carol is my good friend.”  Nora called Carol, Carol called Mike, and Mike said, “OK.”  (I still haven’t asked him why he said yes!)  Wheels began to turn.  It began to look like Judy’s promise to herself that she’d have something big to to tell her grandchildren would be fulfilled.

Nora invited others, and Mike’s wife Nancy makes six.  One had hiked with her family as a child and wanted to recapture that feeling.  One walked miles every day and wondered if she could handle the challenge of doing it uphill with a pack.  Another had become concerned about her stamina and embarked on a course to improve her fitness; now she wanted to kick it up a notch. One had never experienced mountain wilderness.  All of the women had come with a frank openness to experiencing something new.  Something challenging.

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There are plenty of obvious physical challenges to spending a night on a mountain.  Just deciding what you’re willing to carry vs. what you’re willing to live without can become a metaphysical exercise.  Then there’s the trail itself.  Where will I find water?  Will the spring be dry?  How many uphill miles before my buns turn to steel?  How much huffing and puffing before I have a heart attack?

Physical challenges are obvious, but they are illusory.  I may be thirsty now, but I will drink later.  When the trail is steep, I walk more slowly.  I stop and rest.  Tired and sore?  Leaves are falling that I may scrape together for a bower.  Strange noises in the night?  My companions are close by.

I’m guessing there are still more reasons we’ve come to these mountains that none of us have yet spoken.  I’m certain there are reasons we couldn’t even have named until after we took this walk together.  There are reasons we’ll discover only with days and weeks of contemplation to come.  A taste of wildness – remote, unforgiving, pristine, elemental.  An assurance of self – I made it, I persevered.  Connection, unvarnished and unabashed – each one of us making our small offering to the survival, and the joy, of the group.  And a much larger connection – wind, trees, slopes, stars . . .  we are part of this living realm and can’t exist without it.

Why have we come here?  That’s exactly what we’re still discovering.

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Final question: Why did Mike ask me if I’d like to come and lend a hand as general schlepper, filter pumper, water boiler, story teller?  Because he knew as soon as the word “mountains” left his lips I would be saying, “YES!”

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Forever Mountain
Fred Chappell

for J.T.Chappell, 1912-1978

Now a lofty smoke has cleansed my vision.

I see my father has gone to climb
Lightly the Pisgah slope, taking the time
He’s got a world of, making spry headway
In the fresh green mornings, stretching out
Noontimes in the groves of beech and maple.
He has cut a walking stick of second-growth hickory
And through the amber afternoon he measures
Its shadow and his own shadow on a sunny rock.
Not marking the hour, but observing
The quality of light come over him.
He is alone, except what voices out of time
Swarm to his head like bees to the bee-tree crown,
The voices of former life as indistinct as heat.

By the clear trout pool he builds his fire at twilight,
And in the night a granary of stars
Rises in the water and spreads from edge to edge.
He sleeps, to dream the tossing dream
Of the horses of pine trees, their shoulders
Twisting like silk ribbon in the breeze.

He rises glad and early and goes his way,
Taking by plateaus the mountain that possesses him.

My vision blurs blue with distance,
I see no more.
Forever Mountain has become a cloud
That light turns gold, that wind dislimns.

This is continually a prayer.

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from The Fred Chappell Reader, St. Martin’s Press, (c) 1987 by Fred Chappell

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A brief postscript: Mike has told me several times of his instructions to Nancy that his ashes are to be strewn from the top of Standing Indian Mountain.  By noon on our second day the mist had lifted, and we ate lunch at that summit with glorious views of the autumn-hued ridges extending to an infinite horizon.  Mike, I hope it’s years in our future, but I can’t think of a better spot to lend the flora a little potash and calcium for all eternity.

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Our true home lies outside, deep in the wilderness of forest and mountain, river and desert and sea, the source of our being and the destiny of our great meandering blundering dreaming journey through time. Like Odysseus in his wanderings, we are homeward bound whether we know it or not.
Edward Abbey

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Old Man’s Cave

Linda and I take walks.

Take?  The walking gives itself to us.  We talk, catch up on the hours, days sometimes.  We list things that need to get done, places that must be gone, eroding detritus of stuff that clamors to be fixed.  We laugh at the last cute thing Saul did, the cute thing he said that we’ve smiled at twenty times already.  We discover small things along the path – what is the name of that little blue flower? – and rediscover things that have brought us small delights in the past.  And we hope we burn up some calories and coax some blood to run its circuit a little faster.

Throughout the breeding season American Avocet pairs greet each other by rubbing along the length of their long recurved bills while the male drapes a wing over the female’s back.  Cozy.  Most birds that form lasting pairs, for a season or for life, have some sort of bonding display – preening, mock-feeding, a dance, aerobatics.  Evolutionary biologists conjecture that these instinctive behaviors strengthen the pair-bond and increase the chance of reproductive success.  More eggs, more chicks, more offspring successfully fledged.  Survival.

Linda and I take walks.

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Yesterday afternoon Linda and I walked Old Man’s Gorge in the Hocking Hills of southern Ohio.  Over thirty years ago Linda’s Mom and Dad bought a little farm in the woods near there.   It’s been close to twenty years since we last visited Old Man’s Cave.  During that time the new trail markers, new bridges, steps, railings, everything has a moist green fuzz of moss, as if the three-hundred million year old blackhand sandstone has invited all things in the Gorge to appear as old is it does.  Linda and I keep remarking to each other, “Was this here last time we came?  I don’t recognize this stone wall, but it looks ancient.”

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Overcast, damp, ten degrees cooler than its summit, the basin of Old Man Gorge just feels like Ohio.  Maples have begun to turn color along the rim, but in the shade of the grand overhangs all hues become muted.  The eroded walls are a hundred variations of gray and rock-green, a lichen wash of winter sky. The shades of our Ohio roots:

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 Twenty‑Three Grays

The first is crossing the Ohio into Marietta,
not the green river yearning west
but each of its scalloped reflections
like scales on a crappy, and at each ripple’s
lip a premonition of ice.

Next: passing the first car southbound
salt‑encrusted with two hundred miles
of I‑77 — what color is it really?  A casual visitor
to this state still our home may claim
there is no color here, but doesn’t gray
enfold the possibility of every color?
Sky layered in bands dark and darker
preserving as in a comforter some memory,
warm purple; fingery hawthorn
and buckeye almost yellow; cattails
coyly pink; dark earth chocolate
between cream snowcrests —
all of them holding everything within.

In Canton the window eyes of Mercy
Hospital passing no judgement.
In Akron, the stone walls of Rockne’s,
frost like stale beer foam; peeling letters
at the exit sign: Peninsula/Hudson.
Geese in the ditch beside a Cape Cod;
rust‑gray girders where we drive beneath
tank cars, coal cars, and then the Turnpike
overpass.  And as we reach your driveway,
rime, old tears the wipers can’t beat back.

Those who’ve never left here, do they notice?
And we who return, can we name
what comforts us?  Only in his eighties
did your Dad’s hair surrender to the shades
of sky and winter fields, and now when I hold
you this close full of days recalled, stories
we=re sharing as if for the first time,
the good full color of Dad’s life now passed
fully into our hearts, I see in your hair thin streams
coalescing, bands of evening sky and highway,
winters we will hold together, and the springs.

© Bill Griffin.  First appeared online in John Hoppenthaler’s Congeries at Connotation Press, June, 2011.

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American Avocet — Recurvirostra americana

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