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Archive for the ‘Imagery’ Category

June 1, 2012

This is Dan Lawler at Great Smoky Mountains National Park.  May I speak to Bill Griffin?

Hi, I’m Bill.

Listen, Bill, it’s about your back country permit.  You’re not going to be able to stay at Cosby Knob Shelter on June 9.

What is it? Too many hikers?

No, too much bear activity.  A bear tore up a couple of hikers’ . . . packs.  We’re closing the shelter for a month or two until he gets the message and moves on.  Those Cosby Creek bears – ha, ha – they give us problems every spring.

Ah . . . well . . . that’s fine.  I’m not all that fond of sleeping with bears.

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July 23, 2000

Today Mary Ellen and I embarked on the Great Sibling Bonding Adventure.  My sister and I spent a week backpacking the Appalachian Trail from Springer Mtn., GA to Deep Gap, NC, something shy of 100 miles.  Growing up separated in age by six years we never spent much time together, never had a lot in common.  Now we’re sweating up every steep ridge together, eating out of the same pot, sleeping in the same little tent.

Along the way we count the birds and name the wildflowers, and make up names if we don’t recognize them.  We make supper in pitch dark at Gooch Gap.  We make up funny songs (“Nothing Like a Log” to the tune of “Nothing Like a Dame”).  We make it to Muskrat Creek Shelter on our last night and celebrate Mary Ellen’s thirty-eleventh birthday with a stale cake I’ve stashed in my pack all week.  We make friends.

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June 8, 2012

Now it’s Friday morning and we’re cinching up our hip belts at Big Creek ranger station to head into the back country again.  Last month Mary Ellen called me and said she was overdue for some big brother quality time.  We broke out the trail maps and chose a non-old-guy-destructive three-day loop in GSMNP.  Since we’ve been shut out of Cosby Knob by the bears, we’ll hike 5 1/2 miles to Walnut Bottom and spend both nights there, Big Creek chuckling beside us.  On Saturday we’ll hike a ten-mile loop that takes us up to the AT and right past the bear-haunted trail shelter (and while we fill our bottles from the spring there we’ll keep whistling the entire time).

We’ll name every flower, tree and shrub — in twelve years damn if Mary Ellen hasn’t learned them all, right down to the Latin binomials.  After supper we’ll hang our food up high, and while dusk settles into Walnut Bottom we’ll sit on mossy creek boulders, sip mint tea with powdered milk, and wonder if the bears have discovered unattended dinners on the Tennessee side of the ridge.  Or if at this very moment they’re watching us from within the dog hobble and rhodies, just waiting for full dark . . .

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Bear

If you hear me, it will be a nut falling
from the buckeye.  If you hear me,
it will be a dry branch
seeking earth,
it will be slender fingers
of mountain ash waving praises
to the ridgelined sky.

If you see me, it will be a shadow
only one breath deeper
than twilight.
If you see me, it will be the twist
of heart that skips
a beat, the stark
of pupils gone abruptly wide.

I am mist that enfolds the laurel.
I am stone that reclines beneath black hemlocks.
I am a rumor at Maddron Bald,
a tremor at Mt. Guyot.

Raven is mistaken – this Ridge is mine.

And if you hear me, it will be the rising chest
of the mountain and its timeless slow
exhale,
and if you hear me
it will only be because
I didn’t hear you first.

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Afterword

In some twenty years of backpacking the Southern Appalachian mountains and Great Smokies, I’ve encounered a bear exactly once.  Mike Barnett and I were hiking without the noisy accompaniment of teenagers.  We’d set up camp one evening and I had walked back up the trail to spot some birds.  I’d been standing completely still for about twenty minutes, waiting for a Pileated Woodpecker I’d been hearing to show itself, when I heard a soft crack behind me.  I figured it was a buckeye falling.  Crack again.  I turned.  Slowly.  Twenty feet from me a large black mass with a pointed nose was staring towards camp where Mike was fixing supper.

And where did that happen?  Cosby Knob shelter.  That night I wrote the first draft of Bear in the AT log book and next morning left it in the shelter.

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and a p.s. . . .

Hey Sister — I’m looking closer at all the wildflower photos we took and I believe we saw BOTH lesser and greater purple fringed orchids!   (Platanthera psychodes and grandiflora).    —    your Bro

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[Bear first appeared in the journal Cave Wall, and was the first poem I wrote in the collection Snake Den Ridge, a Bestiary (March Street Press, 2009.]

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In three weeks my cousin Pat is going to take a small step into the vast unknown.  Pat Riviere-Seel is going to spend a week at the NC Zoological Park in Asheboro as its first Poet-in-Residence.  She and I have been whispering and tittering (in the email sense) about her preparations almost daily because just a few weeks after her sojourn ends I am going to follow her in the same role.  And yes, before you ask, the curators have promised fresh straw in our cages.

How does one  qualify to become a Zoo Poet?  The decision process of the artistic committee that established this new program remains obscure to us, the selected, but I can tell you a little about Pat’s qualifications as a poet.  She has the ability to imagine herself into unimaginable personalities.   She can speak in the voices of the voiceless . . . so many voices.  To read her poetry is to be touched, mind and heart, by people you could never otherwise have known.

