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Posts Tagged ‘Raven’

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[ 2 poems from Little Alleluias ]
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But tell me, if you would praise the world, what is it you would leave out?
Mary Oliver, Black Snake
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Crows
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In Japan, in Seattle, in Indonesia—there they were—
each one loud and hungry,
crossing a field, or sitting
above the traffic, or dropping
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to the lawn of some temple to sun itself
or walk about on strong legs,
like a landlord. I think
they don’t envy anyone or anything—
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not the tiger, not the emperor,
not even the philosopher.
Why should they?
The wind is their friend, the least tree is home.
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Nor is melody, they have discovered, necessary.
Nor have the delicate palates;
without hesitation they will eat
anything you can think of—
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corn, mice, old hamburgers—
swallowing with such hollering and gusto
no one can tell whether it’s a brag
or a prayer of deepest thanks. At sunrise, when I walk out,
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I see them in trees, or on ledges of buildings,
as cheerful as saints, or thieves of the small job
who have been, one more night, successful—
and like all successes, it turns my thoughts to myself.
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Should I have led a more simple life?
Have my ambitions been worthy?
Has the wind, for years, been talking to me as well?
Somewhere, among all my thoughts, there is a narrow path.
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It’s attractive, but who could follow it?
Slowly the full morning
draws over us its mysterious and lovely equation.
Then, in the branches poling from their dark center,
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ever more flexible and bright,
sparks from the sun are bursting and melting on the birds’ wings
as, indifferent and comfortable,
they lounge, they squabble in the vast, rose-colored light.
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Mary Oliver
from Little Alleluias, Grand Central Publishing, New York & Boston; © 2025 by NW Orchard LLC
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Gravel
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6.
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It is the nature of stone
to be satisfied.
It is the nature of water
to want to be somewhere else.
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Everywhere we look:
the sweet guttural swill of the water
tumbling.
Everywhere we look:
the stone, basking in the sun,
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or offering itself
to the golden lichen.
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It is our nature not only to see
that the world is beautiful
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but to stand in the dark, under the stars,
or at noon, in the rainfall of light,
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frenzied,
wringing our hands,
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half-mad, saying over and over:
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what does it mean, that the world is beautiful—
what does it mean?
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the child asks this,
and the determined, laboring adult asks this—
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both the carpenter and scholar ask this,
and the fisherman and the teacher;
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both the rich and the poor ask this
(maybe the poor more than the rich)
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and the old and the very old, not yet having figured it out,
ask this
desperately
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standing beside the golden-coated field rock,
or the tumbling water,
or under the stars—
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what does it mean?
what does it mean?
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8.
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Listen, I don’t think we’re going to rise
in gauze and halos.
Maybe as grass, and slowly.
Maybe as the long-leaved, beautiful grass
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I have known, and you have known—
or the pine trees—
or the dark rocks of the zigzag creek
hastening along—
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or the silver rain—
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or the hummingbird.
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10.
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This is the poem of goodbye.
And this is the poem of don’t know.
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My hands touch the lilies
then withdraw;
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my hands touch the blue iris
then withdraw;
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and I say, not easily but carefully—
the words round in the mouth, crisp on the tongue—
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dirt, mud, stars, water—
I know you as if you were myself.
How could I be afraid?
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Mary Oliver
from Little Alleluias, Grand Central Publishing, New York & Boston; © 2025 by NW Orchard LLC
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The deep guttural imperative, that croak of authority – some afternoons we hear Raven down by the Yadkin River, some days lingering in the grove around the abandoned furniture plant. He, or she perhaps for they certainly know but I don’t, always sounds single. Alone. Perhaps a companion is nearby nodding, “Yes! Tell it!” but never is there any boisterous chorus. Life is a very serious thing for Raven.
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Not so much for Crow. Jostling jokers. Bullies at times, they certainly don’t ever seem willing to share a tree with Owl or Hawk. Or Raven, apparently. This morning I heard Raven’s gravelly baritone right above the porch. I looked up through the screen and watched him raise his powerful beak again and declare. But there on another branch just a meter away perched Crow, matching Raven’s every croak with three tenor caws. Which cawing called in a fellow crow to circle above them both. Intimidating the big guy? For several minutes they battled with their call-and-response fugue, then they all flew off in different directions. A minute later I heard Raven in the cove a quarter mile away.
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What meditation on my own life might Raven or Crow inspire? I admire both of these intelligent Corvids but which, if either, shall I emulate? This morning, after Raven’s departure, Linda and I are picking apart last night’s exhausting choral rehearsal. Our director, Lance, has selected John Rutter’s Requiem for May’s concert by our little ensemble, and some singers are not particularly overjoyed about the Latin pronunciation or the challenging rhythms, harmonies, and counterpoint of the score. We are struggling to come together. I’ll just confess – we ain’t there yet with this music. But during last night’s repetition and mistakes and measure-by-measure struggle, there also arose a few moments when a beautiful spirit of blessing surrounded our gathering. This morning Linda and I conclude that this is no music that a single voice can carry. In its great complexity, even because of that complexity, the whole tapestry can only come into being when each part, each voice, weaves itself into relationship with every other.
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In the introduction to Small Alleluias by Mary Oliver, poet Natalie Diaz writes this: What can any of us make of our momentary intimate lives in such an immense world, with equally immense unknowns, mysteries as great as death or the whale, as deep as love or the ocean, as sad and beautiful as a jellyfish torn and glistening in a small fortress of shore rock? This world in which we are of consequence, shaped as violently and tenderly as we also shape it. Marked by and marking. Though we might not always, or ever, know what it means, we can’t deny: the earth, the earth is beautiful. How lucky to be in it.
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Little Alleluias, collected poetry and prose, gathers poems and essays from the last years of Mary Oliver’s life into a newly released collection. Mary Oliver was born in Ohio in 1935 and died in 2019. Through her life as poet and teacher she won innumerable awards, including the Pulitzer Prize in 1984 for American Primitive, her fourth book. Little Alleluias is available from Grand Central Publishing.
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Enjoy poetry by Mary Oliver which has appeared in previous editions of Verse and Image, including just last week:
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Raven crop 02

