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Archive for November, 2025

Saturday morning readers share:
Maria Rouphail and Joan Barasovska
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This small house, this big sky . 
 .  . Shapes of things: so much the same
 .  .  .  . they feel like eternal forms
 .  .  .  .  . (Adrienne Rich, “Sources”)
 . 
This small house
my heart’s center
where the world entered and sat down
and I greeted it
as a mysterious guest
my first words swelling into
sentences and song
north to the barred owl in the backyard oak
and the clothesline strung with bedsheets post to post
south to the sawmill
and the draft horses pulling flatbeds of logs
east where a gravel road snaked toward the bay
and long clouds steamed from the loud freight train
west and a highway curving into the pines
and the pond where we swam
where a laughing boy in my class
did not drown one afternoon
but caught polio instead
he never walked again
his mother cried
my mother kept me close
and the sky stared at us in silence
every day in those days
I wondered why
that boy
and not me
 . 
Maria Rouphail
 . 
This is the title poem of my 2025 book, This small house, this big sky (Redhawk Press).  I deliberately avoided punctuation, hoping to effect a kind of seamless stream of consciousness.
 . 

Papa and me, circa 1952

 . 
Here’s something weird: since childhood I’ve had the ability to “mirror write,” and spontaneously and without pause. Could be because I’m left-handed. Long ago, I was told that DaVinci had the same ability, but I’m certainly no DaVinci! 
 . 
Additional poetry by Maria Rouphail at Verse and Image:
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❀   ❀   ❀   ❀   ❀
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Scarcity
 . 
Love, ever a torment,
a yearning—the knot
 . 
I’ve got for what I need.
Love, not blind, but stupefied
 . 
like grief, like bleeding.
The trouble with me
 . 
is agony, the piercing note
of longing, its persistence.
 . 
It’s plainly the shame
of scarcity, the freeze
 . 
of what I sprang from.
I guess I cried.
 . 
Joan Barasovska
 . 
Scarcity is forthcoming in the winter edition of Persimmon Tree.
 . 
I am sitting at my small desk, above which I have placed many, many things: a photo of the sign that hangs outside of the Grolier Poetry Book Shop in Cambridge, Massachusetts; the cracking cover of an old Penguin paperback of George Bernard Shaw’s Saint Joan with Joan in armor on her steed looking skyward; a clipping of a newspaper headline: “The Courage to Be Alone”; my dad’s business card; a Bazooka Joe comic in Hebrew; the poem “Crossing” by Jericho Brown; lines from Eudora Welty, Borges, Eliot, Mark Strand, Raymond Carver; Bertolt Brecht; a note from Bill Griffin: “You are the beating heart of NCPS, not to mention spleen and gizzard”; a framed arrangement of dried flowers and ginkgo leaves. More. But there’s a yellowed, brittle piece of newsprint, probably from The American Poetry Review, with these lines: “There the wind blows / There the rain falls / There god roams / on his palms, on his all four palms” Can anyone identify this? Is it familiar? I would love to know.
 . 
Also on my desk, this photo with my daughter Clare in my living room 
 . 
Additional poetry by Joan Barasovska at Verse and Image:
❀   ❀   ❀   ❀   ❀
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Saturday Morning Submissions – Once a week on Saturday I feature one or two poems shared with me by readers. If you would like to consider having a favorite poem appear, either by you or by a poet you admire, please see the GUIDELINES here:
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 . 
Two poems by Gilbert-Chappell students
 . 
Fantasy
 . 
I said can you feel that sun and she said no and I beckoned her out of the shadows and tilted my face skyward and my skin lit up gold crown to sole and I said can you feel that sun and she said no and I took her hand and pulled her close and pressed my nose to her temple and breathed in her warmth and I said can you feel that sun and she said no but her voice held the nostalgia of a thousand dusks and I cracked one eye open in suspicion and she was radiant and grinning
 . 
Jude McDonald
 . 

