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Archive for the ‘Imagery’ Category

Wingstem, Verbesina alternifolia
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[with 3 poems by Li-Young Lee]
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The Unfound Room
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She is humming in the other room.
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Leaves are falling in one window
of the room in which I sit
listening to her.
 . 
Her voice comes to me
from another part of the house,
and with it
the image of her face.
Throughout our years together, that look of
 . 
absence from her body
and the melody it bears forth
 . 
and total presence to what she’s at
the time inclined to, her neck bent
toward the task or the thing her hands
are disposed to, possessed of, all of her
 . 
given, giving, all of her receiving the shape,
weight, texture, and grade of that particular
and momentary instant of her passing day.
 . 
O almost
all of her, since
part of her goes on humming
over and over that one slow phrase
of a song I can’t now place,
humming in a different part of our house,
 . 
While in the window before me
leaves are falling
from out of a gone part of our year.
 . 
She’s humming a wordless phrase, the song missing,
her voice bearing aloft a familiar bridge
broken off from the before and the after,
a fragment I know, scrap of music
 . 
arriving from some unfound room inside her
where the song entire sings,
the song replete
is singing, even as the dead I still love
have gone ahead, as promised,
to make the unknown nearly habitable.
 . 
Even while they, remembered, are left behind
in a past I can’t find anymore.
 . 
Li-Young Lee
from The Invention of the Darling, W.W.Norton, New York, NY; © 2024
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❦ ❦ ❦
 . 
Autumn is the season of Yellow. Yellow is becoming and going. Yellow is arriving and leaving. Yellow is living again and dying again. As Yellow swells, it fills the ditches, the meadows, forest edges and waste lots. As Yellow fades it leaves feather tufts and seed heads – we wonder, will they sprout again? As Yellow drinks all the blue and green it grows to fill the canopy and the horizon. As Yellow fades, it reveals curvatures and twists and impossible angles – we wonder, is this what death looks like?
 . 
I am fickle. I am so easily tempted by pink and lavender, red and bright orange. And of course purple. Yellow, are you worth anything to me at all? You are so common it would seem to be no effort at all to find you, not worth the effort to see you. Easy to ignore you. But then I pause and shiver and if I’m blessed the shackles of time and distance fall away for a moment. Yellow, you have so many bodies and forms! You are so related and so disparate! Yellow, I will write a new song about you and the refrain will sound like this – wingstem, crownbeard, tickseed / sow-thistle, ragwort, coltsfoot / sunflower, coneflower, goldenrod / yellow, Yellow, YELLOW!
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Autumn is born, Autumn lives, Autumn begins to die and Yellow flies from the ditches and the meadows into the songs of leaves – tuliptree, redbud, sugar maple. Yellow flies higher and curls to umber, ochre, brown butter. Delicious Yellow, raising the color of earth high and holding it for a day before it falls to become earth again. The season of dying again and living again. This season of leaving and arriving. Yellow, long may you reign.
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Native Wild Yam, Dioscorea villosa

Native Wild Yam, Dioscorea villosa

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Poison Ivy, Toxicodendron radicans

