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Posts Tagged ‘poetry’

“In case of nuclear attack, hide underneath the toilet.  No one’s ever hit it yet.”

On the wall above the commode, that’s the hand-lettered sign you get to read while you take aim and take a leak.  Assuming you’re standing – it’s a unisex bathroom.  To find it I had to ask directions of the forty-ish woman behind the register in the little convenience store: through the store room, take a right, last door.  I’m running ahead of schedule and have stopped for gas about a mile above the Catawba River (and I hate to arrive anywhere and have to ask first thing, “May I use your restroom?”).  Looked like it couldn’t be more than another mile or two from here to the Bethlehem Branch Library where I’d come to hear Adrian Rice read.

For the wanderer in search of literary respite, what a haven.  A simple well-lit temple to words.  Bethlehem Branch is across the county line from Hickory, so all those who cross this threshhold must do so intentionally and filled with expectation.

After we set up chairs, the head librarian showed me around: cozy spots for curling up with a book; windows, lots of natural light on winter afternoons; the current month’s art on display, evocative scenes by a local photographer; each photo accompanied by a poem written by a local poet inspired by that specific shot.  And now the library is officially closed but the door keeps swinging open.  Twenty or thirty souls arrive to share poetry, each of them intentional and filled with expectation.

In case of nuclear attack, head for the library.  Might as well pass through the pearly gates with a crowd you wouldn’t mind accompanying into eternity.

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I’d never heard Adrian Rice read his poetry before this night.  But who could resist that soft accent, as smooth and deep as kelly moss and inviting as a tall glass of dark amber?  The first thing he said was, “It’s a disaster to ask an Irishman to read for twenty minutes.  The introduction to the first poem will be twenty minutes!”

How can it be, then, that Adrian has written a book of haiku?  He shared with us several from his collection Hickory Haiku.  Oh sure, before each poem he gave us a build-up that was probably ten times seventeen syllables, but the secret to the Ulster lad’s three-line epics is to sit down and read the book through.  Fifty terse images from a man far from home and almost as far from boyhood.  Lines as quick and sharp as a turning latch.  Connections longed for, connections discovered.  The green hills left behind and the new hills that have become home.  The strangeness of nature, the nature of people, perhaps not so strange after all.  The deepwater anchor of porch, books, family.  Taken together, these are poems that link arms to tell a grand story with a wink and a prayer, worthy of an Irishman.

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II

We Irish aren’t wooed
by weather.  But, for folk here,
it’s a love affair

VIII

Night-winds lay the corn
rows low.  Morning, they rise –
foals finding their feet.

IX

Olde Hickory Tap
Room – draught handles are beer-bows
that target the Thirst.

XIX

The sun’s done gone.  Dark
ink surges through sky water –
a storm’s a-comin’!

XXVI

Two contrails cross in
the royal sky – the airy,
brave flag of Scotland.

XXVII

Like found poems, the bare
necessities of home – Heinz
beans & Weetabix!

XLII

We whinny and neigh,
two rocking horses grazing
the pasture of porch

.     .     .     .     .

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Adrian Rice teaches English at Catawba Valley Comunity College.  Turning poetry into lyrics, he has also teamed up with Hickory-based and fellow Belfastman, musician/songwriter Alan Mearns, to form ‘The Belfast Boys’, a dynamic Irish Traditional Music duo.  Listen to him read at the book launch for Hickory Haiku.

Thanks to Bud Caywood for organizing the monthly art and the annual poetry readings at Bethlehem Branch Library, and thanks to all the staff and regulars.

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Fort Macon Beach.  I’m twelve.  Is this dream or memory?  Either way it’s true.  My little sister snatches from the foam’s edge a clump of stringy green seaweed.  Shakes off coquinas and mole crabs.  Drapes it on top of her head and down around her shoulders.  “I’m a mermaid!”

Of course I believe her.  Because what is a mermaid?  A creature that rises from a strange and exotic world to challenge all our comfortable assumptions.  One who challenges and enthralls only to slip from our grasp.  Who breathes a cold hot enfolding incandescent oxygen like no air we’ve been able to imagine.

Any six-year old who will pull ickiness from the surf and adorn herself with it must surely be a mermaid.  It explains a lot.  My sister who cycled the Eastern Seaboard when she was barely a teenager.  My sister more at home in a kayak than a staff meeting (but who can dominate a staff meeting).  Who for her forty-first birthday backpacked a hundred miles of the AT with me. Who works her healing power over mind and spirit with Jung and the Buddha at her shoulder.  I”ve always suspected it — she does breathe from some atmosphere I’m still trying to discover.

.     .     .     .     .