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 . 
Affirmations for My Twenty-First Year
 . 
I am tensile and easily missed. I am choral, and archaic, and autumnal in fashion.
When the temperature drops, I wear a sensible pair of stockings that attract
a sensible amount of attention. I am wild-footed. I am uneven in an interesting
way. When there is singing, I listen. I believe in jackalopes and the miracle of modern
medicine. I am trustworthy. I am the end of a bloodline. When there is not
singing, I will ask for there to be singing.
 . 
+++++ A lover (lover! Lover, lover) once siad I was a flashlight cutting through
the dark pier of “something, like, life, maybe?” She was not a good poet. This year,
I am no one’s flashlight. I will tell lovers (lovers!) forget your wavering, cut the shit,
you should not need me to know where to step. And anyway, you know how to swim
+++++ don’t you?
 . 
I am tall. I am tawny and approachable. Where there is love to be found, I am
a good hunter. When the moon rises, I offer traditional greetings. I am funny.
I am funny, funny, funny. I am not a flashlight, I am something hotter. Fire,
why not! I burn your eyes. I burn your tongue. I burn your mother’s hands
when she takes me out of the oven. I am a blackberry cobbler baked fresh.
 . 
+++++ I am an East Coast native. I am kind. I am the hand of gnarled oak clawing
at a telephone wire. I am kind. I climb bare-bodied birches in winter and watch
my breath. I am light and breezy. When lovers say I am anything, I will say, “No,
I am not.” I am kind. I am a friend to cats and children. I have a certain allure. I leap
off cliffs and build houses where I land. I am kind. I will be kinder.
 . 
Lauren Mills
 . 
 . 
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When there is not / singing, I will ask for there to be singing. Both of these poems are full-throated affirmations, songs of self uplifted, revealed, celebrated. Every time I read Fantasy my smile grows broader and broader line by line. To become radiant and grinning, oh how I wish it to be so. Why shouldn’t every day be an opportunity to discover joy? Exactly the same with Affirmations. Enter the universe of miracles and music and hot blackberry cobbler. My hope in our world is restored when even one person chooses to be kind. And kinder. Let’s all join in.
 . 
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Witness: Appalachia to Hatteras (2025) is the annual anthology of the Gilbert-Chappel Distinguished Poet Series of the North Carolina Poetry Society. Poet Mentors in the eastern, central, and western regions of the state spend six months guiding student poets, culminating in public readings and this published collection. The 2025 Distinguished Poet Mentors are Gideon Young, Maria Rouphail, and Mildred Kiconco Barya.
 . 
Jude McDonald (Raleigh, NC) is a Black, queer poet, multimedia artist, and writer. He focuses on complex themes like love, identity, and reflection, and asks his listeners/viewers to stop in close and embrace vulnerability. Lauren Mills (Sherrills Ford, NC) currently attends Dartmouth College as an English and Creative Writing major. She is interested in Shakespearean theatre, the weather, getting funnier, and dogs that have the size and temperament of cats.
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2016-10-17a Doughton Park Tree
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Note this new format for VERSE and IMAGE:
every Friday I present one or two poems I’ve read this week that particularly speak to me;
every Saturday I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, please view these GUIDELINES:
 . 
                            https://griffinpoetry.com/about/
 . 
Also note: after January 1, 2026 I will no longer be sending weekly email reminders.
If you would like to receive an email each time a post appears, please SUBSCRIBE to VERSE & IMAGE using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will subscribe for you. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM

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Saturday morning readers share:
David Radavich and Richard Allen Taylor
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Birthday
 . 
Every year a leaf falls,
one at a time, hands,
days full of raking, scattering
 . 
and I come to see
the bare tree
of us
against the sunlight
strewn in branches, shimmering
naked against all
 . 
those colors you give me
tumbling free
within a small space,
 . 
a time together
walking in woods
 . 
David Radavich
 . 
For a possible Saturday poem I have selected Birthday, which strikes me as a quintessentially autumn poem. It was first published in my book, By the Way: Poems over the Years (Buttonwood, 1998).
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 . 
The picture shows me ensconced in a park in Champaign, Illinois when my hair was not yet silver. As for a curious factoid about me, I enjoy reading German philosophy (in German), especially Schopenhauer and Cassirer. Also, casting horoscopes. Go figure.
 . 
Additional poetry by David Radavich at Verse and Image:
[April every year? David always contributes to our special EARTH DAY posts.]
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Blessed Are
+++++ After “Ode on Inheritance” by Kate Partridge
 . 
Perhaps there is no inheritance worth having
+++++that does not include a narrative of water—
++++++++++ a river, a lake, an ocean
 . 
pounding on the beach below the open windows.
+++++My father bought a farm
++++++++++with a white house on a hill, a pond
 . 
at the bottom. My mother inherited. She later sold.
+++++All of it was (shall we say) liquidated.
++++++++++Gone, the tiny lake
 . 
fed by a stream tumbling over my father’s modest
+++++ambitions. Just as well. My brothers and I sought
++++++++++ neither the view nor the serenity.
 . 
We were reaching elsewhere, for something
+++++less pastoral, more hopeful,
++++++++++something more highway
 . 
than country road. But even a cave can elicit hope.
+++++The torch goes out, we keep thrusting our hands
++++++++++ forward, groping the walls,
 . 
feet following our blindness. As if a hole could lean
+++++against its sides. All it takes is the will
++++++++++ to swap adjectives.
 . 
Trade wet for slick. Choose briny over soaked.
+++++ Here we go again with that
++++++++++narrative of water. Snow, hail,
 . 
ice melting in your palm. Later, when the drought
+++++squeezes the pond dry, the spark catches
++++++++++ and fire climbs the hill,
 . 
everything promised burns. The difference between
+++++bold and meek becomes a matter of timing.
++++++++++Bold when we rush forward
 . 
to extinguish the blaze. Meek when the flames
+++++ force us back to a place
++++++++++where faces do not melt.
 . 
When rain comes, finally, we inherit the memory
+++++of blackened hills, even if no lawyers or signatures
++++++++++ attend. When grief follows, we console ourselves.
 . 
We say the trees bury their seeds under layers of ash.
We say the trees dream of resurrection.
 . 
Richard Allen Taylor
 . 
This poem first appeared in Sheila-Na-Gig Online, and received a Pushcart Prize nomination. It is now part of a book-length manuscript, Geography of One, that will be published next year if all goes according to plan. 
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 . 
This is my habitat but not necessarily the only habitat or even where I spend most of my time. But I don’t have a picture of me typing at my desk. That would be my real habitat and that would be boring. 
 . 
Interesting tidbit: After retiring from my job as Regional Human Resources Manager of Hendrick Automotive Group in 2013, I earned an MFA in Creative Writing from Queens University of Charlotte in 2015. 
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Additional poetry by Richard Allen Taylor at Verse and Image:
❀ ❀ ❀ ❀ ❀
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 . 
Saturday Morning Submissions – Once a week on Saturday I feature one or two poems shared with me by readers. If you would like to consider having your poem appear, please see the GUIDELINES here.

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