Poison Ivy, Toxicodendron radicans

 . 
Native Hog Peanut, Amphicarpaea bracteata

Native Hog Peanut, Amphicarpaea bracteata

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❦ ❦ ❦
 . 
The Invention of the Darling
 . 
6.
 . 
The woman you love is singing.
Quick, tell her what you love.
 . 
Don’t tell her what you believe.
Don’t tell her if God is dead or alive.
Don’t tell her what’s wrong with the world
and how to fix everyone in it.
 . 
The woman you love is singing.
Her voice is laying a table in the presence of death.
The service shines, irradiating
the cardinal points,
dividing above from below.
 . 
Now is not the time to quote scriptures.
Now is not the time to repeat manifestoes.
The woman you love is alive
and singing, making a new world
out of all she loves.
 . 
Don’t remain outside of her song.
Whatever enters her singing lives again, twice-born.
And there’s only one way in.
Speak your love clearly.
 . 
So what if no one else can hear her.
So what if no one else witnesses her making
and re-making the world in the image of love.
 . 
Soon, her singing will stop,
and all you’ll hear is the confusion
and violence of a world untouched by her song.
 . 
Remaining outside of her singing has cost you so much.
Quick tell her what you love.
 . 
Li-Young Lee
from The Invention of the Darling, W.W.Norton, New York, NY; © 2024
 . 
❦ ❦ ❦
 . 
Is it I myself who blocks the doorway between me and love? Is death my adversary or my friend? Stop, you Poem, and explain yourself before you go any further! Oh, my poor analytical mind. Oh no, simultaneous equations and stoichiometry and metabolic pathways. Oh the one thing always corresponding exactly to the one other thing. Oh no, desire to make everything fit together.
 . 
And yet doesn’t it? Fit? Perhaps not with my graph paper right angular AB=XY. Not Isaac Newton and William Harvey (and only almost Schrödinger’s Cat). More like a star best seen when I look to its left. The smell of flowers in the woods when nothing is blooming. Or, in The Invention of the Darling, sense is falling petals, wings, the sky within and the sky without, The One and The Many and all of it fit together, all one, all many.
 . 
O Poem Reader, stop! Open your eyes and see the lines inviting you to follow them where there is no path. Close your eyes and see the lines circling and touching and kissing. They explain nothing and they explain everything. And when you have been kissed, you will surely know.
 . 
 . 
Li-Young Lee lives in Chicago, Illinois, USA. Among the many honors awarded his verse are a Paterson Poetry Prize, an American Book Award, and a Lannan Literary Award. The Invention of the Darling, his seventh book, is available from W. W. Norton.
 . 
❦ ❦ ❦
 . 
Going Along
 . 
Rocks.
Streams.
And falls.
 . 
You were making ready to go.
And then you were going.
And then you were gone.
 . 
The bud.
The flower.
The fruit.
 . 
You were leaving.
And then you’d just left.
And then I saw the sky
was a very big question,
and earth no answer.
 . 
And even the birds, the trees,
even the sun, moon, and stars looked like passengers
boarding at their numbered gates.
 . 
Your leaving was on both of our minds
while it lay ahead of you. But we
fast caught up to it, and you
occupied leaving completely,
with no room for another.
 . 
And soon it lay behind me, who was left alone
to fold your clothes and give them away,
even as you left leaving behind, as though leaving
were one more disguise.
 . 
And the whole world seems a moment
from your forgotten childhood,
or an old house someone abandoned in haste, leaving
the back door open wide.
 . 
Winter. Spring. Summer. Fall.
The years follow a very old song
my evry disappearing gesture accompanies,
my each step inflects,
one foot lifting me off the ground,
one foot setting me down on earth.
 . 
Walking, danging, running.
Late. On time. Out of breath.
 . 
Li-Young Lee
from The Invention of the Darling, W.W.Norton, New York, NY; © 2024
 . 
 . 
Thank you to my friend Anne G. for the gift of Li-Young Lee’s book in the midst of all these leavings, Mom gone and Dad going, the sky a very big question and earth . . . an answer?
 . 
fungus
 . 
❦ ❦ ❦
 . 
Doughton Park Tree 2020-11-22

