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Archive for the ‘Imagery’ Category

Saturday morning readers share:
David Radavich and Richard Allen Taylor
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Birthday
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Every year a leaf falls,
one at a time, hands,
days full of raking, scattering
 . 
and I come to see
the bare tree
of us
against the sunlight
strewn in branches, shimmering
naked against all
 . 
those colors you give me
tumbling free
within a small space,
 . 
a time together
walking in woods
 . 
David Radavich
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For a possible Saturday poem I have selected Birthday, which strikes me as a quintessentially autumn poem. It was first published in my book, By the Way: Poems over the Years (Buttonwood, 1998).
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The picture shows me ensconced in a park in Champaign, Illinois when my hair was not yet silver. As for a curious factoid about me, I enjoy reading German philosophy (in German), especially Schopenhauer and Cassirer. Also, casting horoscopes. Go figure.
 . 
Additional poetry by David Radavich at Verse and Image:
[April every year? David always contributes to our special EARTH DAY posts.]
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❀ ❀ ❀ ❀ ❀
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Blessed Are
+++++ After “Ode on Inheritance” by Kate Partridge
 . 
Perhaps there is no inheritance worth having
+++++that does not include a narrative of water—
++++++++++ a river, a lake, an ocean
 . 
pounding on the beach below the open windows.
+++++My father bought a farm
++++++++++with a white house on a hill, a pond
 . 
at the bottom. My mother inherited. She later sold.
+++++All of it was (shall we say) liquidated.
++++++++++Gone, the tiny lake
 . 
fed by a stream tumbling over my father’s modest
+++++ambitions. Just as well. My brothers and I sought
++++++++++ neither the view nor the serenity.
 . 
We were reaching elsewhere, for something
+++++less pastoral, more hopeful,
++++++++++something more highway
 . 
than country road. But even a cave can elicit hope.
+++++The torch goes out, we keep thrusting our hands
++++++++++ forward, groping the walls,
 . 
feet following our blindness. As if a hole could lean
+++++against its sides. All it takes is the will
++++++++++ to swap adjectives.
 . 
Trade wet for slick. Choose briny over soaked.
+++++ Here we go again with that
++++++++++narrative of water. Snow, hail,
 . 
ice melting in your palm. Later, when the drought
+++++squeezes the pond dry, the spark catches
++++++++++ and fire climbs the hill,
 . 
everything promised burns. The difference between
+++++bold and meek becomes a matter of timing.
++++++++++Bold when we rush forward
 . 
to extinguish the blaze. Meek when the flames
+++++ force us back to a place
++++++++++where faces do not melt.
 . 
When rain comes, finally, we inherit the memory
+++++of blackened hills, even if no lawyers or signatures
++++++++++ attend. When grief follows, we console ourselves.
 . 
We say the trees bury their seeds under layers of ash.
We say the trees dream of resurrection.
 . 
Richard Allen Taylor
 . 
This poem first appeared in Sheila-Na-Gig Online, and received a Pushcart Prize nomination. It is now part of a book-length manuscript, Geography of One, that will be published next year if all goes according to plan. 
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This is my habitat but not necessarily the only habitat or even where I spend most of my time. But I don’t have a picture of me typing at my desk. That would be my real habitat and that would be boring. 
 . 
Interesting tidbit: After retiring from my job as Regional Human Resources Manager of Hendrick Automotive Group in 2013, I earned an MFA in Creative Writing from Queens University of Charlotte in 2015. 
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Additional poetry by Richard Allen Taylor at Verse and Image:
❀ ❀ ❀ ❀ ❀
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Saturday Morning Submissions – Once a week on Saturday I feature one or two poems shared with me by readers. If you would like to consider having your poem appear, please see the GUIDELINES here.

