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Every workday I’m out the door with a travel mug just as the sun pokes through the pines on Johnson Ridge across the valley. One solace – I leave by the back door, through the screened porch, embraced by the centenary beech before I get in my car. If there’s a little light it’s a herald of goldfinches; if full dark a doe might spook. The ‘possum might still be rooting in the compost. All just outside my porch.

This morning March snow is sifting through the screen and puddling on the planks. Office closed (at least until noon). While coffee perks I shove the screened door open against a drift of heavy white and toss a couple of handfuls of seed to the ground feeders. I huddle against the house until the birds return (they’d only flown twenty feet into the hickory branches). Hello, my friends. On the porch I’m only ten feet from the phone, the bills, the desk-high tasks undone, and three miles away I can hear traffic on I-77 unslowed by a little precipitation, but here is sanctuary.

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How many porches have acquired personality in your memory? Grandmother’s in Hamlet: the swing hanging from heavy chains, for Bob and me a pirate ship, a jet plane. Nana’s in Morehead: the smell of Bogue Sound, the chaise lounge one of us would sleep on when the July nights were too hot; our own first porch, the red rental house in Durham on Green Street, a family portrait with toddler Josh and Margaret just beginning to smile, all of us smiling.

With such an archetype it must have been easy for Maureen Sherbondy to elicit the poems, essays, short fiction that she has compiled into Voices from the Porch (Favorite Gathering Places). It is an anthology broad as a coastline or a rural avenue, but also deep in the secret heart of people gathered and torn. It’s a tangled story of memories and feelings that won’t allow themselves to be laid aside. It is voices that have whispered and will continue to whisper to each of us.

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Judith Behar’s poem Evening opens the collection. Like opening a door onto a space of sanctuary, and revelation.

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Evening

Dusk rises from the pond,
misty and green, then gray;
a bullfrog croaks his song
up to the darkening porch
where three women drink wine by candlelight,
the humid air like saris on their skin.
They idly talk of gardening and plans
for summer travel. Work falls away,
lines soften, then disappear
in shadow. A slivered moon
hangs in a cloudless sky.
They clear the dishes, carry their glasses in –
their day ended, the guests depart.
Creatures of the night
swarm in the grass.

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Judith Behar lives in Greensboro and is the volunteer publicity director for Writers Group of the Triad. She has taught English at Guilford College and practiced law in Greensboro for 30 years. Her poems and short stories appear in a number of publications, including contest winners in Pinesong, published by the NC Poetry Society.

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One more reason to consider sitting down in the porch swing and reading this anthology: my short story Overflowing about Jimmy, Nella, and Monty in Surry County and the danger of love.

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The gardens at Weymouth Center for the Arts & Humanities in Southern Pines, NC are a site to restore your soul.  Huge weeping cherry trees, perennial gardens, poet’s garden, frog pond, the adjacent old-growth longleaf pine savannah of Weymouth Woods . . . I first absorbed their restorative atmosphere about twelve years ago.  It was at the close of the last century, and  I was enjoying the approach of evening beside the water lilies, preparing to attend my first NC Poetry Society board meeting as treasurer.  In the diminishing light a vision appeared before me.  An elegant couple approached across the manicured grounds, he a dapper gentleman with a graying beard, she a slender beautiful woman with an astonishing floral hat.  I said to myself, I am in the right place.

No, it wasn’t Zelda and F. Scott (although doubtless they were frequent visitors when the Boyds resided at Weymouth).  Guy and Carolyn York became my friends in that garden that evening and have been ever since.  For two decades they have served the NC Poetry Society with warmth, creativity, and tireless enthusiasm.  During the fourteen years they shared as Vice Presidents for Membership they assured that every new member could say, “I am in the right place.” They greeted every person who walked into the Garden Room to attend an NCPS meeting or workshop at Weymouth.  They kept straight the status and address of some 400 members to make sure we’d receive our Pine Whispers newsletters and notices about contests and gatherings. Every new member for almost a decade and a half has received a welcoming packet of readings, poems, notices and tidbits that bear Carolyn’s distinctive touch.

One perquisite of serving on the NCPS Board is the social time on Friday night after the two- or three-hour long Board meeting – and no such gathering could ever be complete without Guy’s bottomless well of recitation: Tennyson, Kipling, Shakespeare, and a few limericks it would be illegal to post.  Now Carolyn and Guy have taken a hiatus from the Board for a year or two, but in 2013 Carolyn has agreed to serve as President and Guy will assume an At Large position.  Meanwhile they attend every meeting, volunteer in the book room, and continue to share their humor and style – folks, if you are in a room with Carolyn and Guy, you are in the right place.