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[with 4 poems from Speaking for Everyone]
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Epiphany
 . 
searching through the turning worlds,
+++ eruptions on the sun,
+++ disruptions in the atmosphere, pulsing past
+++ our planet’s pinpoint in the sea
+++ of swirling masses,
+++ gasses, dark and light – – –
+++ measuring for meaning, straining for the
+++ +++ second
+++ when what wasn’t is what was
 . 
we gather cinders on our shoes
+++ sediment from galaxies
+++ glimmer in the minerals
+++ like dusty road outside Damascus,
+++ shimmer in the flint for flames
+++ that find our face,
 . 
+++ and burn our searching shadow
+++ forever in the steps we leave behind
 . 
John Kristofco
from Speaking for Everyone, edited by Eric Greinke © 2024
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❦ ❦ ❦
 . 
To my eyes, this is peak. Route 421 is still mostly flanked with green but Tuliptrees have begun to sauté a rich buttery roux. Here and there a Maple tries on its copper halo against the background of lime and salmon that renders the entire crown translucent. Sumac is on fire. Among the many trees barely shifted it is contrast that stands out. That catches the eye.
 . 
Especially this one fellow who won’t be held back. His spine is curved, he has to lean out and away from the big guys overshadowing, but he has completely cloaked himself in deep, mature red. In every other season, Sourwood conceals himself within the massing forest, but in October he glows.
 . 
This morning Dad’s occupational therapist is timing his glow. How long can he stand up? Dad grips the walker, gravity slowly claiming him until we prompt him to read the hats on top of the wardrobe. For a moment he’s upright but then gradually curls again. Two minutes fifty before he has to sit back down. Rest a bit and then we’ll try again, and again, three times to really see what he’s got. He won’t be held back. And when she repeats the test next week will he strike another personal best?
 . 
Tough old Sourwood. In summer the tent caterpillars find you delectable and leave bald spots and frizz. In winter we discover no single limb is straight, no trunk unbowed. But in spring you blossom, florets too small to be showy, too high at your pinnacle for us to notice, that is until after the pollinators have had their way with you and you carpet our path with tiny creamy castoff bells. Your promise: somewhere there’s going to be honey.
 . 
 . 
❦ ❦ ❦
 . 
A Brief History of Trees
 . 
This is the space where the trees stood
before we cut them down to make boats
that would take us to another country
whose trees we cut down to make houses.
Then we grew new trees
so we had wood for our arrows
to shoot at the enemies whose trees
we turned into musical instruments.
We grew more trees
to sell to our friends who had made money
out of theirs, and we bought up all the forests
to make paper, and cut faster
than the trees could grow. Then we printed
the history of trees
so our descendants could read
about the creatures who lived among them
and about how we feared the dark forests
with their eyes of night and insects
thirsting for blood. It was all
to make room for sunlight, we say,
and to make the world safe. And we close
with a postscript that admits
it may all have been a mistake, but how
could we have known, when we were strong,
that we would grow bored with music
and forget how to read?
 . 
David Chorlton
from Speaking for Everyone, edited by Eric Greinke © 2024
 . 
❦ ❦ ❦
 . 
The Day the Cow Jumped Over the Moon
 . 
No one waw it coming
though in retrospect
it seems obvious, inevitable.
 . 
Even the moon was surprised
though some would say
it was in a better position
 . 
than anyone else
to see the big picture.
How did we miss it?
 . 
So much destruction,
bodies buried under buildings,
the waters rising.
 . 
Some must be responsible.
We need a congressional investigation,
discussion on Sunday talk shows.
 . 
Nothing with ever be the same
until the Super Bowl again
becomes the headline above the fold
 . 
and everyone returns to the meadow
to stand around mooing,
chewing their cuds.
 . 
Joyce Meyers
from Speaking for Everyone, edited by Eric Greinke © 2024
 . 
❦ ❦ ❦
 . 
“ . . . poems that express collective consciousness through the use of the first person plural persona ‘we’.” So it describes itself, this anthology edited by Eric Greinke, Speaking for Everyone: beyond egocentric and ethnocentric to the level of anthropocentric. Suddenly I’m conscious of what was subliminal until now, that a tiny shift of pronoun has the power to draw me fully into the poem as participant rather than simply audience.
 . 
We all find our bliss once or twice
in the lives we live
in the black box.
We don’t recognize the signs,
but the people around us step aside when we
emerge from our temporary deaths.
+++++++ Buddha, Elizabeth Swados
 . 
And now I am reading these poems with greater intention. Will I discover myself in every setting and every image? Perhaps not, but I might discover connections I hadn’t anticipated – I might be giving myself to the poem rather than simple expecting it to give to me. I don’t recognize the names of most of these writers but I find myself wondering about them, walking beside them as they explore the universe. More than speaking for everyone, here they speak with everyone. And me.
 . 
 . 
Speaking for Everyone, An Anthology of “We” Poems, is edited by Eric Greinke with contributing editors Alan Britt, Peter Krok, and Gary Metras. Discover more about this prolific poet, editor, and essayist HERE
 . 
 . 
❦ ❦ ❦
 . 
For the Neighbor Who Got Bagpipes for Christmas
 . 
Aleppo lay slaughtered,
Berlin mourned her dead.
The Black Sea swallowed
a whole Russian chorus.
 . 
From Somewhere
West of our suburban acre,
floating on the frozen
twilit air, we heard
“Amazing Grace”
 . 
your gentle ailing
reminded us
who we would like to be.
 . 
Marylou Kelly Streznewski
from Speaking for Everyone, edited by Eric Greinke © 2024
 . 
❦ ❦ ❦
 . 
IMG_1783
 . 
❦ ❦ ❦

