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Archive for the ‘Imagery’ Category

Juxtaposition

Jeez, just when you think you sort of know someone.  Picture the engraving by M. C. Escher, Encounter: a placid white man, the negative space around him metamorphosed by degrees into a sinister appearing black man.  They greet. But step back.  At a distance sufficient for you to see the image whole, where does one homunculus end and the next begin?  Like looking into yourself.  Or into the world.

Celisa Steele’s poems in How Language is Lost embody the same perplexity.  Look closely.  Are these images sacred or profane?  (There will never be a more arresting poem title than “Al Considers the Fucking Holy Spirit.”) Now step back.  Read every poem.  Just when you thought you sort of knew someone.

A subtle breath wends from line to line to line, an irresistable inhalation that brings all within – drunk with your face in the mashed potatoes, grieving as ice melts in the cup, alone and lost as a language, as an entire generation.  Or grunting at the jab of an elbow in your ribs that demands you laugh.  There you are.  There I am.  A fractal poetry in which the smallest detail expands to become the universe.  Divine juxtaposition.

If everything is God, the only sin is in denying that God is everything.

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The Jungle on the Back Patio

Today a sparrow, doubtless
a Yeatsian, builds her nest again
where yesterday I beat it down.

Last fall Besson bulldozed
the jungle at Calais.  Hundreds
of undocumented migrants,

Pashtuns hoping to hop
a Dover-bound lorry, flew
before the announced razing.

Some stayed (most minors),
arrested in soft clouds of breath
just visible in the early morning.

This morning’s song – luculent
encomium of labor – lowers
the upturned broom in my hand.

No one wins.  Not the bird,
not the French.  Nothing changes
by an inch or an ounce, and I imagine

I will startle her to flitting frenzy,
send her to a nearby branch
each time I set foot on the patio.

Eggs, cool for too long, will
never hatch – the next generation
lost in a spindrift of pollen.

.     .     .     .     .

Celisa Steele

MC Esher Gallery 

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Passionate Intensity

Surely some revelation is at hand . . .

Now the long freight clears the crossing and traffic grinds again along E. 36th St.  Now the thirty or so find their way into the Gallery, grind and clear through studio work spaces & art on display, find their seats.  Now the poets approach the microphone.

There couldn’t be a better space for poetry.  Green Rice Gallery at the corner of Davidson and E. 36th, reclaimed and resuscitated mill and warehouse, the intensity of artistic creation in all its forms and guises.  There couldn’t be a better crowd.  Jonathan and Scott, the hosts gentle and inciting (you guess which is which).  The writers and listeners not just from Charlotte but as far as Winston-Salem and OMG Lincolnton.  Everyone intent. Everything passion.

I have rarely attended a better open mic.  The woman channeling Ginsberg’s America who cries to discover her place in this nation, in this existence.  The man reciting surrealist imagery until the photo on the wall behind him becomes Salvador Dali.  The quiet brooding lyric that leaves me desperate to know more – what lurks beneath?  The guy of 100 personas whose rant in the character of a postal employee makes me want to duck for cover.

And the woman who read two Irish poets, the first observing the tangled path love may take – didn’t each of us listeners say, “So true.”  And for her second she read Yeats.  Violence, chaos, apocalypse before us. The Second Coming.

Frightening that his poem written in 1919 sounds the very dread we experience in 2011.  The New York Times observed in 2007 that this was becoming the official poem of the Iraq war.  And yet however menaced I may feel as the rough beast, its hour come round at last, / Slouches towards Bethlehem to be born, I am encouraged by the passion of these young poets declaring their intention to create new order from anarchy.  I am convinced that they, the best, lack no conviction in their passionate intensity.

 .     .     .     .     .

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THE SECOND COMING
William Butler Yeats (1865-1939)

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: a waste of desert sand;
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Wind shadows of the indignant desert birds.

The darkness drops again but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

.     .     .     .     .

A brief analysis of THE SECOND COMING

Green Rice Gallery in Charlotte

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He that is without sin among you, let him first cast a stone at her.

Remember Edgar Allan Poe’s “The Imp of the Perverse?”  In each of us exists the ingrained capacity to self destruct.  When you stand at the precipice looking down, the imp urges you to take one step closer to the edge.  You know you’re driving, but you think you’ll have that one last drink.  You’ve typed it and you just know you shouldn’t hit SEND, but you do.  The rational mind recoils, but the id whispers, “Why not?”

When you’ve heard the verse I quote above, isn’t your first response usually something like, “Oh, those bad, bad hypocrites.”  Last week I read an editorial in the Wall Street Journal by James Taranto about Anthony Weiner (who is apparently possessed by the largest and most perverse imp in the Western Hemisphere).  Weiner’s fellow Democrats have denounced his transgressions, but somewhere soto voce you know folks are saying, “At least he’s not a hypocrite. . . . Especially one of those family-values conservative hypocrites.”  Does that mean Liberals have no moral values to transgress in the first place?  Weiner, in his public life, was an adamant feminist and would most vehemently denounce anything that degraded or subjugated women.  And so, about those tweets and photos . . . ?

But Jesus’ challenge to the Pharisees isn’t about hypocrisy.  It’s purpose isn’t to condemn.  After the self-righteous slink away, doesn’t Jesus look up and say, “Woman, where are those thine accusers? hath no man condemned thee?” She said, No man, Lord. And Jesus said unto her, “Neither do I condemn thee: go, and sin no more.”

Rather than hypocrisy, I say this story is about humility.  And I define humility as mindfulness, specifically being mindful that we share common desires, weaknesses, and failings with every other human creature.  My sister Mary Ellen, as a psychologist, uses mindfulness techniques to treat a number of emotional and psychophysiologic distresses. It can’t be an easy process.  At least to me, it doesn’t seem to come naturally.  How effortless is it for me to tool down the highway recounting to myself all the bad qualities of someone who’s done me wrong, enumerating all the reasons I’m justified in despising them until I enter some anti-Zen state of sour despairing mind-crud.  Practicing humility and compassion by comparison seem like work.  Mary Ellen, help!

Does any of this provide context for the poem I’m featuring today?  Perhaps just this: that every fault I see in people and in the society around me, every screwed up priority, every exploitation, every just plain meanness, I see in myself as well.  Here, today, I’m dropping my stone.

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.     .     .     .     .

little mouse
(garbage)

What we throw away:
shall I make a list?
The brown spot and the whole
apple around it;
the purple spot

and the addict’s arm
and the whole man.  Mostly
what’s hard to look at or easy
to look past.  An empty wallet full
of bus rides home; the child

crying in the detergent aisle;
a dark man who laughs
in another language.  Thinking
we can have what we’ve killed
to keep.  And my soul, too,

is small and gray
as all the rest.  Yesterday
I nibbled crumbs and was happy
until someone told me
they were crumbs.

.     .     .     .     .

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[from little mouse,© Bill Griffin, Main Street Rag Publishing, 2011; first appeared in Iodine Vol 10 Nr. 1, Spring/Summer 2009]

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