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[2 poems by Lucinda Trew]
if you wish to grow a garden, first seed
your soul with sadness
 . 
for it helps to have an ache, a molecule
of sorrow that will swell, release and drench
the patch of earth you claim
 . 
like a weather plane sowing stingy clouds
with silver beads of iodide, lush promise of rain
something withheld – a slip of rue, s spore
of woe to bury – a slender sprig of remembering
your shallow place in all of this
 . 
a cloister of green where secrets are safe
where worm and peat, centipede and muddy
trowel will carry melancholy to the seedling
graves you dig
 . 
for a garden is forgiving – a copse confessional
a place for penance – pulling weeds, snapping
roots, kneeling in dirt
 . 
and tending, gently tending, to fragile shoot
breaching bud, those in need of holding up
and the healing grace of fresh tilled ground.
 . 
 . 
when trees fall
 . 
from natural cause – nor’easter, drought
decrepitude – they lean in, one upon another
++++ a prayer of knotty hands
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we pray, too, in other ways, holding one another
close in crook and crutch of branch, and nests
++++ for those in need of cradling
 . 
we unfist fingers, unwind clocks, hold one another
in a basketweave of leaf and twig and comforting
++++ like trees, we slant
 . 
against wind and time, hearts and boughs that break
from storm and thorn and toppled crowns
++++ we ease one another
 . 
to ground, to the resting place of forest floor
to beds of moss and tender mercies yielding to ash
++++ as we all fall down
 . 
Lucinda Trew
from What Falls to Ground, Charlotte Lit Press, Charlotte, NC; © 2025
++++
IMG_9468
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♦   ♦   ♦   ♦   ♦
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I love these poems for their compassion in the deep sense of that word, “suffering together.” In reading these lines I am able to pause and slant against the wind of my own doubt and daily struggles. Lucinda writes, “a poem is a bone / in the graveyard of remembering.” In memory I visit the bones of loss and pain but also the roots and seeds of what may again grow into joy. In the music of Lucinda’s words and phrases, the myth and earthy origins her poems suggest, the impermanence of all things resting the midst of rising sun and growing plant – in these I rediscover hope. Yes, we all fall to ground. Yes, we may ease each other as we fall.
 . 
 . 
Lucinda Trew lives and writes in the red clay piedmont of North Carolina, USA. What Falls to Ground is her debut collection and is available from Charlotte Center for the Literary Arts.
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Additional poetry by Lucinda Trew at VERSE and IMAGE:
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IMG_1948
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Saturday’s Submission – Once a week on Saturday I feature one or two poems sent to me by readers. If you would like to consider having your poem appear, please see the GUIDELINES here:

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[with poems by Janis Harrington]
 . 
Suicidal Ideation
 . 
Think of dark starlings, each a ringleader,
invading your hanging backyard feeder.
Magnets for their kind, they muster, rout
more timid species from seed and suit.
Fast and fertile breeders, they multiply,
a flock of hundred swells to thousands.
Screeching and squawking rapacious hoodlums,
they give no quarter and sing no harmony,
waging war with incessant cacophony.
No calm, no détente; nonstop attack.
In waves, like bombers, they dive and peck.
Wing to wing, they block sun, moon, stars, finally
 . 
blot out all light, transforming noon to midnight.
No escape. a full eclipse of hope.
 . 
Janis Harrington
from How to Cut a Woman in Half, Able Muse Press, San Jose CA; © 2022
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❦ ❦ ❦
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Life is a dream. / You are the projector. You are the screen.
 . 
Dad is sitting at the new table beside the front window. The sun has settled; the ocean is pink and purple, at rest. Someone has helped Dad transfer into an upholstered chair and pushed his wheelchair into a corner. He is talking with his youngest grandchild while they work a puzzle. Everyone has arrived. Everyone surrounds him.
 . 
This is the image I create and cultivate after hanging up the phone. Bob has called to assure me that their eight-hour drive to the coast presented only surmountable obstacles. Now they’ll spend a week at the beach house celebrating Dad’s 99th birthday. Dad has been longing to be there for a year. He started asking me how soon he could go even before Mom’s memorial service last September.
 . 