RAVEN, by Linda French Griffin, from SNAKE DEN RIDGE, A BESTIARY

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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . every Saturday I present one or two poems submitted by YOU, my readers.
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Thanks again for joining the conversation.
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– Bill
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Doughton Park Tree 2021-03-23
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“It is impossible to care for each other more or differently than we care for the earth . . . there is an uncanny resemblance between our behavior toward each other and our behavior toward the earth.”

Wendell Berry

Attention precedes intention.

I know someone (actually, I live with her) who keeps a paper cup and square of cardboard under the downstairs sink.  If a wasp wanders into the house she claps the cup over her, slides the cardboard under her, and sets her free out the front door.  I’m thankful to Linda for this because I am slightly hymenopteraphobic.  I’m also thankful to her for all the crickets, centipedes, “Palmetto bugs,” and occasional skinks that have ridden that cup to freedom.  I can’t exactly express why, but it’s a blessing to be married to someone who doesn’t squash things.

Does Creation rejoice when one wasp is saved?  Maybe not, but you never know – the web of life is complex and chaotic and includes every living organism, not least the trillion bacteria that cohabit my body.  I couldn’t live without them.  Each creature occupies its essential place.

I do know this – Creation rejoices in every moment we take to pay attention.  Attention leads to intention.  Once we notice the life all around us . . . once we notice how all life interacts and how we affect it . . . we become poised to care. And to behave as if we care.

The very concept of interdependence within the natural world is only about as old as the church I belong to, Community of Christ.  That there is an intimate relationship between creatures and their environment was first developed by Charles Darwin, who is considered the Father not only of my other favorite “E” word but also of Ecology.  The first published instance of the word “ecology” was not until 1879.  One hundred and thirty-three years – not a great deal of time for the Western psyche to incorporate a radically new relationship with Creation: not dominion over all, not even stewardship of all, but coexistence with all.  Perhaps it’s not surprising that there are many people who imagine we can somehow live without Cape Fear shiners, Yellow lampmussels, or Schweinitz’s sunflowers, much less wasps, crickets, and skinks.

I expect a visit to the NC Zoo would start a lot of those people on a journey down a path at whose end they would have fallen in love, not only with a baby giraffe, but with a minnow endemic to just five counties in central North Carolina.  At least that visit would get their attention.  That’s the first responsibility of a naturalist, paying attention.  It’s the first responsibility of being human.

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Two Sundays ago I left the house at 6:30 a.m. to head for a week at the Zoo.  The car was crammed with nature books, poetry books, enough clothes to change two or three times a day anticipating some sweaty 100+ degree weather.  I had enough handouts and resources to lead workshops and present readings.  Enough food for two weeks, probably.  Enough coffee for a month.

I stopped at Bojangles and bought two sausage biscuits because they were on special.  As I headed south on I-77 I ate one, and then I thought – what did it take to make this?  How many thousands of gallons of water to grow the grain to raise the hog?  How much CO2 from tractor exhaust, how much methane from hog lagoon exhaust?   You’ve probably read how the United States creates over 16% of global greenhouse gases with only 5% of the population.  You may have read how raising meat impacts the environment much, much more than raising grain or vegetables, and how in the developing world, especially China, they are shifting their diets to include more meat as standards of living rise.  Well, when I arrived in Asheboro I handed that second biscuit to a friend and decided to give up eating meat.

Will my decision have any greater benefit to Creation than a few more wasps free in the azalea?  Maybe not, but it’s just my intention, growing out of my attention.

No matter how you lift your eyes you can’t actually see beyond the horizon. You can’t be sure of the outcomes of all your actions, but you can pay attention.  Pay attention to the things you experience every day.  To the things you do. Pay attention to what makes you feel within your heart the love your Creator has placed there.

Continue to discover your own place in Creation.Raven crop 02

RAVEN

Listen.
I’m not going to say this twice.
The sum and product of words
is no mark of intelligence.
Case in point – cousin Crow,
not half as smart as all his talk.

So listen,
I know three things:
Sky, that small kiss of warm air
that rises through my primaries;

the Water on its breath, ridgeblown mist
that bathes us all and makes springs
overflow into Inadu Creek;

and Earth, slope and cup of cove,
the steep that gathers with wide black wings
to draw down Sky,
draw Water up,
that sets free all things green
into a world first fledged.

But listen.
I know from twenty circles
of snowdeep and hungry moons
and twenty circles of fresh shoots
that Sky . . . Water . . . Earth . . .
none of them are mine.

And I know none are yours.

from Snake Den Ridge, a bestiary © Bill Griffin and Linda French Griffin, March Street Press, 2008

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“The universe story is the quintessence of reality. We perceive the story. We put it in our language, the birds put it in theirs, and the trees put it in theirs. We can read the story of the universe in the trees. Everything tells the story of the universe. The winds tell the story, literally, not just imaginatively. The story has its imprint everywhere, and that is why it is so important to know the story. If you do not know the story, in a sense you do not know yourself; you do not know anything.”

Thomas Berry,  1914-2009

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