Meet the mermaids of Diana Pinckney’s Green Daughers.  Dream or memory, the poems are true.  The voice of the watery mother whose daughter is struggling, torn — isn’t it the voice of all mothers?  The voice of her daughter tempted by a world out of reach, agonizing for her unknown future — isn’t it the voice of all children?  And poems for each one of us — for which of us does not long for deep roots, for a fundament to which we may always return, for sustaining love?  Yet don’t we gaze at night into the “sky full / of all her gods and animals” and believe that there is mystery beckoning just beyond our perception?

In the way the next receding wavelet parts the shards to reveal a lettered olive, whole, smooth, its cryptic glyphs revealing a message for my eyes alone, in this way I am still discovering the layers of meaning in Diana’s poems.

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What the Mermaid Wishes for her Daughter

I turn to the land and imagine
your long, strong legs kiking a road
I can’t follow, climbing from lavender valleys
to the highest peaks, the whole blue earth
at your feet.  And those strange
creatures — men who slipped
like minnows from my grasp —

may you unlock the mysteryof at least one
who listens when you laugh
in your sleep, who cares to chart
a woman’s pleasures and pains.  Sailors
have told me love is what
brings the boats home.  From where
I sit, nature decides our days
and turns the wheels at night.

I knew you were borrowed, but
you nourished me the way the shore
feeds the sea each day, a glossy
bond unbroken.  What you
carry from this place is not
lent, but given.

.     .     .     .     .

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Diana Pinckney lives in Charlotte, only a few hours drive to the coast when the wind and the traffic are at your back.  She teaches poetry at the Cornwall Center.  Green Daughters is her fourth collection and is available from Lorimer Press.  Get to know Diana and read more of her work at dianapinckney.com.

Diana will be the featured poet at the Sam Ragan Poetry Festival of the NC Poetry Society, March 24, 2012, Weymouth Center for the Arts and Humanities, Southern Pines NC.

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This is the book I had to write so that I could move on to higher literary endeavors.   David Treadway Manning

I came to Malaprop’s Books and Café expecting to be cracked up.  Which is to say, I came to listen to Dave read from his latest book, Yodeling Fungus.  After the introductory statement above, I knew I would not be disappointed.

I’ve been listening to David Manning read his poetry all across NC for the past ten years, nature poetry, love poetry, spiritual visions, politics, and I am always captivated by his ability to imagine fresh images.  He speaks truth from the heart.  And then . . . every once in a while he’ll startle me with a poem that is so sly, acerbic and right on downright damn funny I’ll just about strangle.  He confesses that these are the result of a genetic misfire from his muse, Guzman:

“Guzman de Pietro is a benevolent demon inhabiting the Manning bloodline for generations as a genetic hitchhiker, imparted into the genome to each its hosts humility and the restorative virtues of Merlot and bathtub naval strategy.  A form of male duende, Guzman erupts from time to time in newspapers and poems in outrageous and occasionally embarrassing public behavior.”

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Starry Campion

Terminal Issues

Far from faculty teas, and leather elbow-patches,
out in the blue-collar, bare-knuckle world,
out in the cliché-ridden, six-pack world,

the little magazines flash in and out like
virtual particles in the plenteous void.  Some
catch and flicker into light to illumine

the pages of Poet’s Market for a year
or two.  Names like Manna, Pegasus go up
like bottle-rockets then fall for next week’s

recycle.  Somehow Lyn Lifshin strides
their galaxies as if on stepping stones
before they vanish, the tiny journals,

home-grown in someone’s sewing room.
Coastal Plains, Wellspring, Potato Eyes –
I’ve had a poem in the final issue

of each one.  I have sent my coup-de-grace
like poisoned arrows into their vitals.
Amelia took my killer limerick then died

(with editor Fred) before the fatal fetal poem
could be born.  And Knuckle Merchant greeted
my aggression open-armed then shuddered,

limp into rain-soaked tabloid rags.  Now,
I send out poems, with a warning
like a black box label on a drug.

Enclosed are five new poems.
Thanks for you consideration.
The side effect is death.

.     .     .     .

What I should Have Said to the Young Poet Who Asked, “What Is the Typical Age of Your Reading Group Members?”

It’s don’t ask, don’t tell
when we wheel in our IVs
& orderlies.  Just come with some poems.
At noon we bring our lunches,

community oxygen & an extra tank
or two.  You won’t feel out of place
after we lay a few lines of Thanatopsis
on you with our cool blue hands.

Come visit – you’ll fit right in –
like six by three.  We keep out too much
sun, so you can ease back on one
of our satiny pillows & enjoy.

They keep the black van running
outside & Brown-Wynne on speed-dial.
Yesterday a youngster with progeria
came & caught up real fast.  Don’t worry,

before you know it you’ll be
one of us.  Your hands will clammy up
real fine – knobbly veins and all – and
those cheeks of baby fat will croc-o-dile.

.     .     .     .     .

Dave, Worthy Evans and I read as the “Poetrio” at Malaprop’s Books and Café on July 3, 2011.

Yodeling Fungus, Old Mountain Press

Other books by David Manning:
The Flower Sermon
The Ice Carver

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