Last night Linda and I argued about a related family wrangle. She was angry at the person sharpening their claws. I told her it was bedtime and I was determined to put conflict out of my mind for eight hours. Let dreams sort it. Of course, I then woke at 3:00 and ruminated for an hour or two. Isn’t this supposed to be the week of no worries, Dad safe in the arms of my brother and his family? After a year of all manner of arrangements, finagles, and complications, after each nurse’s phone call and the anticipation of the next one, aren’t I allowed to flip the ON switch for peace?
 . 
What the hell does that even mean, I am the screen and the projector? That I alone make my life what it is? Or that I imagine I do? In dreams the tangle of images and juxtapositions is supposedly the effort by my unconscious to shuffle into some semblance of meaning all my disparate and disconnected moments. Perhaps Dad won’t scuffle out of an unfamiliar bed after midnight and break his hip. Perhaps the worst is not always just about to happen. Scientists have discovered through meticulous testing and observation that there are indeed other species besides Homo sapiens that can imagine and anticipate the future. God help them.
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❦ ❦ ❦
 . 
How to Cut a Woman in Half
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Fate, a cruel magician, vanishes her husband,
leaving her table with half as many plates,
shower rack missing half its towels,
bed half empty. The trick: after the blade falls,
she shrinks herself into half of her former life.
But is he truly absent? She wills
each day’s crawling hours to end, certain
he waits in sleep’s tempting garden –
there’s no hope of persuading her
that dreams are merely pan’s sleight of hand.
Eventually, she will emerge on stage,
appearing unharmed, performance complete.
Does it matter what is real or illusion if,
when she steps from grief’s box, she feels whole?
 . 
Janis Harrington
from How to Cut a Woman in Half, Able Muse Press, San Jose CA; © 2022
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❦ ❦ ❦
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Solo
 . 
The Buddhist acupuncturist, gazing beyond
the veil, report that Nick at last, has shed
earth’s weight. His soul, presently in the astral state,
has embraced its destiny – like the wayward
gray whale, whose biological mandate
to migrate finally required
his recent swim from bay to open ocean.
 . 
Annie’s turn, now, to exit sorrow’s cul-de-sac,
navigate rocky channels to new seas,
resisting the sirens’ call of what used to be,
accepting she and Nick must make solo passages:
his voyage, to collective consciousness,
without form or visible home;
hers, to find a port in life’s physical realm.
 . 
Janis Harrington
from How to Cut a Woman in Half, Able Muse Press, San Jose CA; © 2022
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❦ ❦ ❦
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This sonnet sequence by Janis Harrington is mournful, painful, piercing. It reveals every face of suffering but also every facet needed for healing. How to cut a woman in half? Divide her from the person she loves most dearly. Dissect away with blunt shears half of her being, her essence. How to put her back together? That is a long and painful process and no certain sunrise on the horizon, although a sister is required and is present. I treasure the metaphor nearing the book’s final pages: Together, we flew close to grief’s center, / our wings sturdier than wax and feather.
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How to Cut a Woman in Half was finalist for the 2020 Able Muse Book Award and is available HERE. Janis Harrington’s first book, Waiting for the Hurricane (St. Andrews University Press © 2017) won the Lena M. Shull Book Award of the North Carolina Poetry Society. Discover more about Janis HERE.
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❦ ❦ ❦
 . 
Acroyoga
 . 
Flex your trust muscle, the instructor advises,
making us giggle. Annie and I alternate
as flyer or base, each of us able
to bear a sister’s weight. Now, my back on the mat,
our hands clasped, my feet supporting her thighs,
I straighten my legs to ninety degrees –
my turn to hold her aloft. Acrobat of strength
and grace, she soars, escaping sorrow’s labyrinth.
Her liberty has freed me. Being her spotter,
daily witness to her reckoning with loss,
released my heart’s stubborn resistance
to Pete’s fate, long mourning of his absence.
Together, we flew close to grief’s center,
our wings sturdier than wax and feather.
 . 
Janis Harrington
from How to Cut a Woman in Half, Able Muse Press, San Jose CA; © 2022
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❦ ❦ ❦
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2020-09-08b Doughton Park Tree
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