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I learned today from our friends at CHARLOTTELIT that Dannye Romine Powell died on October 10, 2024. She was a joyful and fearless supporter of literature, the arts, and poetry in North Carolina for many decades, and whenever I asked her advice or permission to use her work, she was a gracious friend.

I am re-printing this post from December 30, 2020 so that we can share again these evocative poems by Dannye. In Memoriam.

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❦ ❦ ❦

 . 

NEW

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[with poems by Dannye Romine Powell]

When we lower her pack from the tree where it has swung all night like a bell mocking the bear, the skunk, she opens it and screams: a fairy crown atop her sweatshirt and socks, a perfect round nest and four perfect hairless mouse pups like squirming blind grubs. We peer in awe, shepherds at the manger.

Mother mouse has hidden herself — she is not in the pack with her babies. We lift the nest intact, hide it in a bush beside the tree, nestle leaves around. Mother will sniff out her precious ones, reclaim her treasure. But we have other lambs to tend.

We eat, stow gear, shoulder our packs, face the trail, and consider: the pack was in the tree just one night; the nest is woven from meadow grass where we slept; the mother who climbed – how many trips up and back? – was heavy with her brood.

Miles before us, a new year before us – how heavy will each day’s burdens become before night brings rest?

.     .     .     .     .     .     .

A new book by Dannye Romine Powell arrived in the mail this week: In the Sunroom with Raymond Carver from Press 53 in Winston-Salem. I meant to read one or two poems this morning but I have read them all. A central persona that weaves through the collection is Longing: she visits rooms in old houses, unfolds memories into the light, shares the pain that others might lock in closets. Grief shared conceives within us hope to rekindle joy. Sharing grief, sharing joy, we become more human.

.     .     .     .     .     .     .

The Secret

Light glazes the near-empty streets
as I drive. Beside me, my grown son asks
if a secret I thought I’d kept buried
is true. A secret
that can still catch fire.
We stop on red. A bird flies
by the windshield. My father’s words:
Easier to stand on the ground
and tell the truth than climb a tree
and tell a lie. Now, I think. Tell him.
I stare at my son’s profile,
straight nose, thick lashes.
I remember, at about his age,
how a family secret fell
into my lap, unbidden.
That secret still ransacks a past
I thought I knew, rearranging its bricks,
exposing rot and cracks,
changing the locks on trust.

.     .     .     .     .     .     .

In the Night, the Wind in the Leaves

swirled and rustled
out our open window as if
for the first time,
as if we never were,
the earth newborn, sweet.

And what of us – asleep
on the too-soft bed
in the old mountain house?

Gone.

Also our children.
the ones who lived, the ones who died
before they grew whole. All night

the breeze swirled and rustled
through the leaves as if it played
a secret game, swirling
and rustling all night

as if we never were.

from In the Sunroom with Raymond Carver, Dannye Romine Powell, © 2020 Press 53

.     .     .     .     .     .     .

Dannye Romine Powell has won fellowships in poetry from the NEA, the North Carolina Arts Council, and Yaddo. Her poems have appeared over the years in The Paris Review, Poetry, Ploughshares, The Southern Review, Harvard Review Online, Beloit, 32 Poems, and many others. She is also the author of Parting the Curtains: Interviews with Southern Writers. For many years, she was the book editor of the Charlotte Observer. In 2020 she won the Randall Jarrell Poetry Competition for her poem “Argument.”

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