The vote was unanimous.  The North Carolina Poetry Society Board of Directors has dedicated the 2012 edition of our annual anthology, Pinesong, to Carolyn and Guy York.  Congratulations, friends and companions!  Here’s to a few more decades together of celebration and poetry.

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Sugar Dust

Over time
the round pale moon
crumbles
like the
sugar cookie
of our childhood days
that we saved
and ate clandestine
in the closet
of the nursery
secretly – a bit at a time
a bite at a time –
until nothing was left
except the
sparkling
crumbs
which clung to our fingers.

In the sky of mooncrumble
nothing remains
in the velvet darkness
but sweet crystals of star dust.

© Carolyn Pleasants York, from Dream Within a Dream, 2011, Green Jade Publishers (Old Mountain Press)

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Dream Within a Dream is Carolyn’s Southern gothic mystery novel which incorporates Carolyn’s poetry to enhance the atmosphere of magnolia blossoms and dark secrets.

Weymouth Center for the Arts and Humanities

North Carolina Poetry Society

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My middle name, just like my father and his father, is Wilson.  The county just east of Wake and just south of Nash is Wilson.  Its county seat and the home of Barton College is Wilson.  Is that why, when I drive past the magnolias and stately homes onto the pastoral campus and walk beneath the loblollies and grand willow oaks to the Sam and Marjorie Ragan Writing Center, is that why I feel so connected?

This second Saturday in April is the tenth annual (OK, Marty Silverthorne says it’s the ninth) celebration of National Poetry Month by Walking into April, a collaboration of the NC Poetry Society, Barton College, and the Gilbert-Chappell Distinguished Poet Series.

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Let Us Walk Into April

It was a pear tree in bloom
That lit up your eyes.
You came at blossom time –
Dogwoods and lilacs,
The camellia and azalea,
And the glow of the redbud tree –
Thousands of wildflowers run before your feet,
And a faint green hovers in the woods.
Here we are just before the coming of April,
When the whole world is new
And each day is a beginning,
A time of sunlight and splendor –
Come, let us walk into April.

Sam Ragan, NC Poet Laureate 1982-1996

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In the morning: readings by two featured poets (this year Debra Kaufman and me), a round-table discussion.  In the afternoon: readings by each of the Eastern region’s Gilbert-Chappell students, a reading by their Distinguished Poet mentor (this year Michael White from UNC Wilmington), and of course open mic.

My impression, after attending Walking last year and again this year, is that this is a time and a place to become connected.  The young Gilbert-Chappell poets (Elizabeth is still in Middle School) connect to their mentor for months via prompts, suggestions, critiques — literary bonding.  This day of reading is the culmination, the pinnacle of all the poetry they’ve worked on together.  A few faces are present at the meeting year after year: Becky Godwin, our Barton College sponsor; Marty Silverthorne, without whom no open mic could be complete; Bill Blackley, to remind us of the legacy of Marie Gilbert and Fred Chappell in creating this program. And of course Sam Ragan is ever present.  His vision and creative spirit, keeping bright the connections between the literature of our past and the hottest verse of today, are a major reason North Carolina has become such a state of poetry.

Well, I just had a wonderful day and once again I feel connected to a big encouraging family, all of us blood kin because of the poetry in our genes.

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Elizabeth: Spring “. . . eventually something will grow from the ashes of a fire!”

Rachel: I Am Spring “I am the recovered youth in all life.”

Nancy: Spring Poem “I felt perfect . . . like the butterfly poised on the coral azaleas.”

Lauren: To Be Celebrated “speechless . . . grasping for verbs of uninvented languages.”

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During the morning reading, Debra Kaufman shared poems from several of her earlier book and then focused on her new collection, The Next Moment (2010 Jacar Press).  The poems cover an entire life’s span with sensitive maturity and a light touch that brings me, the reader, into the poem’s very moment.  The petals of star magnolia and tulip are falling; the breeze already hints of July; I will re-read these poems and traverse the seasons and the years.

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Shimmer

After the rain, heat
rises in mirage-like waves
on their hike to the river –
father, son, pregnant mom.
They sit midstream on boulders
and dip their feet in.

Above the river’s burble,
a high-pitched, ear-tickling thrill –
language of the infinitesimal –
and a horde of tiny angels
fills the hazy sky,
translucent wings glinting.

They’re going on into infinity,
the boy says, proud
to use the new word he learned,
along with optical illusion,
from a traveling magic show.
They watch, not talking,

until the cloud thins, disappears.
The woman wants
to say miraculous, but know
her husband would scoff.
the boy spies the first
split husk on a twig.

They find hundreds of shells
of the creatures
that ascended in a holy cloud,
then dispersed to light in trees,
beings that will sing lullabyes –
a choir of breathing – all summer long.

© Debra Kaufman, 2010

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