Perhaps some of this creative skill has grown from her affliction, as she describes it, of “recovering journalist.”  In the thousands of interviews and articles over the years, how many personalities consumed her?  How many epiphanies when she suddenly saw with another person’s eyes and felt the whole of their motivations?  In her book The Serial Killer’s Daughter, Pat has completed the astonishing transition from journalist to poet.  Through the poems speak not only the daughter and mother, but other family members, victims, onlookers.  The story as it unfolds, and as the daughter begins to suspect, gives me a chill every time I read it.  It can’t be easy to weave together fear and desperation with calculating cruelty and still leave the reader with a sense of compassion, but my cousin Pat is someone ever willing to take a step into the vast unknown.

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My Brother’s Keeper

My brother doesn’t believe me
when I tell him it’s no accident
everyone close to Mama dies.

Always Mama’s favorite, he’s
the smart one, college degree,
office job.  He can’t afford

a stain of doubt ringing
the collar of his starched
life.  How could he forget

what happened when
he enlisted:  Mama declared
the Army wouldn’t take him,

a widow’s only son.  Two weeks
she railed like a street preacher
calling to the lost.  My brother claimed

Mama’s grief soured his stomach.
It’s nothing, he told me.  Just the stress
from seeing Mama so upset.

He forced himself to eat with us
the day before he left.  No cake,
he said to me.  But Mama insisted.

Clumsy, she screeched
as I slipped
and the cake shattered.

© Pat Riviere-Seel, The Serial-Killer’s Daughter, 2009, Main Street Rag Publishing Company.  Additional sample poems at Pat’s homepage.

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Yes, Pat and I are really cousins.  Her great-grandfather, the Reverend J.N.S. Daub, is also my mother’s great-grandfather.  That makes us second cousins one generation removed.  (Your attention please:  due to the vagaries of genealogical arithmetic, this does not mean that Pat is old enough to be my mother.)  We discovered this connection only about ten years ago when we met at an NCPS meeting and she mentioned that she’d just attended a family reunion in Lewisville.  I said, “Hey, that’s where my great-great-grandfather is buried,” then later mailed her a photo I’d taken of the headstone.  Cosmic!

And as far as her being selected as Zoo Poet, I also happen to know that Pat has written a number of poems about bears.

The Poets-in-Residence will be offering adult and youth workshops during our weeks with the animals.  For more information about Pat, me, and the third Zoo Poet Michael Beadle follow these links!

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Suddenly a sound like the blowing of a violent wind came from heaven and filled the whole house where they were sitting, and they saw what seemed to be tongues of fire . . .

Loud rush of wind.  Tongues of fire.  We have to resort to metaphor because inspiration is an experience that transcends language.  A tremor of the soul.  The evidence of our senses no longer holds.  We don’t know why or how, but we know it is true.

I deal in truth.  Come on, so do you.  Well, OK, a lot of the time the depth of truth I’m dealing in is which item on the Thai menu is best or whether it’s time for a new computer.  But most days I’m also looking for truth that makes a difference: selecting the ideal diagnostic test or best treatment course for a patient; figuring out how to respond to my Grandson’s shenanigans; choosing just the right words in time of crisis.  Different truths seem to beg for different methods:

The Consumer Reports Method: You look at various tests and evaluations, you compare the different options, weigh the characteristics of each, and you decide which suits you best.

The Angie’s List Method: You trust other people to give you an honest opinion, you take their word for it and follow their recommendations.

The Scientific Method: You start with a null hypothesis, you formulate an alternative hypothesis, you perform experiments that can prove or disprove your hypothesis, AND other researchers performing the same experiments get the same results, so that your truth is reproducible.

The Spiritual Method: You get touched, breathed into, shaken and blown away by God.  In other words, inspired.

So how did I get here?  Part of the answer is in Keith Peterson’s poem How Long Did It Take?  When he tries to identify the inspiration for a poem the search connects him to something he read a few hours ago, then to memories and events of the past 40 years.  To his whole life.  To forever.  That is literary inspiration.

I would say literary inspiration is just a subset of all creative inspiration, which is a subset of everything that inspires us to awareness.  Inspiration is what connects us to this universe we inhabit.  I call it God.  You probably know some other names.  It may transcend language, but what I do know is that sometimes I have suddenly become speechless in the presence of an overwhelming sense of love and presence.  A sense in that moment that everything is right.  I imagine God, being everything – inside, outside, all – and being in essence and totality love, is continually in the act of wooing each complex molecule and synapse and electodynamic of my person to enter more perfectly into that love.

How did I get here?  Inspiration. The breath of spirit that enters and makes alive.  Ongoing, continual, never beginning nor ending. Not some sudden apocalyptic storm of electrons in gray matter, not some mystical visitation of otherness. Just that perfect enticement, subtle and often unnoticed.  Just forever.

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little mouse
(evidence)

Listen, it’s there again,
bone tremor like a footfall
on deep moss after midnight,
not my ears that hear, my heart
feels it.  Not my eyes,

they’re closed, but light enters
like sun filtered through miles of leaves
to find earth’s one white
petal.  You want to see
a footprint, count the round toes, claws

flexed or full extension.  You would sniff
the imprint, scribble genus . . . species,
publish your theories and turn up
your nose at mine.  Can you write me
an equation for hope?  A hand

hovers above my shoulder lightly (un-)
touching.  In the domain of mice
all large things are death.  Why
am I convinced my life depends
on the one thing I can’t prove?

© 2011 Bill Griffin, little mouse, Main Street Rag Publishing

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part 2 of 2
(part 1 posted 5/26/2012)

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